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Heraldry in the Republic of Macedonia (1991-2019)
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 1 September 2021 doi:10.20944/preprints202109.0027.v1 Article Heraldry in the Republic of Macedonia (1991-2019) Jovan Jonovski1, * 1 Macedonian Heraldic Society; [email protected] * Correspondence: [email protected]; Tel.: +38970252989 Abstract: Every country has some specific heraldry. In this paper, we will consider heraldry in the Republic of Macedonia, understood by the multitude of coats of arms, and armorial knowledge and art. The paper covers the period from independence until the name change (1991-2019). It co- vers the state coat of arms of the Republic of Macedonia especially the 2009 change. Special atten- tion is given to the development of the municipal heraldry, including the legal system covering the subject. Also personal heraldry developed in 21 century is considered. The paper covers the de- velopment of heraldry and the heraldic thought in the given period, including the role of the Macedonian Heraldic Society and its journal Macedonian Herald in development of theoretic and practical heraldry, as well as its Register of arms and the Macedonian Civic Heraldic System. Keywords: Heraldry in Macedonia; Macedonian civic heraldry; Republic of Macedonia. 1. Introduction The Republic of Macedonia became independent from the Socialist Federative Re- public of Yugoslavia with the Referendum of 8 September 1991. The Democratic Federal Macedonia was formed during the first session of the Anti-Fascist Assembly for the Na- tional Liberation of Macedonia (ASNOM) on 2 August 1944 (it later became the People’s Republic of Macedonia, a federal unit of the Federal People’s Republic of Yugoslavia). -
Graham Jones
Ni{ i Vizantija XIV 629 Graham Jones SEEDS OF SANCTITY: CONSTANTINE’S CITY AND CIVIC HONOURING OF HIS MOTHER HELENA Of cities and citizens in the Byzantine world, Constantinople and its people stand preeminent. A recent remark that the latter ‘strove in everything to be worthy of the Mother of God, to Whom the city was dedicated by St Constantine the Great in 330’ follows a deeply embedded pious narrative in which state and church intertwine in the city’s foundation as well as its subse- quent fortunes. Sadly, it perpetuates a flawed reading of the emperor’s place in the political and religious landscape. For a more nuanced and considered view we have only to turn to Vasiliki Limberis’ masterly account of politico-religious civic transformation from the reign of Constantine to that of Justinian. In the concluding passage of Divine Heiress: The Virgin Mary and the Creation of Christianity, Limberis reaffirms that ‘Constantinople had no strong sectarian Christian tradition. Christianity was new to the city, and it was introduced at the behest of the emperor.’ Not only did the civic ceremonies of the imperial cult remain ‘an integral part of life in the city, breaking up the monotony of everyday existence’. Hecate, Athena, Demeter and Persephone, and Isis had also enjoyed strong presences in the city, some of their duties and functions merging into those of two protector deities, Tyche Constantinopolis, tutelary guardian of the city and its fortune, and Rhea, Mother of the Gods. These two continued to be ‘deeply ingrained in the religious cultural fabric of Byzantium.. -
File Complessivo Giugno 2020
24 Gian Maria Varanini L’impegno di ricerca storiografica di Gian Maria Varanini, dentro e fuori l’università, si è applicato a temi molto articolati e ad ambiti Studi di storia trentina spaziali e temporali che – per quanto gravitanti sull’Italia settentrio- nale e sul tardo medioevo – non si possono certo definire limitati. Tali ricerche si sono riversate in centinaia di pubblicazioni di dimensioni a cura di e collocazioni editoriali molto diverse, che non è sempre agevole avere a disposizione. Per questo si è pensato che il modo migliore per Varanini Maria Gian Emanuele Curzel e Stefano Malfatti festeggiare il suo settantesimo compleanno fosse quello di raccogliere in un volume una parte delle sue ricerche, e in special modo – dato che questa iniziativa parte da Trento, che lo ha visto per quindici anni apprezzato docente – quelle dedicate all’area trentina. Tomo I I 53 saggi presenti nel volume sono raggruppati in sette sezioni: I. Trentino medievale: storia e geografia delle fonti scritte; II. Storici: dalla Vallagarina erudita alle soglie del XXI secolo; III. Tra il Tiro lo e Verona: l’episcopato di Trento nel tardo medioevo; IV. Trento città alpina; V. Comunità rurali: persone e istituzioni; VI. Fami glie: Castelbarco, Lodron, Saibante, Del Bene; VII. L’economia del territorio trentino-tirolese in età tardomedievale. Ogni sezione è dotata di una breve introduzione che colloca i vari interventi nel contesto delle ricerche dell’autore. Il volume è arricchito dall’indice dei nomi e dei luoghi. GIAN MARIA VARANINI, nato a Pisa nel 1950, si è laureato a Padova nel 1972. Dopo aver insegnato per qualche anno nella scuola superiore è diventato, nel 1980, ricercatore di Storia medievale presso l’Università di Padova; nel 1988 è giunto STUDI come professore associato a Trento, dove è rimasto fino al 2002 (dal 1997 come professore ordinario); si è infine trasferito all’ateneo di Verona, dove ha insegnato E RICERCHE fino all’anno accademico 2019-20. -
Precursory Projects of the Regional Emblems in Italian Geopolitical Area
Roberto Breschi: Precursory Projects of the Regional Emblems in Italian Geopolitical Area Abstract: In 1927 emblems for all the Regions of the Italian geopolitical area - Kingdom of Italy and some geographically Italian territories across the border - were proposed. Some were quite new hut most of them were inspired by historical symbols. From the end of the Second World War to 1970 the Regions of the new Italian Republic, once simple traditional entities, became more or less autonomous administrative subjects, and they needed local symbols as coats of arms, gonfalons and flags. In some cases the 1927 proposal can be considered a bridge betw’een the earliest times and the today emblems. Caesar Augustus, the first emperor of Rome, had already arranged Italy in regions, and it is surprising how some of them quite exacdy coincide with modern ones 1^1. The boundaries of the various states that over the centuries had divided the peninsula marked even more the shape of the future regions. So in 1861, when the unity of the nation (1861) was going to be completed, the Italian regions had a well defined profile. Nevertheless, from the administrative point of view, they remained for several decades only assemblages of provinces, without any organ of local government. Just after the Second World War, when the republican constitution came into force in Italy (1948), the regions became autonomous bodies with their powers and assignments. A statute of special autonomy, at once effective, was provided for four regions (Sicily, Sardinia, Aosta Valley and Trentino-Alto Adige (in 1963, a fifth, Friuli-Venezia Giulia, was added). -
Marble Sculptures from the Imperial Palace in Sirmium
UDC 904:73"652"(497.113) DOI: 10.2298/STA0656153P 153 IVANA POPOVI] Institute of Archaeology, Belgrade MARBLE SCULPTURES FROM THE IMPERIAL PALACE IN SIRMIUM Abstract. – Few fragments of marble sculpture have been found in the course of the archaeological excavations conducted in Sirmium between 2003 and 2005 at site 85 which is believed to be part of the imperial palace complex. The most important are two almost completely preserved heads of deities. The head of a young person made of milky white, fine-grained marble of exceptionally fine texture from Pentelicon was found under the Late Roman floor in room 7 of the residential structure. The sculpture, of exceptional quality, is from the second half of the 1st century and represents a deity, most probably Venus or Apollo. Another head made of Carrara marble, from the 4th century, was found in a secondary position and on the basis of its mural crown is identified as the Tyche of Sirmium. Key words. – Roman sculpture, marble, Sirmium, deities, personifications. ew fragments of marble sculptures have been smooth surface of the face. It is parted in the middle, discovered in the course of systematic archae- framing the face in gentle waves modeled in relief and F ological excavations conducted in Sirmium with locks emphasized by incisions. On the back of the from 2003 to 2005 at site 85 which is almost certainly head the side locks combed over the ears are gathered the imperial palace complex1 (Fig. 1). The most im- portant are certainly two almost completely preserved heads of deities. * The author presented a brief account of these finds at the The head of a young person (C 109/2003) made of International Meeting Les ateliers de sculpture réginoaux: techni- milky white, fine-grained marble of exceptionally fine ques, styles et iconographie, Xe Colloque international sur l’art texture and originating from Pentelicon2 was discove- provincial romain, Arles et Aix-en-Provence, 21–23 mai 2007. -
