Jefferson Stereoptics & SADDY STEREOVIEW CONSIGNMENT AUCTIONS ($6.75)
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Cape May Mini-Reunion A
Volume 18, Number 3 Fall 2003 Cape May Mini-Reunion A Hit More Than 100 CGCVA Members & Guests Enjoy Graduation & Tours A gorgeous sunny day and a “Welcome Coast Guard Combat Veterans” sign greeted the more than 100 CGCVA members and guests as they drove onto Coast Guard Recruit Training Center Cape May, New Jersey the morning of Friday, Sept. 26, 2003. An air of anticipa- tion grew for many of the visitors, some who had never been to the site of the Coast Guard’s only boot camp, and for those who had not been there in decades. Coast Guard personnel distinguished between the CGCVA visitors and arriving parents and friends of the graduating recruit companies, directing each to specific parking locations. From there it was on to the Harborview Lounge for registration, refreshments and introductions. Mini-Reunion coordinators PNP Jack Campbell, Trustee Herb Weinstein and Terry Lee welcomed every- one and directed them to the Registration Desk, ably Some of the more than 100 CGCVA members and guests fill the “manned” by Nancy Burke, Shirley Ramsey, ‘Bubs’ grandstands to watch recruit graduation exercises at USCG Tipling and Mare Swift. Upon signing in, name badges Training Center Cape May, NJ on Sept. 26, 2003. and ‘goodie bags’ were issued to all, money for noon ed to the graduates earning the Physical Fitness Award in chow was collected, and an overview of the day’s each company and CGCVA President Ed Swift made planned activities explained. those presentations. Next, it was a short hike to one of the large recruit Back at the Harborview Lounge lunch was being classrooms for a video presentation, then on to the arranged and everyone headed there for chow and parade field for graduation exercises. -
Fear Under Construction: Islamophobia Within American
ISLAMOPHOBIA STUDIES JOURNAL Volume 2 • Issue 1• Spring 2014 26 ISJ 2(1) Fear Under Construction: Islamophobia Within American Christian Zionism Steven Fink University of Wisconsin-Eau Claire ISLAMOPHOBIA STUDIES JOURNAL VOLUME 2, NO. 1, SPRING 2014, PP. 26-43. Published by: Islamophobia Research and Documentation Project, Center for Race and Gender, University of California, Berkeley. Disclaimer: Statements of fact and opinion in the articles, notes, perspectives, etc. in the Islamophobia Studies Journal are those of the respective authors and contributors. They are not the expression of the editorial or advisory board and staff. No representation, either expressed or implied, is made of the accuracy of the material in this journal and ISJ cannot accept any legal responsibility or liability for any errors or omissions that may be made. The reader must make his or her own evaluation of the accuracy and appropriateness of those materials. 27 Fear Under Construction: Islamophobia Within American Christian Zionism Steven Fink University of Wisconsin-Eau Claire “Violent Islam is true Islam.” This statement by Walid Shoebat (2010: 137) encapsulates a view of Islam which is commonly presented by leaders of American Christian Zionism, a subsection of American evangelical Christianity which emphasizes unwavering support for the nation of Israel. Reflecting the Orientalist tendency of constructing degrading monolithic caricatures of Islam and Muslims, these leaders construct essentialist depictions which play a powerful role in shaping Christian Zionist laypeople’s conceptions of Muslims in general and Palestinian Muslims in particular. Seeking to gauge Christian Zionism’s place within the landscape of American evangelical Christianity, it is difficult to determine the actual number of Christian Zionists in the United States. -
Beyond the Walls - Potentiality Aborted
