Heraldry in Ireland
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Lord Lyon King of Arms
VI. E FEUDAE BOBETH TH F O LS BABONAG F SCOTLANDO E . BY THOMAS INNES OP LEABNEY AND KINNAIRDY, F.S.A.ScoT., LORD LYON KIN ARMSF GO . Read October 27, 1945. The Baronage is an Order derived partly from the allodial system of territorial tribalis whicn mi patriarce hth h hel s countrydhi "under God", d partlan y froe latemth r feudal system—whic e shale wasw hse n li , Western Europe at any rate, itself a developed form of tribalism—in which the territory came to be held "of and under" the King (i.e. "head of the kindred") in an organised parental realm. The robes and insignia of the Baronage will be found to trace back to both these forms of tenure, which first require some examination from angle t usuallno s y co-ordinatedf i , the later insignia (not to add, the writer thinks, some of even the earlier understoode symbolsb o t e )ar . Feudalism has aptly been described as "the development, the extension organisatione th y sa y e Family",o familyth fma e oe th f on n r i upon,2o d an Scotlandrelationn i Land;e d th , an to fundamentall o s , tribaa y l country, wher e predominanth e t influences have consistently been Tribality and Inheritance,3 the feudal system was immensely popular, took root as a means of consolidating and preserving the earlier clannish institutions,4 e clan-systeth d an m itself was s modera , n historian recognisew no s t no , only closely intermingled with feudalism, but that clan-system was "feudal in the strictly historical sense".5 1 Stavanger Museums Aarshefle, 1016. -
Sign of the Son of Man.”
Numismatic Evidence of the Jewish Origins of the Cross T. B. Cartwright December 5, 2014 Introduction Anticipation for the Jewish Messiah’s first prophesied arrival was great and widespread. Both Jewish and Samaritan populations throughout the known world were watching because of the timeframe given in Daniel 9. These verses, simply stated, proclaim that the Messiah’s ministry would begin about 483 years from the decree to rebuild Jerusalem in 445BC. So, beginning about 150 BC, temple scribes began placing the Hebrew tav in the margins of scrolls to indicate those verses related to the “Messiah” or to the “Last Days.” The meaning of the letter tav is “sign,” “symbol,” “promise,” or “covenant.” Shortly after 150 BC, the tav (both + and X forms) began showing up on coins throughout the Diaspora -- ending with a flurry of the use of the symbol at the time of the Messiah’s birth. The Samaritans, in an effort to remain independent of the Jewish community, utilized a different symbol for the anticipation of their Messiah or Tahib. Their choice was the tau-rho monogram, , which pictorially showed a suffering Tahib on a cross. Since the Northern Kingdom was dispersed in 725 BC, there was no central government authority to direct the use of the symbol. So, they depended on the Diaspora and nations where they were located to place the symbol on coins. The use of this symbol began in Armenia in 76 BC and continued through Yeshua’s ministry and on into the early Christian scriptures as a nomina sacra. As a result, the symbols ( +, X and ) were the “original” signs of the Messiah prophesied throughout scriptures. -
Field Divisions
❧ Book of Traceable Heraldic Art ❧ Dec 31, 2020 ❧ Artists’ copyrights & terms of use on credits page ❧ Two-Part Field Divisions Per Chevron Indented 3.36 Per Fess Indented (2) 3.70 Per Bend 3.3 Per Chevron Invected 3.37 Per Fess Indented Pometty 3.71 Per Bend Bevilled (1) 3.4 Per Chevron Nebuly 3.38 Per Fess Nebuly (1) 3.72 Per Bend Bevilled (2) 3.5 Per Chevron Ployé 3.39 Per Fess Nebuly (2) 3.73 Per Bend Embattled 3.6 Per Chevron Ployé Flory at the Point 3.40 Per Fess Nebuly (3) 3.74 Per Bend Engrailed 3.7 Per Chevron Ployé Flory at the Point 3.41 Per Fess Potenty 3.75 Per Bend Dovetailed 3.8 Per Chevron Raguly (1) 3.42 Per Fess Raguly 3.76 Per Bend Indented (1) 3.9 Per Chevron Raguly (2) 3.43 Per Fess Rayonny 3.77 Per Bend Indented (2) 3.10 Per Chevron Rayonny 3.44 Per Fess Trefly Counter-trefly 3.78 Per Bend Nebuly (1) 3.11 Per Chevron Throughout 3.45 Per Fess Urdy 3.79 Per Bend Nebuly (2) 3.12 Per Chevron Urdy 3.46 Per Fess Wavy 3.80 Per Bend Nebuly (3) 3.13 Per Chevron Urdy (2) 3.47 Per Fess With A Left Step 3.81 Per Bend Raguly 3.14 Per Chevron Urdy (3) 3.48 Per Fess With A Right Step 3.82 Per Bend Rayonny 3.15 Per Chevron Urdy (4) 3.49 Per Fess With One Embattlement 3.83 Per Bend Potenty 3.16 Per Chevron Wavy (1) 3.50 Per Fess With Two Embattlements 3.84 Per Bend Wavy 3.17 Per Chevron Wavy (2) 3.51 Per Pale 3.85 Per Bend Urdy 3.18 Per Chevron Inverted (1) 3.52 Per Pale Angled 3.86 Per Bend Sinister 3.19 Per Chevron Inverted (2) 3.53 Per Pale Angled Reversed 3.87 Per Bend Sinister Bevilled (1) 3.20 Per Chevron Inverted (3) 3.54 Per -
Heraldry Examples Booklet.Cdr
Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field -
THE LION FLAG Norway's First National Flag Jan Henrik Munksgaard
THE LION FLAG Norway’s First National Flag Jan Henrik Munksgaard On 27 February 1814, the Norwegian Regent Christian Frederik made a proclamation concerning the Norwegian flag, stating: The Norwegian flag shall henceforth be red, with a white cross dividing the flag into quarters. The national coat of arms, the Norwegian lion with the yellow halberd, shall be placed in the upper hoist corner. All naval and merchant vessels shall fly this flag. This was Norway’s first national flag. What was the background for this proclamation? Why should Norway have a new flag in 1814, and what are the reasons for the design and colours of this flag? The Dannebrog Was the Flag of Denmark-Norway For several hundred years, Denmark-Norway had been in a legislative union. Denmark was the leading party in this union, and Copenhagen was the administrative centre of the double monarchy. The Dannebrog had been the common flag of the whole realm since the beginning of the 16th century. The red flag with a white cross was known all over Europe, and in every shipping town the citizens were familiar with this symbol of Denmark-Norway. Two variants of The Dannebrog existed: a swallow-tailed flag, which was the king’s flag or state flag flown on government vessels and buildings, and a rectangular flag for private use on ordinary merchant ships or on private flagpoles. In addition, a number of special flags based on the Dannebrog existed. The flag was as frequently used and just as popular in Norway as in Denmark. The Napoleonic Wars Result in Political Changes in Scandinavia At the beginning of 1813, few Norwegians could imagine dissolution of the union with Denmark. -
Mainufer the Fairground in Offenbach
Das MDasess eMegeländessegel äindn eO ffein nbOffeachnbach Einladung EinladungInvit Invitationation ndin4 . ndina eaath eather erday dsays Einladung Invitation TheThe faThfairgroundirgroe fairgrunds inounds Offenbachin Offe in nbaOffechnbach MainuferMainuferMainufer VeranstalterVeranstalterVeranstalter OrganO rganizerizerOrganizer COUNCC OIL U N CFORCO IL UNC FORLEATHER IL LEATH FOR EXPORTS LEA ERTH EXPOER (EXPORTSSponsored R TS (Sponsored (Sponsored by Ministr by Mby inistry Ministrof of y of Vom Flughafen: From the International Airport Das MessegeländeDas Messegelände in Offen- in Offen- The fairgTheroun fairgds irnoun Ofdsfen ibnac Offh enbachVom Flughafen:Vom Flughafen: From theFrom International the International Airport AirportCo mmeC omrce m erceCommerc& Industry & Industry,e &, Industry,G ovGovt.t. ofof India),GIndiovt.a) Chennai,of, ChennaIndia), Indiai, Chennai,India India The fairground in Offenbach bach liegtbach i mliegt Zentrum im ZentrumEuropas ,Eur opasnext, to nextFrank tfourt Frank aref urtlocate ared lo cateAutobahnd Autobahn A3A3 RichtungRichtung A3 Würzburg/Richtung Würzburg/ Würzburg/ Frankfurt:Frankfurt: Frankfurt: www.leatherindia.org.w w w .leatherindia.org. www.leatherindia.org. _Lederwaren Veranstalter Organizer Deutschlands Deutschlands und der undRhein der- Rhein-nextin the to Frankfurtcenterin the o centerisf locatedEurope, of Euofro Geper-, of OffenbacherGer- Offenbacher Kreuz, dann dannKreuz, die die A661 dann A661 die HighwayHighway A661 Highway A3A3 direction A3 Würzburg/direction Würzburg/ Würzburg/ -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
Hark the Heraldry Angels Sing
The UK Linguistics Olympiad 2018 Round 2 Problem 1 Hark the Heraldry Angels Sing Heraldry is the study of rank and heraldic arms, and there is a part which looks particularly at the way that coats-of-arms and shields are put together. The language for describing arms is known as blazon and derives many of its terms from French. The aim of blazon is to describe heraldic arms unambiguously and as concisely as possible. On the next page are some blazon descriptions that correspond to the shields (escutcheons) A-L. However, the descriptions and the shields are not in the same order. 1. Quarterly 1 & 4 checky vert and argent 2 & 3 argent three gouttes gules two one 2. Azure a bend sinister argent in dexter chief four roundels sable 3. Per pale azure and gules on a chevron sable four roses argent a chief or 4. Per fess checky or and sable and azure overall a roundel counterchanged a bordure gules 5. Per chevron azure and vert overall a lozenge counterchanged in sinister chief a rose or 6. Quarterly azure and gules overall an escutcheon checky sable and argent 7. Vert on a fess sable three lozenges argent 8. Gules three annulets or one two impaling sable on a fess indented azure a rose argent 9. Argent a bend embattled between two lozenges sable 10. Per bend or and argent in sinister chief a cross crosslet sable 11. Gules a cross argent between four cross crosslets or on a chief sable three roses argent 12. Or three chevrons gules impaling or a cross gules on a bordure sable gouttes or On your answer sheet: (a) Match up the escutcheons A-L with their blazon descriptions. -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
