DOCSLIB.ORG

Abbreviated Titles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Abbreviated Titles Abbreviated Titles JOURNALS AND PERIODICALS ELH A Journal of English Literary History FMLS Forumfor Modern Language Studies JEGP Journal of English and Germanic Philology K-SJ Keats-Shelley Journal KSMB Keats Shelley Memorial Bulletin MLN Modern Language Notes MLR Modern Language Review MP Modern Philology N&Q Notes and Queries PMLA Publications of the Modern Language Association PQ Philological Quarterly SEL Studies in English Literature TLS Times Literary Supplement UTSE University of Texas Studies in English SHORT TITLES AP G. B. Casti, Animali Parlanti: Poema Epico in Ven­ tisei Canti Amsterdam, 1804 Byron: Poetical Works Byron: Poetical Works, ed., Frederick Page, revised and corrected by John Jump (Oxford Univer­ sity Press, 1970) Hobhouse Recollections John Cam Hobhouse, Recollections of a Long Life, ed., Lady Dorchester (London, 1911) Marchand BLJ Leslie A. Marchand (ed.), Byron's Letters and Jour­ nals, vols 1-7 (London: John Murray, 1973-77) Medwin's Conversations Medwin's 'Conversations of Lord Byron', ed., Ernest J. Lovell Jr. (Princeton University Press, 1969) Moore's Life Thomas Moore, Letters and Journals of Lord Byron, with Notices of his Life, 2 vols (London: John Murray, 1830) Moore Works oj Byron Thomas Moore, The Works oj Lord Byron with his Letters and Journals and his Life, 17 vols (London, 1835) PT G. B. Casti, Il Poema Tartaro, ed., with notes by Lodovico Corio (Milan, 1887) 166 Abbreviated Titles 167 Prothero L &J The Works rif Lord Byron: Letters and Journals, ed., R. E. Prothero, 6 vols (London, 1898-1901) Shelley Letters The Letters rif Percy Bysshe Shelley ed., F. L. Jones, 2 vols (Oxford, 1964) Notes and References Where a title is also cited in the bibliography with full details of publication only the date of publication will be given here. PREFACE I. C. M. Fuess, Lord Byron as a Satirist in Verse (1970) originally a doctoral dissertation presented at Columbia University in 1912. 2. C. P. Brand, Italy and the English Romantics. The Italianate Fashion in Early Nineteenth Century England (1957). 3. R. D. Waller (ed.), The Monks and the Giants byJohn Hookham Frere (1926). 4. George Ridenour, The Style of 'Don Juan , (1960). 5. Jerome McGann 'Don Juan' in Context (London, 1976). 6. A. B. England, Byron's 'Don Juan , and Eighteenth Century Literature (1974). 7. Robert B. Ogle, Byron and the Bernesque Satire, doctoral dissertation, Illinois, 1952. CHAPTER 1 BYRON'S EARLY ITALIAN INTEREST I. Marchand BLJ, I, 94. 2. Ibid., III, 217. Journal entry for 23 November 1813. 3. Ibid., IV, 161. In his letter to Hobhousefrom Athens (26 November 1810) Byron says 'I am now an Italoquist having been taught the tongue by necessity'. 4. 'Catalogue if a Collection of Books, late the Property if a Nobleman about to leave England . .. which will be sold by auction by Mr Evans, at his house,' No 26 Pall Mall, on Friday, April 5. 1816. Copy in the British Library, Hereafter referred to as Catalogue, 1816. 5. Marchand BLJ, III, 133. 