DOCSLIB.ORG

GCMF Poster Inventory

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GCMF Poster Inventory George C. Marshall Foundation Poster Inventory Compiled August 2011 ID No. Title Description Date Period Country A black and white image except for the yellow background. A standing man in a suit is reaching into his right pocket to 1 Back Them Up WWI Canada contribute to the Canadian war effort. A black and white image except for yellow background. There is a smiling soldier in the foreground pointing horizontally to 4 It's Men We Want WWI Canada the right. In the background there is a column of soldiers march in the direction indicated by the foreground soldier's arm. 6 Souscrivez à L'Emprunt de la "Victoire" A color image of a wide-eyed soldier in uniform pointing at the viewer. WWI Canada 2 Bring Him Home with the Victory Loan A color image of a soldier sitting with his gun in his arms and gear. The ocean and two ships are in the background. 1918 WWI Canada 3 Votre Argent plus 5 1/2 d'interet This color image shows gold coins falling into open hands from a Canadian bond against a blue background and red frame. WWI Canada A young blonde girl with a red bow in her hair with a concerned look on her face. Next to her are building blocks which 5 Oh Please Do! Daddy WWI Canada spell out "Buy me a Victory Bond" . There is a gray background against the color image. Poster Text: In memory of the Belgian soldiers who died for their country-The Union of France for Belgium and Allied and 7 Union de France Pour La Belqiue 1916 WWI France Friendly Countries- in the Church of St. Sulpice, Tuesday, 19 December at 4:30. The Wake of the Tombs, a solemn 8 Ah Si L'on Avait Supprime l'Acool Color image of a French Soldier in a blue uniform looking with disregard at a drunkard across the street from a café. WWI France Compagne Algerienne (The Algerian 9 An Algerian soldier says farewell to his wife and child with an Algerian marketplace as a background. WWI France Company) Poster Text: The Company of Notaries of Paris and of the Department of the Seine- French people! Subscribe all to the 4th 10 Campagne Des Notaires WWI France printing of the Defense National- In the center is a medallion of a women in roman garb that says Gallia Victrix (Victorious Comptoir National D'Escompte De Image of two women holding on to each other- Poster Text- National Discount Bank of Paris- To hasten victory for us soon, 11 1918 WWI France Paris suscribe! 13 Credit Lyonais Poster Text: Subscribe to the 4th national edition - Image of a man fighting a giant bird WWI France Poster Text: Red Cross of France, Union of Women of France - War Sale for pour injured, our soldiers on the front, our 14 Croix Rouge Francaise 1916 WWI France prisoners, and our discharged soldiers. The image is bleak scene of black and white except for a giant white flag with a red Poster Text: September 12th, 1916- Day of work of Niveraise Women for the disabled war veterans. - A sepia image of a 15 Journee de L'Oeuvre Niveraise 1915 WWI France women caring for a wounded soldier. Poster Text: Don't forget to subscribe…for victory!...and the return. Image of a French women and her three children 16 Emprunt De La Defense Nationale 1915 WWI France waving goodbye to a loved one who is joining the other soldiers. Poster Text: We have them - A color image of a triumphant French soldier standing between two British soldiers on the 17 Emprunt De La Liberation WWI France battlefield. 18 Banque d'Alsace et de Lorraine A color image of the French army entering Strasbourg 1917 WWI France 19 Emprunt Defense Nationale A black and white image of a wounded French soldier pointing at a line of citizens waiting for aid at a cashier's window WWI France Poster Text: National Loan 1918- Societe Generale- so we can make whole the sweet land of France.- A vivid color image of 20 Emprunt National 1918 1918 WWI France a women and her child looking over a wheat field. A sepia image of a women holding hands with a women and her three young children. Poster Text: The Mural Federation 21 Matinee Populaire Extraordinaire 1916 WWI France of the Seine - a people's matinee for the benefit for the War Orphans Mutual Benefit Society. Page 1 of 33 George C. Marshall Foundation Poster Inventory Compiled August 2011 ID No. Title Description Date Period Country 22 Journee De L'Armee D'Afrique A color image of a black soldier charging a position with both black and white soldiers following in the background. WWI France An image of a women holding out an alms tin with children, a soldier and Hotel de ville are in the background. Poster Text: 23 Journee de Paris 1915 WWI France for the benefit of the war works of the Hotel de Ville A color image of a young boy and girl carrying small gifts. The young boy is dressed in a uniform, and the girl in a nurse's 24 Journee Du Poilu 1915 WWI France outfit. 