Apulia a Journey Across All Seasons
Apulia A Journey across All Seasons Pocket Guide Mario Adda Editore Regione Puglia AreA Politiche Per lA Promozione del territorio, dei sAPeri e dei tAlenti Servizio Turismo – Corso Sonnino, 177 – cap 70121 Bari Tel. +39 080.5404765 – Fax +39 080.5404721 e-mail: [email protected] www.viaggiareinpuglia.it Text: Stefania Mola Translation: Christina Jenkner Photographs: Nicola Amato and Sergio Leonardi Drawings: Saverio Romito Layout: Vincenzo Valerio ISBN 9788880829362 © Copyright 2011 Mario Adda Editore via Tanzi, 59 - Bari Tel. e fax +39 080 5539502 www.addaeditore.it [email protected] Contents A Journey across All Seasons ....................................................pag. 7 A History ............................................................................................ 9 Buried Treasures ....................................................................................... 11 Taranto’s Treasure ........................................................................ 12 Egnazia ....................................................................................... 12 The Bronzes of Brindisi ............................................................... 13 The Vases of Ruvo ....................................................................... 13 Between Legend and Reality on the Hill of Cannae ....................... 14 Ostuni – Pre-Classical Civilizations ............................................... 14 Caves and Prayers ....................................................................... -
Jerusalem of Gold — Revisited Shalom M
Shalom M. Paul Jerusalem of Gold — Revisited Shalom M. Paul Hebrew University of Jerusalem 25* Jerusalem of Gold — Revisited In an article published over thirty-five years ago,1 I discussed the meaning of the unique Sumerian phrase uru kù·gi which appeared in line 4 of an inventory list of the trousseau of Ahatmilku, queen of Ugarit (mid-fourteenth century BCE):2 1 uru kù·gi (= Akk. ālu hurāsuִ ) ki·lá·bi (= Akk. šuqultašu) 2 me’at 15, “one city of gold whose weight is 215 (sheqels).”3 Though Nougayrol provisionally translated this item as a “couronne murale,” he was unable to bring any additional epigraphic evidence for the identification of this piece of jewelry. He supported his assumption, however, by referring to iconographic representations that depict such a crown on the heads of female deities and queens. I, in turn, drew documentary support from rabbinic literature for such a mural crown worn by women, where the Hebrew interdialectical semantic and partially etymological cognate, כל תכשיטי נשים טמאים: עיר של :was well attested. Thus, in m. Kelim 11:8 it is stated ,עיר של זהב All women’s ornaments are susceptible to impurity (e.g.), a city of gold.” Compare“ ,זהב A woman may not go out (to the public domain“ ,לא תצא אשה...בעיר של זהב ,also m. Šabb. 6:1 on the Sabbath wearing)… a city of gold.”4 That this article of jewelry was worn only by ר' ,women of a high and wealthy status is shown by the following statements: b. Šabb. 59b Rabbi Elazar was of the opinion, ‘Who“ ,אלעזר סבר מאן דרכה למיפק בעיר של זהב? אשה חשובה is accustomed to go out (wearing) a city of gold? A women of high standing’”; y. -
9730 Ira.Ant. 12 Goldman
