MALTESE E-NEWSLETTER 322 May 2020
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Poems About Poets
1 BYRON’S POEMS ABOUT POETS Some of the funniest of Byron’s poems spring with seeming spontaneity from his pen in the middle of his letters. Much of this section comes from correspondence, though there is some formal verse. Several pieces are parodies, some one-off squibs, some full-length. Byron’s distaste for most of the poets of his day shines through, with the recurrent and well-worn traditional joke that their books will end either as stuffing in hatshops, wrapped around pastries, or as toilet-tissue. Byron admired the English poets of the past – the Augustans especially – much more than he did any of his contemporaries. Of “the Romantic Movement” he knew no more than did any of the other writers supposed now to have been members of it. Southey he loathed, as a dreadful doppelgänger – see below. Of Wordsworth he also had a low opinion, based largely on The Excursion – to the ambitions of which Don Juan can be regarded as a riposte (there are as many negative comments about Wordsworth in Don Juan as there are about Southey). He was as abusive of Keats as it’s possible to be, and only relented (as he said), when Shelley showed him Hyperion. Of the poetry of his friend Shelley he was very guarded indeed, and compensated by defending Shelley’s moral reputation. Blake he seems not to have known (“Blake” was him the name of a well-known Fleet Street barber). The only poet of whom his judgement and modern estimate coincide is Coleridge: he was strong in his admiration for The Ancient Mariner, Kubla Khan, and Christabel; about the conversational poems he seems blank, and he feigns total incomprehension of the Biographia Literaria (see below). -
History ( Option ) – Form 4
History (Option) Aims The main aims of the syllabus are to stimulate interest in and enthusiasm for the study of the past; promote the acquisition of knowledge and understanding of human activity in the past, linking it with the present; ensure that the students' knowledge is rooted in an understanding of the nature and the use of historical evidence; help students towards an understanding of the development over time of social and cultural values; promote an understanding of the nature of cause and consequence, continuity and change, similarity and difference; develop essential historical skills; provide an appropriate integration of our national history within a wider international context. 1 Assessment Objectives The assessment will test how far the students have mastered the development of historical knowledge and understanding including the recall of historical facts and the explanation of historical terminology. the evaluation and interpretation of evidence thus acquiring the basic skills necessary for the study of many types of historical evidence. This should include comprehending evidence and placing in context, analysing, detecting bias and pointing to gaps and inconsistencies in evidence, distinguishing between fact and opinion and developing a hypothesis through comparing sources and reaching conclusions based on evidence. the construction and communication of a simple historical exposition. Students are expected to construct a simple exposition, including reasoned argument based on historical evidence. They will be expected to communicate in a clear and coherent form. Students should be able to select, evaluate, and arrange relevant information in answer to a question and make use of analytical concepts such as causation and consequences, change and continuity, similarity and difference, etc. -
John Hookham Frere 1769-1846
JOHN HOOKHAM FRERE 1769-1846 Ta' A. CREMONA FOST il-Meċenti tal-Lsien Malti nistgħu ngħoddu lil JOHN HOOKHAM FRERE li barra mill-imħabba li kellu għall-ilsna barranin, Grieg, Latin, Spanjol, li scudjahom u kien jafhom tajjeb, kien wera ħrara u ħeġġa kbira biex imexxi '1 quddiem l-istudju tal-Malti, kif ukoll tal-ilsna orjentali, fosthom il-Lhudi u l-Għarbi, ma' tul iż-żmien li kien hawn Malta u baqa' hawnhekk sa mewtu. JOHN HOOKHAM FRERE twieled Londra fil-21 ta' Mejju, 1769. FI-1785 beda l-istudji tiegħu fil-Kulleġġ ta' Eton. Niesu mhux dejjem kienu jo qogtldu b'darhom Londra, iżda dlonk ma' tul is-sena kienu jmorru jgħixu ukoll Roydon f'Norfolk u f'Redington f'Surrey. F'Eton, fejn studja l-lette ratura Ingliża, Griega u Latina, kien sar ħabib tal-qalb ta' George Canning li l-ħbiberija tagħhom baqgħet għal għomorhom. Fl-1786, flimkien ma' xi studenti tal-Kulleġġ [la sehem fil-pubblikazzjoni tar-u vista Microcosm li bil-kitba letterar;a li kien fiha kienet ħadet isem fost l-istudenti ta' barra -il-kulleġġ. Minn Eton, Hookham Frere kien daħal f'Caius College, f'Cam bridge, fejn ħa l-grad tal-Baċellerat tal-Arti 8-1792 u l-Magister Artium fl-1795, u kiseb ie-titlu ta' Fellow of Caius għall-kitba tiegħu klassika ta' proża u versi. Fl-1797 issieħeb ma' Canning u xi żgħażagħ oħra fil-pub blikazzjoni tal-ġumal Anti-] acobin li kien joħroġ kull ġimgħa, nhar ta' Tnejn, bil-ħsieb li jrażżan il-propaganda tal-Partit Republikan Franċiż li kien qed ihedded il-monarkija tal-Istati Ewropej bil-filosofija Ġakbina tiegħu. -
