Biblical Reference Getting a Crown After Death
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SCA Circlet of Lordship, Sterling Silver with Amber and Sapphires
Artisan’s Name: Lord Snorri skyti Bjarnarson, MKA David Haldenwang, [email protected] Title of Project: SCA Circlet of Lordship, sterling silver with amber and sapphires Overview: I really like shiny things. I decided I needed more shiny things, but pretty shiny things are extremely expensive. I figured I’d kill two birds with one stone and learn to make more shiny things myself, while saving some money. I chose to make a circlet for myself because it gave me the opportunity to make something particularly visible and gaudy. I used sterling silver, 14k gold, and fine silver, because only thralls wear brass, and chose sapphire and amber cabochons to mount on it, because my arms are Or and Azure. I chose to use seven gems, for the simple reason that seven is not six – I do not want this mistaken for a Baronial coronet. Historical Basis: Some of the earliest forms of headgear worn to denote royalty or nobility are the diadems worn by the ancient Greeksi. These are still preserved in museums, and illustrated on many coins of the era. For example, this coin, of Antiochus III of the Selucid Empire (ca. 223 BC – 187 BC), shows him wearing a diadem, and bears the inscription in Greek ΒΑΣΙΛΕΩΣ ΑΝΤΙΟΧΟΥ, of King Antiochusii: While these diadems started as simple ribbons or wreaths, worn upon the head for ceremonial or religious reasonsiii, by the 4th century, it was fairly common for rulers in the Greek world to wear a golden wreath on their head as a symbol of nobility or even divinity – because many depictions of the Greek pantheon showed the gods wearing wreaths: Heracles with wreath of white poplar leavesiv: There is also the story of Apollo and the nymph Daphne, from Ovid’s Metamorphoses, in which she is pursued by Apollo and turns herself into a laurel tree. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
Shroud Spectrum International No. 31 Part 6
14 In the East during the Middle Ages, artists' conceptions of a thorny crown took a variety of patterns. One example is this "Crown of Thorns and Mocking of Christ", where the thorns sprout like young plants in a box. A manuscript illumination in the Vyšehrad Coronation Gospels (1085-86), Prague. Reproduced by permission of the University Library, Prague. 15 QUESTIONS IN A QUANDARY Monsignore Paleotto tells us: Many who have seen the crown in France report that it forms a sort of helmet. But where in France, during the XVIth century, was such a crown to be seen? The Crown of Thorns, which King Saint Louis redeemed from the Venetians in 1239, for which the Sainte- Chapelle was erected, and which is still conserved in the cathedral of Notre-Dame de Paris, is a mere bandeau of rushes, innocent of thorns. Hardly a "crown", for with a diameter of 21 cm (8¼ inches), it would slip over a man's head to rest on his shoulders. Yet Louis IX was satisfied that the relic was authentic. As Paleotto observed by direct examination of the Holy Shroud, puncture wounds appear in every part of the Lord's head; wounds and bloodflows typical of thorn punctures. Only a mass of thorn branches affixed to the head could have caused these injuries. What became of this cruel bonnet, tinged with the blood of Christ? Weaving our way through many writings, we find a few that might possibly be significant: IVth century — "There was a colony of judeo-christians living on Mount Sion until the byzantine-christians took over in the IVth century. -
Papal Tiara Commissioned and Gifted to Benedict XVI by SHAWN TRIBE
