Folly's Queen, Or, Women Whose Loves Have Ruled The
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Cutting Patterns in DW Griffith's Biographs
Cutting patterns in D.W. Griffith’s Biographs: An experimental statistical study Mike Baxter, 16 Lady Bay Road, West Bridgford, Nottingham, NG2 5BJ, U.K. (e-mail: [email protected]) 1 Introduction A number of recent studies have examined statistical methods for investigating cutting patterns within films, for the purposes of comparing patterns across films and/or for summarising ‘average’ patterns in a body of films. The present paper investigates how different ideas that have been proposed might be combined to identify subsets of similarly constructed films (i.e. exhibiting comparable cutting structures) within a larger body. The ideas explored are illustrated using a sample of 62 D.W Griffith Biograph one-reelers from the years 1909–1913. Yuri Tsivian has suggested that ‘all films are different as far as their SL struc- tures; yet some are less different than others’. Barry Salt, with specific reference to the question of whether or not Griffith’s Biographs ‘have the same large scale variations in their shot lengths along the length of the film’ says the ‘answer to this is quite clearly, no’. This judgment is based on smooths of the data using seventh degree trendlines and the observation that these ‘are nearly all quite different one from another, and too varied to allow any grouping that could be matched against, say, genre’1. While the basis for Salt’s view is clear Tsivian’s apparently oppos- ing position that some films are ‘less different than others’ seems to me to be a reasonably incontestable sentiment. It depends on how much you are prepared to simplify structure by smoothing in order to effect comparisons. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Teacher Support Materials to Use With
Teacher support materials to use with Brief Plot Summary Discussion Questions Historical Drawings and Photos for Discussion Detailed Plot Summary Historical Background What Did You Read? – Form Book Report – Form Word Play Activity Fill in the Blanks Review Activity Brief Plot Summary For Gold and Blood tells the story of two Chinese brothers, Soo and Ping Lee, who, like many Chinese immigrants, leave their home in China to go to California in 1851. They hope to strike it rich in the Gold Rush and send money back to their family. In the gold fields, they make a big strike but are cheated out of it. After 12 years of prospecting, they split up. Soo joins the Chinese workers who build the Central Pacific Railroad, while Ping opens a laundry in San Francisco. With little to show for his work, Soo also goes to San Francisco. Both men face prejudice and violence. In time they join rival factions in the community of Chinatown, Ping with one of the Chinese Six Families and Soo with a secret, illegal tong. The story ends after the 1906 earthquake. This dramatic historical novel portrays the complicated lives of typical immigrants from China and many other countries. Think about it For Gold and Blood Discussion Questions Chapter 1 Leaving Home 1. If you were Ping, would you leave home for the possibility of finding gold so far away? 2. The brothers had to pay money to get out of the country. Does that happen now? 3. Do you think it’s possible to get rich fast without breaking the law? 4. -
The Bates Student