25 Journee Du Poilu A single soldier throws a grenade. 1915 WWI France Poster Text: National Orphans Day - for the children whose fathers are no more, give what you can, give a little of your joy , 26 Journee National Des Orphelins 1916 WWI France give a little of your comforts.- A black and white image of three children A black and white image of a Serbian man and couple walking in the foreground. A large river with an arched bridge fills 27 Journee Serbe 1916 WWI France the background. 28 Emprunt De La Liberation A German soldier with a broken sword kneels in defeat before the standards of the Allied powers. WWI France 30 La Journee Du Poilu A color image of two French soldiers resting in the countryside 1915 WWI France La Volonte D'Agression De Poster text: The will of aggression of Germany is established by the secret accumulation of a material of war that is so 31 WWI France L'Allemagne disproportionate with their neighbors, that he (he neighbors) cannot have another other goal that simply to defend A blind veteran embracing his two daughters. The wife's face lies in the background. Poster Text- Central Office of 32 Exposition-Vente De Tableaux 1917 WWI France Charitable Works- sale of paintings given by the artists to benefit those blinded in war. 33 On Les Aura A charging French soldier beckoning others to follow. Poster Text: We will get them 1916 WWI France A color image of a stalwart French soldier standing prominently on the battlefield. Poster Text: They shall not pass! Twice I 34 Par Deux Fois… 1918 WWI France have stood fast and conquered on the Marne, civilian, my brother - A false 'peace offensive will attack you in turn 35 Pour La France A German soldier cowers in front of a giant French coin. Poster Text: Pour out your gold, gold fights for victory. WWI France 36 Emprunt National 1918 A color image of a French soldier strangling the black Prussian eagle. WWI France Pour Que Vos Enfants Ne Connaissent A mother places a sleeping child into a bed. Poster Text: So your children will not have to know the horrors of war, suscribe 37 1917 WWI France Plus to the National Loan- Societe Generale 38 Journee De Paris Four children bear the French flag and salute to two wounded soldiers. 1916 WWI France 39 3 Emprunt Defense Victory stands above a procession of standards against a light green background. WWI France The Homeland counts on you, guard yourself with all your force. Resist seductions of the street, look out for sicknesses 41 Soldat 1916 WWI France which are just as dangerous as war. She (sickness) drives her victims decay and to death without usefulness, without 42 Souscrivez Pour La Victoire A vivid color image of winged victory , cloaked in the French flag, leads the allied host over German ramparts. 1916 WWI France 42? Help Britain A color image of British planes fighting in the sky. WWI Great Britain Page 2 of 33 George C. Marshall Foundation Poster Inventory Compiled August 2011 ID No. Title Description Date Period Country 43 3rd Emprunt A French soldier extends the banner of liberty over a globe. WWI France 44 3rd Emprunt De La Defense Nationale A French soldier holds up and kisses a young girl. WWI France Poster text: One last effort and we will have them, A color image of allied soldiers scaling a stone eminence with the 45 Un Dernier Effort Et On L'aura WWI France Prussian eagle at its apex. Union des Familles Francaises et A black and white image of two women observing two orphaned girls. Poster Text: Help widowed mothers and orphans of 46 WWI France Alliees the soldiers dead on the field of honor- brothers and sisters of war 47 Vive La Nation A image of a French drummer girl. 1917 WWI France A peasant women holding a child and rifle looks on at her husband who is plowing the field. Poster Text: You also do your 48 Vous Aussi Faites Votre Devoir WWI France work, with all your resources, suscribe 53 Britishers, Enlist Today A giant British flag, with a army green frame. WWI Great Britain 54 Britishers, You're Needed A color image of an American man reaching across the Atlantic to shake hands with a European soldier.