6. In his letter of28 September 1812. Marchand BLJ, 11,217. 7. In her Memorandum 1812, Lady Byron copied extracts from Il Pazzo (Ariosto's Orlando) and inserted her own comments on the text. (Deposit Lovelace-Byron ff. 121-3 in the Bodleian Library.) 8. Marchand BLJ, IV, 161. 9. 'Oh Gioventu! Oh Primavera! Gioventu dell' anno/ 0 Gioventu Primavera della vita.' Journal entry for I December 1813. Marchand BLJ, III, 229. 10. Charles Du Bos, Byron and the Need of Fatality, trans. Ethel Colburn Mayne (1932) p.146. II. Leslie Marchand, Byron: A Biography, I (1957) p. 426. 12. Marchand BLJ, III, 253. Journal entry for 20 March 1814. 13. Prothero L & J, II, 405, f. I. 14. The Corsair, I, ix, Byron: Poetical Works, p. 898. Byron actually quotes Sismondi's description of Ezzelin in vol. III of History if the Italian Republics in support of his contention that Conrad was not altogether a character 'out of nature'. 15. Edward Gibbon, Miscellaneous Works, III (London, 1796) p. 470. 168 Notes and Riferences 169 16. Novella XLIV in Novelle di Mateo Bandello, ed. G. Ferrero (Turin, 1974). 17. Ibid., p. 364. 18. See his letter to Moore, 30 November 1813, Marchand BLJ, III, 184. 19. Novelle di Bandello, XLIV, p. 359. 20. Ibid., p. 360. 21. Parisina, II. in Byron: Poetical Works, 307, 308. 22. Novelle di Bandello, p. 364. 23. Ibid., p. 363. 24. Ibid., p. 363. 25. Marchand BLJ, V, 22. 26. Cf Marmion, stanzas xx-xxii, in The Poetical Works if Sir Walter Scott, ed. J. Logie Robertson (Oxford University Press, 1951) pp. 109--11. 27. Giovanni Boccaccio: II Decameron, ed. A. Momigliano and E. Sanguineti, Giornata IV, Novella I (Turin, 1959) p. 147. 28. Ibid., p. 148. 29. Ibid., p. 150. 30. For a suggestive account of Shelley's influence on Byron in Switzerland see John Buxton, Byron and Shelley: The History ifa Friendship (1968). See also Charles Robinson, Shelley and Byron: the snake and the eagle wreathed infight (1977). 31. Translated by Thomas Moore in The Works if Lord Byron, IV (1835) pp. 322-3. 32. For a full account of the sources ofManfred see Samuel Chew, The Dramas ifLord Byron: A Critical Study (1915) pp. 60--6. 33. Letter dated 4 November 1792. Epistolario di Vincenzo Monti, ed. Alfonso Bertoldi, vol. I (Florence, 1928) p. 193. 34. Monti's debt to Goethe's The Sorrows ifthe Young Werther in this poem has been analysed by M. Kerbaker in his monograph Shakespearee Goethe nei Versi di Vincenzo Monti (1897). 35. Manfred, Act I, SC. ii, 24. 36. Vincenzo Monti, A Don Sigismondo Chigi, 194, Opere di Vincenzo Monti, ed. M. Valmigli and C. Muscetta (1953). 37. In her letter to Vincenzo Monti she refers to his 'poesies qui soutiennent encore I'honneur de la litterature moderne en Italie'. Lettere inedite del Fosc%, del Giordani e della Signora de Stae'l a Vincenzo Monti, eds G. and A. Monti (1876) p. 249. 38. Monti, Aristodemo, Act III, SC. iii, Opere di Vincenzo Monti. 39. Cited by Charles Du Bos in Byron and the Need ifFatality, p. 126. 40. Madame de Stael, Corinne or Italy, 3 vols (printed for Samuel Tippner: London, 1807). The 1816 Catalogue lists this edition among Byron's collection of books. It is likely that Byron first read Madame de Stael's novel in this edition. 