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Ds, Ma È Proprio Così Difficile Stare Insieme? Sano Che Sia Necessario Fermare La Guerra Prima Che Sia Troppo Tardi
l'Unità + Vhs "Sotto il cielo di Baghdad" € 5,40; ARRETRATI EURO 1,80 € SPEDIZ. IN ABBON. POST. 45\% anno 80 n.95 domenica 6 aprile 2003 euro 0,90 l'Unità + la bandiera della pace 4,50 www.unita.it ART. 2 COMMA 20/B LEGGE 662/96 – FILIALE DI ROMA «Cara mamma, caro papà, vedo cose che non conosco lo Yemen, la Siria o forse vi scrivo da questo Paese e mi domando quale l’Iran?». Lettera di un soldato lontano. Mi guardo intorno, sarà il prossimo obiettivo: americano, 2 aprile Gli ultimi giorni di Baghdad Combattono e bombardano giorno e notte. Gli americani: siamo entrati. Gli iracheni: non è vero Bush festeggia, Saddam minaccia, inizia la fuga dalla capitale, se ne va anche l’ambasciatore russo Diplomazia IL RANDE ONU, RESPIRAZIONE G BOCCA A BOCCA VUOTO Boutros Boutros-Ghali* eguendo da vicino quanto sta Furio Colombo S accadendo nel mondo, mi vie- ne fatto di pensare che l’unilaterali- uerra è sempre», gri- smo possa disgregare le Nazioni Uni- da il Greco di Salo- te. Poi mi dico che è stato Woodrow «G nicco, ebreo scampa- Wilson, un Presidente americano, to per caso allo sterminio, ne La ad insistere perché fosse costituita la Tregua di Primo Levi. Il film di Società delle Nazioni; e sempre un Francesco Rosi ha colto la profe- americano, Franklin D. Roosevelt, è zia di quelle poche parole (e il stato strumentale, a fianco di Win- senso di quel libro che infatti si ston Churchill, all’istituzione delle chiama non “pace” ma Nazioni Unite. -
Grammar Education, It Was Connected with Writing and Covered a Broad Spectrum Including the A: Qawàaid Al-Lu©A
HIMA 13,4_340_f19_392-399 11/8/05 2:17 PM Page 393 Grammar education, it was connected with writing and covered a broad spectrum including the A: qawàaid al-lu©a. – G: Grammatik. – appreciation of literature. The grammateîs of F: grammaire. – R: grammatiks. – the New Testament were the ‘scribes’ (Mat 2, S: gramática. – C: yufa 4). In the Middle Ages, it became syno- Before the ‘linguistic turn’ that marked nymous with knowledge or study of Latin, many fields of study in the twentieth century, and often learning in general, especially the Gramsci understood that grammar as the type of knowledge of the learned classes. underlying structure that makes languages With the rise of the nation-state and the possible is an important political issue, vernacular languages, ‘grammar’ lost its both as a regulative social institution and a particular connection to Latin and became key element in philosophical questions of associated with ‘modern’ languages. thought and knowledge. Indeed, Gramsci One of the basic distinctions in grammar dedicated his last prison notebook (Q 29) to is between descriptive grammar and nor- grammar. There his discussion of the politics mative (or proscriptive) grammar. What is of grammar can also be seen as a grammar of known as the Port-Royal Grammar (published politics, as a metaphorical examination of in Paris in 1660) is an important historical the dynamics of hegemony. foundation of normative grammar. It used Of the many meanings and dimensions the idea of a ‘universal grammar’ shared by of ‘grammar’, the most important for all languages to further its aim of teaching Marxists is whether it is seen as the structure people not necessarily how language is used, or set of rules defining a language that is but how it should be used. -
|FREE| English Grammar for Students of Italian: the Study Guide For
