DOCSLIB.ORG

2005-6 21 Grams 2002-3 a Clockwork Orange 2014-15 a Late Quartet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2005-6 21 Grams 2002-3 a Clockwork Orange 2014-15 a Late Quartet 2005-6 21 Grams 2002-3 A Clockwork Orange 2014-15 A Late Quartet 2018-19 A Man Called Ove 2010-11 A Prophet 2012-13 A Separation 2010-11 A Serious Man 2016-17 A Simple Life 2013-14 About Elly 2005-6 About Schmidt 2016-17 Adam’s Apples 2009-10 After the Wedding 2002-3 Amelie 2002-3 Amores Perros 2013-14 Amour 2010-11 An Education 2011-12 Angel-A 2015-16 Animal Kingdom 2011-12 Another Year 2016-17 Au Revoir les Enfants 2013-14 Beasts of the Southern Wild 2007-8 Belle de Jour 2004-5 Belleville Rendezvous 2014-15 Bernie 2002-3 Best in Show 2014-15 Bicycle Thieves 2006-7 Billy Liar 2019-20 Bingo: The King Of The Mornings 2012-13 Biutiful 2011-12 Blame It On Fidel 2006-7 Bombon el Perro 2017-18 Bread and Tulips 2010-11 Bright Star 2012-13 Bullet Boy 2014-15 Butterfly's Tongue 2006-7 Caché (Hidden) 2015-16 Calvary 2009-10 Caramel 2006-7 Central do Brasil (Central Station) 2020-21 Cold War 2019-20 Educating Rita 2018-19 El Bola 2018-19 Fire 2018-19 Frantz 2008-9 Ghosts 2004-5 Girl with a Pearl Earring 2004-5 Goodbye Lenin 2007-8 Goodnight and Good Luck 2015-16 Hannah Arendt 2008-9 Happy-Go-Lucky 2008-9 He Love Me, He Loves 2020-21 Her Love Boils Bathwater 2018-19 I Am Not A Witch 2017-18 I, Daniel Blake 2009-10 I‘ve Loved You So Long 2007-8 I’m Not Scared 2015-16 Ida 2003-4 Il Postino 2012-13 In a Better World 2009-10 In Bruges 2002-3 In the Bedroom 2019-20 In The Fade 2010-11 In the Valley of Elah 2012-13 Incendies 2016-17 Italian for Beginners 2008-9 Jindabyne 2020-21 JoJo Rabbit 2009-10 Juno 2006-7 Kandahar 2010-11 Katalin Varga 2016-17 L’Enfant 2009-10 L’Heure d’Eté 2004-5 L’Homme du Train 2018-19 Land Of Mine 2006-7 Lantana 2008-9 Last King of Scotland 2002-3 Last Orders 2015-16 Le Havre 2019-20 Leave No Trace 2003-4 Leon (The Professional) 2009-10 Les Quatre Cents Coups (Four Hundred Blows) 2015-16 Leviathan 2002-3 Life is Beautiful (La Vita e Bella) 2006-7 Live and Become 2016-17 Locke 2010-11 Lourdes 2011-12 Lust, Caution 2013-14 Madamoiselle Chambon 2004-5 Malena 2009-10 Man on Wire 2013-14 Martha Marcy May Marlene 2012-13 Mary & Max 2002-3 Memento 2014-15 Metro Manila 2013-14 Monsieur Lazhar 2002-3 Monsoon Wedding 2005-6 Motorcycle Diaries 2017-18 Mustang 2007-8 My Architect 2019-20 My Feral Heart 2018-19 My Life As A Dog 2014-15 Nebraska 2005-6 Nine Queens 2017-18 Nocturnal Animals 2006-7 O Brother Where Art Thou? 2011-12 Of Gods And Men 2009-10 Of Time and the City 2015-16 Omar 2003-4 On the Waterfront 2008-9 Once 2008-9 Pan’s Labyrinth 2020-21 Parasite 2003-4 Pauline et Paulette 2008-9 Persepolis 2016-17 Phoenix 2012-13 Poetry 2015-16 Pride 2006-7 Raise the Red Lantern 2010-11 Red Road 2018-19 Run Lola Run 2015-16 Rust and Bone 2010-11 Samson & Delilah 2003-4 Sexy Beast 2019-20 Shoplifters 2013-14 Sightseers 2018-19 Sing Street 2011-12 Skeletons 2017-18 Skylab 2018-19 Son Of Saul 2008-9 Sophie Scholl: the Last Days 2005-6 Spring, Summer, Autumn, Winter ... and Spring 2010-11 Still Walking 2019-20 Summer 1993 2008-9 Sunset Boulevard 2017-18 Sweet Bean 2017-18 T2 Trainspotting 2006-7 Talk To Her 2017-18 Tangerines 2018-19 Tanna 2016-17 The Artist and the Model 2011-12 The Ballroom 2006-7 The Beat That My Heart Skipped 2005-6 The Buena Vista Soci 2003-4 The Closet 2016-17 The Cuckoo 2010-11 The Damned United 2011-12 The Disappearance Of Alice Creed 2007-8 The Dish 2019-20 The Divine Order 2008-9 The Diving Bell and 2013-14 