41. Oeuvres de Madame de Stael Corinne (Paris, 1864) p. 66. 42. Corinne, p. 71. 43. Ibid., p. 12. 44. Sonnet no. I in Vincenzo da Filicaia, Poesie toscane ... con nuove aggiunte (Florence, 1827). 45. Historical View if the Literature if the South if Europe by Simonde de Sismondi, ed. Thomas Roscoe, vol. I (London, 1850) p. 459. 46. Letter to Byron of3 May 1820 (Box A22 in the Murray Archives). 47. 'Le Ultime Lettre di Jacopo Ortis' di Ugo Foscolo, ed. Edoardo Sonzogno (Milan, 1887) p. 102. Foscolo's novel written in 1802 was published by Murray in 1817. Apropos of Medwin's remarks on Byron's literary borrowings Lady Byron remarked that Byron was usually candid in acknowledging his debt. 'He showed in the letters ofJ. Ortis the original idea of "burns the slow lamp" a line in the Corsair'. (Medwin's Conversations, p. 20 I, note 468.) 48. Ultime Lettere di Jacopo Ortis, p. 66. 49. E. R. Vincent, Foscolo's 'Dei Sepolcri' The Commemoration if the Dead - an inaugural lecture (1936) p. 48. 170 Notes and References CHAPTER 2: BYRON, DANTE AND ITALY I. Henry Boyd published the first translation of the Divina Commedia in 1802. Henry Cary's 'The Vision; or Hell' in Purgatory and Paradise (London, 1814) was in blank verse. The 1816 Catalogue lists an Italian text of Dante which Byron probably read alongside Boyd's translation: Divina Commedia di Dante, illustrata di note dal Zotti (London, 1808). 2. The Letters of Percy Bysshe Shelley, ed. F. L. Jones, vol. II, (1964) p. 112. 3. Byron actually read Hunt's The Story of Rimini (1816) in manuscript and inserted his pencilled comments. (BL, Ashley 906). For a detailed commentary see Clarice Short 'The Composition of Hunt's "The Story of Rimini"', K-SJ, 1973 p. 207. Byron also urged Murray to publish Hunt's poem. 4. Marchand BL}, IV, 93. 5. Ibid., VI, 129. 6. Ibid., 121. 7. Leslie Marchand, Byron: A Biography, vol. II, (1957) p. 795. 8. C£ the varied readings that Byron sent Murray (23 March 1820) in Marchand BL}, VII, 58. Love, which the gentle heart soon apprehends, Seized him for the fair person, which in its Bloom was taen from me, yet the mode offends and Love which to none beloved to love remits with mutual wish to please Seized me with wish of pleasing him so strong which, as Byron admits, are 'closer but rougher'. 9. Thomas Moore, The Works of Lord Byron, vol. II (1835) p. 309--11. 10. Iriferno, XXXIII, 49. II. The Life of Percy ByssheShelleyby Thomas Medwin, ed. H. Buxton Forman (Oxford, 1913) p.249. 12. Moore, Works of Lord Byron, vol. XI, p. 178. 13. This is Charles Du Bos's phrase in Byron and the Need of Fatality trans. Ethel Colburn Mayne (1932) p. 109. 14. Referred to by most Italian critics as 'Ia legge del contrapasso'. See Carlo Grabher's commentary on Canto V of the Inferno in his edition: La Divina Commedia, vol. I (Florence, 1934) p. 66, 'La bufera infernal transcina senza tregua gli spiriti con la forza rapace come - e nota il contrapasso - la bufera della passione Ii trascino in vita'. 15. G. Hough, Image and Experience (1960) p. 138.