ENGLISH GRAMMAR FOR STUDENTS OF ITALIAN: THE STUDY GUIDE FOR THOSE LEARNING ITALIAN EBOOK Author: Sergio Adorni, Karen Primorac Number of Pages: 199 pages Published Date: 01 Apr 1996 Publisher: Olivia & Hill Press, U.S. Publication Country: Ann Arbor, United States Language: English, Italian ISBN: 9780934034203 Download Link: CLICK HERE English Grammar For Students Of Italian: The Study Guide For Those Learning Italian Online Read Simply click the button below! The app is sports themed, so perfect for anyone who loves to get active! Start with Level 1. Every day, each of us spends a huge amount of time commuting from home to work on public transport. You might also like TR rated it really liked it Nov 19, Refresh and try again. Best Websites to Learn Italian. Covering expressions, grammar, and culture through personal travel stories, with detailed examples of a new language in context. English grammar for students of German : the study guide for those learning German Author Zorach, Cecile Published To ask other readers questions about English Grammar for Students of Italianplease sign up. Christopher Hurtado marked it as to-read Mar 15, This book makes it easier by illustrating how these same terms and concepts relate to English English Grammar for Students of Italian: The Study Guide for Those Learning Italian that students can instantly recognise the similarities and differences between Italian and English grammar. About Sergio Adorni. Reviews English Grammar For Students Of Italian: The Study Guide For Those Learning Italian Monolingual books are best e. But note that the book does not try to lay out every detail of every grammatical rule in Italian; it provides just enough context to help you see ho This book provided a useful comparison between the basic grammar concepts of English and Italian. -
The Grammar of Fear: Morphosyntactic Metaphor
THE GRAMMAR OF FEAR: MORPHOSYNTACTIC METAPHOR IN FEAR CONSTRUCTIONS by HOLLY A. LAKEY A DISSERTATION Presented to the Department of Linguistics and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2016 DISSERTATION APPROVAL PAGE Student: Holly A. Lakey Title: The Grammar of Fear: Morphosyntactic Metaphor in Fear Constructions This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Linguistics by: Dr. Cynthia Vakareliyska Chairperson Dr. Scott DeLancey Core Member Dr. Eric Pederson Core Member Dr. Zhuo Jing-Schmidt Institutional Representative and Dr. Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2016. ii © 2016 Holly A. Lakey iii DISSERTATION ABSTRACT Holly A. Lakey Doctor of Philosophy Department of Linguistics March 2016 Title: The Grammar of Fear: Morphosyntactic Metaphor in Fear Constructions This analysis explores the reflection of semantic features of emotion verbs that are metaphorized on the morphosyntactic level in constructions that express these emotions. This dissertation shows how the avoidance or distancing response to fear is mirrored in the morphosyntax of fear constructions (FCs) in certain Indo-European languages through the use of non-canonical grammatical markers. This analysis looks at both simple FCs consisting of a single clause and complex FCs, which feature a subordinate clause that acts as a complement to the fear verb in the main clause. In simple FCs in some highly-inflected Indo-European languages, the complement of the fear verb (which represents the fear source) is case-marked not accusative but genitive (Baltic and Slavic languages, Sanskrit, Anglo-Saxon) or ablative (Armenian, Sanskrit, Old Persian). -
Cristina Comencini CINÉCRITURES - FEMMES
UFR LANGUES DEPARTEMENT ITALIEN DAMS DIPARTIMENTO STUDI CINEMATOGRAFICI TIZIANA JACOPONI Cristina Comencini CINÉCRITURES - FEMMES Thèse de doctorat en cotutelle sous la direction des professeurs Christophe Mileschi et Giorgio De Vincenti Thèse de doctorat soutenue leÊ£ÈÉ£äÉÓä£ä TABLE DE MATIERES INTRODUCTION.....................................................................................................................6 PREMIÈRE PARTIE : CRISTINA COMENCINI ENTRE CINÉMA ET LITTÉRATURE .................................20 CHAPITRE 1 : FAMILLE CENTRE DU POUVOIR........................................................21 A. ÊTRE FEMME ET ÊTRE MÈRE ..............................................................................................23 B. FAMILLE MATRICE..............................................................................................................24 I.1. I divertimenti della vita privata....................................................................... .....27 I.2. LA QUESTION DU MODÈLE FAMILIAL FÉMININ (1991-1993)............................ ..................36 A. LA CONSTRUCTION DU MODÈLE FAMILIAL FÉMININ...............................................38 B. LA COMPOSITION DU MODÈLE. .............................................................................47 CHAPITRE II : LA RECHERCHE D’UN MODÈLE FÉMININ INTIMISTE .............58 I.2. LES ORIGINES (1991-1993) ........................................................................................58 A. LEVER DE RIDEAU THÉORIQUE ..................................................................................60 -
Particle Verbs in Italian
Particle Verbs in Italian Dissertation zur Erlangung des akademischen Grades des Doktors der Philosophie an der Universit¨at Konstanz Fachbereich Sprachwissenschaft vorgelegt von Quaglia, Stefano Tag der m ¨undlichen Pr ¨ufung: 23 Juni 2015 Referent: Professor Christoph Schwarze Referentin: Professorin Miriam Butt Referent: Professor Nigel Vincent Konstanzer Online-Publikations-System (KOPS) URL: http://nbn-resolving.de/urn:nbn:de:bsz:352-0-376213 3 Zusammenfassung Die vorliegende Dissertation befasst sich mit italienischen Partikelverben (PV), d.h. Kon- struktionen die aus einem Verb und einer (meist r¨aumlicher) Partikel, wie andare fuori ‘hinaus-gehen’ oder buttare via ‘weg-schmeißen’. Solche komplexe Ausdr¨ucke sind in manchen Hinsichten interessant, erstmal sprachvergleichend, denn sie instantiieren eine morpho-syntaktische Struktur, die in germanischen Sprachen (wie Deutsch, Englisch, Schwedisch und Holl¨andisch) pervasiv ist, aber in den romanischen Sprachen nicht der- maßen ausgebaut ist. Da germanische Partikelverben Eingenschaften aufweisen, die zum Teil f¨ur die Morphologie, zum teil f¨ur die Syntax typisch sind, ist ihr Status in formalen Grammatiktheorien bestritten: werden PV im Lexikon oder in der Syntax gebaut? Dieselbe Frage stellt sich nat¨urlich auch in Bezug auf die italienischen Partikelverben, und anhand der Ergebnisse meiner Forschung komme ich zum Schluss, dass sie syntaktisch, und nicht morphologisch, zusammengestellt werden. Die Forschungsfragen aber die in Bezug auf das grammatische Verhalten italienischer Partikelverben von besonderem Interesse sind, betreffen auch Probleme der italienischen Syntax. In meiner Arbeit habe ich folgende Forschungsfragen betrachtet: (i) Kategorie und Klassifikation Italienischer Partikeln, (ii) deren Interaktion mit Verben auf argument- struktureller Ebene, (iii) strukturelle Koh¨asion zwischen Verb und Partikel und deren Repr¨asentation. -
Una Produzione R.T.I. Prodotto Da RIZZOLI AUDIOVISIVI DIEGO
una produzione R.T.I. prodotto da RIZZOLI AUDIOVISIVI DIEGO ABATANTUONO in con ALESSIA MARCUZZI e ANTONIO CATANIA FABIO FULCO VITTORIA PIANCASTELLI GENNARO DIANA ELENA CANTARONE UGO CONTI RICCARDO ZINNA e con DINO ABBRESCIA con la partecipazione di LUIGI MARIA BURRUANO con la partecipazione di AMANDA SANDRELLI Soggetto di serie GRAZIANO DIANA, ENRICO OLDOINI, SALVATORE BASILE, GIANCARLO DE CATALDO Soggetti e sceneggiature GIANCARLO DE CATALDO, GRAZIANO DIANA, FRANCO FERRINI, ENRICO OLDOINI, CARLO BELLAMIO, MARCO TIBERI Prodotto da ANGELO RIZZOLI Regia di ENRICO OLDOINI serie tv in 4 puntate in onda in prima serata su CANALE 5 venerdì 4, 11, 18 e 25 maggio 2007 