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Heraldry in the Republic of Macedonia (1991-2019)
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 1 September 2021 doi:10.20944/preprints202109.0027.v1 Article Heraldry in the Republic of Macedonia (1991-2019) Jovan Jonovski1, * 1 Macedonian Heraldic Society; [email protected] * Correspondence: [email protected]; Tel.: +38970252989 Abstract: Every country has some specific heraldry. In this paper, we will consider heraldry in the Republic of Macedonia, understood by the multitude of coats of arms, and armorial knowledge and art. The paper covers the period from independence until the name change (1991-2019). It co- vers the state coat of arms of the Republic of Macedonia especially the 2009 change. Special atten- tion is given to the development of the municipal heraldry, including the legal system covering the subject. Also personal heraldry developed in 21 century is considered. The paper covers the de- velopment of heraldry and the heraldic thought in the given period, including the role of the Macedonian Heraldic Society and its journal Macedonian Herald in development of theoretic and practical heraldry, as well as its Register of arms and the Macedonian Civic Heraldic System. Keywords: Heraldry in Macedonia; Macedonian civic heraldry; Republic of Macedonia. 1. Introduction The Republic of Macedonia became independent from the Socialist Federative Re- public of Yugoslavia with the Referendum of 8 September 1991. The Democratic Federal Macedonia was formed during the first session of the Anti-Fascist Assembly for the Na- tional Liberation of Macedonia (ASNOM) on 2 August 1944 (it later became the People’s Republic of Macedonia, a federal unit of the Federal People’s Republic of Yugoslavia). -
Sample Elementary Exam Paper 1
THE HERALDRY SOCIETY EXAMINATIONS BOARD ELEMENTARY EXAMINATION SPECIMEN PAPER 1 THREE HOURS ALLOWED INSTRUCTIONS TO CANDIDATES All questions carry equal marks Answer ALL THREE questions in Part A, and answer TWO of the three questions in Part B. A proportion of marks not exceeding 10% will be awarded for presentation of answers, in particular respecting legibility of writing and the clarity (not artistry) of illustrations. Part A 1. BLAZON the ten shields drawn and tricked on the attached sheet. 2.i DRAW and TRICK the following three shields -- a) Sable, on a Chevron between three griffins’ heads erased Or as many estoiles Gules. b) Argent, three spearheads in fess Gules, a chief Azure. c) Or crusilly Azure, a chevron counter-compony Argent and Sable. 2.ii DRAW and HATCH the following two examples -- d) Per saltire nebuly Ermine and Azure, five annulets in cross Or. e) Or two bendlets sinister Vert between in chief a lion’s face Azure and in base a fleur-de-lis Gules. THE HERALDRY SOCIETY EXAMINATIONS BOARD ELEMENTARY EXAMINATION SPECIMEN PAPER 1 (continued) 3. DRAW IN COLOUR the full achievement of Peter 6th Baron Carrington of Upton K.G. : -- Arms: Or, a chevron cotised between three demi-griffins the two in chief respectant Sable. Crest: An elephant’s head erased Or, eared Gules, charged on the neck with three fleurs-de-lis two and one Azure Supporters: Two griffins wings elevated Sable, the dexter charged with three fleurs-de-lis palewise Or, the sinister with three trefoils slipped palewise of the last Motto: TENAX IN FIDE PART B -- Answer only TWO of the following three questions (4, 5, 6) 4. -
Graham Jones
Ni{ i Vizantija XIV 629 Graham Jones SEEDS OF SANCTITY: CONSTANTINE’S CITY AND CIVIC HONOURING OF HIS MOTHER HELENA Of cities and citizens in the Byzantine world, Constantinople and its people stand preeminent. A recent remark that the latter ‘strove in everything to be worthy of the Mother of God, to Whom the city was dedicated by St Constantine the Great in 330’ follows a deeply embedded pious narrative in which state and church intertwine in the city’s foundation as well as its subse- quent fortunes. Sadly, it perpetuates a flawed reading of the emperor’s place in the political and religious landscape. For a more nuanced and considered view we have only to turn to Vasiliki Limberis’ masterly account of politico-religious civic transformation from the reign of Constantine to that of Justinian. In the concluding passage of Divine Heiress: The Virgin Mary and the Creation of Christianity, Limberis reaffirms that ‘Constantinople had no strong sectarian Christian tradition. Christianity was new to the city, and it was introduced at the behest of the emperor.’ Not only did the civic ceremonies of the imperial cult remain ‘an integral part of life in the city, breaking up the monotony of everyday existence’. Hecate, Athena, Demeter and Persephone, and Isis had also enjoyed strong presences in the city, some of their duties and functions merging into those of two protector deities, Tyche Constantinopolis, tutelary guardian of the city and its fortune, and Rhea, Mother of the Gods. These two continued to be ‘deeply ingrained in the religious cultural fabric of Byzantium.. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