Load more

Recommended publications
  • Cutting Patterns in DW Griffith's Biographs
    Cutting patterns in D.W. Griffith’s Biographs: An experimental statistical study Mike Baxter, 16 Lady Bay Road, West Bridgford, Nottingham, NG2 5BJ, U.K. (e-mail: [email protected]) 1 Introduction A number of recent studies have examined statistical methods for investigating cutting patterns within films, for the purposes of comparing patterns across films and/or for summarising ‘average’ patterns in a body of films. The present paper investigates how different ideas that have been proposed might be combined to identify subsets of similarly constructed films (i.e. exhibiting comparable cutting structures) within a larger body. The ideas explored are illustrated using a sample of 62 D.W Griffith Biograph one-reelers from the years 1909–1913. Yuri Tsivian has suggested that ‘all films are different as far as their SL struc- tures; yet some are less different than others’. Barry Salt, with specific reference to the question of whether or not Griffith’s Biographs ‘have the same large scale variations in their shot lengths along the length of the film’ says the ‘answer to this is quite clearly, no’. This judgment is based on smooths of the data using seventh degree trendlines and the observation that these ‘are nearly all quite different one from another, and too varied to allow any grouping that could be matched against, say, genre’1. While the basis for Salt’s view is clear Tsivian’s apparently oppos- ing position that some films are ‘less different than others’ seems to me to be a reasonably incontestable sentiment. It depends on how much you are prepared to simplify structure by smoothing in order to effect comparisons.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Teacher Support Materials to Use With
    Teacher support materials to use with Brief Plot Summary Discussion Questions Historical Drawings and Photos for Discussion Detailed Plot Summary Historical Background What Did You Read? – Form Book Report – Form Word Play Activity Fill in the Blanks Review Activity Brief Plot Summary For Gold and Blood tells the story of two Chinese brothers, Soo and Ping Lee, who, like many Chinese immigrants, leave their home in China to go to California in 1851. They hope to strike it rich in the Gold Rush and send money back to their family. In the gold fields, they make a big strike but are cheated out of it. After 12 years of prospecting, they split up. Soo joins the Chinese workers who build the Central Pacific Railroad, while Ping opens a laundry in San Francisco. With little to show for his work, Soo also goes to San Francisco. Both men face prejudice and violence. In time they join rival factions in the community of Chinatown, Ping with one of the Chinese Six Families and Soo with a secret, illegal tong. The story ends after the 1906 earthquake. This dramatic historical novel portrays the complicated lives of typical immigrants from China and many other countries. Think about it For Gold and Blood Discussion Questions Chapter 1 Leaving Home 1. If you were Ping, would you leave home for the possibility of finding gold so far away? 2. The brothers had to pay money to get out of the country. Does that happen now? 3. Do you think it’s possible to get rich fast without breaking the law? 4.
    [Show full text]
  • The Bates Student
    Bates College SCARAB The aB tes Student Archives and Special Collections 5-1911 The aB tes Student - volume 39 number 05 - May 1911 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 39 number 05 - May 1911" (1911). The Bates Student. 1826. http://scarab.bates.edu/bates_student/1826 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. w TM STVMNT MAY 1911„ ■■ • CONTENTS A My Mother Walter James Graham, ' 11 The Cynic of Parker Hall Alton Rocs Hodgkins, '11 145 Two Flag* Irving Hill Blake, '11 149 Dante Vincent Gatto, '14 150 Editorial 155 Local 159 Athletic* 163 Alumni 169 Exchanges • ' .'.:■■ 175 Spice Box 177 - s ■BMB BUSINESS DIRECTORY THE GLOBE STEAM LAUNDRY, 26-36 Temple Street, PORTLAND MUSIC HALL A. P. BIBBER, Manager The Home of High-Class Vaudeville Prices, 5 and 10 Cents Reserved Seats at Night, 15 Cents MOTION PICTURES CALL AT THB STUDIO of FLAGG ©• PLUMMER For the most up-to-date work in Photography OPPOSITE MUSIC HALL BATES FIRST-GLASS WORK STATIONERY AT In Box and Tablet Form Engraving for Commencement Merrill k Butter's A SPECIALTY % Berry Paper Company 189 Main Street, Cor. Park 49 Lisbon Street, LEWISTON BENJAMIN CLOTHES Always attract attention among the college fellows, because they have the snap and style that other lines do not have You can buy these clothes for the next thirty days at a reduction of over 20 per cent L.
    [Show full text]
  • Love of Modeling Squadron – Loving the Hobby Since 1968!
