NSSP-WP2-Screen Tourism Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
A Film Watcher's Guide to Multicultural Films
(Year) The year stated follows the TPL catalogue, based on when the film was released in DVD format. DRAMA CONTINUED Young and Beautiful (2014) [French] La Donation (The Legacy) (2010) [French] Yureru (Sway) (2006) [Japanese] Eccentricities of a Blonde-Haired Girl (2010) FAMILY [Portuguese] Amazonia (2014) [no dialogue] Ekstra (2014) [Tagalog] Antboy (2014) [English] Everyday (2014) [English] A Film Watcher’s The Book of Life (2014) [English/Spanish/French] Force Majeure (2014) [Swedish/English/French] Jack and the Cuckoo-Clock Heart (2013) Gerontophilia (2014) [French/English] Guide To Gett: The Trial of Viviane Amsalem (2015) [English/French] Khumba (2013) [English] [French/Hebrew/Arabic] Song of the Sea (2015) [English/French] Girlhood (2015) [French] Happy-Go-Lucky (2009) [English] HORROR The hundred year-old man who climbed out of a (*includes graphic scenes/violence) window and disappeared (2015) [Swedish/English] Berberian Sound Studio (2012) [English] The Hunt (2013) [Danish] *Borgman (2013) [Dutch/English] I am Yours (2013) [Norwegian/Urdu/Swedish] *Kill List (2011) [English] Ida (2014) [Polish] The Loved Ones (2012) [English] In a Better World (2011) [Danish/French] The Wild Hunt (2010) [English/French] The Last Sentence (2012) [Swedish] Les Neiges du Kilimanjaro (The Snows of ROMANCE Kilimanjaro) (2012) [French] All about Love (2006) [Cantonese/Mandarin] Leviathan (2015) [Russian/English/French] Amour (2013) [French] Like Father, Like Son (2014) [Japanese] Cairo Time (2010) [English/French] Goodbye First Love (2011) [French] -
Gendered Mobility, Legacy and Transformative Sacrifice in the Screen Stories of Susanne Bier
Networking Knowledge Position-in-frame (Jun. 2017) Position-in-frame: gendered mobility, legacy and transformative sacrifice in the screen stories of Susanne Bier. CATH MOORE, Deakin University ABSTRACT An integral connection point between the screenplay and reader/viewer is the protagonist’s transformative journey. The construction of this narrative backbone is critical to the articulation of overarching thematic concerns and story premise but also reflects the story creator’s worldview- one often coloured by representations of gender. The Hollywood model certainly divides narrative function along gender lines but does this representation hold true within a different cultural context? This article examines the selected screen stories of Danish director Susanne Bier whose partnership with screenwriter Anders Thomas Jensen is one of Denmark’s most successful film partnerships. Employing a case study methodology I examine the dramatic function of and agency afforded screen characters and the critical dynamic between cultural landscape, practitioner preference and narrative inquiry. Key to this address is an exploration of mobility, legacy and sacrifice as textual considerations of gender and its utilisation as transnational narrative strategy. KEYWORDS Transnational, mobility, transformative, collaboration, gaze Refocusing a masculinised gaze? With persistent ubiquity Hollywood continues to cast a dominant shadow over much of the global film & TV landscape. Similarly pervasive is the figurehead of such industrial influence - the male protagonist -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
978–0–230–30016–3 Copyrighted Material – 978–0–230–30016–3
Copyrighted material – 978–0–230–30016–3 Introduction, selection and editorial matter © Louis Bayman and Sergio Rigoletto 2013 Individual chapters © Contributors 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–30016–3 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. -
Film. It's What Jews Do Best. Aprll 11-21 2013 21ST
21ST TORONTO JEWISH FILM FESTIVAL APRIL 11-21 2013 WWW.TJFF.COM FILM. It’S WHAT JEWS DO BEST. DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT Proudly adding a little spark to the Toronto Jewish Film Festival since 2001. overdrivedesign.com 2 Hillel Spotlight on Israeli Films Spotlight on Africa Israel @ 65 Free Ticketed Programmes CONTENTS DRAMAS 19 COMEDIES 25 DOCUMENTARIES 28 BIOGRAPHIES 34 ARCHIVAL FILMS 37 SHORT FILMS 38 4 Schedule 15 Funny Jews: 7 Comedy Shorts 42 Patron Circle 6 Tickets 15 REEL Ashkenaz @ TJFF 43 Friends and Fans 7 Artistic Director’s Welcome 16 Talks 44 Special Thanks 8 Co-Chairs’ Message 17 Free Family Screenings 44 Nosh Donors 9 Programme Manager’s Note 18 Opening / Closing Night Films 44 Volunteers 10 Programmers’ Notes 19 Dramas 46 Sponsors 12 David A. Stein Memorial Award 25 