Load more

Recommended publications
  • National Council on the Humanities Minutes, No. 11-15
    Office of th8 General Counsel N ational Foundation on the Aria and the Humanities MINUTES OF THE ELEVENTH MEETING OF THE NATIONAL COUNCIL ON THE HUMANITIES Held Monday and Tuesday, February 17-18, 1969 U. S. Department of State Washington, D. C. Members present; Barnaby C. Keeney, Chairman Henry Haskell Jacob Avshalomov Mathilde Krim Edmund F. Ball Henry Allen Moe Robert T. Bower James Wm. Morgan *Germaine Br&e Ieoh Ming Pei Gerald F. Else Emmette W. Redford Emily Genauer Robert Ward Allan A. Glatthorn Alfred Wilhelmi Members absent: Kenneth B. Clark Charles E. Odegaard John M. Ehle Walter J. Ong Paul G. Horgan Eugene B. Power Albert William Levi John P. Roche Soia Mentschikoff Stephen J. Wright James Cuff O'Brien *Present Monday only - 2 - Guests present: *Mr. Harold Arberg, director, Arts and Humanities Program, U. S. Office of Education Dr. William Emerson, assistant to the president, Hollins College, Virginia Staff members present; Dr. James H. Blessing, director, Division of Fellowships and Stipends, and acting director, Division of Research and Publication, National Endowment for the Humanities Dr. S. Sydney Bradford, program officer, Division of Research and Publication, NEH Miss Kathleen Brady, director, Office of Grants, NEH Mr. C. Jack Conyers, director, Office of Planning and Analysis, NEH Mr. Wallace B. Edgerton, deputy chairman, NEH Mr. Gerald George, special assistant to the chairman, NEH Dr. Richard Hedrich, Director of Public Programs, NEH Dr. Herbert McArthur, Director of Education Programs, NEH Miss Nancy McCall, research assistant, Office of Planning and Analysis, NEH Mr. Richard McCarthy, assistant to the director, Office of Planning and Analysis, NEH Miss Laura Olson, Public Information Officer, NEH Dr.
    [Show full text]
  • Poems About Poets
    1 BYRON’S POEMS ABOUT POETS Some of the funniest of Byron’s poems spring with seeming spontaneity from his pen in the middle of his letters. Much of this section comes from correspondence, though there is some formal verse. Several pieces are parodies, some one-off squibs, some full-length. Byron’s distaste for most of the poets of his day shines through, with the recurrent and well-worn traditional joke that their books will end either as stuffing in hatshops, wrapped around pastries, or as toilet-tissue. Byron admired the English poets of the past – the Augustans especially – much more than he did any of his contemporaries. Of “the Romantic Movement” he knew no more than did any of the other writers supposed now to have been members of it. Southey he loathed, as a dreadful doppelgänger – see below. Of Wordsworth he also had a low opinion, based largely on The Excursion – to the ambitions of which Don Juan can be regarded as a riposte (there are as many negative comments about Wordsworth in Don Juan as there are about Southey). He was as abusive of Keats as it’s possible to be, and only relented (as he said), when Shelley showed him Hyperion. Of the poetry of his friend Shelley he was very guarded indeed, and compensated by defending Shelley’s moral reputation. Blake he seems not to have known (“Blake” was him the name of a well-known Fleet Street barber). The only poet of whom his judgement and modern estimate coincide is Coleridge: he was strong in his admiration for The Ancient Mariner, Kubla Khan, and Christabel; about the conversational poems he seems blank, and he feigns total incomprehension of the Biographia Literaria (see below).
    [Show full text]
  • Palgrave Advances in Byron Studies Palgrave Advances
    palgrave advances in byron studies Palgrave Advances Titles include: John Bowen and Robert L. Patten (editors) CHARLES DICKENS STUDIES Phillip Mallett (editor) THOMAS HARDY STUDIES Lois Oppenheim (editor) SAMUEL BECKETT STUDIES Jean-Michel Rabaté (editor) JAMES JOYCE STUDIES Peter Rawlings (editor) HENRY JAMES STUDIES Frederick S. Roden (editor) OSCAR WILDE STUDIES Jane Stabler (editor) BYRON STUDIES Nicholas Williams (editor) WILLIAM BLAKE STUDIES Forthcoming: Larry Scanlon (editor) CHAUCER STUDIES Anna Snaith (editor) VIRGINIA WOOLF STUDIES Suzanne Trill (editor) EARLY MODERN WOMEN’S WRITING Palgrave Advances Series Standing Order ISBN 978-1-4039-3512-2 (Hardback) 978-1-4036-3513-7 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in the case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England palgrave advances in byron studies edited by jane stabler university of st andrews Introduction, selection and editorial matter © Jane Stabler 2007 Chapters © their authors 2007 Softcover reprint of the hardcover 1st edition 2007 978-1-4039-4592-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP.
    [Show full text]
  • Will Rogers and Calvin Coolidge
    Summer 1972 VoL. 40 No. 3 The GfJROCEEDINGS of the VERMONT HISTORICAL SOCIETY Beyond Humor: Will Rogers And Calvin Coolidge By H. L. MEREDITH N August, 1923, after Warren G. Harding's death, Calvin Coolidge I became President of the United States. For the next six years Coo­ lidge headed a nation which enjoyed amazing economic growth and relative peace. His administration progressed in the midst of a decade when material prosperity contributed heavily in changing the nature of the country. Coolidge's presidency was transitional in other respects, resting a bit uncomfortably between the passions of the World War I period and the Great Depression of the I 930's. It seems clear that Coolidge acted as a central figure in much of this transition, but the degree to which he was a causal agent, a catalyst, or simply the victim of forces of change remains a question that has prompted a wide range of historical opinion. Few prominent figures in United States history remain as difficult to understand as Calvin Coolidge. An agrarian bias prevails in :nuch of the historical writing on Coolidge. Unable to see much virtue or integrity in the Republican administrations of the twenties, many historians and friends of the farmers followed interpretations made by William Allen White. These picture Coolidge as essentially an unimaginative enemy of the farmer and a fumbling sphinx. They stem largely from White's two biographical studies; Calvin Coolidge, The Man Who Is President and A Puritan in Babylon, The Story of Calvin Coolidge. 1 Most notably, two historians with the same Midwestern background as White, Gilbert C.
    [Show full text]
  • A History of Legal Specialization
    South Carolina Law Review Volume 45 Issue 5 Conference on the Commercialization Article 17 of the Legal Profession 5-1993 Know the Law: A History of Legal Specialization Michael S. Ariens St. Mary's University School of Law Follow this and additional works at: https://scholarcommons.sc.edu/sclr Part of the Law Commons Recommended Citation Ariens, Michael S. (1993) "Know the Law: A History of Legal Specialization," South Carolina Law Review: Vol. 45 : Iss. 5 , Article 17. Available at: https://scholarcommons.sc.edu/sclr/vol45/iss5/17 This Conference Proceeding is brought to you by the Law Reviews and Journals at Scholar Commons. It has been accepted for inclusion in South Carolina Law Review by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Ariens:KNOW Know the THE Law: ALAW: History of A Legal HISTORY Specialization OF LEGAL SPECIALIZATION MICHAEL ARIENS I. INTRODUCTION .............................. 1003 II. THE AUTHORITY OF LAWYERS ..................... 1011 M. A HISTORY OF SPECIALIZATION .................... 1015 A. The Changing of the Bar: 1870-1900 .............. 1015 B. The Business of Lawyers: 1900-1945 .............. 1022 C. The Administrative State and the Practice of Law: 1945-69 1042 D. The End of the Beginning: 1970-Present ............ 1054 IV. CONCLUSION ............................... 1060 I. INTRODUCTION In 1991, Victoria A. Stewart sued her former employer, the law firm of Jackson & Nash, claiming that it negligently misrepresented itself and fraudulently induced her to join the firm. Stewart claimed that she joined Jackson-& Nash after being told that the firm had been hired by a major client for assistance with environmental law issues and that she would manage the firm's environmental law department.