The Edge of Heaven 2012-13 The First Day of the Rest of Your Life 2003-4 The Girl from Paris 2012-13 The Guard 2014-15 The Hedgehog 2013-14 The Hunt 2012-13 The Last Picture Show 2019-20 The Lesson 2018-19 The Levelling 2017-18 The Lives of Others 2014-15 The Lunchbox 2011-12 The Maid 2002-3 The Man Who Wasn’t There 2005-6 The Merchant of Venice 2005-6 The Mother 2005-6 The Officers’ Ward 2009-10 The Orphanage 2015-16 The Patience Stone 2003-4 The Pianist 2003-4 The Quiet American 2004-5 The Red Violin 2009-10 The Return 2018-19 The Salesman 2012-13 The Salt of Life 2019-20 The Second Mother 2011-12 The Secrets In Their Eyes 2009-10 The Serpent 2010-11 The Servant 2007-8 The Spanish Prisoner 2015-16 The Spirit of the Beehive 2007-8 The Squid and the Whale 2006-7 The Third Man 2007-8 The Three Burials of Mesquiades Estrada 2014-15 The Wall 2013-14 The Wave 2019-20 The Well Digger's Daughter 2010-11 The White Ribbon 2015-16 The Wind Rises 2016-17 Theeb 2008-9 Three Colours (Red) 2007-8 Three Colours (White) 2005-6 Three Colours: Blue 2016-17 Timbukto 2004-5 Touching the Void 2007-8 Tsotsi 2009-10 Two Days in Paris 2012-13 Tyrannosaur 2008-9 Unforgiven 2007-8 United 93 2013-14 Untouchable 2019-20 Vice 2014-15 Volver 2014-15 Wadjda 2011-12 Waltz With Bashir 2016-17 Water 2004-5 Whale Rider 2013-14 When Pigs Have Wing 2016-17 Whiplash 2007-8 Wild Strawberries.
Load more

Recommended publications
  • Beneath the Surface *Animals and Their Digs Conversation Group
    FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you.
    [Show full text]
  • Enrolments & General Information
    FREE Term 3 course program Keep me for the next 3 months August to October 2017 Your college, your future © Caroline Fisher www.byroncollege.org.au ENroLMENTS & GENeraL INFORMatION HOW TO ENROL BY PHONE IN PERSON Byron Community College receives Pay over the phone using a credit Visit the College campus offices in funding from the card by ringing 02 6684 3374. Mullumbimby or Byron Bay. NSW Department of Industry. Mullumbimby ONLINE Cnr Burringbar and Gordon St, Mullumbimby. (Weekdays 9 - 5) Byron Region Community College RTO: 90013 Go to the College website Byron Bay PO Box 571 Mullumbimby, www.byroncollege.org.au and Lvl 1, 107 Jonson St, Byron Bay complete the online enrolment (opposite Woolworths) NSW 2482 form and pay via our secure site. (Mon 9:30 - 4, Tue 9:30 - 12:30 www.byroncollege.org.au Wed 9:30 - 4) REFUND POLICY CONTENTS Byron Region Community College cannot accept Nationally Recognised Training 4 responsibility for changes in your personal Short Courses 4 circumstances. Please choose your course carefully as REFUNDS WILL NOT BE GIVEN unless Full Qualifications 5 cancellations are received three working days Permaculture 8 prior to course commencement, and will incur a $15 administration charge. Fees are fully Business 10 refundable only if the course is cancelled by Computers 13 Byron Region Community College. Writing 16 Director: Richard Vinycomb Music, Performance & Dance 18 VET Manager: Tammy Love VET Quality and Marketing Coordinator: Nicole Photography 20 Steel Handcrafts 21 IT Manager: Charlie Wilson Marketing and Course Coordinator: Vicki Walker Drawing & Painting 24 Bookkeeper: Linda Hung Cooking 25 Foundation Skills Coordinator: Kate Montford Sustainable Living 26 Administration: Lance Hopson, Leonie Turner-Mann, Mary-Jane Manning, Languages 27 Georgie Coghlan, Fiona Sheridan, Robyn Wellbeing 29 Robotham, Shellie Nicholls, Flick Durham Cover Photo: Caroline Fisher Design & Layout: Bona Floret Sustainable Plantation Stock.
