Sign of the Son of Man.”

Total Page:16

File Type:pdf, Size:1020Kb

Sign of the Son of Man.” Numismatic Evidence of the Jewish Origins of the Cross T. B. Cartwright December 5, 2014 Introduction Anticipation for the Jewish Messiah’s first prophesied arrival was great and widespread. Both Jewish and Samaritan populations throughout the known world were watching because of the timeframe given in Daniel 9. These verses, simply stated, proclaim that the Messiah’s ministry would begin about 483 years from the decree to rebuild Jerusalem in 445BC. So, beginning about 150 BC, temple scribes began placing the Hebrew tav in the margins of scrolls to indicate those verses related to the “Messiah” or to the “Last Days.” The meaning of the letter tav is “sign,” “symbol,” “promise,” or “covenant.” Shortly after 150 BC, the tav (both + and X forms) began showing up on coins throughout the Diaspora -- ending with a flurry of the use of the symbol at the time of the Messiah’s birth. The Samaritans, in an effort to remain independent of the Jewish community, utilized a different symbol for the anticipation of their Messiah or Tahib. Their choice was the tau-rho monogram, , which pictorially showed a suffering Tahib on a cross. Since the Northern Kingdom was dispersed in 725 BC, there was no central government authority to direct the use of the symbol. So, they depended on the Diaspora and nations where they were located to place the symbol on coins. The use of this symbol began in Armenia in 76 BC and continued through Yeshua’s ministry and on into the early Christian scriptures as a nomina sacra. As a result, the symbols ( +, X and ) were the “original” signs of the Messiah prophesied throughout scriptures. For the purpose of this article, details of the tau-rho monogram and the Samaritan Tahib will be discussed in a separate paper. The present work will focus only on the “tav” cross. The Cross and the Messiah – the Vatican’s View The lack of credible evidence of the true history of the cross was probably the biggest disappointment during the research for this paper. The “official history” of the cross comes from the Vatican -- which notoriously rewrote history to validate Catholicism. (A prominent example of a misleading claim is that Peter was the first Pope when, in reality, Yakov (James), Yeshua’s brother, was the first Bishop of the Jerusalem church.) But, where the history of the cross is concerned, the Vatican’s version says that the cross originated in the year 200 AD in the catacombs of Rome (as a Greek cross in Figure 1). The reason given for such a late origination of the cross comes from the early Church fathers who said that the cross stood for Christ’s pain and suffering and the overwhelming shame of that made it too unbearable to use as a symbol. As a result, the first “official” cross, known as the Latin cross, was not designated until the time of Constantine the Great, after the Council of Nicaea. An example of the first use of the Latin cross can be seen on a bronze follis from 334 AD in Figure 2. Earliest known public use of the cross. An inscription on the tomb of Rufinas and Irene. Catacombs of Rome. 205 AD Figure 1. Vatican’s 1st public use of the cross Figure 2. 1st appearance of the Latin cross on a from the tombThis typeof Rufinas of cross, 205 with AD equal bronze follis of Constantine 334 AD. length arms, is known as the “Greek Cross” Here is a good summary of the Catholic Church’s version of the history of the cross from Marucchi’s work in 1908: “…the cross should have appeared in Christian homes as an object of religious veneration, although no such monument of the earliest Christian art has been preserved.” “The cross, therefore, appears at an early date as an element of the liturgical life of the faithful, and to such an extent that in the first half of the third century Tertullian could publicly designate the Christian body as "crucis religiosi", i.e. devotees of the Cross.” “It is probable, though we have no historical evidence for it, that the primitive Christians used the cross to distinguish one another from the pagans in ordinary social intercourse… and …replied to the pagan taunt by showing that their persecutors themselves adored cruciform objects.” “The second event was of even greater importance. In the year 326 the mother of Constantine, Helena, then about 80 years old, having journeyed to Jerusalem… would discover the Saviour's Tomb and His Cross…” Marucchi, O. (1908). Archæology of the Cross and Crucifix. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved November 12, 2011 from New Advent: http://www.newadvent.org/cathen/04517a.htm It is important to point out that Helena had several historians and writers in her contingent to Jerusalem. Their purpose was to detail her activities and the journals of the trip still exist. However, none of their extensive, detailed writings mention “the greatest archeological find of all time” – the cross on which Christ was crucified. So, it is my speculation that the Latin Cross was contrived from a political arrangement between the Constantine government and the Roman Church’s desire to be unique as God’s chosen Church. Unfortunately, it is the “legend” of Helena’s cross that became the design basis for the “Christian Crosses” even into current times. The Cross and the Messiah -- The Facts To quote John Adams, “…facts are stubborn things…” The historical and archeological evidence show clearly that the cross existed at least 350 years