SCA Circlet of Lordship, Sterling Silver with Amber and Sapphires
Artisan’s Name: Lord Snorri skyti Bjarnarson, MKA David Haldenwang, [email protected] Title of Project: SCA Circlet of Lordship, sterling silver with amber and sapphires Overview: I really like shiny things. I decided I needed more shiny things, but pretty shiny things are extremely expensive. I figured I’d kill two birds with one stone and learn to make more shiny things myself, while saving some money. I chose to make a circlet for myself because it gave me the opportunity to make something particularly visible and gaudy. I used sterling silver, 14k gold, and fine silver, because only thralls wear brass, and chose sapphire and amber cabochons to mount on it, because my arms are Or and Azure. I chose to use seven gems, for the simple reason that seven is not six – I do not want this mistaken for a Baronial coronet. Historical Basis: Some of the earliest forms of headgear worn to denote royalty or nobility are the diadems worn by the ancient Greeksi. These are still preserved in museums, and illustrated on many coins of the era. For example, this coin, of Antiochus III of the Selucid Empire (ca. 223 BC – 187 BC), shows him wearing a diadem, and bears the inscription in Greek ΒΑΣΙΛΕΩΣ ΑΝΤΙΟΧΟΥ, of King Antiochusii: While these diadems started as simple ribbons or wreaths, worn upon the head for ceremonial or religious reasonsiii, by the 4th century, it was fairly common for rulers in the Greek world to wear a golden wreath on their head as a symbol of nobility or even divinity – because many depictions of the Greek pantheon showed the gods wearing wreaths: Heracles with wreath of white poplar leavesiv: There is also the story of Apollo and the nymph Daphne, from Ovid’s Metamorphoses, in which she is pursued by Apollo and turns herself into a laurel tree. -
Historical Context the Real Julius Caesar
Name _____________________________________ Period __________ Standards Focus: Historical Context The Real Julius Caesar Gaius Julius Caesar born July 12, 100BC, is one of the most well-known political leaders in history. Caesar was considered to be a military genius and brilliant politician, and his life and conquests continue to be widely revered and studied throughout the world. It was believed that Caesar was a direct descendant of the Trojan prince Aeneas, who was the son of the goddess Venus. His father, whom he was named after, was a war hero and respected politician. Although a member of the aristocracy, Caesar and his family lived in one of the lower-class neighborhoods in Rome. Little is known about Caesar’s early years, other than having two sisters, both of whom were apparently named Julia. Caesar’s father died in 84BC, and Caesar found himself the patriarch of the family at age sixteen. A year later, Caesar married Cornelia, daughter of the famous orator Cinna. As a young man, Caesar saw plenty of political and social unrest under the harsh dictatorship of Lucius Cornelius Sulla. Shortly after Caesar married Cornelia, Civil War erupted and Cinna was killed, leaving Caesar without an inheritance. In fear for his own life, he fled to Asia and joined the army, serving under Marcus Thermus. He received numerous honors, including the Civic Crown which was the second highest Roman military award at the time. In 78BC, Sulla died unexpectedly in his sleep, and Caesar returned to Rome. He began his political career, becoming a renowned orator and powerful politician. -
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Roberto Breschi: Precursory Projects of the Regional Emblems in Italian Geopolitical Area Abstract: In 1927 emblems for all the Regions of the Italian geopolitical area - Kingdom of Italy and some geographically Italian territories across the border - were proposed. Some were quite new hut most of them were inspired by historical symbols. From the end of the Second World War to 1970 the Regions of the new Italian Republic, once simple traditional entities, became more or less autonomous administrative subjects, and they needed local symbols as coats of arms, gonfalons and flags. In some cases the 1927 proposal can be considered a bridge betw’een the earliest times and the today emblems. Caesar Augustus, the first emperor of Rome, had already arranged Italy in regions, and it is surprising how some of them quite exacdy coincide with modern ones 1^1. The boundaries of the various states that over the centuries had divided the peninsula marked even more the shape of the future regions. So in 1861, when the unity of the nation (1861) was going to be completed, the Italian regions had a well defined profile. Nevertheless, from the administrative point of view, they remained for several decades only assemblages of provinces, without any organ of local government. Just after the Second World War, when the republican constitution came into force in Italy (1948), the regions became autonomous bodies with their powers and assignments. A statute of special autonomy, at once effective, was provided for four regions (Sicily, Sardinia, Aosta Valley and Trentino-Alto Adige (in 1963, a fifth, Friuli-Venezia Giulia, was added). -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