Bates College SCARAB The aB tes Student Archives and Special Collections 5-1911 The aB tes Student - volume 39 number 05 - May 1911 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 39 number 05 - May 1911" (1911). The Bates Student. 1826. http://scarab.bates.edu/bates_student/1826 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. w TM STVMNT MAY 1911„ ■■ • CONTENTS A My Mother Walter James Graham, ' 11 The Cynic of Parker Hall Alton Rocs Hodgkins, '11 145 Two Flag* Irving Hill Blake, '11 149 Dante Vincent Gatto, '14 150 Editorial 155 Local 159 Athletic* 163 Alumni 169 Exchanges • ' .'.:■■ 175 Spice Box 177 - s ■BMB BUSINESS DIRECTORY THE GLOBE STEAM LAUNDRY, 26-36 Temple Street, PORTLAND MUSIC HALL A. P. BIBBER, Manager The Home of High-Class Vaudeville Prices, 5 and 10 Cents Reserved Seats at Night, 15 Cents MOTION PICTURES CALL AT THB STUDIO of FLAGG ©• PLUMMER For the most up-to-date work in Photography OPPOSITE MUSIC HALL BATES FIRST-GLASS WORK STATIONERY AT In Box and Tablet Form Engraving for Commencement Merrill k Butter's A SPECIALTY % Berry Paper Company 189 Main Street, Cor. Park 49 Lisbon Street, LEWISTON BENJAMIN CLOTHES Always attract attention among the college fellows, because they have the snap and style that other lines do not have You can buy these clothes for the next thirty days at a reduction of over 20 per cent L. -
GCMF Poster Inventory
George C. Marshall Foundation Poster Inventory Compiled August 2011 ID No. Title Description Date Period Country A black and white image except for the yellow background. A standing man in a suit is reaching into his right pocket to 1 Back Them Up WWI Canada contribute to the Canadian war effort. A black and white image except for yellow background. There is a smiling soldier in the foreground pointing horizontally to 4 It's Men We Want WWI Canada the right. In the background there is a column of soldiers march in the direction indicated by the foreground soldier's arm. 6 Souscrivez à L'Emprunt de la "Victoire" A color image of a wide-eyed soldier in uniform pointing at the viewer. WWI Canada 2 Bring Him Home with the Victory Loan A color image of a soldier sitting with his gun in his arms and gear. The ocean and two ships are in the background. 1918 WWI Canada 3 Votre Argent plus 5 1/2 d'interet This color image shows gold coins falling into open hands from a Canadian bond against a blue background and red frame. WWI Canada A young blonde girl with a red bow in her hair with a concerned look on her face. Next to her are building blocks which 5 Oh Please Do! Daddy WWI Canada spell out "Buy me a Victory Bond" . There is a gray background against the color image. Poster Text: In memory of the Belgian soldiers who died for their country-The Union of France for Belgium and Allied and 7 Union de France Pour La Belqiue 1916 WWI France Friendly Countries- in the Church of St. -
Jefferson Stereoptics & SADDY STEREOVIEW CONSIGNMENT AUCTIONS ($6.75)
Jefferson Stereoptics & SADDY STEREOVIEW CONSIGNMENT AUCTIONS ($6.75) John Saddy 787 Barclay Road London Ontario N6K 3H5 CANADA Tel: (519) 641-4431 Fax: (519) 641-0695 Website: https://www.saddyauctions.com E-mail: [email protected] AUCTION #19-2 Phone, mail, fax, and on-line auction with scanned images. CLOSING DATES: 9:00 p.m. Eastern Thursday, January 30, 2020 Lots 1 to 412 (Part 1) & Friday, January 31, 2020 Lots 413 to 826 (Part 2) In the event of a computer crash or other calamity, this auction will close one week later. "s.c.mts." = square corner mounts (earlier) BIDDING RULES AND TERMS OF SALE "r.c.mts." = rounded corner mounts (later) There is a 9% Buyer's Premium which will be automatically added to the invoice. (We will absorb Paypal charges.) Your TABLE OF CONTENTS business is very much appreciated. ADVERTISING 20, 68, 131, 403, 449, 450, 615, 681, 732 Please note ‘NEW BIDDING INCREMENTS’ AFRICA 276, 752, 758, 781 AIR MACHINES BALLOONS, ETC 241, 243, 244, 266, 267, 405, 586, 601 - 1. All lots sold to the highest bidder. 603, 605, 606, 780 2. Please note ‘New Bidding Increments’ as follows: ALASKA & KLONDYKE (inc CANADA) 559 - 564, 717 ALCOHOL 53, 137, 334, 404, 819 0 to $99._____________________$5. ANIMALS & ZOOS* 80, 292, 395 - 401, 453*, 485*, 521, 622*, 631*, 819 $100. to $499.________________$10. AUSTRIA 509, 520 AUTOCHROME (FULL-SIZE) 551 $500. to $999.________________$20. AUTOS, OTHER VEHICLES 265, 312, 527, 650 $1,000. to $1,999._____________$50. BANKS & MONEY 20, 480, 485, 730 $2,000. -