Byron's Library
1 BYRON’S LIBRARY: THE THREE BOOK SALE CATALOGUES Edited and introduced by Peter Cochran The 1813 Catalogue Throughout much of 1813, Byron was planning to go east again, not with Hobhouse this time, but with the Marquis of Sligo, who, just out of jail for abducting sailors during a period of war, was anxious to be away from the public gaze. They never went: the difficulty of finding adequate transport for themselves and their retinues, plus a report of plague in the Levant, prevented them. Sligo would have had difficulty in any case getting passage on an English ship of war. However, just how close they got to leaving is shown by the first of the three catalogues below. While still adding lines to The Giaour, Byron was within an ace of selling his library. Its catalogue is headed: A / CATALOGUE OF BOOKS, / THE PROPERTY OF A NOBLEMAN [in ink in margin: Lord Byron / J.M.] / ABOUT TO LEAVE ENGLAND / ON A TOUR OF THE MOREA. / TO WHICH ARE ADDED / A SILVER SEPULCHRAL URN, / CONTAINING / RELICS BROUGHT FROM ATHENS IN 1811, / AND / A SILVER CUP, / THE PROPERTY OF THE SAME NOBLE PERSON; / WHICH WILL BE / SOLD BY AUCTION / BY R. H. EVANS / AT HIS HOUSE, No. 26, PALL-MALL, / On Thursday July 8th, and following Day. Catalogues may be had, and the Books viewed at the / Place of Sale. / Printed by W.Bulmer and Co. Cleveland-row, St. James’ s. / 1813. It’s not usual to sell your entire library before going abroad unless you intend never to return. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries. -
GENERAL INDEX of Melita Historica
GENERAL INDEX of Melita Historica Vol. I, no. 1 (1952) - Vol. VIV, no. 4 (1983) AUTHORS in alphabetical order, articles in ohronological order compiled by John Azzopardi, S.J., M.A. ARTICLES AGIUS, John Alfred, "Maltil( and the ~hnoscritto 6687 del Fondo Barberini Second World War. Some Additions to Lat;no della Biblioteca Vaticana", Dr. Galea's Bibliography", V, 2 (1969) 114-57. II, 1 (1956) l4-18. , 'A Bad Reputation for the Maltese AZZOPARDI, Francis, "The Activities of Inquisition under Mgr. John Baptist the First Known Capuchin in Malta Gori Pannellini (1639-1646)", VI, 1 (1972) 50-9. Robert of Eboli", IV, 2 (1965) 96-110. BONNICI, Arthur, "Reasons for the Delay j,n the Appointment of Bishop F.S. BARTOLO, Paul, "British Colonial Budget Caruana", ing in Malta.. The first Formative De· I, 3 (1954) 156-63. cades 1800-1838", "The Church and the Freedom of the VIII, 1 (1980) 1-22. Press in Malta", BONANNO, Anthony, "Quintinus and the II, 2 (1957) 105-21. Loca.tion of the Temple of Hercules at "The Dismemberment of the Maltese Marsaxlokk,' , Sec from the Metropoiltan See of VIII, 3 (1982) 190-204. Palermo" , BONELLO, Vincenzo, "La Chiesa. Con II, 3 (1958) 179-81. ventuale di S. Giovanni", "The Oath Question", II, 1 (1956) 48-54. IV, 1 (1964) 14-26. "La Congregazione degli Onorati", "A Debt that Was never Settled", V, 2 (1969) 107-1:1. V, 2 (1969) 73-9. BONNICI, Alexander, "Superstitions in "Thirty Years to Build a Protestant Mllta towards the Middle of the Seven Church" , teenth Century In the Light of the In VI, 2 «1973) 183-91. -
Aristophanes in Performance 421 BC–AD 2007
an offprint from Aristophanes in Performance 421 BC–AD 2007 Peace, Birds and Frogs ❖ EDITED BY EDITH HALL AND AMANDA WRIGLEY Modern Humanities Research Association and Maney Publishing Legenda: Oxford, 2007 C H A P T E R 16 ❖ A Poet without ‘Gravity’: Aristophanes on the Italian Stage Francesca Schironi Since the beginning of the twentieth century, Aristophanes has enjoyed a certain public profile: I have counted at least seventy-four official productions that have taken place in Italy since 1911. The most popular play by far seems to be Birds, which has taken the stage in sixteen different productions. Clouds is also reasonably popular, having been staged in twelve different productions. There have also been some interesting rewritings and pastiches of more than one play. But particularly striking is the relative infrequency with