Lost Silent Feature Films
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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
Sac's Kissing Cousins
Ground crewmen bring a British RAF Bomber Command Vulcan V-bomber to a high state of readiness. In case of nuclear war bombers of the British V-force would likely spearhead any retaliatory attack. Vuleans, the world's largest delta. wing bombers, carry either conventional or nuclear bombs internally and one Blue Steel standoff weapon externally. Although there are some misgivings about the future, today's British RAF Bomber Command is decidedly a viable force for the 1960s. Here is a report on the powerful capabilities of the United Kingdom's nuclear aerospace force . SAC'S KISSING COUSINS HE officer commanding, seated in the War Room of his operational control center, reached for the T red phone and spoke an order into it which ener- gized his widely dispersed command. The order was a single word—Scramble! A small but superbly trained band of men sprang into action. With machine precision, they raced By Richard Clayton Peet through prescribed checkout procedures, preparing their planes for flight. Jet engines began their roar. Seconds later, hundreds of aircraft were on the roll. In less than two minutes, a giant nuclear retaliatory armada was airborne. Most Americans would immediately conclude that the situation described was taking place in our own Strategic Air Command. We have become accustomed 28 AIR FORCE Magazine • January 1964 Sir John Grandy, Bomber Commander CinC, credits Valiant, first V-bomber, today is used primarily as a tanker. technical innovation and high crew proficiency with Here a Valiant refuels one of the Vulcans that made the first keeping Bomber Command a viable force in the 1960s. -
Law Enforcement Problems of the 1920S & 1930S, Bay Meadows
Winter 2011 LaThe Journal of the SanPeninsula Mateo County Historical Association, Volume xl, No. 2 Law Enforcement Problems of the 1920s & 1930s, Bay Meadows Remembered and Daly City Centennial Table of Contents The Most Corrupt County: The Era of Prohibition and Gambling ................................................................ 3 by Carmen J. Blair Bay Meadows Remembered ............................................................................. 14 by Jon Rubin Daly City-Colma: Leaves of History .................................................................. 21 by Samuel C. Chandler The San Mateo County Historical Association operates the San Mateo County History Museum and research archives at the old San Mateo County Courthouse located in Our Vision Redwood City, California, and administers two county historical sites, the Sanchez To discover the past Adobe in Pacifica and the Woodside Store in Woodside. and imagine the future. The San Mateo County Historical Association Board of Directors Our Mission Peggy Bort Jones, Chairwoman; Keith Bautista, Immediate Past Chairman; Patrick Ryan, To enrich, excite and Vice Chairman; Phill Raiser, Secretary; Brian Sullivan, Treasurer; Alpio Barbara; Paul educate through Barulich; Roberta Carcione; Herm Christensen; Shawn DeLuna; Ted Everett; Umang understanding, Gupta; John Inglis; Wally Jansen; Doug Keyston; Les Koonce; Karen S. McCown; Tom preserving and McGraw; Gene Mullin; Bob Oyster; Anne Peter; Cynthia L. Schreurs; Paul Shepherd and interpreting the history Mitchell P. Postel, President. of San Mateo County. President’s Advisory Board Accredited by the Albert A. Acena; Arthur H. Bredenbeck; Frank Baldanzi; John Clinton; Robert M. Desky; American Association T. Jack Foster, Jr.; Georgi LaBerge; Greg Munks; John Schrup and Tom Siebel. of Museums La Peninsula Carmen J. Blair, Managing Editor Publications Committee: Joan M. Levy, Publications Chairwoman; Albert A. -
The Scoop on Sophomore Machines Karen Postupac Nology at the College, Sophomores Have Was Released in August Editor-In-Chief Spoke on the Issue
Tennis takes title SPORTS Return to the upside-down Women’s team wins PACs “Stranger Things” comes back just in time for Halloween Digging for hope LIFE Project Okello raises money for ENTERTAINMENT clean water The Friday, October 27, 2017 CollegianThe Grove City College Student Newspaper Vol. 103, No. 6 BECCA SHAFFER To celebrate music, marching and majorettes, high school bands from around the county came to Grove City College to perform their shows. All of the bands gave spec- tacular performances for alumni and peers alike on Thorn Field, where the Wolverine marching band will perform Saturday during the football game against Geneva. March-ing madness Steven Gosselin lege hosted the inaugu- Junior/Senior High Tiger Marching Band traditional high step an interest in the band Staff Writer ral Marching Band In- School Falcon March- and the Grove City High and the Sharon Tiger routine. According to vitational and Festival, ing Band, the Mighty School Marching Band, Marching Band for per- freshman Wolverine “A great day for featuring six local high Mercer Mustang the night was sure to forming music from band member Sarah band!” said Dr. Joseph school bands, as well as Marching Machine, the impress. Star Wars. Gorog, “It was great to Pisano, director of the a performance by the Lincoln High School All the bands gave The performers were have people who sup- Grove City College Wol- Wolverines. Marching Blue Band, great performances, all respectful and en- port band on campus, verine Marching Band, Featuring the guest the Slippery Rock High with two standouts be- couraging of their peers’ performing and enjoy- and it definitely was! talents of the Allegh- School Rocket March- ing the LHS Blue Band performances and ev- On Saturday, the Col- eny-Clarion Valley ing Band, the Sharon for marching with a eryone there shared BAND 2 The scoop on sophomore machines Karen Postupac nology at the College, Sophomores have was released in August Editor-in-Chief spoke on the issue. -
AMERICAN HOSTA SOCIETY Includes 2019 Registrations 2020 Simplified Classification List
AMERICAN HOSTA SOCIETY Includes 2019 Registrations 2020 Simplified Classification List Section- Section- Section- Variety Variety Variety Class Class Class 1st and Ten I-2 Abba Ready III-4b Abiqua Parasol I-2 A 1-A-Day Delight I-7 Abba Rough II-2 Abiqua Recluse II-3 A B-1 Bomber I-7 Abba Soul Mate IV-6b Abiqua Trumpet IV-2 A Big Splash I-7 Abba Spellbinder III-5b Abiqua Zodiac III-3 A Blue Streak II-7 Abba Tops IV-5b Abracadabra III-5b A Burgh Thing II-2 Abba Windows III-5b Abraham Lincoln II-2 A Dog of Flanders III-1 Abbey Pond Cascades II-1 Abundant Love II-2 A Lady in Blue III-5b Abbey Road III-4b Academy Ametrine II-3 A Many-splendored Thing II-5b Abby IV-5b Academy Another IV-4b A Passion for Purple IV-1 Abiqua Ambrosia IV-1 Academy Aureate Piffle II-3 A Step Beyond II-5b Abiqua Ariel III-8 Academy Beech Leaf Stack III-3 A Very Good Boy I-4b Abiqua Aries III-3 Academy Blue Funnel II-2 Aachen III-4b Abiqua Big Sky I-2 Academy Blue Titan I-2 Aardvark II-6a Abiqua Blue Crinkles III-2 Academy Blushing Chartreuse IV-5b Abana IV-6a Abiqua Blue Edger IV-2 Academy Blushing Recluse III-5b Abba Alive IV-4b Abiqua Blue Hearts IV-2 Academy Bonfire Glade IV-1 Abba Aloft III-5b Abiqua Blue Jay III-2 Academy Brobdingnagian Viridity I-1 Abba at Large III-6a Abiqua Blue Madonna III-2 Academy Celeborn II-2 Abba Blue Plus III-4b Abiqua Blue Shield I-2 Academy Chetwood III-1 Abba Dabba Do II-5b Abiqua Delight IV-4b Academy Cockcrow III-4b Abba Dew II-5b Abiqua Drinking Gourd III-2 Academy Cratered Blue III-2 Abba Diana Reeck IV-6a Abiqua Elephant Ears -
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 Min)
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 min) Directed by Raoul Walsh Screenplay by John Huston and W.R. Burnett Cinematography by Tony Gaudio Ida Lupino...Marie Humphrey Bogart...Roy Earle Alan Curtis...'Babe' Arthur Kennedy...'Red' Joan Leslie...Velma Henry Hull...'Doc' Banton Henry Travers...Pa Jerome Cowan...Healy Minna Gombell...Mrs. Baughmam Barton MacLane...Jake Kranmer Elisabeth Risdon...Ma Cornel Wilde...Louis Mendoza George Meeker...Pfiffer Zero the Dog...Pard RAOUL WALSH (11 March 1887, NYC—31 December 1980, Simi Valley, CA), directed 136 films, the last of which was A Distant Trumpet (1964). Some of the others were The Naked and the Dead (1958), Band of Angels (1957), The King and Four Queens (1956), officials they kept it under lock and key for 25 years because they Battle Cry (1955), Blackbeard, the Pirate (1952), Along the Great were convinced that if the American public saw Huston’s scenes of Divide (1951), Captain Horatio Hornblower R.N.(1951), White American soldiers crying and suffering what in those days was Heat (1949), Cheyenne (1947), The Horn Blows at Midnight called “shellshock” and “battle fatigue” they would have an even (1945), They Died with Their Boots On (1941), High Sierra more difficult time getting Americans to go off and get themselves (1941), They Drive by Night (1940), The Roaring Twenties (1939), killed in future wars. One military official accused Huston of being Sadie Thompson (1928), What Price Glory (1926), Thief of “anti-war,” to which he replied, “If I ever make a pro-war film I Baghdad (1924), Evangeline (1919), Blue Blood and Red (1916), hope they take me out and shoot me.” During his long career he The Fatal Black Bean (1915), Who Shot Bud Walton? (1914) and made a number of real dogs e.g. -
Complete List of Silent Films Featuring Journalists and Journalism 1920-1929 (Each Film Is Annotated in the Appendices 12-21)
Complete List of Silent Films Featuring Journalists and Journalism 1920-1929 (Each film is annotated in the appendices 12-21) 1920 Always Audacious Amateur Devil, An Amazing Woman, The Bab's Candidate (Newspaper) Beggar in Purple, A Behold My Wife (newspaper) Below The Surface (newspaper) Biff! Bang!! Bomb!!! Big Happiness (newspaper) Blind Youth (critics) Branded Woman, The (newspaper) Burton Holmes Travelogues Cameraman, The Capitol, The Chains of Evidence Cinderella's Twin (magazine) Clever Cubs Dangerous Love Deadline at Eleven Demoracy -- The Vision Restored Desperate Hero, The Devil's Pass Key, The Dinty Do the Dead Talk Editorial Horseplay Fear Market, The Figurehead, The Find the Girl (aka Beaucitron reporter) Flying Pat Food for Scandal Fourth Face, The (aka The Mystery of Washington Square) Go and Get It Great Round-Up, The Green Flame, The Heart of Twenty, The Hearst News No. 49 Held by the Enemy Heliotrope Herbert Kaufman Weekly, The Hidden Light, The Homespun Folks Honor Bound House of the Tolling Bell, The Hy Mayer Such is Life Series In the Heart of a Fool International News No. 5 International News No. 84 Jailbird, The Jerry on the Job: Bomb Idea, The Joyous Troublemaker, The Keyhole Reporter, The Law of the Yukon, The Leap Year Leaps Lion Man, The: Episode Two: Rope of Death Lion Man, The: Episode Three:Kidnappers Lion Man, The: Episode Four: Devilish Device, A Lion Man, The: Episode Five: In the Lion's Dean Lion Man, The: Episode Six: House of Horrors Lion Man, The: Episode Seven: Doomed Lion Man, The: Episode Eight: -
Regeneration by Marilyn Ann Moss
Regeneration By Marilyn Ann Moss One of the most beloved directors of classic Hollywood cinema, Raoul Walsh began his career in 1913 as an actor with the Pathe Brothers studios in Fort Lee, New Jersey. He quickly moved to Biograph Studios, where he began di- recting alongside the Father of American Cinema, the great D.W. Griffith. Walsh appeared as John Wilkes Booth in “The Birth of a Nation” (1915) and also assist- ed Griffith by filming the picture’s battle scenes. Impressed with Walsh’s work for Griffith, Rockliffe Fellowes as Owen Conway is transformed from Bowery up-and-coming studio mogul William Fox tough guy to responsible citizen by love for Marie (Anna Q. Nilsson). pirated Walsh away from Griffith in 1915 and gave Walsh his first chance to direct on his own. What a feature debut it was: the epic film, most infamous New York has ever known." When “Regeneration.” he meets a young woman, Mamie Rose (who be- comes Marie in Walsh’s film), Owen steadily trans- “Regeneration,” thought to be the first feature- forms himself into a caring, responsible human be- length gangster film produced in American cinema, ing. Eventually he and Mamie Rose are to be mar- premiered in the U.S. in 1915. Its reputation flour- ried, but, tragically, she dies of pneumonia just be- ishes even today. Critics and moviegoers alike fore the wedding. Nevertheless, she has changed agree that with this film, Walsh quickly surpassed Owen’s life forever. the directorial prowess of his mentor, D.W. Griffith. Kildare’s characters hungered even more than the Walsh could not have found better material for his aches in their stomachs; despair mapped the days first solo outing as a director than with the story he of their lives. -
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004 Table of Contents: Chapter 1: Playtime, Paytime ..............................................................................................................................................1 Chapter 2: Not in Kansas Any More....................................................................................................................................6 Chapter 3: A Quiz in Time Saves Six................................................................................................................................18 Chapter 4: Peach Pitstop....................................................................................................................................................22 Chapter 5: Copter, Copter, Overhead, I Choose Fourside for my Bed...........................................................................35 Chapter 6: EZ Phone Home ..............................................................................................................................................47 Chapter 7: Ghost Busted....................................................................................................................................................58 Chapter 8: Pipe Dreams......................................................................................................................................................75 Chapter 9: Victual Reality................................................................................................................................................102 -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 Permalink https://escholarship.org/uc/item/9mv8w2t2 Author Navitski, Rielle Edmonds Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 By Rielle Edmonds Navitski A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel (chair) Professor Natalia Brizuela Professor Mary Ann Doane Professor Mark Sandberg Spring 2013 Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 © 2013 by Rielle Edmonds Navitski Abstract Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930 by Rielle Edmonds Navitski Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair This dissertation examines the role of new visual reproduction technologies in forging public cultures of sensationalized violence in two rapidly modernizing nations on the periphery of industrial capitalism. I trace parallel developments in the production and reception of silent crime and adventure film in Brazil's First Republic and in revolutionary and post-revolutionary Mexico, at a moment when industrialization and urbanization were reshaping daily experience without eliminating profound social inequalities. Re-evaluating critical frameworks premised on cinema’s relationship to the experience of modernity in the industrialized U.S. and Western Europe, I argue that these early twentieth-century cultures of popular sensationalism signal the degree to which public life in Mexico and Brazil has been conditioned by violence and social exclusion linked to legacies of neo-colonial power. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
It Seems Barely an Exaggeration to Say That Arab and Muslim Americans Are Constantly Talked About but Almost Never Heard From. T
It seems barely an exaggeration to say that Arab and Muslim Americans are constantly talked about but almost never heard from. The problem is not that they lack representations but that they have too many. And these are all abstractions. Arabs and Muslims have become a foreign-policy issue, an argument on the domestic agenda, a law-enforcement priority, and a point of well-meaning concern. They appear as shadowy characters on terror television shows, have become objects of sociological inquiry, and get paraded around as puppets for public diplomacy…They are floating everywhere in the virtual landscape of the national imagination, as either villains of Islam or victims of Arab culture. — Moustafa Bayoumi, How Does it Feel to be a Problem1 36 Waleed F. Mahdi investigation of the historical trajectory of Hollywood's engagement with the Arab American cultural identity. INTRODUCTION Popular culture in the United States functions through sensational and rating based entertainment. It also promotes a hegemonic frame of reference for cultural citizenship and national belonging in the life of "cultural citizens.'" It serves as an ideological state apparatus, to echo French philosopher Louis Althusser, guiding citizens through an acculturation process that homogenizes their own subjectivity.' In this sense, this article defines cultural citizenship as a tool to sUbjectify minorities through the mediation of popular culture.4 In his scholarly reviews of Hollywood's history, Lary May emphasizes the cinema's role in enunciating cultural citizenship. Hollywood, he argues, has been a site of fury for debates around "good citizenship" because of its connection to "political power, cultural authority, and the very meaning of national identity."5 For decades, Hollywood has played a major role in Circulating a popular sense of American collective imagination and manufacturing sensational conceptions of cultural Otherness.