    [Show full text]
  • John Hookham Frere 1769-1846
    JOHN HOOKHAM FRERE 1769-1846 Ta' A. CREMONA FOST il-Meċenti tal-Lsien Malti nistgħu ngħoddu lil JOHN HOOKHAM FRERE li barra mill-imħabba li kellu għall-ilsna barranin, Grieg, Latin, Spanjol, li scudjahom u kien jafhom tajjeb, kien wera ħrara u ħeġġa kbira biex imexxi '1 quddiem l-istudju tal-Malti, kif ukoll tal-ilsna orjentali, fosthom il-Lhudi u l-Għarbi, ma' tul iż-żmien li kien hawn Malta u baqa' hawnhekk sa mewtu. JOHN HOOKHAM FRERE twieled Londra fil-21 ta' Mejju, 1769. FI-1785 beda l-istudji tiegħu fil-Kulleġġ ta' Eton. Niesu mhux dejjem kienu jo­ qogtldu b'darhom Londra, iżda dlonk ma' tul is-sena kienu jmorru jgħixu ukoll Roydon f'Norfolk u f'Redington f'Surrey. F'Eton, fejn studja l-lette­ ratura Ingliża, Griega u Latina, kien sar ħabib tal-qalb ta' George Canning li l-ħbiberija tagħhom baqgħet għal għomorhom. Fl-1786, flimkien ma' xi studenti tal-Kulleġġ [la sehem fil-pubblikazzjoni tar-u vista Microcosm li bil-kitba letterar;a li kien fiha kienet ħadet isem fost l-istudenti ta' barra -il-kulleġġ. Minn Eton, Hookham Frere kien daħal f'Caius College, f'Cam­ bridge, fejn ħa l-grad tal-Baċellerat tal-Arti 8-1792 u l-Magister Artium fl-1795, u kiseb ie-titlu ta' Fellow of Caius għall-kitba tiegħu klassika ta' proża u versi. Fl-1797 issieħeb ma' Canning u xi żgħażagħ oħra fil-pub­ blikazzjoni tal-ġumal Anti-] acobin li kien joħroġ kull ġimgħa, nhar ta' Tnejn, bil-ħsieb li jrażżan il-propaganda tal-Partit Republikan Franċiż li kien qed ihedded il-monarkija tal-Istati Ewropej bil-filosofija Ġakbina tiegħu.
    [Show full text]
  • "In the Pilgrim Way" by Linda Ashley, A
    In the Pilgrim Way The First Congregational Church, Marshfield, Massachusetts 1640-2000 Linda Ramsey Ashley Marshfield, Massachusetts 2001 BIBLIO-tec Cataloging in Publication Ashley, Linda Ramsey [1941-] In the pilgrim way: history of the First Congregational Church, Marshfield, MA. Bibliography Includes index. 1. Marshfield, Massachusetts – history – churches. I. Ashley, Linda R. F74. 2001 974.44 Manufactured in the United States. First Edition. © Linda R. Ashley, Marshfield, MA 2001 Printing and binding by Powderhorn Press, Plymouth, MA ii Table of Contents The 1600’s 1 Plimoth Colony 3 Establishment of Green’s Harbor 4 Establishment of First Parish Church 5 Ministry of Richard Blinman 8 Ministry of Edward Bulkley 10 Ministry of Samuel Arnold 14 Ministry of Edward Tompson 20 The 1700’s 27 Ministry of James Gardner 27 Ministry of Samuel Hill 29 Ministry of Joseph Green 31 Ministry of Thomas Brown 34 Ministry of William Shaw 37 The 1800’s 43 Ministry of Martin Parris 43 Ministry of Seneca White 46 Ministry of Ebenezer Alden 54 Ministry of Richard Whidden 61 Ministry of Isaac Prior 63 Ministry of Frederic Manning 64 The 1900’s 67 Ministry of Burton Lucas 67 Ministry of Daniel Gross 68 Ministry of Charles Peck 69 Ministry of Walter Squires 71 Ministry of J. Sherman Gove 72 Ministry of George W. Zartman 73 Ministry of William L. Halladay 74 Ministry of J. Stanley Bellinger 75 Ministry of Edwin C. Field 76 Ministry of George D. Hallowell 77 Ministry of Vaughn Shedd 82 Ministry of William J. Cox 85 Ministry of Robert H. Jackson 87 Other Topics Colonial Churches of New England 92 United Church of Christ 93 Church Buildings or Meetinghouses 96 The Parsonages 114 Organizations 123 Sunday School and Youth 129 Music 134 Current Officers, Board, & Committees 139 Gifts to the Church 141 Memorial Funds 143 iii The Centuries The centuries look down from snowy heights Upon the plains below, While man looks upward toward those beacon lights Of long ago.