May 3Rd 2010
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 5-3-2010 May 3rd 2010 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "May 3rd 2010" (2010). Coyote Chronicle (1984-). 21. https://scholarworks.lib.csusb.edu/coyote-chronicle/21 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INDEPENDENT STUDENT VOICE Vol. XLIII, No. 19 CoyoteOF CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO FOR 43 YEARS ChronicleMonday, May 3, 2010 www.coyotechronicle.com PEOPLE PICK PLEMONS CSUSB chooses first female ASI president in 10 years By MARYRONE SHELL Staff Writer he odds may have been stacked years,” said senior Cristian Babb. Plemons against her but it’s a win nonethe- works in scheduling at the Santos Manuel Stu- less for junior Justine Plemons as dent Union (SMSU). Tthe newly appointed Associated “[Fukazawa] was good with the administra- Students Incorporated (ASI) President. tion and business aspect of how ASI is run,” said Students demonstrated their desire for a new Plemons of her competition. direction under her leadership by voting for her “I originally wanted to do VP of Finance, last April 28 and 29. and after a lot of consideration and talking I re- “None of it has sunk in yet, I’m still on alized that ASI needed a different voice and cloud nine,” Plemons said after the results were opinion, so that’s why I decided to run for pres- announced. -
Jewish Giants of Music
AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 Jewish Giants of Music Also: George Washington and the Jews Yiddish “Haven to Home” at the Theatre Library of Congress Posters Milken Archive of American Jewish Music th Anniversary of Jewish 350 Settlement in America AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 ~ OFFICERS ~ CONTENTS SIDNEY LAPIDUS President KENNETH J. BIALKIN 3 Message from Sidney Lapidus, 18 Allan Sherman Chairman President AJHS IRA A. LIPMAN LESLIE POLLACK JUSTIN L. WYNER Vice Presidents 8 From the Archives SHELDON S. COHEN Secretary and Counsel LOUISE P. ROSENFELD 12 Assistant Treasurer The History of PROF. DEBORAH DASH MOORE American Jewish Music Chair, Academic Council MARSHA LOTSTEIN Chair, Council of Jewish 19 The First American Historical Organizations Glamour Girl GEORGE BLUMENTHAL LESLIE POLLACK Co-Chairs, Sports Archive DAVID P. SOLOMON, Treasurer and Acting Executive Director BERNARD WAX Director Emeritus MICHAEL FELDBERG, PH.D. Director of Research LYN SLOME Director of Library and Archives CATHY KRUGMAN Director of Development 20 HERBERT KLEIN Library of Congress Director of Marketing 22 Thanksgiving and the Jews ~ BOARD OF TRUSTEES ~ of Pennsylvania, 1868 M. BERNARD AIDINOFF KENNETH J. BIALKIN GEORGE BLUMENTHAL SHELDON S. COHEN RONALD CURHAN ALAN M. EDELSTEIN 23 George Washington RUTH FEIN writes to the Savannah DAVID M. GORDIS DAVID S. GOTTESMAN 15 Leonard Bernstein’s Community – 1789 ROBERT D. GRIES DAVID HERSHBERG Musical Embrace MICHAEL JESSELSON DANIEL KAPLAN HARVEY M. KRUEGER SAMUEL KARETSKY 25 Jews and Baseball SIDNEY LAPIDUS PHILIP LAX in the Limelight IRA A. LIPMAN NORMAN LISS MARSHA LOTSTEIN KENNETH D. MALAMED DEBORAH DASH MOORE EDGAR J. -
Films Refusés, Du Moins En Première Instance, Par La Censure 1913-1916 N.B