CREDITI NON CONTRATTUALI CAST ARTISTICO PRINCIPALE Diego Abatantuono (Giudice Diego Mastrangelo) Alessia Marcuzzi (Claudia Nicolai) Antonio Catania (Uelino) Fabio Fulco (Paolo Parsani) Vittoria Piancastelli (Cristiana Mastrangelo) Gennaro Diana (Naselli) Dino Abbrescia (Gerardo) Elena Cantarone (Finzi) Ugo Conti (Palmieri) Riccardo Zinna (Frappampina) Luigi Maria Burruano (Procuratore De Cesare) Melissa Satta (Francesca) Amanda Sandrelli (Federica Denza) CREDITI NON CONTRATTUALI CAST TECNICO Soggetto di serie GRAZIANO DIANA ENRICO OLDOINI SALVATORE BASILE GIANCARLO DE CATALDO Soggetti e Sceneggiature CARLO BELLAMIO GIANCARLO DE CATALDO GRAZIANO DIANA FRANCO FERRINI ENRICO OLDOINI MARCO TIBERI casting director FRANCO ALBERTO CUCCHINI Face ON suono FABRIZIO ANDREUCCI organizzatore di produzione EMANUELE EMILIANI costumi PATRIZIA CHERICONI FLORENCE EMIR scenografia MARISA RIZZATO musiche PIVIO & ALDO DE SCALZI montaggio FABIO e JENNY LOUTFY fotografia SANDRO GROSSI organizzatore generale ALESSANDRO LOY delegato di produzione R.T.I. FABIANA MOCCIA produttori R.T.I. MARCO MARCHIONNI ALESSANDRA SILVERI prodotto da ANGELO RIZZOLI per RIZZOLI AUDIOVISIVI S.p.A. regia di ENRICO OLDOINI UFFICIO STAMPA RIZZOLI AUDIOVISIVI: UFFICIO STAMPA MEDIASET: ENRICO LUCHERINI Maria Cristina de Caro TEL. -
Una Moglie Bellissima
LEVANTE e MEDUSA FILM presentano un film di LEONARDO PIERACCIONI Una moglie bellissima LEONARDO PIERACCIONI LAURA TORRISI con GABRIEL GARKO MASSIMO CECCHERINI ROCCO PAPALEO FRANCESCO GUCCINI e TONY SPERANDEO soggetto e sceneggiatura LEONARDO PIERACCIONI GIOVANNI VERONESI produttore esecutivo ALESSANDRO CALOSCI per la OTTOFILM srl prodotto dalla LEVANTE srl in collaborazione con MEDUSA FILM e SKY regia LEONARDO PIERACCIONI distribuzione www.medusa.it CREDITI NON CONTRATTUALI Una Moglie Bellissima I TECNICI REGIA LEONARDO PIERACCIONI SOGGETTO E SCENEGGIATURA LEONARDO PIERACCIONI GIOVANNI VERONESI DIRETTORE DELLA FOTOGRAFIA ITALO PETRICCIONE SCENOGRAFIA E AMBIENTAZIONE FRANCESCO FRIGERI FONICO MAURO LAZZARO MONTAGGIO STEFANO CHIERCHIÈ COSTUMI CLAUDIO CORDARO MUSICHE GIANLUCA SIBALDI PRODUZIONE PRODUTTORE ESECUTIVO ALESSANDRO CALOSCI per la OTTOFILM srl DELEGATO ALLA PRODUZIONE PAOLO LUVISOTTI PRODOTTO DALLA LEVANTE srl IN COLLABORAZIONE CON MEDUSA FILM e SKY DURATA: 1h e36’ CREDITI NON CONTRATTUALI Una Moglie Bellissima IL CAST MARIANO LEONARDO PIERACCIONI MIRANDA LAURA TORRISI ANDREA GABRIEL GARKO BACCANO MASSIMO CECCHERINI POMODORO ROCCO PAPALEO REGISTA GREASE FRANCESCO GUCCINI DON PIERINO TONY SPERANDEO GIUSTINA CHIARA FRANCINI VENDITORE CARLO PISTARINO ZAMPAGLIONE PAOLO LOMBARDI DIRETTORE RIVISTA LUIS MOLTENI POLITICO GIORGIO ARIANI BENEDETTA MONICA NAPPO MONSIGNORE ROBERTO POSSE ACCIARITO ALESSANDRO PACI MARTINA ELENA ARVIGO SAID TEKA KANGA ALTAMANTE FRANCESCO ROSINI PRIMETTA GIULIA SONIA SCOTTI CREDITI NON CONTRATTUALI Una Moglie Bellissima LA SINOSSI Miranda è davvero bellissima. Alta, formosa, dei lunghi capelli mori le incorniciano un volto pressocchè perfetto. La donna ha da poco superato i trent’anni. L’oggetto del suo amore è Mariano, suo marito da dieci anni. Mariano ha da poco superato i quaranta e da venti gestisce una banco di frutta e verdura nel mercato stabile di Anghiari un piccolo paese della Toscana. -
Grammar of the Italian Language