Iranica Antiqua, vol. XXXII, 1997 WOMEN’S ROBING IN THE SASANIAN ERA BY Bernard GOLDMAN This brief description is intended as an introduction to women’s dress in Sasanian times with comparanda that helps to place the Iranian styles within the general history of late antique dress in Western Asia. Unfortu- nately, the task is self-limiting, bringing to mind the platonic metaphor of dancing shadows on the cave wall. The habiliment of early Iranian women, like all other early Asian dress, has not survived except as a few bits and pieces of woven stuff1. Our knowledge, then, must derive from those shadowy costumes cast on a few rock reliefs, on some luxury table- ware, glyptics and coin types, and on less than a handful of painting and mosaic fragments. The fragility of this type of evidence accounts no doubt for the scant attention Sasanian costuming has received and, when it is remarked, too often the tendency is to accept these shadows as if they were the substance2. A further complication in any discussion results from the relatively small numbers of pictured women in the several art media, and most of these examples are not easily controlled as to date or place of origin. 1 For preserved Sasanian textiles, figural designs, patterns, Goldman 1993, n. 2; for textile patterns related to or derived from the Sasanian, von Falke 1951; Ierusalimskaia 1972, 11, 14. 2 Several factors pertain in discussing pictured dress and its usefulness in dating: a particular type of dress may assume a traditional role and be worn, copied, or portrayed long after it had dropped out of fashion; an outmoded style may enjoy a revival; official and religious portraits may be clothed in traditional forms that are not limited to any one period; a style may come into fashion later and persist longer in one region than in another; distinctive style details of different periods may overlap and equitably coexist for extended periods. -
Heraldry in Ireland
Heraldry in Ireland Celebrating 75 years of the Office of the Chief Herald at the NLI Sir John Ainsworth Shield Vert, a chevron between three battle-axes argent Crest A falcon rising proper, beaked, legged and belled gules Motto Surgo et resurgam Did you know? Sir John Ainsworth was the NLI's Surveyor of Records in Private Keeping in the 1940s and 1950s. Roderick More OFerrall Shield Quarterly: 1st, Vert, a lion rampant or (for O Ferrall); 2nd, Vert a lion rampant in chief three estoiles or (for O More); 3rd, Argent, upon a mount vert two lions rampant combatant gules supporting the trunk of an oak tree entwined with a serpent descending proper, (for O Reilly); 4th, Azure, a bend cotised or between six escallops argent (for Cruise) Crest On a ducal coronet or a greyhound springing sable; A dexter hand lying fess-ways proper cuffed or holding a sword in pale hilted of the second pierced through three gory heads of the first Motto Cú re bu; Spes mea Deus Did you know? This four designs on the shield represent four families. Heiress Leticia More of Balyna, county Kildare married Richard Ferrall in 1751. Their grandson Charles Edward More O'Ferrall married Susan O'Reilly in 1849. Susan was the daughter of Dominic O'Reilly of Kildangan Castle, county Kildare who had married heiress Susanna Cruise in 1818. Dublin Stock Exchange Shield Quarterly: 1st, Sable, a tower or; 2nd, Vert, three swords points upwards two and one proper pommelled and hilted or; 3rd, Vert, three anchors erect two and one argent; 4th, Chequy, sable and argent, on a chief argent an escroll proper, inscribed thereon the words Geo. -
Heraldry for Beginners
The Heraldry Society Educational Charity No: 241456 HERALDRY Beasts, Banners & Badges FOR BEGINNERS Heraldry is a noble science and a fascinating hobby – but essentially it is FUN! J. P. Brooke-Little, Richmond Herald, 1970 www.theheraldrysociety.com The Chairman and Council of the Heraldry Society are indebted to all those who have made this publication possible October 2016 About Us he Heraldry Society was founded in 1947 by John P. Brooke-Little, CVO, KStJ, FSA, FSH, the Tthen Bluemantle Pursuivant of Arms and ultimately, in 1995, Clarenceux King of Arms. In 1956 the Society was incorporated under the Companies Act (1948). By Letters Patent dated 10th August 1957 the Society was granted Armorial Bearings. e Society is both a registered non-prot making company and an educational charity. Our aims The To promote and encourage the study and knowledge of, and to foster and extend interest in, the Heraldry Society science of heraldry, armory, chivalry, precedence, ceremonial, genealogy, family history and all kindred subjects and disciplines. Our activities include Seasonal monthly meetings and lectures Organising a bookstall