Beyond the Walls - Potentiality Aborted. The Politics of Intersubjective Universalism in Herman Melville’s Clarel Laura López Peña ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tdx.cat) i a través del Dipòsit Digital de la UB (diposit.ub.edu) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX ni al Dipòsit Digital de la UB. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX o al Dipòsit Digital de la UB (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tdx.cat) y a través del Repositorio Digital de la UB (diposit.ub.edu) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR o al Repositorio Digital de la UB. -
Jefferson Stereoptics & SADDY STEREOVIEW CONSIGNMENT AUCTIONS ($5.00)
Jefferson Stereoptics & SADDY STEREOVIEW CONSIGNMENT AUCTIONS ($5.00) John Saddy 787 Barclay Road London Ontario N6K 3H5 CANADA Tel: (519) 641-4431 Fax: (519) 641-0695 Website: www.saddyauctions.com E-mail: [email protected] AUCTION #16-1 Phone, mail, fax, and on-line auction with scanned images. CLOSING DATES: 9:00 p.m. Eastern Thursday, March 17, 2016 Lots 1 to 474 (Part 1) & Friday, March 18, 2016 Lots 475 to 938 (Part 2) In the event of a computer crash or other calamity, this auction will close one week later. IMPORTANT: PLEASE NOTE 6% “BUYER’S PREMIUM” I REGRET THAT I HAVE TO CHARGE EVERYONE WHO BIDS IN MY STEREOVIEW AUCTIONS A 6% "BUYER'S PREMIUM". (We will absorb Paypal charges.) The amount will be automatically added to the invoice. I have never charged a "Buyer's Premium" before, but I know how hard my wife and I work and after expenses, how little we are compensated and we feel this is entirely justified. We thank you in advance for your understanding. Your business is very much appreciated. BIDDING RULES AND TERMS OF SALE AUTOMOBILES & OTHER MOTOR VEHICLES 119, 410, 432, 518, 521, 548, 554, 556, 587, 603, 672, 768, 881 1. All lots sold to the highest bidder. BANKS & MONEY 126, 265, 527 2. Minimum increments: Up to $100, $3., $101 or higher, $10. (Bids only even dollars, no BELGIUM, HOLLAND - NETHERLANDS 49, 635, 640, 747 to 750 change.) BICYCLES, TRICYCLES, VELOCIPEDE 105, 146, 147, 159, 262, 286, 289, 540, 547 3. Maximum Bids accepted, winning bidder pays no more than one increment above BOATS, SHIPS, MARINE (use Search Engine) 2nd highest bid. -
Jewish Giants of Music
AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 Jewish Giants of Music Also: George Washington and the Jews Yiddish “Haven to Home” at the Theatre Library of Congress Posters Milken Archive of American Jewish Music th Anniversary of Jewish 350 Settlement in America AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 ~ OFFICERS ~ CONTENTS SIDNEY LAPIDUS President KENNETH J. BIALKIN 3 Message from Sidney Lapidus, 18 Allan Sherman Chairman President AJHS IRA A. LIPMAN LESLIE POLLACK JUSTIN L. WYNER Vice Presidents 8 From the Archives SHELDON S. COHEN Secretary and Counsel LOUISE P. ROSENFELD 12 Assistant Treasurer The History of PROF. DEBORAH DASH MOORE American Jewish Music Chair, Academic Council MARSHA LOTSTEIN Chair, Council of Jewish 19 The First American Historical Organizations Glamour Girl GEORGE BLUMENTHAL LESLIE POLLACK Co-Chairs, Sports Archive DAVID P. SOLOMON, Treasurer and Acting Executive Director BERNARD WAX Director Emeritus MICHAEL FELDBERG, PH.D. Director of Research LYN SLOME Director of Library and Archives CATHY KRUGMAN Director of Development 20 HERBERT KLEIN Library of Congress Director of Marketing 22 Thanksgiving and the Jews ~ BOARD OF TRUSTEES ~ of Pennsylvania, 1868 M. BERNARD AIDINOFF KENNETH J. BIALKIN GEORGE BLUMENTHAL SHELDON S. COHEN RONALD CURHAN ALAN M. EDELSTEIN 23 George Washington RUTH FEIN writes to the Savannah DAVID M. GORDIS DAVID S. GOTTESMAN 15 Leonard Bernstein’s Community – 1789 ROBERT D. GRIES DAVID HERSHBERG Musical Embrace MICHAEL JESSELSON DANIEL KAPLAN HARVEY M. KRUEGER SAMUEL KARETSKY 25 Jews and Baseball SIDNEY LAPIDUS PHILIP LAX in the Limelight IRA A. LIPMAN NORMAN LISS MARSHA LOTSTEIN KENNETH D. MALAMED DEBORAH DASH MOORE EDGAR J. -