    FebruaryFFeebbrruaryuaarry 201722001177 BRINGING HISTORY TO LIFE See Page 24 for Complete Details Celebrate Your Love of Modeling Squadron – Loving the Hobby Since 1968! Over 160 NEW Kits and Accessories Inside These Pages! PLASTIC MODELOD E L KITSK I T S • MODEL ACCESSORIES SeeSSe bback cover for full details. BOOKS & MAGAZINES • PAINTS & TOOLS • GIFTS & COLLECTIBLES OrderO Today at WWW.SQUADRON.COM or call 1-877-414-0434 Dear Friends SQUADRON If you are anything like me, the winter chill has kept you indoors and busy building. This PRODUCTS is the time when I use more glue than in any other season. Deskbound, warm and cozy in my model room, drinking hot chocolate and surrounded by my best friends; models! With great fanfare, we are thrilled to announce the inaugural kit from our new SquadronModels product line - the long awaited HAUNEBU II German Flying Saucer. In stock and available for purchase, you won’t want to miss the quality and innovation that are hallmarks of our very first, developed from scratch model kit. Unique in all its form and description, the history of the Haunbu project is both fascinating and charismatic. Derived from the deepest and darkest Nazi se- crets, development of this German flying space vessel is still to today, part truth, part mystery. No matter if you are an airplane, armor, ship or fantasy builder, the Haunebu will captivate you with its detail and size. Check it out on Page 24 and be sure to check out the in-box video review on Squadron.com under the Squadron TV tab.
    [Show full text]
  • Coastal Command in the Second World War
    AIR POWER REVIEW VOL 21 NO 1 COASTAL COMMAND IN THE SECOND WORLD WAR By Professor John Buckley Biography: John Buckley is Professor of Military History at the University of Wolverhampton, UK. His books include The RAF and Trade Defence 1919-1945 (1995), Air Power in the Age of Total War (1999) and Monty’s Men: The British Army 1944-5 (2013). His history of the RAF (co-authored with Paul Beaver) will be published by Oxford University Press in 2018. Abstract: From 1939 to 1945 RAF Coastal Command played a crucial role in maintaining Britain’s maritime communications, thus securing the United Kingdom’s ability to wage war against the Axis powers in Europe. Its primary role was in confronting the German U-boat menace, particularly in the 1940-41 period when Britain came closest to losing the Battle of the Atlantic and with it the war. The importance of air power in the war against the U-boat was amply demonstrated when the closing of the Mid-Atlantic Air Gap in 1943 by Coastal Command aircraft effectively brought victory in the Atlantic campaign. Coastal Command also played a vital role in combating the German surface navy and, in the later stages of the war, in attacking Germany’s maritime links with Scandinavia. Disclaimer: The views expressed are those of the authors concerned, not necessarily the MOD. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form without prior permission in writing from the Editor. 178 COASTAL COMMAND IN THE SECOND WORLD WAR introduction n March 2004, almost sixty years after the end of the Second World War, RAF ICoastal Command finally received its first national monument which was unveiled at Westminster Abbey as a tribute to the many casualties endured by the Command during the War.
    [Show full text]
  • The Trade Journal Newsletter Editor Been Told by Many That They Now Have the Best Weed Hon
    DS T H E T R A D E 249 JOURNAL 9 Derbyshire Submariners Newsletter Issue Number 249 July 2020 Freedom of the City of Derby to RN Submarine Service Granted 28 April 2002 EDITORIAL BLACK TOT DAY 31 July 2020 - 1970-2020 Black Tot Day (July 31, 1970) is the name given Immediately after the June NL release, the PSU to the last day on which the Royal Navy issued (Power Supply Unit) literally went bang on my 4-year sailors with a daily rum ration (the daily tot). old high spec computer. I contacted the Computer Builders in Bolton to be told the good news was the part was under warranty. but the bad news no supplies due to CV until 11 June, so I thought it would be an appropriate birthday You soothed my nerves and warmed my limbs present; wrong. Basically, on 13 And cheered my dismal heart. Jun they told me they would not Procured my wants, obliged my whims, supply me like for like, as it was not part of the 10- And now it’s time to part. year guarantee on the part, and I would have had to ‘Mid endless perils of the deep re-wire a new one in instead of just plug it in with And miseries untold. existing wires. Thus, I was forced to pay out You summoned sweet forgetful sleep £132.10p for what should have been a warranty Cocooned me from the cold. covered item for supply. Still now up and running, Ten years ago, the ‘pound o’leaf’ and trying to piece all my notes for NL from the last That cast its fragrant smell.