which Frogs — in my view one of Aristophanes’ most engaging comedies — has been produced: it has only seen public performance twice, in 1976 and in 2002.1 Indeed, it is one of those two productions of Frogs that attracted my attention: the most recent one, directed by Luca Ronconi at Syracuse in May 2002. As most people know by now, this performance excited many discussions, in Italy,2 as well as abroad,3 because of widespread suspicion that it had incurred censorship at the hands of Berlusconi’s government. I would like to reconsider this episode, not only because it is both striking and ambiguous, but above all because on closer inspection it seems to me a particularly good illustration of how theatre, and in particular ancient Greek and Roman theatre, ‘works’ in Italy. -
Regenerating the Valletta Grand Harbour Area Abstract
Restoring Life in the City: Regenerating the Valletta Grand Harbour Area Nadia Theuma(1), Anthony Theuma (2) (1)Institute of Tourism, Travel and Culture, University of Malta (2)Paragon Europe, Malta [email protected] Abstract Harbour Cities are formed by the economic, political, social and cultural activity that surrounds them. In recent years a number harbour cities worldwide have been at the forefront of regeneration – and re-building their reality based on revived cultural centres, new commercial activity and international links rather than basing their success on the industrial activity synonymous with their past lives. Valletta, Malta’s harbour – city region is one such city. This paper traces the fate of the Grand Harbour and its neighbouring cities in the island of Malta through the events of past centuries and the most recent regeneration projects. This paper will highlight the importance that harbours have for the prosperity of the urban areas. By analysing the rise and fall of the city regions, this paper will also demonstrate that regeneration of harbour areas has to be in line with the regeneration of the surrounding cities – one does not occur without another. The findings of this paper are based on research conducted in the area during the past eight years through three EU funded projects.1 Key Words: grand harbour, cities, socio-economic development, DevelopMed, DELTA, Malta 1 The Projects are: (1) DevelopMed – Interreg Project (a project commenced in 2009 run by the Marche Region, Italy with Paragon Europe, representing -
MALTA LIBRARIES ANNUAL REPORT 2018 Maltalibraries.Gov.Mt MALTA
ANNUAL REPORT 2018 MALTA LIBRARIES ANNUAL REPORT 2018 maltalibraries.gov.mt MALTA LIBRARIES ANNUAL ANNUAL REPORT REPORT 2018 2018 CON- Cataloguing-in-Publication Data TENTS Malta Libraries Annual report 2018 / Malta Libraries. – Valletta : Malta Libraries, 2019. 79 p. : col. ill., charts, facsims., maps, ports. ; 21 cm. 1. Malta Libraries 2. Libraries – Malta – Statistics 3. National libraries – Malta – Statistics 4. Public libraries – Malta – Statistics I. Title ISBN 9789995793029 (print) ISBN 9789995793128 (eBook) DDC 23 : 027.04585 CON- MISSION STATEMENT 6 & FUNCTIONS FOREWORD NATIONAL FROM LIBRARY TENTS8 THE CEO 10 OF MALTA PUBLIC NATIONAL LIBRARIES BIBLIOGRAPHIC 38 NETWORK 52 OFFICE ICTSU OPERATIONS FINANCIAL 64 REPORT 68 DEPARTMENT 78 STATEMENTS MALTA LIBRARIES MISSION STATEMENT The mission of Malta Libraries is to ensure the collection and conservation of Malta’s documentary heritage for present and future generations, to maintain and develop the libraries regulated under the Malta Libraries Act, and to encourage reading for study, research, self-development and lifelong- learning information and leisure purposes. MALTA LIBRARIES ACT 2011 6 ANNUAL REPORT 2018 FUNCTIONS • To continue to acquire, assemble, conserve for lifelong learning and recreation purposes; posterity, and make accessible to the public, the collection of the nation’s documentary • To foster and strengthen reading habits and heritage and published current output, support literacy and other cultural activities regardless of form or medium, to be found in and programmes -
Malta Painted by Vittorio Boron Described by Frederick W