    [Show full text]
  • GEORGE GORDON, LORD BYRON: a Literary-Biographical-Critical
    1 GEORGE GORDON, LORD BYRON: A literary-biographical-critical database 2: by year CODE: From National Library in Taiwan UDD: unpublished doctoral dissertation Books and Articles Referring to Byron, by year 1813-1824: Anon. A Sermon on the Death of Byron, by a Layman —— Lines on the departure of a great poet from this country, 1816 —— An Address to the Rt. Hon. Lord Byron, with an opinion on some of his writings, 1817 —— The radical triumvirate, or, infidel Paine, Lord Byron, and Surgeon Lawrenge … A Letter to John Bull, from a Oxonian resident in London, 1820 —— A letter to the Rt. Hon. Lord Byron, protesting against the immolation of Gray, Cowper and Campbell, at the shrine of Pope, The Pamphleteer Vol 8, 1821 —— Lord Byron’s Plagiarisms, Gentleman’s Magazine, April 1821; Lord Byron Defended from a Charge of Plagiarism, ibid —— Plagiarisms of Lord Byron Detected, Monthly Magazine, August 1821, September 1821 —— A letter of expostulation to Lord Byron, on his present pursuits; with animadversions on his writings and absence from his country in the hour of danger, 1822 —— Uriel, a poetical address to Lord Byron, written on the continent, 1822 —— Lord Byron’s Residence in Greece, Westminster Review July 1824 —— Full Particulars of the much lamented Death of Lord Byron, with a Sketch of his Life, Character and Manners, London 1824 —— Robert Burns and Lord Byron, London Magazine X, August 1824 —— A sermon on the death of Lord Byron, by a Layman, 1824 Barker, Miss. Lines addressed to a noble lord; – his Lordship will know why, – by one of the small fry of the Lakes 1815 Belloc, Louise Swanton.
    [Show full text]
  • MALTESE E-NEWSLETTER 322 May 2020
    MALTESE E-NEWSLETTER 322 May 2020 1 MALTESE E-NEWSLETTER 322 May 2020 French Occupation of Malta Malta and all of its resources over to the French in exchange for estates and pensions in France for himself and his knights. Bonaparte then established a French garrison on the islands, leaving 4,000 men under Vaubois while he and the rest of the expeditionary force sailed eastwards for Alexandria on 19 June. REFORMS During Napoleon's short stay in Malta, he stayed in Palazzo Parisio in Valletta (currently used as the Ministry for Foreign Affairs). He implemented a number of reforms which were The French occupation of The Grandmaster Ferdinand von based on the principles of the Malta lasted from 1798 to 1800. It Hompesch zu Bolheim, refused French Revolution. These reforms was established when the Order Bonaparte's demand that his could be divided into four main of Saint John surrendered entire convoy be allowed to enter categories: to Napoleon Bonaparte following Valletta and take on supplies, the French landing in June 1798. insisting that Malta's neutrality SOCIAL meant that only two ships could The people of Malta were granted FRENCH INVASION OF MALTA enter at a time. equality before the law, and they On 19 May 1798, a French fleet On receiving this reply, Bonaparte were regarded as French citizens. sailed from Toulon, escorting an immediately ordered his fleet to The Maltese nobility was expeditionary force of over bombard Valletta and, on 11 June, abolished, and slaves were freed. 30,000 men under General Louis Baraguey Freedom of speech and the press General Napoleon Bonaparte.