The Protestant Irish of Montreal and the Birth of Canadian National Identity
Re-centering the Periphery: The Protestant Irish of Montreal and the birth of Canadian National Identity Raymond Jess A Thesis in the Special Individualized Program Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Special Individualized Program) at Concordia University Montreal, Québec, Canada August 2013 © Raymond Jess, 2013 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Raymond Jess Entitled: Re-centering the Periphery: The Protestant Irish of Montreal and the Birth of Canadian National Identity and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Individualized Program) Complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: _________________________________________ Chair (Ketra Schmitt) _________________________________________ Examiner (Gavin Foster) _________________________________________ Examiner (Michael Kenneally) _________________________________________ Supervisor (Gearóid Ó hAllmhuráin) Approved by ________________________________________________________ Ketra Scmitt Graduate Program Director __________________ 2013 ________________________________________ Dean of Graduate Studies Abstract Re-centering the Periphery: The Protestant Irish of Montreal and the Birth of Canadian National Identity Raymond Jess This thesis considers the construction of Canadian national identity and the political and economic forces that shaped it through the focused lens of the Irish Protestant community, a changing immigrant milieu in post-Confederation Montreal. The Protestant Irish community was divided by class, and their different reactions to certain social events and identities meant that the boundaries of their community were constantly being pushed and pulled in different directions, as actors tried to impose their own narratives on the changing meta-narrative of the city. -
Folly's Queen, Or, Women Whose Loves Have Ruled The
"WE WON'T GO HOME TILL MORNINGI" OR, Women lose Loves Have Ruled the World. LIFE SKETCHES OF THE MOST FAMOUS BELLES OF CUPID'S COURT FOR TWO CENTURIES, / BY JULIE BE MORJEMAR. SUPERBLY ILLUSTRATED. FUE&SHED BY RICHARD K. FOX, PROPRIETOR POLICE GAZETTE, 483 WILLIAM STREET, N. Y. Entered according to Act of Congress, in the year 1882, by RICHARD X FOX, Publisher of the Police Gazette, • NEW YOBK, . Inthe Office of the Librarian of Congress, at Washington. CONTENTS. CHAITEB. 1.-FISH-GIRL AND KING'S MISTRESS. 11.-THE QUEEN OF KINGS AND MOTHER OF REVOLUTIONS. 111.-AN EMPEROR'S AMOUR. IV.-FROM PALACE TO HOVEL. • V.—THE MISFORTUNES OF A LAWLESS GENIUS. VI.—A DESTROYER OF MEN. VII.—THE COST OF AFALSE STEP. VIIL—A MADGENIUS. IX.-ASIREN OF OLD NEW YORK. X.—A QUEEN OF DIAMONDS. XI.—THE FAVORITE OF A TYRANT. Xn.—CAPTURING A PRINCE'S HEART. XIII.—MAJOR YELVERTON'S WIFE. XIV.—THE AMERICANBELLE WHO SOLD HERSELF FOR A TITLE. XV.—CRIME HAUNTED. FOLLY'S QUEENS. CHAPTEB L FISE-GIBL AND KING'S MX3TBES9 , Those who have made Satan's character a The moral that their lives teach is all that etudy tellas that his rulingpolicy in winningiconcerns us. Letus glance at that ofone of the world to himself is to select handsome IFolly's fairest sovereigns, merry Nell women with brilliantintellects for his adju- Gwynne. tants. And facts and our own observation This"tThis "archest of hussies" was born in the compel us toadmit, ungallant as itis, that the little towtown of Hereford, England. -
The Story of Chautauqua