GR AMMAR OF TH E I TALIAN LANGUAGE. JO E P H R AMP I N I S , Fellow of th e Education al I n stitute of Sc otlan d ; Teac h er of th e I talian Lan ua e an d Literature in th e Naval an d ili tar Academ the g g M y y, Edin ur P iloso ical In stitution th e c ottis I n stit ution for b gh h ph , S h oun Ladie s th e Edin ur In sti tution for Lan ua es &c . Y g , b gh g g , EDINBURGH OLIVER A D B Y T EED DALE RT N O D , W COU . LOND ON : I P I N AR H ALL AND 00 . S M K , M S , P ri ce T o illin n e w Sh gs an d Six pe c . A KEY TO MR RAMPINI ’ S ITALIAN GRAMMAR 2 I S PU LI SH PRI C s . B ED, E P RINTE D B Y OLIV E R AND B OY D E D INB U R H . , G TO HER GRACE CHARLOTTE ANN, t nt u t u b t t Burb t as of yurrlt n b a m t s t o, &c . &c . MAY IT PLEA E OUR GRA E S Y C , HAVING already experien ced so m uch kindn ess an d c on sideration w hilst engaged in the In struction of Junior Mem b ers of the n ob le Fam ily of Buccleuch in the Italian Lan ua e I have to offer addition al ac n o led m ent s for g g , k w g ’ your Grace s kin dn ess in perm ittin g m e t o sen d forth t o the w orld un der the distin uis ed atrona e of our n am e , g h p g y , a Gram m ar of m y n ative tongue written in the En glish Lan guage . -
Hindi Grammar
HINDI GRAMMAR. ELEMENTS OP HINDI AND BRAJ BHAKHA GRAMMAR. BY THE LATE JAMES R. BALLANTYNE, LL.D. SECOND EDITION. LONDON: TRUBNER AND CO., 60, PATERNOSTER ROW. 1868. [alt. bights reserved.] HERTFORD: STEPHEN AUSTIN, PRINTER. INTRODUCTION. In representing the oriental sounds in English letters, the system of Sir William Jones has been employed, slightly modified. The vowels must, then, be pronounced as follows: viz., a as in arise; a as in far ; i as in wit; i as in 'police ; u as in bush ; u as in rule; e as in they ; ai as in the Italian mai; o as in so ; au as in the Italian paura. The con¬ sonants must receive their usual English sounds, except that, as regards th and ph, the compounds must be sounded as in the words “poMook” and “haphazard,” not as in “Mis” or “Min” and “philo¬ logy” This impression differs from the first by numerous alterations and additions; but they are such as, it is believed, the Author would have approved. HINDI AND BRAJ BHAKHA GRAMMAR. PART FIRST. CHAPTER I. OF THE ALPHABET. 1. The Ndgari alphabet, in which the Hindi language is generally written, consists of forty-nine letters. It is read, like English, from left to right, and is as follows:—• Vowels. a, ^ d, X. i, t ^ «, gj «, ^ ri, rt), ft), $)) 41 au9 with • n9 l h (not initial)* Consonants. Gutturals ha, Vhha, Uga, q gha, (Vita). Palatals ^ cha, V chha, nja, ifjha. (’Two). Linguals Z (a. 7 (ha, ^ da, * dha. TJJ na. Dentals If ta, If tha, Tg da, V dha, if na. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Grammar Booklet
General Grammar Booklet for European Language Learners Do you know a noun from a pronoun? What sort of thing is a direct object? Ever heard about agreements? What is grammar, anyway? Humanities Programme Imperial College Cases In languages like German, Russian or modern Greek, nouns and accompanying words (adjectives and determiners) change their form (especially their endings) according to their grammatical function. They show different forms (called cases) according to whether they are functioning as subject (nominative case), direct object (accusative case), indirect object (dative case) or possessor (genitive case). Languages with cases are called inflected languages. This feature, that existed in many old languages such as Latin, has been lost in English and most Western European languages and therefore the study of inflected languages seem a daunting task for most students. However, some cases still exist in English pronouns and structures used to show possession. Perhaps you have already noticed that the pronoun who changes to whom and whose according to its function in the sentence. To facilitate the understanding of cases to students of Central and Eastern European languages, the exercise below has been included in this workshop. Try to fill in the gaps with the pronouns who, whom, whose and explain their functions in each sentence. 1. ……………….. ordered the pizza? 2. To ……………. it may concern. 3. I asked the neighbours …………… letters were these. 4. …………. do I have to ask the keys for? Bibliography This booklet is based on the following