before the Vatican’s claim. Ancient coins provide the clearest, most convincing evidence that the simple cross was used not only by the early Christians just after the crucifixion but also by faithful Jews before Christ’s coming. Verifying evidence of the early cross can also be found in scrolls, ossuaries, and rings and coins in the centuries before and after Yeshua’s birth and death. (A complete chronology of Christian symbols can be seen in Appendix I.) Was this evidence known by early Christian fathers? Yes, it appears that theologians and historians have worked diligently through the centuries to suppress the knowledge of early crosses. Most examples were explained away as “ornaments,” “wheel spokes,” “four winds of the earth,” “stars ” or “ alignment marks.” The basis for this activity appears to be an anti-Semitic attitude and the desire to promote their own “orthodoxy.” The political pressure to keep the “history” secret was tremendous, as described by archeologist Charles Ganneau in 1873 upon discovering ancient crosses (Figure 3) on tombs and ossuaries dated to about 15 AD: “I do not think it can be anything other than the sign of the cross, but I do not overlook the difficulties which beset that view, considering our…ideas …to the earliest period at which the cross was recognized as the emblem of Christianity… If this cross is really a Christian symbol, we must … admit that the chronological rules upon which all archeologists have hitherto justly agreed with regard to Christian monuments do not apply…” Archaeological Researches in Palestine During the Years 1873 - 1874, by Charles Clermont-Ganneau, p. 403-4 Figure 3 . Ganneau’s Sketch of Cross in Bethany tomb Figure 4 . Headstone at the Mt of Olives tomb. From JCR Vol 9, Issue 2. Additional archeological evidence includes the headstone of a tomb (Figure 4) that has a simple cross cut into the stone. This was reported in the Jerusalem Christian Review, Volume 9, Internet Edition, Issue 2. This find was located at the entrance of the “Mt of Olives” tomb discovered in 1953. It was also reported that several of the ossuaries in the tomb had sketches of crosses on them and that the tomb was used by Christians until 70 AD. So, what is the earliest known use of the cross as a symbol of the Messiah? The evidence trail begins with a recent archeological find -- the “Dead Sea Scrolls.” One of the most spectacular finds of the Dead Sea Scrolls was an intact version of Isaiah dated 150 BC. The document was believed to be transcribed by the Essenes from a version written in 350 BC. An interesting feature of the document is a series of scribal marks in the margins. The marks included dots, dashes, “hats”, and most importantly, crosses. The crosses were actually the Hebrew letter “Tav” which appears to indicate verses related to the End Times and Messiah. There are about 10 instances of the Tav used in this fashion. The literal translation of “Tav” is covenant or symbol. So, the logical conclusion is that these scribal marks are the earliest known correlation between the “Cross” and the “Messiah.” Example of these marks can be seen below in Figure 5 followed by the interpretation from Fred P. Miller: Figure 5. Tav in the margins of the Great Scroll of Isaiah. Image from article by Fred Miller. The verses (54:16 – 17) discuss the End Times and the protection God gives to Israel. “(16.) Behold, I have created the craftsman who blows the coals in the fire, and who brings out an implement for his work; and I have created the waster to destroy. (17.) No weapon that is formed against you shall succeed; And verses (55:3-5) discuss the Messiah “(3.) Extend your ear, and come to me: hear, and your soul shall live; and I will make with you an everlasting covenant, the faithful mercies of David. (4.) Behold, I have given him for a witness to the people, a leader and commander to the people.
Recommended publications
  • Heraldry Examples Booklet.Cdr
    Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field
    [Show full text]
  • Th E Bells of St. M Ar
    GOD IS GOD IS FEBRUARY 2017 Dear Saint Mary's family, We are off to a good start for 2017. As I write this letter we are just three full weeks in to the new year and already so much is happening. We have held our first Annual Meeting together, and the response has been very posi- tive. At that meeting we were able to make amendments to the church’s By-Laws that will allow us to go forward with a smaller eight person Vestry, all of whom were elected unanimously by the members present at the meeting. At our February Vestry meeting we will vote for a Junior Warden, Treasurer, and Secretary. With that accomplished we will begin the process of looking at all of the different aspects of the way we at Saint Mary’s currently do things. The end goal of that process is to identify and eliminate any barriers to growth that might not have been considered, and to find ways to improve upon many of the things we are already doing well. To that end, please begin to pray to see if God may be calling you to participate in any of the ministries that currently exist at Saint Mary’s. This is going to be a fun and exciting time for us to bond and grow together as we seek to strengthen the teams and look at the ways they function. Ushers and Greeters, the Flower and Altar Guilds, Eucharistic Ministers and Visi- tors… Perhaps you have a special talent or hobby that could be used to the Glory of God and you have never considered how.