The Story Of Chautauqua By Jesse Lyman Hurlbut The Story Of Chautauqua CHAPTER I THE PLACE JOHN HEYL VINCENT—a name that spells Chautauqua to millions—said: "Chautauqua is a place, an idea, and a force." Let us first of all look at the place, from which an idea went forth with a living force into the world. The State of New York, exclusive of Long Island, is shaped somewhat like a gigantic foot, the heel being at Manhattan Island, the crown at the St. Lawrence River, and the toe at the point where Pennsylvania touches upon Lake Erie. Near this toe of New York lies Lake Chautauqua. It is eighteen miles long besides the romantic outlet of three miles, winding its way through forest primeval, and flowing into a shallow stream, the Chadakoin River, thence in succession into the Allegheny, the Ohio, the Mississippi, and finally resting in the bosom of the Gulf of Mexico. As we look at it upon the map, or sail upon it in the steamer, we perceive that it is about three miles across at its widest points, and moreover that it is in reality two lakes connected by a narrower channel, almost separated by two or three peninsulas. The earliest extant map of the lake, made by the way for General Washington soon after the Revolution (now in the Congressional Library at Washington), represents two separate lakes with a narrow stream between them. The lake receives no rivers or large streams. It is fed by springs beneath, and by a few brooks flowing into it. -
Thunder Chickens Take Osprey To
Fort Worth, Texas November 2007, Issue 20 OOHRAH! Thunder Chickens take Osprey to war The V-22 Osprey is now in service defending our country after a quarter century of research and development – and a great deal of work. Ten MV-22s from Marine Medium Tiltrotor Squadron 263 (VMM-263) arrived in Iraq in early October. Known as the “Thunder Chickens,” they are stationed at Al Asad Air Base west of Baghdad. “It has been a long time coming,” said Art Gravley, the chief Bell engineer for the V-22. “With all the different problems we’ve had in the program in terms of threats of cancellation and accidents, it’s such a satisfying thing to get to this point.” The deployment means a great deal to those who have had their hands in the tiltrotor, many of them for years. For Bell, creating the Osprey is a team effort. Large sections of the aircraft, particularly the wings, are constructed at the Advanced TOP: Marines of VMM-263 gather in front of an Osprey at Al Asad Air Base, Iraq. Marine Corps photo Composite Center (ACC) in Hurst. ABOVE: Marines attached to Marine Medium Tiltrotor Squadron (VMM) 263 board an MV-22 Osprey on the The rotors that keep it aloft are made flight deck of the USS Wasp as they prepare to transit to their final operational destination in Iraq. This at the Rotor Systems Center (RSC). marks the first combat deployment of the Osprey.U.S. Navy photo The gears and transmissions that make it all possible come to life at that we could help the guys over there fighting,” officer, who called it “pretty cool.” the Drive Systems Center (DSC) he said. -
US Navy and Coast Guard Vessels, Sunk Or Damaged Beyond
Casualties: U.S. Navy and Coast Guard Vessels, Sunk or Damaged Beyond Repair during World War II, 7 December 1941-1 October 1945 U.S. Navy Warships Mine Warfare Ships Patrol Ships Amphibious Ships Auxiliaries District Craft U.S. Coast Guard Ships Bibliography U.S. Navy Warships Battleship (BB) USS Arizona (BB-39) destroyed by Japanese aircraft bombs at Pearl Harbor, Hawaii, 7 December 1941, and stricken from the Navy List, 1 December 1942. USS Oklahoma (BB-37) capsized and sank after being torpedoed by Japanese aircraft at Pearl Harbor, Hawaii, 7 December 1941. Aircraft Carrier (CV) USS Hornet (CV-8) sunk after being torpedoed by Japanese aircraft during the Battle of Santa Cruz, Solomon Islands, 26 October 1942. USS Lexington (CV-2) sunk after being torpedoed by Japanese aircraft during the Battle of the Coral Sea, 8 May 1942. USS Wasp (CV-7) sunk after being torpedoed by Japanese submarine I-19 south of Guadalcanal, Solomon Islands, 15 September 1942. USS Yorktown (CV-5) damaged by aircraft bombs on 4 June 1942 during the Battle of Midway and sunk after being torpedoed by Japanese submarine I-168, 7 June 1942. Aircraft Carrier, Small (CVL) USS Princeton (CVL-23) sunk after being bombed by Japanese aircraft during the Battle of Leyte Gulf, Philippine Islands, 24 October 1944. Aircraft Carrier, Escort (CVE) USS Bismarck Sea (CVE-95) sunk by Kamikaze aircraft off Iwo Jima, Volcano Islands, 21 February 1945. USS Block Island (CVE-21) sunk after being torpedoed by German submarine U-549 northwest of the Canary Islands, 29 May 1944. -