WRITERS SEARCH NLM ARCHIVES Shawn Tribe Founder & Editor Search NLM Email, Twitter Pilgrimage in Tuscany NLM Quiz: Can You Guess What This Is? And the by Shawn Tribe Answer is.... by Shawn Tribe Gregor Kollmorgen We have given a great deal of coverage to the Chartres FOLLOW NLM Pilgrimage, but another pilgrimage in Europe ... Well it seems like it's about that time again; the NLM General quiz. (See our previous quizzes: Quiz 1 and o... Email A New Entry in the Rupture and Continuity Debate: Enrico Maria Radaelli Video from the Recessional, Chartres Cathedral by Shawn Tribe by Shawn Tribe Matthew Alderman Another Italian has entered into a debate which we've ... Sacred Architecture been reporting on by way of Chiesa; namely the... How the Artistic Liturgical Traditions Email Current Status of the Dominican Rite: A Complement Each Other Summary by David Clayton Gregory DiPippo by Fr. Augustine Thompson, O.P. Here is a passage taken from the Office of Readings, Rome Correspondent Readers often ask about where they can attend Saturday, 6th week of Eastertide. It is part of... celebrations of the Dominican Rite Mass and what its c... Email Fra’ Fredrik Crichton-Stuart, R.I.P. Tucker on Magister by Shawn Tribe by Shawn Tribe H.E. Fra’ Fredrik Crichton-Stuart, Grand Prior of David Clayton A couple of weeks ago, we made brief reference to a England, 1940 – 2011Edinburgh, 14 June 2011Fra' Fr... Sacred Art rather critical and needless to say controversia... Sant'Angelo in Formis, Capua, Italy Email, Twitter Solemn Evensong & Benediction in Oxford by Shawn Tribe by Br Lawrence Lew, O.P. -
The Court of the Lord Lyon Crest Badges
From: www.electricscotland.com/webclans/lordlyon2.htm The Court of the Lord Lyon Crest Badges Information Leaflet No.2 SCOTTISH CREST BADGES INTRODUCTION Much confusion exists about the meaning, use and entitlement to wear Scottish Crest Badges, and it is constantly increased by well—meaning but ill—informed explanations. This leaflet is authoritative in setting out the main facts. Even the popular name "Clan Crest" is a misnomer, as there is no such thing as a "Clan" Crest. The Crest is the exclusively personal property of the Clan Chief, and it is fully protected to him by the law in Scotland. The circumstances in which it may be worn by his clansmen are set out hereafter. But, first, four brief definitions of the technical terms are necessary. 1. DEFINITIONS (a) THE CREST When a coat of Arms is granted by the Sovereign through Her Majesty’s Lord Lyon King of Arms, the Grant of Arms document shows the coat of Arms on a Shield. Above the Shield is placed a conventional helmet, and on top of the helmet is shown an additional. device called the CREST, accompanied by the owner’s Motto on a conventional scroll. It is impossible to own a Crest without first owning a coat of Arms, shown on the Shield, as the Crest is an adjunct to the coat of Arms. Sometimes an additional Motto or Slogan is granted, which may correctly appear on the Clansman’s bonnet badge as an alternative to the first Motto. (b) THE WREATH Between the Crest and the helmet usually appears a WREATH of twisted cloth of alternate twists of the owner’s "Livery colours", on which the Crest stands. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Parasites of Indian Clupeoid Fishes, Including Three New Genera R
On Some Gastrocotyline (Monogenoidean) Parasites of Indian Clupeoid Fishes, Including Three New Genera R. VISWANATHAN UNNITHAN1 ABSTRACT : Seven species of monogenetic trematodes, includin g the two geno types, Engraulicola [orcepopenis George, 1961 and Engrattliscobina tbrissocles (Tripathi, 1959) , are recorded. All seven of these atypical gastrocotylines belong to the subfamily Gastrocotylinae s.s. and are parasitic on clupeoid fishes. Four species in the present collection, viz., Engraulicola micropharyngella sp. n., Bngraulixenas malabaricus gen. et sp. n., Engrauliphila grex gen. et sp. n., and Engraaliscobina triaptella sp. n., were collected from fishes of the family En graulidae, while an entirely new type, Pellonicola elongata gen. et sp. n., was obtained from Clupeidae. The tendency to unilateral inhibition of the clamp rows is