    [Show full text]
  • FRATERNITY INSIGNIA the Postulant Pin Signifies to The
    FRATERNITY INSIGNIA The Postulant pin signifies to the campus that a man has affiliated himself with Alpha Chi Rho. The symbol which appears on the pin is called the Labarum. It is a symbol that is made up of the Greek letters Chi and Rho. The Postulant pin is to be worn over your heart. A good way to remember the proper placement of the pin is to count three buttons down from the collar (of a dress shirt, for example) and three finger widths to the left of the button. Never wear your Postulant pin on the lapel of a jacket; keep it close to the heart. The same rules apply to the Brother's badge that a man receives upon initiation into Alpha Chi Rho. The Roman Emperor, Constantine, like most Romans, did not believe in Christianity. However, historians say that Constantine saw a Labarum in the sky on the night before a battle. He had the symbol placed on banners and shields, then recorded a furious victory over his foe. Constantine then converted to Christianity and made the Labarum the symbol of the Imperial Roman Army. Alpha Chi Rho makes use of two forms of the Labarum. The ancient form of the Labarum is the chief public form of the Fraternity. In addition to the postulant pin, the Labarum appears predominately on the Fraternity ensign (flag). The other form of the Labarum, its modified configuration, is very significant to the Ritual of the Fraternity. Also, it is the form used on the Brother's badge. The badge is made up of a modified Labarum mounted on an oval.
    [Show full text]
  • Big Book - Volume 12
    Credible Catholic CREDIBLE CATHOLIC Big Book - Volume 12 THE CHURCH AND SPIRITUAL CONVERSION Content by: Fr. Robert J. Spitzer, S.J., Ph.D. CCBB - Volume 12 - The Church and Spiritual Conversion Credible Catholic Big Book Volume Twelve The Church and Spiritual Conversion Fr. Robert J. Spitzer, S.J., Ph.D. As dictated to Joan Jacoby Edits and formatting by Joey Santoro © Magis Center 2017 1 CCBB - Volume 12 - The Church and Spiritual Conversion This Volume supports The Catechism of the Catholic Church, Part Two – The Celebration of the Christian Mystery NOTE: All teachings in the Credible Catholic materials conform to the Catechism of the Catholic Church (CCC) and help to explain the information found therein. Father Spitzer has also included materials intended to counter the viral secular myths that are leading religious people of all faiths, especially millennials, to infer that God is no longer a credible belief. You will find credible documented evidence for God, our soul, the resurrection of our Lord, Jesus Christ, and the Catholic Church, as well as spiritual and moral conversion. Part One from the CCC is titled, THE PROFESSION OF FAITH. The first 5 Volumes in the Credible Catholic Big Book and Credible Catholic Little Book fall into Part One. Part Two of the CCC is titled, THE CELEBRATION OF THE CHRISTIAN MYSTERY. This is covered in Volumes 6 through 12. Part Three of the CCC is LIFE IN CHRIST and information related to this topic will be found in Volumes 13 through 17. Credible Catholic Big and Little Book Volumes 18 through 20 will cover Part Four of the CCC, Christian Prayer.
    [Show full text]
  • 14. Tree of Life
    What is a mosaic? Masolino da Panicale Who? It is a picture or pattern produced 1. Who painted the Tree of Life? by arranging together small pieces of stone, tile, glass, etc. 2. What is the purpose of the painting? The central image is one of (What key ideas does it convey?) Christ on the cross, but an 3. Where is the painting displayed? Alpha & What is an apse? What? interesting feature of this Omega 4. What is an apse? piece of art is that there are Chi-Rho An area with curved walls and a 5. What is a mosaic? many other symbolic images domed roof at the end of a church. surrounding the main frame. The Apostles The Apostles Areas to Discuss 1. Create a detailed mind-map (try to make this 1. The Alpha & Omega visual) When? Twelfth Century. 2. Chi-Rio Cross Doves 2. Create a multiple-choice quiz (aim for at least 3. The twelve apostles The 10 questions) 4. The lamb Twelve 3. Create a poster/leaflet Apostles 5. The doves Tree of life The Lamb (Jesus) 6. The four evangelists 7. The cross San Clemente church 8. The tree of life Where? in Rome 9. The Vine c) Explain the rich Christian symbolism that you will find in the Tree Of Life Apse The Twelve Apostles mosaic. [8] To depict the following: The Lamb 1. God is the first and the last. • There is reference made to the twelve Apostles who were specially chosen by 2. The battle against evil is won by the Cross of Christ.
    [Show full text]
  • The Cross and the Crucifix by Steve Ray
    The Cross and the Crucifix by Steve Ray Dear Protestant Friend: You display a bare cross in your homes; we display the cross and the crucifix. What is the difference and why? The cross is an upright post with a crossbeam in the shape of a “T”. A crucifix is the same, but it has Christ’s body (corpus) attached to the cross. As an Evangelical Protestant I rejected the crucifix—Christ was no longer on the cross but had ascended to heaven. So why do I now tremble in love at the site of a crucifix? Let’s examine the history and issues surrounding the two. I will start with the Old Testament and the Jews’ use of images and prohibition of idols. I know in advance that it is not a thorough study, but it will give a general overview of the issues. I will try to provide a brief overview of the Cross and the Crucifix, the origin, the history, and the differing perspectives of Catholic and Protestant. It will try to catch the historical flow and include the pertinent points. The outline is as follows: 1. The Three Main Protestant Objections to the Crucifix 2. Images and Gods in the Old Testament 3. Images and Images of Christ in the New Testament 4. The Cross in the First Centuries 5. The Crucifix Enters the Picture 6. The “Reformation” and Iconoclasm 7. Modern Anti-Catholics and the Crucifix 8. Ecumenical Considerations The Three Main Protestant Objections to the Crucifix Let me begin by defining “Protestant” as used in this article.
    [Show full text]
  • THE ETERNAL KINGDOM Lesson #40 December 25, 2019
    THE ETERNAL KINGDOM Lesson #40 December 25, 2019 Intro: If you have been a part of this class, you are well aware of the book we have been studying. It is the Eternal Kingdom (show book and author; ask if everyone has a copy). As we continue to look at the departure from New Testament doctrine, we come to the topic of asceticism and celibacy. That can be found on the bottom of page 120 in your book. 1 DEPARTURE IN MANNER OF LIFE (ASCETICISM AND CELIBACY) • What sect encourage Christians to practice asceticism and celibacy? • Which bishop from Alexandria defended marriage as being proper, and who did he reference as an example of marriage? • What kind of communities came into existence as a result of this belief? Bullet 1: Gnostics. Bullet 2: Clement of Alexandria. He referenced the Apostle Peter as being a married man, he also said Paul was married based upon (Php.4:3). After reading Php.4:3, one would be very hard pressed to conclude that Paul was married. He was surrounded by women who were true servants and he acknowledged them, and (Rom.16:1-2) is a prime example. Bullet 3: Monastic communities. “Be safe, Be celibate” would have been their mantra. I’m reminded of Paul’s words in 1Tim.4:1-3 (read). 2 EASTER CELEBRATION • The church felt like it was in competition with their Jewish and pagan neighbors, and this gave way the establishment of religious holidays as a way to appeal to others. Easter came into existence. • Who did the church in Asia Minor claim that Easter was to coincide with the Passover? • Who supposedly taught the church in Rome that Easter occurred on a Sunday? • Who can find in the Bible a formal Easter celebration promoted by any apostle? (Read bullet 1).
    [Show full text]
  • Russian Copper Icons Crosses Kunz Collection: Castings Faith
    Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review.
    [Show full text]
  • The Celtic Cross
    THE CELTIC CROSS There are many different crosses representing Christianity. One of the most compelling crosses is the Celtic Cross. This cross originated in Ireland, Scotland and some parts of England. And even throughout America in churches, cemeteries and jewelry you will see that the Celtic Cross has made its way over the ocean. The story of its origin touched my heart many years ago and became one reason we chose to lift the Celtic Cross in front of our church. The story is told that the Gaelic peoples who settled in what is now modern Great Britain and Ireland were barbaric and pagan. Throughout the land these pagans decorated the landscape with standing stones, often marked by carved circles. In the religion of this land these circles represented eternity and more or less marked the territory for their heathen gods. Around the 2nd and 3rd Century the Celts began to convert to Christianity in a sudden and mighty wave. The new converts began to ask, “What shall we do to the stones that bear the mark of our former heathen religion? Shall we take to removing these circles as best we can?” The missionaries suggested to the converts, “No, take the Cross which represents that Christ has paid for our sins and impress or carve the cross over the top of those circles. For in doing so you will be saying that Christ alone conquers paganism and its wicked superstitions and Christ alone gives eternal life.” An ancient prayer among the early Irish Christians seems to use this concept of the cross over the circle in this prayer, “Circle us, Lord, keep love within; keep hatred out.