Comedies 49 Advertisers 13 FilmMatters 28 Documentaries 67 TJFF Board Members and Staff 13 Hillel Spotlight on Israeli Film 34 Biographies 68 Films By Language 14 Spotlight on Africa 37 Archival Films 70 Films By Theme / Topic 14 Israel @ 65 38 Short Films 72 Film Index APRIL 11–21 2013 TJFF.COM 21ST ANNUAL TORONTO JEWISH FILM FESTIVAL 3 SCHEDULE • Indicates film has additional screening(s).Please Note: Running times do not include guest speakers where applicable. Thursday April 11 Monday April 15 8:30 PM BC 92 MIN CowJews and Indians: How Hitler 1:00 PM ROM 100 MIN • Honorable Ambassador w/ Delicious Scared My Relatives and I Woke up Peace Grows in a Ugandan in an Iroquois Longhouse —Owing -
Critical Study on History of International Cinema
Critical Study on History of International Cinema *Dr. B. P. Mahesh Chandra Guru Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri Karnataka India ** Dr.M.S.Sapna ***M.Prabhudevand **** Mr.M.Dileep Kumar India ABSTRACT The history of film began in the 1820s when the British Royal Society of Surgeons made pioneering efforts. In 1878 Edward Muybridge, an American photographer, did make a series of photographs of a running horse by using a series of cameras with glass plate film and fast exposure. By 1893, Thomas A. Edison‟s assistant, W.K.L.Dickson, developed a camera that made short 35mm films.In 1894, the Limiere brothers developed a device that not only took motion pictures but projected them as well in France. The first use of animation in movies was in 1899, with the production of the short film. The use of different camera speeds also appeared around 1900 in the films of Robert W. Paul and Hepworth.The technique of single frame animation was further developed in 1907 by Edwin S. Porter in the Teddy Bears. D.W. Griffith had the highest standing among American directors in the industry because of creative ventures. The years of the First World War were a complex transitional period for the film industry. By the 1920s, the United States had emerged as a prominent film making country. By the middle of the 19th century a variety of peephole toys and coin machines such as Zoetrope and Mutoscope appeared in arcade parlors throughout United States and Europe. By 1930, the film industry considerably improved its technical resources for reproducing sound. -
93Rd Annual Academy Awards® Oscar® Nominations Fact Sheet
93RD ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Father (Sony Pictures Classics) - David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers - This is the second Best Picture nomination for David Parfitt. He won an Oscar for Shakespeare in Love (1998). This is the first nomination for both Jean-Louis Livi and Philippe Carcassonne. Judas and the Black Messiah (Warner Bros.) - Shaka King, Charles D. King and Ryan Coogler, producers - This is the first Best Picture nomination for all three. Mank (Netflix) - Ceán Chaffin, Eric Roth and Douglas Urbanski, producers - This is the third Best Picture nomination for Ceán Chaffin. Her other nominations were for The Curious Case of Benjamin Button (2008) and The Social Network (2010). This is the first Best Picture nomination for Eric Roth. This is the second Best Picture nomination for Douglas Urbanski. His other nomination was for Darkest Hour (2017). Minari (A24) - Christina Oh, producer - This is her first nomination. Nomadland (Searchlight) - Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers - This is the first Best Picture nomination for Frances McDormand, Mollye Asher and Chloé Zhao. This is the second Best Picture nomination for Peter Spears. His other nomination was for Call Me by Your Name (2017). This is the second Best Picture nomination for Dan Janvey. His other nomination was for Beasts of the Southern Wild (2012). Promising Young Woman (Focus Features) - Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers - This is the first Best Picture nomination for all four. Sound of Metal (Amazon Studios) - Bert Hamelinck and Sacha Ben Harroche, producers - This is the first nomination for both. -
In a Better World Directed by Susanne Bier 2011 Suanne Bier Is a Very
