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Beyond the Walls - Potentiality Aborted Beyond the Walls - Potentiality Aborted. The Politics of Intersubjective Universalism in Herman Melville’s Clarel Laura López Peña ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tdx.cat) i a través del Dipòsit Digital de la UB (diposit.ub.edu) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX ni al Dipòsit Digital de la UB. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX o al Dipòsit Digital de la UB (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tdx.cat) y a través del Repositorio Digital de la UB (diposit.ub.edu) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR o al Repositorio Digital de la UB. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR o al Repositorio Digital de la UB (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. En la utilización o cita de partes de la tesis es obligado indicar el nombre de la persona autora. WARNING. On having consulted this thesis you’re accepting the following use conditions: Spreading this thesis by the TDX (www.tdx.cat) service and by the UB Digital Repository (diposit.ub.edu) has been authorized by the titular of the intellectual property rights only for private uses placed in investigation and teaching activities. Reproduction with lucrative aims is not authorized nor its spreading and availability from a site foreign to the TDX service or to the UB Digital Repository. Introducing its content in a window or frame foreign to the TDX service or to the UB Digital Repository is not authorized (framing). Those rights affect to the presentation summary of the thesis as well as to its contents. In the using or citation of parts of the thesis it’s obliged to indicate the name of the author. Doctorat en Construcció i Representació d’Identitats Culturals (2008-2013) (Programa de doctorat amb Menció de qualitat 2011-2014) Línia de recerca: Construcció i representació de gèneres i d’imaginaris nacionals Beyond the Walls—Potentiality Aborted. The Politics of Intersubjective Universalism in Herman Melville’s Clarel TESI DOCTORAL Laura López Peña Director: Dr. Rodrigo Andrés González Departament de Filologia Anglesa i Alemanya Universitat de Barcelona Barcelona, June 2013 To Rodrigo, for the universalism. To Tim, for the intersubjectivity. To Melville, for Clarel. A mi familia, por todo. A mi madre, por más. “[…] but of all this you must of course be your own judge —I but submit matter to you — I dont [sic.] decide.” (Herman Melville, Letter to Nathaniel Hawthorne, 13 August 1852, Correspondence 235) “‘The gate,’ cried Nehemiah, ‘the gate Of David!’ Wending thro’ the strait, And marking that, in common drought, ’Twas yellow waste within as out, The student mused: The desert, see, It parts not here, but silently, Even like a leopard by our side, It seems to enter in with us— At home amid men’s homes would glide. But hark! that wail how dolorous: So grieve the souls in endless dearth; Yet sounds it human—of the earth!” (Herman Melville, Clarel 1976 1.24.77-88) “Ye two are the opposite poles of one thing; Starbuck is Stubb reversed, and Stubb is Starbuck; and ye two are all mankind.” (Herman Melville, Moby-Dick 1851: 484) “There’s another rendering now; but still one text. All sorts of men in one kind of world, you see.” (Herman Melville, Moby-Dick 1851: 384) ACKNOWLEDGEMENTS “How is it, that while all of us human beings are so entirely disembarrassed in censuring a person; that so soon as we would praise, then we begin to feel awkward? I never blush after denouncing a man; but I grow scarlet, after eulogizing him. And yet this is all wrong; and yet we can’t help it; and so we see how true was that musical sentence of the poet when he sang — ‘We can’t help ourselves’” (Herman Melville, Letter to Sophia Peabody Hawthorne, 8 January 1852, Correspondence 219) I have been lucky. And I am aware that I have been lucky. For years, I have looked forward to expressing my gratitude to the people who have become important in my life and who have made my existence a happier one during the years I have been writing the dissertation I present in this volume. Longing to express my debt to each and all of them, however, I painfully grow aware of the difficulty of such a task, of the incapability of language to capture my admiration, gratitude, and love for these people. And, yet, language is the only means I have to express such feelings (though I would be glad to complement words with a hug or two to those who wish it), and I like to think that it is the heart that guides the fingers that type these words, as I cannot think of any other source from which one could possibly write. This dissertation owes its very existence to my advisor Dr. Rodrigo Andrés (Universitat de Barcelona), without whom no interest in Herman Melville would have ever emerged in the first place. I am deeply grateful to Dr. Andrés and to Rodrigo, for what are already many years of work, friendship, caring, mutual help, learning, unlearning, trust, laughter, travels, protection, poems, pilgrimages, growth… togetherness. For believing in me even when I did not; for being continually for me, with me; for helping me realize what moved me to write this dissertation and having -i- | ACKNOWLEDGEMENTS faith that I would find my way, for giving me the necessary freedom to do what was important to me, at my own pace; for allowing me to develop my own relationship with Melville and with his texts, for enabling me to ‘dive’ on my own and fill my lungs with oxygen for the plunge; for his excellent comments and deep dedication to this dissertation at all moments. For being a good friend and a good boss (although I, somehow, prefer the word ‘teacher’), and for finding the balance between both roles. For expanding my sense of familiarity, and for becoming part of my family. For making me a member of other families. This dissertation stemmed from your contagious love for literature and is greatly indebted to your generosity ever since I met you as an undergraduate student in the spring semester of 2005 (oh, that memorable subject on “Teoria literària i textos anglesos”, now sadly extinct). It is an homage to your professional guidance and your care. Esta tesis está dedicada a ti, Rodrigo, de corazón: “To what infinite height of loving wonder and admiration I may yet be borne […],— that, I can not tell. But already I feel that this Hawthorne has dropped germinous seeds into my soul…” (“Hawthorne and His Mosses” 1850: 59). Con infinita admiración y con mucho amor, subscribo a estas palabras de Melville, with much, much gratitude for the “germinous seeds”, and aware that I could not have shared this trip –oh, what a trip!– with a better fellow traveler. This dissertation is also indebted to the enormous generosity of Dr. Timothy Marr (University of North Carolina–Chapel Hill), who energized me with every conversation and illuminated my work at a time when I could see no clarity or direction. It is no exaggeration to affirm that Dr. Marr has been determining to the mid and final stage of this dissertation, believing in my work, and enabling me to discover the particular color of my own voice, why it was only me that could write this dissertation in the way this dissertation is written. I am very grateful for his amazing -ii- | ACKNOWLEDGEMENTS kindness and generosity, professionally, personally, since our first meeting in Jerusalem in June 2009, and especially during my two research trips to Chapel Hill, NC, in the spring semesters of 2012 and 2013, respectively. Thank you, Tim, for ‘adopting’ me at UNC under your supervision on these different occasions, for your generous dedication, and for reading early and not so early drafts of this dissertation and providing important feedback. For sharing your time, your carrel, your home, your family, and your self with me, and for making me feel at home. For allowing me to learn with and from you so generously. For the healing, the peace, the conviviality, the sharing, the music. For speaking Melville, and for speaking Clarel. For the generous intersubjectivity (and the insights on intersubjectivity), and your capacity to generate heart-to-heart communication. For so many encouraging conversations, and for your piercing questions. For your “deep and noble nature” (“Hawthorne and His Mosses” 47), and for your “all-engendering heart” and “great, deep intellect, which drops down into the universe like a plummet” (51).
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