at all our meetings Publishing a popular newsletter, The Heraldry Gazette, and a more scholarly journal, The Coat of Arms In alternate years, oering a residential Congress with speakers and conducted visits Building and maintaining a heraldry archive Hosting an informative website Supporting regional Societies’ initiatives Our Membership Is inclusive and open to all A prior knowledge of heraldry is not a prerequisite to membership, John Brooke-Little nor is it necessary for members to possess their own arms. e Chairman and Council of the Heraldry Society The Society gratefully acknowledges the owners and holders of copyright in the graphics and images included in this publication which may be reproduced solely for educational purposes. -
Reale Accademia D'italia
001 Frontespizio I-VI def 13-06-2005 10:41 Pagina III PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CLXVII SOPRINTENDENZA ARCHIVISTICA PER IL LAZIO Reale Accademia d’Italia Inventario dell’Archivio a cura di PAOLA CAGIANO DE AZEVEDO eELVIRA GERARDI MINISTERO PER I BENI CULTURALI E AMBIENTALI DIPARTIMENTO PER I BENI ARCHIVISTICI E LIBRARI DIREZIONE GENERALE PER GLI ARCHIVI 2005 001 Frontespizio I-VI def 13-06-2005 10:41 Pagina IV DIPARTIMENTO PER I BENI ARCHIVISTICI E LIBRARI DIREZIONE GENERALE PER GLI ARCHIVI Capo del Dipartimento: Salvatore Italia Direttore generale: Maurizio Fallace Responsabile delle pubblicazioni: Antonio Dentoni-Litta Cura redazionale: Paola Cagiano de Azevedo e Elvira Gerardi ©2005 Ministero per i beni e le attività culturali Dipartimento per i beni archivistici e librari Direzione generale per gli archivi ISBN: 88-7125-264-0 Vendita: Istituto Poligrafico e Zecca dello Stato- Libreria dello Stato Piazza Verdi 10, 00198 Roma Stampato da Union Printing SpA 001 Frontespizio I-VI def 13-06-2005 10:41 Pagina V Con la pubblicazione dell’inventario dell’archivio della Reale accademia d’Italia, conservato dall’Accademia nazionale dei Lincei, si conclude il lavoro di riordinamento e inventariazione eseguito da Paola Cagiano de Azevedo e Elvira Gerardi, funzionarie della Soprintendenza archivistica per il Lazio. La documentazione si trovava in uno stato di notevole disordine, collocata in vari locali sia di palazzo Corsini che della Farnesina alla Lungara, sedi dell’Accademia nazionale dei Lincei, per cui il riaccorpamento dei documenti ha richiesto molto tempo e notevole impegno ed è stato possibile anche grazie all’utilizzo dei registri di protocollo della corrispondenza e dei titolari di archi- vio ritrovati. -
International Tentua Di Valgiano June 2008 2005 Sangiovese Download
GOLD MEDAL WINE CLUB TASTE THE ADVENTURE ITALY InternationalInternational SeriesSeries tantalizing trio of winesA portray a sense of Italian tradition, family, and culture. It’s true that the Italians were not the first to invent wine, but more than any other people throughout history, they have demonstrated a serious passion for it. With a vinicultural history dating back over 2,000 years, Italy is the largest wine producer in the world and proudly makes wine from every one of its regions. To better understand Italy’s expansive range of wine styles and progressive winemaking traditions, it is necessary to taste and explore wines from throughout the country, which is why, for this month’s International Series, we have carefully selected three wines produced in three different Italian regions. We know you will enjoy this fabulous selection—and delicious representation—of some of the best Italy has to offer! Sicily In addition to being the Mediterranean’s largest island, Sicily can lay claim to the fact that the former penal colony is now considered by many as Italy’s emerging high quality wine producing area. Located off the famous toe of the Italian peninsula, the island’s wine heritage can be dated back several thousand years, to centuries before Christ in what was termed the Magna Graecia (Grater Greece after 8th and 7th Century BC Greek colonists) Era. Vines have always flourished in Sicily, but until recently, the island produced mostly common bulk variety grapes. Sicily’s wine renaissance began with the present generation of growers, fueled mostly by younger winemakers from notable family estates that have Primitivo grapes thrive on Italian vines.