incomplete in all these atypical gastrocotylines, and all are characterised primarily by their clamp structure. Diagnostic characters, with special reference to the haptor (i ts adhesive units or clamps and anchors), the male termin alia, vaginal complex, and other salient features which appear to be taxonomically importa nt, are given for each species. SOME GASTROCOTYLID WORMS have been found All of these atypical clupeoid parasites on the gills of clupeoid fishes at Mandapam belong to the subfamily Gastrocotylinae sensn Camp. Th eir clamp structure shows them to stricto, hitherto containing only Gastrocotyle be allied to Gastrocotyle and Pseudaxine. The v. Ben. et H esse, 1863, Cbaubnnea Ramalin tendency to develop a unilateral haptor is gam, 1953, and Y 'amaguticotyl« Price, 1959. another common feature. But of the 32 known Th ey are characterized primarily by their clamp species of Gastrocotylidae, and 8 new species structure (Unnithan , 1967b) . -
Expert Adviser to the Secretary of State
Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) Expert Adviser to the Secretary of State that A Sapphire and Diamond Coronet commissioned for Queen Victoria Meets the first and third Waverley criteria EXECUTIVE SUMMARY 1. Brief Description A coronet or tiara, terminating in two gold loops, and mounted with eleven step-cut sapphires set in gold and with diamonds set in silver, 1842. Dimensions, as a coronet: 3.8 cm. (height) x 11.5 cm. (diameter) The coronet is in excellent condition. The small gold loops may be a later addition. 2. Context Provenance Queen Victoria (private account book, 1842) King Edward VII and Queen Alexandra King George V and Queen Mary Given by her parents to Princess Mary (later The Princess Royal), on her marriage in 1922 to Viscount Lascelles (the Earl of Harewood from 1929) By descent London dealer, subsequently sold to export licence applicant Key References Leslie Field, The Queen’s Jewels (New York, 1987), pp. 145-6. Shirley Bury, Jewellery 1789-1910 (Woodbridge, 1991), vol. 1, pp. 313-14. Oliver Millar, The Victorian Pictures in the Collection of Her Majesty The Queen, (Cambridge, 1992). Volume 1 (Text; portrait by Winterhalter, 1842), pp. 284-7. Volume 2 (Plates), plate 711. One Hundred Tiaras: An Evolution of Style 1800-1990, exhibition at Wartski, London, 5 March – 19 March 1997 (no.8; and cover illustration of portrait by Winterhalter, 1842). Geoffrey C. Munn, Tiaras: A History of Splendour (Woodbridge, 2001), pp. 86-8. Exhibited at the Victoria and Albert Museum in the exhibition curated by Geoffrey Munn, Tiaras: a Collection of Sheer Brilliance, 21 March-14 July 2002. -
Power and Piety: Examining the Papal Tiara in The
POWER AND PIETY: EXAMINING THE PAPAL TIARA IN THE CONTEXT OF THE MODERN CHURCH By Manon Wogahn A senior thesis submitted in partial fulfillment of the requirements for the degree in Bachelor of Arts in Art History CHAPMAN UNIVERSITY Orange, California May 2018 1 The papal tiara has been a symbol of the papacy since its first appearance around the eighth century. The exact symbolism of the three-tiered crown is unknown; a popular interpretation is that it represents the three divisions of the Christian Church: the Church Militant, Church Penitent, and Church Triumphant. Also called the triregnum, the tiara was last worn in public in 1963 by Pope Paul VI, who later donated his crown for charity. Since then, the last four popes, including the current Pope Francis, have received tiaras but have never worn them publicly. This project analyzes the rejection of the papal tiara and of the coronation ceremony as a symbol of the changing values of the modern papacy relationship between the disappearance of the papal tiara and the changing values of the modern papacy after the Second Vatican Council (1962-65). By examining the history of Paul VI’s crown within the context of a centuries-old tradition, I show how the papal tiara has been transformed from a symbol of the pope’s temporal power into a representation of material wealth that has become incompatible with the image of modest piety promoted by the contemporary papacy. In the 2016 drama television series The Young Pope, the fictional American pontiff Pius XIII causes shock and unrest within the Vatican with his controversial conservative philosophies and rejection of his predecessor’s liberality. -