    [Show full text]
  • Master Thesis Project Front Page for the Master's Thesis
    The Faculty of Humanities Master Thesis Project Front page for the Master’s thesis Submission June: [2019] Supervisor: Thijs J. Maarleveld Department: History Title, Danish: Tyske ubåde fra 2. Verdenskrig i danske farvande Title, English: German World War II Submarines in Danish Waters Min./Max. number of characters: 144,000 – 192,000 Number of characters in assignment1: 179.040 (60 – 80 normal pages) (1 norm page = 2400 characters incl. blanc spaces) Please notice in case your Master’s thesis project does not meet the minimum/maximum requirements stipulated in the curriculum your assignment will be dismissed and you will have used up one examination attempt. Solemn declaration I hereby declare that I have drawn up the assignment single-handed and independently. All quotes are marked as such and duly referenced. The full assignment or parts thereof have not been handed in as full or partial fulfilment of examination requirements in any other courses. Read more here: http://www.sdu.dk/en/Information_til/Studerende_ved_SDU/Eksamen.aspx Handed in by: First name: Last name: Date of birth Anders Jensen 20 /11 1975 1 Characters are counter from first character in the introduction until and including the last character in the conclusion. Footnotes are included. Charts are counted with theirs characters. The following is excluded from the total count: abstract, table of contents, bibliography, list of references, appendix. For more information, see the examination regulations of the course in the curriculum. 1 Table of Contents Acknowledgements
    [Show full text]
  • World War II at Sea This Page Intentionally Left Blank World War II at Sea
    World War II at Sea This page intentionally left blank World War II at Sea AN ENCYCLOPEDIA Volume I: A–K Dr. Spencer C. Tucker Editor Dr. Paul G. Pierpaoli Jr. Associate Editor Dr. Eric W. Osborne Assistant Editor Vincent P. O’Hara Assistant Editor Copyright 2012 by ABC-CLIO, LLC All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data World War II at sea : an encyclopedia / Spencer C. Tucker. p. cm. Includes bibliographical references and index. ISBN 978-1-59884-457-3 (hardcopy : alk. paper) — ISBN 978-1-59884-458-0 (ebook) 1. World War, 1939–1945—Naval operations— Encyclopedias. I. Tucker, Spencer, 1937– II. Title: World War Two at sea. D770.W66 2011 940.54'503—dc23 2011042142 ISBN: 978-1-59884-457-3 EISBN: 978-1-59884-458-0 15 14 13 12 11 1 2 3 4 5 This book is also available on the World Wide Web as an eBook. Visit www.abc-clio.com for details. ABC-CLIO, LLC 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper Manufactured in the United States of America To Malcolm “Kip” Muir Jr., scholar, gifted teacher, and friend. This page intentionally left blank Contents About the Editor ix Editorial Advisory Board xi List of Entries xiii Preface xxiii Overview xxv Entries A–Z 1 Chronology of Principal Events of World War II at Sea 823 Glossary of World War II Naval Terms 831 Bibliography 839 List of Editors and Contributors 865 Categorical Index 877 Index 889 vii This page intentionally left blank About the Editor Spencer C.
    [Show full text]
  • Royal Navy Records
    -1- PLEASE ALWAYS QUOTE LIST NUMBER WHEN ORDERING. BOOK POST: From the 1st April 2014. Our postage charges will be as follows:- UK Customers: 0 to 1 Kilo - £3.50 1 to 2 Kilos - £4.50 2 to 30 Kilos - £8.50* * UK Mainland only (exceptions Scottish Highlands & Islands, Northern Ireland, Isle of Man and Isles of Scilly) Overseas customers: will be asked to pay the normal seamail, postage rates. Air Mail is available: extra charge on request. BOOK CARRIAGE: U.K. Parcels weighing less than 2kg are sent by 2nd class or Royal Mail standard parcel. Parcels weighing more than 2kg are sent via Parcel Force, 48 hour service. Books are sent at customers risk unless separately insured. The extra cost of insured carriage or ‘signed for’ delivery to customers is available on request. All orders are despatched promptly, usually next day. BOOK ORDERING: Books may be ordered by letter, phone, or e-mail or fax. Our e-mail is available 24 hours a day, 7 days a week. Do not forget to look at the back-dated catalogues. Books are frequently unsold. BOOK PAYMENT: All customers may pay by Cash, Cheque and ALL Credit and Debit cards EXCEPT AMEX OR EUROCHEQUE. Please quote your card number, expiry date and security code (the last 3 digits on the signature strip) in separate emails if preferred for security reasons and the full address at which the card is registered when ordering. U.K and Overseas customers may also await our Proforma Invoice. Institutions will receive the books with an invoice plus postage or carriage charges.