    [Show full text]
  • POEMS WRITTEN FOR, TO, OR CONCERNING TERESA GUICCIOLI Edited by Peter Cochran
    1 POEMS WRITTEN FOR, TO, OR CONCERNING TERESA GUICCIOLI edited by Peter Cochran [The poems here complement those in Poems about Italy .] Stanzas to the Po Stornelli To Teresa Guiccioli Francesca of Rimini “Could love for ever …” The Prophecy of Dante The date of birth of Teresa Gamba Ghiselli was unknown until quite recently: she was born in 1798. 1 Educated at Santa Chiara, a school run on principles advanced for the time, she was married to Alessandro Guiccioli – thirty-seven years her senior – on March 7th 1818. She had her first affair, with Cristoforo Ferri, in mid-1818, having met Byron briefly on March 10th of that year, at a Venetian conversazione held by the Countess Albrizzi. They met properly on the night of April 2nd / 3rd 1819 at the Countess Benzoni’s (just after Byron had dispatched Don Juan II to England), and fell in love. It was the last of Byron’s affairs, and lasted in theory until his death in 1824. It was a complete infatuation on both their parts – on being told in 1819 that Teresa was near to death, Byron contemplated suicide. Alessandro Guiccioli – with whom Byron shared an interest in the theatre – tolerated their liaison, and Byron even lived in his palazzo at Ravenna. Byron was friends with Teresa’s father, Ruggiero Gamba, and her brother Pietro, both of whom shared his liberal politics, dangerous in an Italy run by Rome and by the Austrians and Bourbons. The governments persecuted him by forcing the Gambas to move from state to state. I am grateful to Michael Fincham and Valeria Vallucci for their help in making these editions.
    [Show full text]
  • Director of Thesis Date Bfi a R E 9 7 9
    Byron's religious views with special reference to the Hebrew melodies Item Type text; Thesis-Reproduction (electronic) Authors Taylor, Wayne Windsor, 1913- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 11:38:27 Link to Item http://hdl.handle.net/10150/553618 Byron's Religious Views with Special Reference to the Hebrew elodiea ty Tayne W« Taylor A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1942 Approved: lcM 2_ Director of Thesis Date Bfi A R E 9 7 9 / 3*! Z- To Dr* Melvin T* Solve whose original suggestion and subsequent advice made this study possible TABLE OF CONTENTS Chapter Pager- I. IntrodMtlon • . ......... ... 1 II. The . » . • 4 III. The Sources . • . * . * . 9 IV. The Hebrew Element . * . • • . • .... • * ... 54 V. The Christian Element • • • .... ... * 44 VI. The Calvinistic Element • . > . 50 VII. Cenelusion . * * . * * . • . 61 Bibliography . .... » , ... ... * , ' _ 66 \ 1 Chapter I Introduction The Hebrew Melodieo form part of the key which opens the door to Byron’s religious,beliefs. Most of these songs were Inspired by Byron’s reading and deep appreciation of the Bible. The purpose here is to point out what sections of the Bible were used as subject material for the Melodies and to indicate the great influence of Biblical teachings on Byron’s life and religious opinions.
    [Show full text]
  • Byron and the Scottish Literary Tradition Roderick S
    Studies in Scottish Literature Volume 14 | Issue 1 Article 16 1979 Byron and the Scottish Literary Tradition Roderick S. Speer Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Speer, Roderick S. (1979) "Byron and the Scottish Literary Tradition," Studies in Scottish Literature: Vol. 14: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol14/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Roderick S. Speer Byron and the Scottish Literary 1radition It has been over forty years since T. S. Eliot proposed that we consider Byron as a Scottish poet. 1 Since then, anthologies of Scottish verse and histories of Scottish literature seldom neglect to mention, though always cursorily, Byron's rightful place in them. The anthologies typically make brief reference to Byron and explain that his work is so readily available else­ where it need be included in short samples or not at al1.2 An historian of the Scots tradition argues for Byron's Scottish­ ness but of course cannot treat a writer who did not use Scots. 3 This position at least disagrees with Edwin Muir's earlier ar­ gument that with the late eighteenth century passing of Scots from everyday to merely literary use, a Scottish literature of greatness had passed away.4 Kurt
    [Show full text]