11 Leadership Lessons from Julius Caesar
11 LEADERSHIP LESSONS FROM JULIUS CAESAR If there ever was a most characteristic military leader in history, that was Julius Caesar. Beyond his indisputable ability for strategy, the Roman General stood apart due to his prowess in leadership and his ability to transmit his wisdom and vision to the troops he was commanding who in turn gave Caesar their trust and loyalty. Caesar was born into a patrician family, the gens Julia, which claimed descent from Iulus, son of the legendary Trojan Prince Aeneas. Due to instability in Rome and because of Sullas proscriptions, Caesar the age of 19 Caesar joined the army and served with distinction at the Siege of Mytilene earning the Civic crown. After hearing of Sulla’s death, Caesar thought it safe to return to Rome although Pirates captured him and although eventually released he swore he would hunt them down and kill them, an act he successfully completed. Caesar climbed up the political ladder throughout his life eventually becoming Proconsul of Cisalpine Gaul and Illyricum. Caesar went on to become the greatest General and statesman of his era in which he attained ultimate power and received the title ‘Dictator for life’. However, the underlying political conflicts had not been resolved and on the Ides of March, 44 BC, Caesar was assassinated by a group of rebellious senators led by Gaius Cassius Longinus, Marcus Junius Brutus and Decimus Junius Brutus. Caesar thought differently than his contemporaries and to help us to understand why he stood out as arguably the Greatest Roman who ever lived. Here are some lessons that a bright dead personality could teach us were they alive today, Gaius Julius Caesar – a man so successful in his time that his last name became synonymous with “Emperor”. -
The Seaxe Newsletter of the Middlesex Heraldry Society
The Seaxe Newsletter of the Middlesex Heraldry Society. Joint Editors - Don & Marjorie Kirby, 2 Jamnagar Close, Staines, Middlesex TW18 2JT (Ph 01784 456049 -e-mail [email protected]) No.39 (Founded 1976) February 2002 Christmas Greetings An Exercise in Heraldic Design Once more we would like to share our good fortune having received a beautiful hand-made card from Sedge and Hazel Smith. Sedge writes- Mary was the only person who was both in the stable and at the foot of the cross. The heart and wings signify the emotional and spiritual aspects of our faith, while the sword, with its echo of the cross in its hilt and guard, exemplifies the brutality that crucified Christ, and still destroys so many of mankind. The badge is described as:-Azure a Heart Gules with Wings Or and pierced by a Sword Argent with Hilt Or. (We apologise for our poor representation which does not do justice to the actual tinctures - real gold and silver on the card wow! Perhaps next year - who knows?) + + + + Shield: Per fess dancetty Silver and Vert in base a SPECIAL ANNOUNCEMENT pale lozengy Silver and Sable and in chief an eagle Owing to the absence of our Chairman, volant and affronty head lowered to dexter Azure. a member of the Committee and two senior Crest: Issuant from an astral crown Gold a dragon's •I Members of the Society on 19thSeptember the head erased Gules. date of the ACM and the talk by Stephen Kibbey Mantling: Vert doubled Silver. ,i has been altered to Thursday, 26th September. -
The Buthlaw Armorial
The Buthlaw Armorial The Buthlaw Armorial is named for Harry Pirie-Gordon, 13th Laird of Buthlaw, whose legacy of notes and books, together with support from three other eminent heraldic scholars, allowed The Baronage Press to be established. By honouring his memory in this way we are recognising not only his immense contribution to heraldic scholar- ship, but also, throughout his long and extraordinary career as wit, archaeologist, secret agent, Lieutenant in the RNVR (DSC 1915), Lieutenant Colonel on the Special List (1918-20), Times columnist, Editor of Burke’s Landed Gentry, Naval Intelligence Officer (1939-45), Archer, Chevalier, and raconteur sans pareil — to good fellowship. In accordance with the established practice of the Baronage website, the Armorial’s principal interest is in the arms of the registrants, and although the crests, mottoes, warcries, supporters, compartments, and badges, etc, are blazoned, only the arms, the unique identification of an armiger, are illustrated. There are no fees for registration in this online Armorial, but it is expected that registrants will happily donate £100 (or more, if possible, but certainly £100 minimum) to the work of the Royal Air Force Benevolent Fund by going to <http://www.RAFBF.org.uk/>, clicking on “RAFBF Main website” and then clicking on “Donate Now” in the left- hand column. The donor will receive a letter of thanks from the Fund, the Armorial Registrar will receive notifica- tion of the donation, and, depending on the length of the queue and on the health of the artist’s eyesight, the arms should be online within four weeks.