    [Show full text]
  • Films Refusés, Du Moins En Première Instance, Par La Censure 1913-1916 N.B
    Films refusés, du moins en première instance, par la censure 1913-1916 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 001 16 avr 1913 As in a looking glass Monopole 3 rouleaux suggestifs. Condamné. 002 17 avr 1913 The way of the transgressor American Depicting crime. 003 17 avr 1913 White treachery American ? 004 18 avr 1913 Satan Ambrosio Cut out second scene as degrading to Christianity. Third scene: cut out monk intoxicated and other acts of crime. Forth scene: murder and acts of nonsense. 005 23 avr 1913 When men leave home Imperial ? 006 26 avr 1913 Sang noir Eclair ? 007 30 avr 1913 Father Beauclaire Reliance Muckery [=grossièretés]. 008 02 mai 1913 The Wayward son Kalem Too exciting. Burglary. 009 03 mai 1913 The auto bandits of Paris Eclair ? 010 05 mai 1913 Awakening of Papita Nestor ? 011 05 mai 1913 The Last Kiss Pasquali Adultère. (The chauffeur dream) 012 06 mai 1913 Dream dances Edison ? 013 06 mai 1913 Taps Bison Far too much flags; cut flags of U.S. war. A picture with no meaning. [Note du Dr.
    [Show full text]
  • Folly's Queen, Or, Women Whose Loves Have Ruled The
    "WE WON'T GO HOME TILL MORNINGI" OR, Women lose Loves Have Ruled the World. LIFE SKETCHES OF THE MOST FAMOUS BELLES OF CUPID'S COURT FOR TWO CENTURIES, / BY JULIE BE MORJEMAR. SUPERBLY ILLUSTRATED. FUE&SHED BY RICHARD K. FOX, PROPRIETOR POLICE GAZETTE, 483 WILLIAM STREET, N. Y. Entered according to Act of Congress, in the year 1882, by RICHARD X FOX, Publisher of the Police Gazette, • NEW YOBK, . Inthe Office of the Librarian of Congress, at Washington. CONTENTS. CHAITEB. 1.-FISH-GIRL AND KING'S MISTRESS. 11.-THE QUEEN OF KINGS AND MOTHER OF REVOLUTIONS. 111.-AN EMPEROR'S AMOUR. IV.-FROM PALACE TO HOVEL. • V.—THE MISFORTUNES OF A LAWLESS GENIUS. VI.—A DESTROYER OF MEN. VII.—THE COST OF AFALSE STEP. VIIL—A MADGENIUS. IX.-ASIREN OF OLD NEW YORK. X.—A QUEEN OF DIAMONDS. XI.—THE FAVORITE OF A TYRANT. Xn.—CAPTURING A PRINCE'S HEART. XIII.—MAJOR YELVERTON'S WIFE. XIV.—THE AMERICANBELLE WHO SOLD HERSELF FOR A TITLE. XV.—CRIME HAUNTED. FOLLY'S QUEENS. CHAPTEB L FISE-GIBL AND KING'S MX3TBES9 , Those who have made Satan's character a The moral that their lives teach is all that etudy tellas that his rulingpolicy in winningiconcerns us. Letus glance at that ofone of the world to himself is to select handsome IFolly's fairest sovereigns, merry Nell women with brilliantintellects for his adju- Gwynne. tants. And facts and our own observation This"tThis "archest of hussies" was born in the compel us toadmit, ungallant as itis, that the little towtown of Hereford, England.
    [Show full text]