The Holy See
The Holy See Coat of Arms of His Holiness Benedict XVI Armour bearings have been in common use by soldiers and the nobility since the Middle Ages. This has given rise to a very specific heraldic language to regulate and describe civic heraldry. At the same time, an ecclesiastical heraldry for clergy also developed. This heraldic usage follows exactly the same rules as civic heraldry with regard to the composition and definition of the shield, but surrounds it with religious or Church symbols and emblems according to one's ecclesiastical rank in Holy Orders, jurisdiction and dignity. There is an at least 800-year-old tradition for Popes to have their own personal coat of arms, in addition to the symbols proper to the Apostolic See. Particularly during the Renaissance and the centuries that followed, it was customary to mark with the arms of the reigning Supreme Pontiff all his principal works. Indeed, Papal coats of arms appear on buildings and in various publications, 2 decrees and documents. Popes often used their family shield or composed their own with symbols indicating their ideal of life or referring to past events or experiences, or even elements connected with specific Pontifical programmes. At times, they even added a variant to a shield that they had adopted on becoming a Bishop. Cardinal Joseph Ratzinger, elected Pope and taking the name Benedict XVI, has chosen a coat of arms rich in symbolism and meaning that transmits to history his personality and Pontificate. A coat of arms consists of a shield bearing several important symbols and surrounded by elements that indicate the person's dignity, rank, title, jurisdiction and more. -
Download the PDF Here
(We Would Like to Share) Our Blazon: Some Thoughts on a Possible School Badge (party) per bend sinister “The oblique stroke appears at first sight to be the signal that the binary opposition between categories (speech/ translated to English means: writing or love/hate) won’t hold — that neither of the words in opposition to each other is good for the fight. a blank shield with a single diagonal line running The stroke, like an over-vigilant referee, must keep them from the bottom left edge to the top right hand corner apart and yet still oversee the match.” —Steve Rushton The badge we would like to wear is two-faced — both founded on, and breaking from, established guidelines. Stripped to its Heraldry is a graphic language evolved from around 1130 ad to fundamentals, and described in heraldic vocabulary, it is UN- identify families, states and other social groups. Specific visual CHARGED. It is a schizophrenic frame, a paradox, a forward forms yield specific meanings, and these forms may be combined slash making a temporary alliance between categories, simultane- in an intricate syntax of meaning and representation. Any heraldic ously generic and/or specific. device is described by both a written description and its corre- sponding graphic form. The set of a priori written instructions is D/S called a Blazon — to give it form is to Emblazon. In order to ensure that the pictures drawn from the descriptions are accurate and reasonably alike, Blazons follow a strict set of rules and share a unique vocabulary. Objects, such as animals and shapes, are called Charges; colors are renamed, such as Argent for Silver or Or for Gold; and divisions are described in terms such as Dexter (“right” in Latin) and Sinister (“left”). -
Selected Bibliography of Work on Canadian Ethnic Minority Writing
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Selected Bibliography of Work on Canadian Ethnic Minority Writing <http://docs.lib.purdue.edu/clcweblibrary/canadianethnicbibliography> Steven Tötösy de Zepetnek, Asma Sayed, and Domenic A. Beneventi 1) literary histories and bibliographies of canadian ethnic minority writing 2) work on canadian ethnic minority writing This selected bibliography is compiled according to the following criteria: 1) Only English- and French-language works are included; however, it should be noted that there exists a substantial corpus of studies in a number Canada's ethnic minority languages; 2) Critical works about the literatures of Canada's First Nations are not included following the frequently expressed opinion that Canadian First Nations literatures should not be categorized within Canadian "Ethnic" writing but as a separate corpus; 3) Literary criticism as well as theoretical texts are included; 4) Critical texts on works of authors writing in English and French but usually viewed or which could be considered as "Ethnic" authors (i.e., immigré[e]/exile individuals whose works contain Canadian "Ethnic" perspectives) are included; 5) Some works dealing with US or Anglophone-American Ethnic Minority Writing with Canadian perspectives are included; 6) M.A.