THE WESTFIELD LEADER the LEADING and MOST WIDELY CIRCULATED WEEKLY NEWS?ATE* in UNION COUNTY JTH YEAR—No
THE WESTFIELD LEADER THE LEADING AND MOST WIDELY CIRCULATED WEEKLY NEWS?ATE* IN UNION COUNTY JTH YEAR—No. 17 ElU«rf4 " Second C1»M M»U Post Qgtc«. We.ta.14, N. I. WESTFIELD, NEW JERSEY, WEDNESDAY, DECEMBER 29, 1948 )ounrilnien tt Final Of New Traffic Debates On Politics, New of Year Summons System School, Meters Mark ifM! Chief Schreiber Sayi Plu Nay Result m Yctr Sect Fint Coti«U4 i| Leu EBfvrceaeiit Ucal Dectioi Ii II Yews II uncilimn, Eudolph L. Frank H. Bets, corn- Criticism of the new "fix-proof" The year 1948, which Iwran with >n ice itor« er terms and retired from I traffic ticket system which will go with a bliiMid, had iti »h»re of local txcitaman!'. H Council at that body's i into effect Monday in New Jersey j, interest lor many monthi waa the Hmt contettad t' of the Vear Monday • was voiced in a letter from Town when a combination tlata of Democrat! and Pi|niliraa<, eplacing them will be ! Attorney Robert S. Snevily to the Taxpayers Fution P»rty for I^owcr Taxta, Marik and Arthur D. administrative director of the against Regular Republican!. Al- i will be sworn in at the courts Friday. The action follow- though waging a torrid campaign, meeting of the new j ed an unofficial meeting of the, the incumbent Republican party Trust** ti Xmttr Year's Day, together | Mayor and Town Council at which I remained in power. Awards CrttMt* j Police Chief John R. Schreiber re- ' Sewer n Phillips and Conrad j quested the body to write Trenton | Another town-wide controverty who were re-elected in centered on the inatallathm oi Woman's CM» ' authorities concerning opposition THE WESTFIELD LEADER narking metcri, which were finally Plan VariW for additional terms, to the measure, the session was taken installed thin fall and are draw- February. -
British Heraldry (1921)
BERKELEY / LIBRARY ^ UNIVERSITY OF CALIFORNIA J BRITISH HERALDRY BRITISH HERALDRY I, Arms of James I. 2, Great Seal of Scotland BRITISH HERALDRY CYRIL DAVENPORT V.D.. J.P., F.S.A. WITH 210 ILLUSTRATIONS BY TH^ AUTHOR NEW YORK E. P. DUTTON AND COMPANY PUBLISHERS Digitized by the Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.archive.org/details/britislilieraldryOOdavericli — CKicii CONTENTS CHAPTER I PAGE The Beginnings of Armory—The Bayeux Tapestry—Early Heraldic Manuscripts—The Heralds* College—Tourna- ments I CHAPTER n Shields and their Divisions— Colours a; d their Linear Repre- sentations as Designed by Silvestro Petra Sancta—Furs Charges on Shields— Heraldic Terms as to position and Arrangement of Charges—Marshalling—Cadency—How to Draw Up Genealogical Trees 13 CHAPTER HI Badges and Crests— List of Crests of Peers and Baronets, 191 2- 1920 53 CHAPTER IV Supporters—List of Supporters of Peers and Baronets, 1912- 1920 .143 CHAPTER V The Royal Heraldry of Great Britain and Ireland . 200 Index 217 166 — —— LIST OF ILLUSTRATIONS rms of James I. Great Seal of Scotland . Frontispiece PAGE late I. Ancient Heraldry 2 I. English Shield from the Bayeux Tapestry—2. North American Tent with Armorial Totem—3. Rhodian Warrior with Armorial Shield 4. Standardof Duke William of Normandy— 5. Greek figure of Athene with Armorial Shield— 6. Norse Chessman with Armorial Shield 7. Standard of King Harold— 8. Norman Shield from the Bayeux Tapestry—9. Dragon Standard of Wessex. ate II. Divisions of Shields of Arms, etc 14 I. Paly—2. Bendy Sinister—3. Lozengy—4, Barry—5.