    [Show full text]
  • Christian Cruciform Symbols and Magical Charaktères Luc Renaut
    Christian Cruciform Symbols and Magical Charaktères Luc Renaut To cite this version: Luc Renaut. Christian Cruciform Symbols and Magical Charaktères. Polytheismus – Monotheismus : Die Pragmatik religiösen Handelns in der Antike, Jun 2005, Erfurt, Germany. hal-00275253 HAL Id: hal-00275253 https://hal.archives-ouvertes.fr/hal-00275253 Submitted on 24 Apr 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHRISTIAN CRUCIFORM SYMBOLS victory in Milvius Bridge, Constantine « was directed in a dream to cause AND MAGICAL CHARAKTÈRES the heavenly sign of God ( caeleste signum Dei ) to be delineated on the Communication prononcée dans le cadre du Colloque Polytheismus – Mono- shields of his soldiers, and so to proceed to battle. He does as he had been theismus : Die Pragmatik religiösen Handelns in der Antike (Erfurt, Philo- commanded, and he marks on the shields the Christ[’s name] ( Christum in sophische Fakultät, 30/06/05). scutis notat ), the letter X having been rotated ( transversa X littera ) and his top part curved in [half-]circle ( summo capite circumflexo ). »4 This As everyone knows, the gradual political entrance of Christian caeleste signum Dei corresponds to the sign R 5.
    [Show full text]
  • Global Christian Worship the Sign of the Cross
    Global Christian Worship The Sign of the Cross http://globalworship.tumblr.com/post/150428542015/21-things-we-do-when-we-make-the- sign-of-the-cross 21 Things We Do When We Make the Sign of the Cross - for All Christians! Making ‘the sign of the cross’ goes back to the Early Church and belongs to all Christians. It’s a very theologically rich symbolic action! And did you know that Bonhoffer, practically a saint to Protestant Christians, often made the sign of the cross? (See below.) I grew up “thoroughly Protestant” and did not really become aware of “making the sign of the cross” in a thoughtful way until a few years ago, when I joined an Anglican church. Now it’s become a helpful act of devotion for me …. especially after I found this article by Stephen 1 Beale a few years ago (published online in November 2013) at http://catholicexchange.com/21-things-cross There is rich theology embedded in this simple sign, and as a non-Roman Catholic I appreciate all of the symbolism, and it does indeed deepen my spirituality and devotion. The history of making the symbolic motion goes back to the Early Church, more than a millennia before Protestants broke away in the Reformation. So when a Christian act has that long of a history, I believe that I can claim it for myself as a contemporary Christian no matter what denominations use it or don’t use it now. “Around the year 200 in Carthage (modern Tunisia, Africa),Tertullian wrote: ‘We Christians wear out our foreheads with the sign of the cross’ … By the 4th century, the sign of the cross involved other parts of the body beyond the forehead.” https://en.wikipedia.org/wiki/Sign_of_the_cross So, here is a reposting of Stephen’s list, with additional resources at the end.
    [Show full text]
  • Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross
    religions Article Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross Amanda Doviak Department of History of Art, University of York, York YO10 5DD, UK; [email protected] Abstract: The carved figural program of the tenth-century Gosforth Cross (Cumbria) has long been considered to depict Norse mythological episodes, leaving the potential Christian iconographic import of its Crucifixion carving underexplored. The scheme is analyzed here using earlier ex- egetical texts and sculptural precedents to explain the function of the frame surrounding Christ, by demonstrating how icons were viewed and understood in Anglo-Saxon England. The frame, signifying the iconic nature of the Crucifixion image, was intended to elicit the viewer’s compunction, contemplation and, subsequently, prayer, by facilitating a collapse of time and space that assim- ilates the historical event of the Crucifixion, the viewer’s present and the Parousia. Further, the arrangement of the Gosforth Crucifixion invokes theological concerns associated with the veneration of the cross, which were expressed in contemporary liturgical ceremonies and remained relevant within the tenth-century Anglo-Scandinavian context of the monument. In turn, understanding of the concerns underpinning this image enable potential Christian symbolic significances to be suggested for the remainder of the carvings on the cross-shaft, demonstrating that the iconographic program was selected with the intention of communicating, through multivalent frames of reference, the significance of Christ’s Crucifixion as the catalyst for the Second Coming. Keywords: sculpture; art history; archaeology; early medieval; Anglo-Scandinavian; Vikings; iconog- raphy Citation: Doviak, Amanda. 2021. Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross.
    [Show full text]