Translation from Greek to English: In a Better World directed by Susanne Bier 2011 Suanne Bier is a very important director who has been closely connected with the Dogma 95 movement, but who took a different direction in her later career, directing a line of movies that were well received by the audience with several awards, but that also received negative reviews. In 2011 the movie, “In a Better world” won an Oscar. While the title of the movie in Danish is “The Revenge”, the film was promoted in Greece with the title “Ισως αύριο- Maybe tomorrow”. The diversity in the title might insinuate the complexity of the issues in this moralistic- philosophic movie as well as the many levels of the scenario by Anders Thomas Jensen. The story takes place in 2 different film spaces – in a refugee camp in Africa in the dessert and in a Northeuropean town in the outskirts of Denmark where daily and dull routines are unfolded. The protagonists are 2 fathers with their sons. Anton, a doctor working at a refugee camp in Africa (played by Michael Persbrandt) and father of the 10 year old Elias (played by Markus Rigaard) is constantly absent in the life of his son as well as in his marriage with another doctor (played by Trine Dyrholm). Claus (played by Ulrich Thomsen) is a businessman who has recently lost his wife from cancer and who is facing the anger and accusation from his son Kristian (played by William John Nielsen) because of his constant absence. The parents, who are mentally absent to their sons while occupied with their professional lives, are incapable of being part of the boys personal lives. -
UBUNTU Magazine, Issue 24 of 2021
UBUNTU magazine – issue 24 cSouth Africa’s Publicr Diplomacye in actiond its Publisher Advertising Clayson Monyela Nthabiseng Makuwa – [email protected] Tel: +27 12 351 0388 UBUNTU Editor-in-Chief a Nguni word meaning humanity Michelle Greeff – [email protected] Distribution Tel: +27 12 351 1743 Olwethu Koli – [email protected] The Department of International Relations Tel: +27 12 351 0006 and Cooperation’s quarterly magazine Editor Delien Burger – [email protected] Tel: +27 12 351 0948 Photographers Jacoline Schoonees, Yandisa Monakali, Katlholo Maifadi and Yolande Snyman, Department of International Relations and Cooperation; Government Communication and Information System; South African Tourism; UN Photo; Counterspace; Mabi Gabriel Thobejane Facebook page; Cameron Venti Unsplash; Marian de Pontes; Kruger Shalati Facebook page; Chris Pizzello; Sindiwe Magona Facebook page; AdobeStock; Diriye Amey; klipopmekaar.co.za; SA Reserve Bank Facebook page; Dirk van Rooyen; Pixabay; and Hougaard Malan Acknowledgements President Cyril Ramaphosa; Dr GNM Pandor, Minister of International Relations and Cooperation; Stella Ndabeni- Abrahams, Minister of Communications and Digital Technologies; Candith Mashego-Dlamini, Deputy Minister of International Relations and Cooperation; Alvin Botes, Deputy Minister of International Relations and Cooperation; Ambassador Rapulane Molekane, Permanent Representative of South Africa to the United Nations and other International Organisations in Vienna, Austria; Dr Bobby J Moroe, Deputy High Commissioner -
A Better Globalization 00 1763-6 Frontmatter 1/25/05 12:34 PM Page Ii
00 1763-6 frontmatter 1/25/05 12:34 PM Page i a better Globalization 00 1763-6 frontmatter 1/25/05 12:34 PM Page ii Advance Praise for A Better Globalization: Legitimacy, Reform, and Governance “This is a thoughtful book by an experienced practitioner. Kemal Dervi¸s experience as a senior official at the World Bank followed by his work as a key policy maker in Turkey, and that too at a most difficult time, gives him the perspective needed to consider deep reforms in global governance and to discuss the complex politics involved in a global setting.” Montek Singh Ahluwalia Planning Commission Deputy Chairman for India “Reformers are frequently seen by decision makers as visionaries whose proposals make sense ‘in theory’ but never work ‘in practice.’ The author’s proposals are both idealistic and practicable. Decision makers have no excuse. If they really feel committed to a better global governance, they cannot ignore this book by Kemal Dervi¸s.” Giuliano Amato Senator, Italian Senate Former Prime Minister of Italy Former Deputy President of the European Convention Vice-President of the Party of European Socialists “Kemal Dervi¸s, who has lived and worked with international public institutions throughout his distinguished career, correctly sees global governance as the chief international problem to be solved by the coming generation. Among other proposals, his book presents one of the most imaginative solutions to the problem of reorganizing the United Nations that I have yet seen. Francis Fukuyama Bernard L. Schwartz Professor of International Political Economy John Hopkins University, SAIS “In the 21st century, international cooperation in diverse fields extending from economic matters to security issues, from environmental protection to the fight against disease is more important than ever.