© 2020 Stefan Dmytro Kosovych
© 2020 Stefan Dmytro Kosovych NOURISHING THE POLITICAL BODY: BANQUETS IN EARLY THIRD REPUBLIC FRANCE, 1878 – 1914 BY STEFAN DMYTRO KOSOVYCH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana-Champaign, 2020 Urbana, Illinois Doctoral Committee: Professor Emeritus Mark S. Micale, Chair and Director of Research Associate Professor Tamara Chaplin Professor Maria Todorova Professor Jean-Philippe R. Mathy ABSTRACT The most pressing issues of the day in France and in Europe – the place of workers in society, women’s rights, republicanism versus monarchy as the form of government, and expansion of the French empire – were advanced at banquets, ritualized gatherings over food and drink. Drawing on the key historical success of banquets as a means of political mobilization during the prelude to the Revolution of 1848, socialists/anarchists, royalists, imperialists, and feminists turned to the banquet to strengthen their political agendas during early Third Republic France. In Nourishing the Political Body: Banquets in Early Third Republic France, 1878 – 1914, I argue that banquets became a critical site for the construction of political and cultural power and identity by creating distinctive, tightly-knit communities that bolstered a diverse array of causes across the entire political landscape. Using police reports, government documents, accounts of banquet proceedings, newspaper articles, letters, and memoirs, my dissertation analyzes four prominent genres of banquets during late nineteenth and early twentieth-century France: commemorations of the Paris Commune, royalist, empire, and feminist. At these events, different political groups promoted specific agendas that were always ideological, oftentimes subversive, and even revolutionary. -
The Original Superstar
Volume 12 • Number 2 FALL 2012 $4.95 The First “Marilyn Monroe” ALSO INSIDE: New York's Gasworks, Then and Now Kidnapped Into Slavery Opera in the Archives TR's Enduring Friendship Celebrating the Emancipation Proclamation 20 > NAALL > RRIIGGIIN 55 OO RRSSTTAARR EE BY BARBARA and SSUUPP MICHAEL FOSTER You may think you don’t know PF TS 939.5.4 (6), HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY the name or the face of Adah Isaacs Menken, aka The Naked Lady, the nineteenth century’s first superstar and celebrity. But if you’ve read a certain Sherlock Holmes story, or seen any photo of Marilyn Monroe— > > you already know Adah. NEW YORK archives • FALL 2012 21 NAALL Adah as Prince Mazeppa. IN GI e live in a star-stud- IG ded world. From I blockbuster movies R Adah was a R Wto (supposed) reality WTV shows such as “Dancing O versatile O AARR with the Stars” to the tabloids T at every supermarket check- SST performer RR out, pictures and stories about celebrities bombard who could sing, EE us. But when and where did TCS 19, HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY PP this overweening celebrity dance, and culture begin? UU It was at the Green Street exchange Theater in Albany, New York on the verge of the Civil War, repartee with on a Monday evening in June of 1861, when pretty, dark, the audience. curvy Adah Isaacs Menken first performed in Mazeppa, a cry for freedom against the tyrannical Russian czar. Taken from a poem by Lord Byron, the popular drama’s lead role of Prince Mazeppa was, of course, played by a male actor.