    [Show full text]
  • Scandinavian Cinema from the Silent Era Prof
    © Lynn R. Wilkinson UGS302 (64115): Nordic Light: Scandinavian Cinema from the Silent Era Prof. Lynn Wilkinson to the 2000s COURSE DESCRIPTION: Ingmar Bergman is perhaps the best known Scandinavian filmmaker, but Northern Europe has a remarkable tradition of filmmakers and filmmaking. Including films from Sweden, Denmark, and Iceland, this course will provide an introduction to some of the masterpieces of Scandinavian film from the Golden Age of silent film through the 2000s and to the culture of Scandinavia. ASSIGNMENTS AND GRADING: One two-page paper (5%); one five-page paper which may be rewritten (20%); one storyboard (10%) accompanied by a five-page essay (20%); five quizzes (20%; you may drop the lowest grade); one class presentation (5%). Class participation will count 20%. REQUIRED TEXTS: Bordwell and Thompson: Film Art: An Introduction. 10th edition (2009) McGraw Hill: ISBN 10: 0073386162 Earlier editions on reserve: PN 1995 B617 2004 TEXT; PN1995 B617 2001 TEXT Recommended: Tytti Soila et al.: Nordic National Cinemas Routledge: ISBN-10: 0415081955 On Reserve: PN 1993.5 s2 s65 1998; also available as an electronic resource Braudy and Cohen: Film Theory and Criticism. 6th edition (FTC on syllabus) Oxford Univ. Press: ISBN 10 0195158172 On reserve: PN 1994 M364 2004 Mette Hjort: Purity and Provocation: Dogme 95 British Film Institute On reserve: PN1995.9 E96 P87 2003 Mette Hjort: Italian for Beginners University of Washington Press, 2010 PN 1997 I51555 H56 2010 Björn Norðfjörð: Dagur Kári’s Nói the Albino University of Washington
    [Show full text]
  • Screening Trauma in Waltz with Bashir and Lebanon
    Anna Ball 1 ‘Looking the Beast in the Eye’: Screening Trauma in Waltz With Bashir and Lebanon Published in The Ethics of Representation in Literature, Art and Journalism: Transnational Responses to the Siege of Beirut, ed. Caroline Rooney and Rita Sakr (London: Routledge, 2013), pp.71-85. PRE-PRINT PROOF: PLEASE REFER TO PRINTED VERSION FOR CITATION Anna Ball, [email protected] Having looked the beast of the past in the eye, having asked and received forgiveness and made amends, let us shut the door on the past – not in order to forget it but in order not to allow it to imprison us. - Archbishop Desmond Tutu, South African Truth and Reconciliation Commission Report.i [Figure 1: Image from Waltz With Bashir, dir. Ari Folman (London: Artificial Eye, 2008).] It is the kind of place that we have all visited in our dreams: somewhere that at first seems drearily familiar, a nocturnal cityscape perhaps, streets littered and rain-sodden. Until you see the sky. Not black but a lurid yellow: a sickly light, the colour of phosphorous, an unnatural illumination of the darkness. Then, as you knew they would, they come, all twenty-six of them, snarling and slathering, sleek black coats gleaming in the rain, eyes bright as flares. All Anna Ball 2 night, they circle beneath your window, howl at you through your restless sleep, and though in the morning they will be gone, as dreams always are, you know that they will return – for this is what it is to be hunted by this particular kind of beast.