Films refusés, du moins en première instance, par la censure 1913-1916 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 001 16 avr 1913 As in a looking glass Monopole 3 rouleaux suggestifs. Condamné. 002 17 avr 1913 The way of the transgressor American Depicting crime. 003 17 avr 1913 White treachery American ? 004 18 avr 1913 Satan Ambrosio Cut out second scene as degrading to Christianity. Third scene: cut out monk intoxicated and other acts of crime. Forth scene: murder and acts of nonsense. 005 23 avr 1913 When men leave home Imperial ? 006 26 avr 1913 Sang noir Eclair ? 007 30 avr 1913 Father Beauclaire Reliance Muckery [=grossièretés]. 008 02 mai 1913 The Wayward son Kalem Too exciting. Burglary. 009 03 mai 1913 The auto bandits of Paris Eclair ? 010 05 mai 1913 Awakening of Papita Nestor ? 011 05 mai 1913 The Last Kiss Pasquali Adultère. (The chauffeur dream) 012 06 mai 1913 Dream dances Edison ? 013 06 mai 1913 Taps Bison Far too much flags; cut flags of U.S. war. A picture with no meaning. [Note du Dr. -
THE LEGEND of BLOSSOM FALLS While Our Thoughts Are in the Big
THE LEGEND OF BLOSSOM FALLS While our thoughts are in the Big Indian Valley let us consider a much longer tale as also told by Lionel DeLisser. This story is considerably closer to "Indian mentality" than that of Lotowana, and might well contain some germs of truth. It is well to remember the political situation between Mohawk. Iroquois and Mohegan as described in our chapter on Indian Period history. In the winter of 1890, late one afternoon, I found myself astray after a fruitless bear hunt over the Big Indian Mountain. I had followed the tracks since daybreak and with the coming of night was searching for the trail that leads from Dry Brook in Hardenburgh to the Big Indian valley in Shandaken. Unable to find it, I was prepared to pass the night in the woods, when I was more than delighted to see a light glimmering through the trees. Making my way to it through the deep snow, I found a rough bark shanty into which I was made welcome by the tenant, an old man. He was engaged through the day, he said, in cutting hoop poles. The straight black hair, high cheek bones and coppery complexion of my host attracted my attention and excited my curiosity. After supper I learned that the old man was nearly, if not, a full blooded Iroquois Indian, the last descendant of a tribe that had formerly occupied this region for a time. I found him an interesting companion around the fire that night, full of the weird stories and legends of his people. -
The Original Superstar
Volume 12 • Number 2 FALL 2012 $4.95 The First “Marilyn Monroe” ALSO INSIDE: New York's Gasworks, Then and Now Kidnapped Into Slavery Opera in the Archives TR's Enduring Friendship Celebrating the Emancipation Proclamation 20 > NAALL > RRIIGGIIN 55 OO RRSSTTAARR EE BY BARBARA and SSUUPP MICHAEL FOSTER You may think you don’t know PF TS 939.5.4 (6), HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY the name or the face of Adah Isaacs Menken, aka The Naked Lady, the nineteenth century’s first superstar and celebrity. But if you’ve read a certain Sherlock Holmes story, or seen any photo of Marilyn Monroe— > > you already know Adah. NEW YORK archives • FALL 2012 21 NAALL Adah as Prince Mazeppa. IN GI e live in a star-stud- IG ded world. From I blockbuster movies R Adah was a R Wto (supposed) reality WTV shows such as “Dancing O versatile O AARR with the Stars” to the tabloids T at every supermarket check- SST performer RR out, pictures and stories about celebrities bombard who could sing, EE us. But when and where did TCS 19, HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY PP this overweening celebrity dance, and culture begin? UU It was at the Green Street exchange Theater in Albany, New York on the verge of the Civil War, repartee with on a Monday evening in June of 1861, when pretty, dark, the audience. curvy Adah Isaacs Menken first performed in Mazeppa, a cry for freedom against the tyrannical Russian czar. Taken from a poem by Lord Byron, the popular drama’s lead role of Prince Mazeppa was, of course, played by a male actor. -
Autolux – Transit Transit 1
DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington,