Shroud Spectrum International No. 31 Part 6
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Christ's Crucifixion: the Case of the Crown of Thorns
Christ’s Crucifixion: The Case of the Crown of Thorns Christ’s Crucifixion: The Case of the Crown of Thorns As the Easter weekend passes here in Prague, the postcard photographs and paintings of Christ are everywhere, seen available to buy at the markets and local stalls or plastered on street walls across the city. We are all familiar with the image – Christ, pinned to the wooden cross, limply hanging in a position of suffering, head hung low with the prickly, painful Crown of Thorns piercing his temples. It is a haunting presentation of Christ’s sacrifice to humanity, the harrowing crown depicted as the mocking sign of monarchical rule of the Son of God. This image of the crowned Christ has endured through history, an emblem of affective piety, the crown itself serving as a painful reminder of his cause. But where did this image of Christ crowned in thorns originate and how has it become one of the most enduring depictions of Jesus in visual history? Dr. Emily Davenport Guerry’s compelling lecture titled Passion Relics and Patrons between Paris and Prague sought to answer this question as the eighth lecture in the ‘Medieval Conceptual Conflicts and Contrasts: Text and Image’ series held in the Faculty of Arts on Wednesday 12th of April. Dr. Davenport Guerry is a current lecturer in Medieval History at the University of Kent, Compiled Apr 1, 2019 10:18:50 PM by Document Globe ® 1 as has taught at Oxford and York in the past, with a special interest in relic culture and Christian iconography. -
SCA Circlet of Lordship, Sterling Silver with Amber and Sapphires
Artisan’s Name: Lord Snorri skyti Bjarnarson, MKA David Haldenwang, [email protected] Title of Project: SCA Circlet of Lordship, sterling silver with amber and sapphires Overview: I really like shiny things. I decided I needed more shiny things, but pretty shiny things are extremely expensive. I figured I’d kill two birds with one stone and learn to make more shiny things myself, while saving some money. I chose to make a circlet for myself because it gave me the opportunity to make something particularly visible and gaudy. I used sterling silver, 14k gold, and fine silver, because only thralls wear brass, and chose sapphire and amber cabochons to mount on it, because my arms are Or and Azure. I chose to use seven gems, for the simple reason that seven is not six – I do not want this mistaken for a Baronial coronet. Historical Basis: Some of the earliest forms of headgear worn to denote royalty or nobility are the diadems worn by the ancient Greeksi. These are still preserved in museums, and illustrated on many coins of the era. For example, this coin, of Antiochus III of the Selucid Empire (ca. 223 BC – 187 BC), shows him wearing a diadem, and bears the inscription in Greek ΒΑΣΙΛΕΩΣ ΑΝΤΙΟΧΟΥ, of King Antiochusii: While these diadems started as simple ribbons or wreaths, worn upon the head for ceremonial or religious reasonsiii, by the 4th century, it was fairly common for rulers in the Greek world to wear a golden wreath on their head as a symbol of nobility or even divinity – because many depictions of the Greek pantheon showed the gods wearing wreaths: Heracles with wreath of white poplar leavesiv: There is also the story of Apollo and the nymph Daphne, from Ovid’s Metamorphoses, in which she is pursued by Apollo and turns herself into a laurel tree. -
4 Fig. 1) Crown Molded Onto the Forehead. Larger Number of Thorns
4 fig. 1) Crown molded onto the forehead. Larger number of thorns in contact with the bone. THE CORONATION OF THORNS IN THE LIGHT OF THE SHROUD* SEBASTIANO RODANTE, M.D. In this study we will objectively examine the blood clots on the forehead and the nape of the neck, caused by the crown of thorns, as they appear in the black and white photo of the Holy Shroud; dark blood on the white background (figs. 2 & 3). In order to better understand the location of the clots and the direction of the blood flows toward right** or left** in respect to the observer, let us imagine the imprinted sheet unfolded (fig. 4). Putting oneself at A, looking toward the head, the blood from the wound in the R side is at C, i.e. at the R of the observer. Therefore on the frontal imprint, everything which we see on our R corresponds to the R of the Crucified, and the direction of the blood flows toward the R or toward the L of the observer corresponds, in effect, to the R or the L of the Crucified. Putting ourselves at B however, looking toward the feet, the imprint of the R shoulder is at D; i.e. at the L of the observer. Thus the dorsal imprint is laterally reversed. This being granted, we will study the puncture lesions caused on the head by the crown of thorns. For many years I have observed the sindonic Face in the life-size photo made by Giuseppe Enrie in 1931. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
2019-1059 Resolution to Stand in Solidarity with the People of Paris
STUDENT SENATE BILL 2019-1059 TITLE: Resolution to Stand in Solidarity with the People of Paris and the Christian Community AUTHORS: Colin Solomon, Senator Sophia Bond SPONSORS: Catholic Gators, Senator Nick Meyer, Senator Solmaz Karimi, Senator Gabi Zlatanoff, Senator Jessica Martinez, Senator Anthony Portugues, Senator Rebecca Ragan, Senator Gabbi Hernandez, Senator Casey Witte, Christina Pugliese, Senator Lindsay Kaighin, Senator Brady Alexander, Allocations Committee Chairwoman Katie Hernandez, Senator Brianna Adan, Senator Noah Wright WHEREAS, the Notre-Dame de Paris Catholic cathedral on the Île de la Cité in Paris has been a recognizable symbol of Paris and the French nation since its completion in 13451; and, WHEREAS, alongside the Sacré-Cœur Basilica, the Notre-Dame de Paris has been a holy pilgrimage site for the world’s Christians in Paris since its construction2; and, WHEREAS, the Western facade, spire, rose windows, and flying buttresses of the Notre-Dame de Paris cathedral are some of the most famed examples of French Gothic architecture in the world3,4; and, WHEREAS, the Notre-Dame de Paris has been home to many of the world’s religious artifacts and works of art including the crown of thorns worn by Jesus of Nazareth during his crucifixion, the tunic of St. Louis, and various paintings5; and, WHEREAS, the Notre-Dame de Paris cathedral has stood witness to over 850 years of French history, including the coronation of Napoléan Bonaparte, the French Revolution, World War I, and World War II, the latter of which included the -
Biblical Reference Getting a Crown After Death
Biblical Reference Getting A Crown After Death andRab tracelessly.usually extravagating Adlai auction surely his orshaper happen bename shamefacedly devilish or when vaguely eleven after Charles Reynold overcapitalizes stank and muddles threateningly arrantlypatriotically, and connotivetents generically. and only. Cammy is archegoniate and twaddles floatingly as shabby Caesar poeticising The global message bit by a warrior woman, and our confidence of bone beneath; hating even after a biblical and cried, and hasting unto himself He will give it not only to me but also to everyone who is eagerly waiting for him to come again. This certainly indicates future recognition of present associates. Do You Believe Your Heart Has Been Changed by Christ? How Can I Love My Enemies? But wilt thou know, O vain man, that faith without works is dead? Then the chief captain took him by the hand, and went with him aside privately, and asked him, What is that thou hast to tell me? Then Paul took the men, and the next day purifying himself with them entered into the temple, to signify the accomplishment of the days of purifcation, until that an offering should be offered for every one of them. Then said the Jews, Will he kill himself? This is not a simple question because the sources describing this death are very limited. Who his own self bare our sins in his own body on the tree, that we, being dead to sins, should live unto righteousness: by whose stripes ye were healed. What is Sedation Dentistry? Thus, his Father wept for him. We accept it always, and in all places, most noble Felix, with all thankfulness. -
Papal Tiara Commissioned and Gifted to Benedict XVI by SHAWN TRIBE
WRITERS SEARCH NLM ARCHIVES Shawn Tribe Founder & Editor Search NLM Email, Twitter Pilgrimage in Tuscany NLM Quiz: Can You Guess What This Is? And the by Shawn Tribe Answer is.... by Shawn Tribe Gregor Kollmorgen We have given a great deal of coverage to the Chartres FOLLOW NLM Pilgrimage, but another pilgrimage in Europe ... Well it seems like it's about that time again; the NLM General quiz. (See our previous quizzes: Quiz 1 and o... Email A New Entry in the Rupture and Continuity Debate: Enrico Maria Radaelli Video from the Recessional, Chartres Cathedral by Shawn Tribe by Shawn Tribe Matthew Alderman Another Italian has entered into a debate which we've ... Sacred Architecture been reporting on by way of Chiesa; namely the... How the Artistic Liturgical Traditions Email Current Status of the Dominican Rite: A Complement Each Other Summary by David Clayton Gregory DiPippo by Fr. Augustine Thompson, O.P. Here is a passage taken from the Office of Readings, Rome Correspondent Readers often ask about where they can attend Saturday, 6th week of Eastertide. It is part of... celebrations of the Dominican Rite Mass and what its c... Email Fra’ Fredrik Crichton-Stuart, R.I.P. Tucker on Magister by Shawn Tribe by Shawn Tribe H.E. Fra’ Fredrik Crichton-Stuart, Grand Prior of David Clayton A couple of weeks ago, we made brief reference to a England, 1940 – 2011Edinburgh, 14 June 2011Fra' Fr... Sacred Art rather critical and needless to say controversia... Sant'Angelo in Formis, Capua, Italy Email, Twitter Solemn Evensong & Benediction in Oxford by Shawn Tribe by Br Lawrence Lew, O.P. -
The Holy Lance of Antioch
The Holy Lance of Antioch A Study on the Impact of a Perceived Relic during the First Crusade Master Thesis By Marius Kjørmo The crucified Jesus and the Roman soldier Longinus with the spear that would become the Holy Lance. Portrait by Fra Angelico from the Dominican cloister San Marco, Florence. A Master Thesis in History, Institute of Archaeology, History, Culture Studies and Religion, University of Bergen, Spring 2009. 2 Contents Preface.........................................................................................................................................5 List of Maps..................................................................................................................................6 List of Illustrations.......................................................................................................................6 Cast of Characters.......................................................................................................................7 1. Introduction.........................................................................................................................................9 1.1. Introduction...........................................................................................................................9 1.2. Lance Historiography..........................................................................................................11 1.3. Terms and Expressions.......................................................................................................13 -
The Court of the Lord Lyon Crest Badges
From: www.electricscotland.com/webclans/lordlyon2.htm The Court of the Lord Lyon Crest Badges Information Leaflet No.2 SCOTTISH CREST BADGES INTRODUCTION Much confusion exists about the meaning, use and entitlement to wear Scottish Crest Badges, and it is constantly increased by well—meaning but ill—informed explanations. This leaflet is authoritative in setting out the main facts. Even the popular name "Clan Crest" is a misnomer, as there is no such thing as a "Clan" Crest. The Crest is the exclusively personal property of the Clan Chief, and it is fully protected to him by the law in Scotland. The circumstances in which it may be worn by his clansmen are set out hereafter. But, first, four brief definitions of the technical terms are necessary. 1. DEFINITIONS (a) THE CREST When a coat of Arms is granted by the Sovereign through Her Majesty’s Lord Lyon King of Arms, the Grant of Arms document shows the coat of Arms on a Shield. Above the Shield is placed a conventional helmet, and on top of the helmet is shown an additional. device called the CREST, accompanied by the owner’s Motto on a conventional scroll. It is impossible to own a Crest without first owning a coat of Arms, shown on the Shield, as the Crest is an adjunct to the coat of Arms. Sometimes an additional Motto or Slogan is granted, which may correctly appear on the Clansman’s bonnet badge as an alternative to the first Motto. (b) THE WREATH Between the Crest and the helmet usually appears a WREATH of twisted cloth of alternate twists of the owner’s "Livery colours", on which the Crest stands. -
Crown of Thorns
Crown of Thorns Memory Verse: They (the soldiers) stripped Jesus and put a scarlet robe on him, and after twisting some thorns into a crown, they put it on his head. (Matthew 27:28-29a) Study Plan: Lent is a time when we prepare for Easter. In studying this symbol, you will learn about the season of Lent and the things we do during Lent. Step One: What is Lent and when is it? Leader’s initials______ The Church sets aside a period of time before Easter to get ready to celebrate Jesus’ resurrection. This period of time is called Lent. It is a period of forty days (not counting Sundays), beginning on Ash Wednesday and finishing on Holy Saturday, the day before Easter. The name “Lent” comes from an old English word lente which means Spring, a time when days grow longer and warmer and brighter. The date of Easter is different every year, because it follows a different kind of calendar used by the Jewish people. Easter occurs on the first Sunday after the full moon that occurs on or after March 21st. It always falls between March 22nd and April 25th. The seasons of Lent (before Easter) and Pentecost (after Easter season) are determined by the date of Easter. Why do you suppose the Christian calendar is based on the days we celebrate Jesus’ birth and resurrection? Do the number 1 and 2, and at least one of 3, 4 and 5. 1. Using a church calendar, find Ash Wednesday. Then count the days until Holy Saturday, remembering to leave out Sundays. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.