    [Show full text]
  • A Film Watcher's Guide to Multicultural Films
    (Year) The year stated follows the TPL catalogue, based on when the film was released in DVD format. DRAMA CONTINUED Young and Beautiful (2014) [French] La Donation (The Legacy) (2010) [French] Yureru (Sway) (2006) [Japanese] Eccentricities of a Blonde-Haired Girl (2010) FAMILY [Portuguese] Amazonia (2014) [no dialogue] Ekstra (2014) [Tagalog] Antboy (2014) [English] Everyday (2014) [English] A Film Watcher’s The Book of Life (2014) [English/Spanish/French] Force Majeure (2014) [Swedish/English/French] Jack and the Cuckoo-Clock Heart (2013) Gerontophilia (2014) [French/English] Guide To Gett: The Trial of Viviane Amsalem (2015) [English/French] Khumba (2013) [English] [French/Hebrew/Arabic] Song of the Sea (2015) [English/French] Girlhood (2015) [French] Happy-Go-Lucky (2009) [English] HORROR The hundred year-old man who climbed out of a (*includes graphic scenes/violence) window and disappeared (2015) [Swedish/English] Berberian Sound Studio (2012) [English] The Hunt (2013) [Danish] *Borgman (2013) [Dutch/English] I am Yours (2013) [Norwegian/Urdu/Swedish] *Kill List (2011) [English] Ida (2014) [Polish] The Loved Ones (2012) [English] In a Better World (2011) [Danish/French] The Wild Hunt (2010) [English/French] The Last Sentence (2012) [Swedish] Les Neiges du Kilimanjaro (The Snows of ROMANCE Kilimanjaro) (2012) [French] All about Love (2006) [Cantonese/Mandarin] Leviathan (2015) [Russian/English/French] Amour (2013) [French] Like Father, Like Son (2014) [Japanese] Cairo Time (2010) [English/French] Goodbye First Love (2011) [French]
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • World War II Meets French 331: Using Au Revoir Les Enfants to Discuss Religion, Ethics, And
    World War II Meets French 331: Using Au revoir les enfants to Discuss Religion, Ethics, and Values _________________________________ Laura Dennis-Bay University of the Cumberlands Williamsburg, Kentucky Abstract This paper examines the treatment of religious and ethical themes in relation to the holocaust in Louis Malle’s film Au revoir les enfants, and suggests ways in which the film can enable discussion of religion, ethics and values in the French classroom.The film raises issues of philosophical and spiritual significance as it forces the viewer to grapple with some of the most atrocious events in human history. “Can we watch a movie?” Many college foreign language profes- sors hear all too often some variation of this refrain. Whatever the response, it seems that more often than not, the request is followed by something like “my high school teacher let us watch Beauty and the Beast in French.” Already suspecting, perhaps fearing the answer, the instructor might re- spond “Oh, the beautiful black and white film by Surrealist director and poet Jean Cocteau?” The answer, too many times, is a perplexed “No, I mean the Disney cartoon,” at which point it’s time to move on. This is not to argue against the use of film in the classroom. In fact, in the past few years I have added an increasing number of films at the Intermediate level and beyond, and even developed an entire course on film adaptations of literary works. Not only do films in the target language en- courage development of linguistic skills, particularly listening, in some cases they also serve as valuable cultural and historical artifacts.
    [Show full text]
  • Gendered Mobility, Legacy and Transformative Sacrifice in the Screen Stories of Susanne Bier
    Networking Knowledge Position-in-frame (Jun. 2017) Position-in-frame: gendered mobility, legacy and transformative sacrifice in the screen stories of Susanne Bier. CATH MOORE, Deakin University ABSTRACT An integral connection point between the screenplay and reader/viewer is the protagonist’s transformative journey. The construction of this narrative backbone is critical to the articulation of overarching thematic concerns and story premise but also reflects the story creator’s worldview- one often coloured by representations of gender. The Hollywood model certainly divides narrative function along gender lines but does this representation hold true within a different cultural context? This article examines the selected screen stories of Danish director Susanne Bier whose partnership with screenwriter Anders Thomas Jensen is one of Denmark’s most successful film partnerships. Employing a case study methodology I examine the dramatic function of and agency afforded screen characters and the critical dynamic between cultural landscape, practitioner preference and narrative inquiry. Key to this address is an exploration of mobility, legacy and sacrifice as textual considerations of gender and its utilisation as transnational narrative strategy. KEYWORDS Transnational, mobility, transformative, collaboration, gaze Refocusing a masculinised gaze? With persistent ubiquity Hollywood continues to cast a dominant shadow over much of the global film & TV landscape. Similarly pervasive is the figurehead of such industrial influence - the male protagonist
    [Show full text]
  • Videos, Podcasts, TV, Film, Music, Song
    APA Referencing 7th edition – References format (7): Videos, Podcasts, TV, Film, Music, Song Publication Formatting instructions Template – Reference Format Type YouTube or Family name of person or name of Hayashi, Y. [Toast It Up]. (2020, February 10. Answering to "How can I become fluent in a video from group that uploaded the video. Then foreign language?" [Video]. YouTube. https://youtu.be/AFnyQnCcJio other online username in title caps in brackets. Then sources or year of publication, month and date in [Source: Video from YouTube social media site] social media parenthesis. Then title of video in letter OR caps and italics with description in brackets. Then name of streaming Cookie Studio. (2019, July 3). Amazon – Making of [Video]. Vimeo. service in title caps. Then URL https://vimeo.com/345947153 Omit the username if it is the same as the author’s or group name [Source: Video from other online social media] Podcast or Family name of executive producer or Hasan. M. (Podcast Host). (2018-present). Deconstructed with Mehdi Hasan [Audio podcast]. single episode host of podcast. Then description in The Intercept. https://theintercept.com/podcasts/deconstructed/ in a podcast parenthesis. Then range of years in series publication in parenthesis. The title of [Source: Podcast from other online podcast website with transcripts] podcast in letter caps and italics with OR description in brackets. Then name of production company. Then URL Reber, S. (Executive Producer). (2020, March 9). The reporters (No. 4) [Audio podcast If single episode, write year, month and episode]. In Verified. Scripps Washington Bureau. https://www.radio.com/media/audio- date of broadcast in parenthesis instead of range of years.