MALTA PAINTED BY VITTORIO BORON DESCRIBED BY FREDERICK W. RYAN 488742 30. 3- LONDON ADAM & CHARLES BLACK 1910 TO COUNT GIROLAMO TAGLIAFERRO THIS BOOK IS AFFECTIONATELY INSCRIBED BY THE WRITER PREFACE THE following text is intended to give no more than a slight sketch, aided by Signer Boron's effective pencil, of the manifold interests to be found in Malta. While the archaeology of the island and its con- nection with the Order of St. John of Jerusalem have from time to time attracted attention, English writers seem regrettably to have neglected other topics presented by this unique Imperial posses- sion, such as the folk-lore and literature of the the of the Maltese language ; growth early Christian of the nature of the ' Church Malta ; Consiglio Popolare' that gleam of constitutional govern- ment in the Dark Ages quite as interesting as the or the social Wittenagemote ; and economic condition of the Maltese people under the Knights and in the early days of British rule all of which have engaged the attention of Italian and Maltese historians. vi PREFACE Circumstances have not allowed more than a passing allusion in the following pages to such subjects : they are here mentioned to indicate the fruitful field of research embraced by the Malta Historical and Scientific Society, formed last year in Valletta, which proposes, under the guidance of its President, Professor Napoleon Tagliaferro, to * study the history and archaeology of the Maltese ' Islands and other scientific subjects of local interest an association well worthy of the support of British residents in Malta. The vast contents of the Record Office in Valletta and oral tradition the latter nowhere stronger than in these islands may on examination con- tribute many valuable additions to literature and history. -
Sir Bartle Frere
THE LIFE OF SIR BARTLE FRERE. CHAPTER I. BIRTH AND EDUCATION. Birth-Parentage-Childhood at Clydach-School-days at Bath Haileybury-Departure for India-Malta-Egypt-Red Sea Arrival at Bombay. HENRY BARTLE EDWARD FRERE, sixth son and ninth child of Edward and Mary Anne Frere, was born at Clydach House, Llanelly, in the county of Brecon, on March 29, 181 S. John Frere, the earliest known ancestor of their name from whom the Freres trace direct descent, was living at Thurston, near Bury St. Edmunds, in 1268; since which date portions of the estates at present owned by the family in Norfolk, Suffolk, and Essex have been in their continuous possession. A branch of the family, settled at Harleston, on the borders of Norfolk and Suffolk, emigrated to Barbadoes in the seventeenth century. This branch, in political opposition to the rest of the family, was strongly Par liamentarian, Tobias Frere being a member of Crom well's second Parliament, and secretary to the Committee WLL B 2 THE LIFE OF SIR BARTLE FRERE. [CH. J of Sequestrations for Norfolk and the City of Norwich John Frere was acting governor of Barbadoes about 1720 and Henry Frere in 1790. The Royalism of the other branch of the family doe~ not seem to have been ardent enough to affect its fortunes for in 1656, when the Royalist cause was at its lowest: John Frere purchased the manor and advowson oj Finningham, in the heart of Puritan Suffolk, and in the following year Thwaite Hall in the same parish. Here he and his descendants lived for more than a century, till in 1760 Sheppard Frere bought Roydon Hall, near Dissl six or seven miles distant, which has since been the residence of the eldest branch of the family. -
Venice, Childe Harold IV and Beppo, July 30Th 1817-January 7Th 1818
116 Venice, Childe Harold IV and Beppo, July 30th 1817-January 7th 1818 Venice, 1817 July 30th 1817-January 7th 1818 Edited from B.L.Add.Mss. 47234. In the notes, “J.W.” indicates assistance from Jack Wasserman, to whom I’m most grateful. Hobhouse has been on a tour of Italy since December 5th 1816, and hasn’t seen Byron – who’s just moved from Venice to La Mira – since Byron left Rome on May 20th. For the next five-and-a-half months he’s with Byron in Venice and the surrounding area. Byron is for the most part polishing Childe Harold IV, and Hobhouse takes upon himself the task of annotating it. The truly significant event, however – which neither man fully understands, and Hobhouse never will – is when Byron, having read Hookham Frere’s Whistlecraft, suddenly composes Beppo on October 9th. Venice is held by Austria, which is systematically running down its economy so that the poor are reduced to eating grass. Hobhouse glances at the state of the place from time to time. His terribly British account of the circumcision ceremony on August 2nd implies much about what Byron found fascinating about the city – though Byron would never put such feelings into explicit prose. Wednesday July 30th 1817: I got up at four – set off half past five, and, crossing the Po, went to Rovigo, three posts and a half. A long tedious drive, in flats. From Rovigo I went to Padua without going five miles out of my way to see Arquà in the Euganean Hills – Petrarch’s tranquil place – it was too hot – the thermometer at eighty-three in the shade.