    [Show full text]
  • Animation Pedagogique Ecole Et Cinema Mardi 9 Mars 2012
    ANIMATION PEDAGOGIQUE ECOLE ET CINEMA MARDI 9 MARS 2012 Argent de poche (L') Son : Michel Laurent TRUFFAUT François Décors : Jean-Pierre Kohut-Svelko France 1976 Costumes : Monique Dury Genre : Comédie Dramatique Montage : Yann Dedet Ecriture cinématographique : Fiction Musique : Maurice Jaubert Ecole et cinéma 2004-2005 Chanson : Les Enfants s'ennuient le GÉNÉRIQUE dimanche, Charles Trenet Titre primitif : Abel et câlins Orchestre : Patrice Mestral Réalisation : François Truffaut Conseiller musical : François Porcile Scénario original : François Truffaut et Production : Les Films du Carrosse et les Suzanne Schiffman Artistes associés Scripte : Christine Pellé Producteur exécutif : Richard Hashimoto Image : Pierre-William Glenn Film 35 mm Couleurs M. Riffle / Francis Devlaeminck Format : 1/1,66 Le Commissaire, père de Sylvie / Jean- Durée : 1h43 Marie Carayon Distribution : AAA Distribution Sa femme / Kathy Carayon N° de Visa : 43 719 Patrick Desmouceaux/ Grégory Tournage : Juillet / août 1975, à Thiers Desmouceaux Sortie en France : 17 mars 1976 Bruno Rouillard / Bruno Staab Interprétation Julien Leclou Philippe Goldmann J.F. Richet, l'instituteur / Jean-François Corinne / Corinne Boucart Stevenin Patricia / Eva Truffaut Lydie Richet, sa femme / Virginie Thévenet Sylvie / Sylvie Grézel Mlle Petit / Chantal Mercier Laurent Riffle / Laurent Devlaeminck Nico / Nico Félix Madeleine Doinel / Laura Truffaut Mme Riffle / Tania Torrens Martine / Pascale Bruchon AVANT LA PROJECTION 1) Emission d’hypothèses à partir du titre: «L’argent de poche» La séquence vise à dépasser la première lecture du titre pour aller vers une lecture plus experte. Quand on demandera aux élèves d’émettre des hypothèses par rapport au titre, on peut anticiper des réponses d’élèves très centrées sur une histoire d’argent de poche.
    [Show full text]
  • January 2020 the Lighthouse Robert Eggers the Irish Film Institute
    JANUARY 2020 THE LIGHTHOUSE ROBERT EGGERS THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s EXHIBIT national cultural institution for film. It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. THE NIGHT WINTER MENU OF IDEAS 2020 Fancy some healthy and hearty food this January? Look The Night of Ideas is a worldwide initiative, spearheaded by no further than the IFI Café Bar’s delicious winter menu, Institut Français, that celebrates the constant stream of ideas featuring new dishes including Wicklow Lamb Stew, between countries, cultures, and generations. The IFI and Vegetarian Lasagne, and Warm Winter Veg with Harissa the French Embassy are proud to present this third edition in Yoghurt and Beetroot Crisps. Book your table by emailing Ireland, the theme of which is ‘Being Alive’. For more details on [email protected] or by ringing 01-6798712. the event, please see page 15. NAME YOUR SEAT COMING SOON Parasite Naming a seat in the newly refurbished Cinema 1 is a Coming to the IFI in February are two of the year’s most fantastic way to demonstrate your own passion for film, anticipated new releases: Bong Joon Ho’s Parasite, winner of celebrate the memory of someone who loved the IFI, or the 2019 Palme d’Or and hotly tipped for Oscar glory, follows the gift a unique birthday or anniversary present to the film sinister relationship between an unemployed family and their fan in your life! The only limit is 50 characters and your patrons; and Céline Sciamma’s stunning Portrait of a Lady on Fire, imagination.
    [Show full text]