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CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Between L.S. Lowry and Coronation Street: Salford Cultural Identities
Between L.S. Lowry and Coronation Street: Salford Cultural Identities Susanne Schmid Abstract: Salford, “the classic slum”, according to Robert Roberts’s study, has had a distinct cultural identity of its own, which is centred on the communal ideal of work- ing-class solidarity, best exemplified in the geographical space of “our street”. In the wake of de-industrialisation, Roberts’s study, lyrics by Ewan MacColl, L.S. Lowry’s paintings, and the soap opera Coronation Street all nostalgically celebrate imagined northern working-class communities, imbued with solidarity and human warmth. Thereby they contribute to constructing both English and northern identities. Key names and concepts: Friedrich Engels - Robert Roberts - Ewan MacColl - L.S. Lowry - Charles Dickens - Richard Hoggart - George Orwell; Slums - Escaper Fiction - Working-class Culture - Nostalgia - De-industrialisation - Rambling - Coronation Street. 1. Salford as an Imagined Northern Community For a long time, Salford, situated right next to the heart of Manchester, has been known as a place that underwent rapid and painful industri- alisation in the nineteenth century and an equally difficult and agonis- ing process of de-industrialisation in the twentieth. If Manchester, the former flag-ship of the cotton industry, has been renowned for its beautiful industrial architecture, its museums, and its economic suc- cess, Salford has been hailed as “the classic slum”, as in the title of Robert Roberts’s seminal study about Salford slum life in the first quarter of the twentieth century (Roberts 1990, first published in 1971). The equation of “Salford” and “slum”, however, dates back further than that. Friedrich Engels’s The Condition of the Working Class in England, written in 1844/45, casts a gloomy light on a city made up of dwellings hardly fit for humans: 348 Susanne Schmid If we cross the Irwell to Salford, we find on a peninsula formed by the river, a town of eighty thousand inhabitants […]. -
My Ways and My Days
ROBERT ROBERTS BORN 1839 —DIED 1898 AUTOBIOGRAPHY with an APPENDIX by ( C C. WALKER Former Editor of "The Christadelphian" 0 n "** . I ROBERT ROBERTS (From a photograph taken in 189S) Printed and bound in Great Britain by R. J. Acford, Chichester, Sussex. J D PREFACE D HE first thirty-six chapters of this book consist T of an autobiography, under the heading of "My Days and My Ways," that originally appeared in a little monthly magazine called Good Company (1890-1894). The volumes of this have long been out of print. The remaining seven chapters of the book consist of An Appendix concerning " His Days and His Ways," from 1871 to 1898, when he died. This part of the story is of necessity told very briefly, and with some scruples concerning a few left in the land of the living The writer hopes he may be pardoned if anything is thought to be amiss. He aims only at a truthful record, without " malice aforethought " to any living soul. The portrait is from an excellent photograph taken at Malvern in 1895. Q- CONTENTS CHAPTER PAGE I.—BIRTH AND BOYHOOD .. .. .. 1 II.—" CONVERSION "—Elpis Israel .. .. 7 III.—BAPTISM .. .. .. .. 12 IV.—WRITES TO DR. THOMAS .. .. .. 17 V.—BECOMES A REPORTER .. .. .. 21 VI.—HUDDERSFIELD AND HALIFAX , . 28 VII.—WORKING WITH DR. THOMAS .. .. 34 VIII.—DEWSBURY .. .. .. ..43 IX.—MARRIAGE .. .. .. .. 45 X.—DIETETICS ! .. .. .. .. 53 XI.—INTRODUCING THE TRUTH (HUDDERSFIELD) .. 59 XII.—PUBLIC EFFORT AT HUDDERSFIELD .. 64 XIII.—A BRUSH WITH ATHFISM .. .. 69 XIV.—LEEDS : FOWLER AND WELLS .. .. 74 XV.—BIRMINGHAM : THE FOWLER AND WELLS COMPANY .. .. .. .. 80 XVI.—BIRMINGHAM, LEICESTER, NOTTINGHAM, DERBY . -
Department of Economic and Social History
HS3112/EH3612 The life and times of George Orwell 1903-50 Academic session 2003/04 SCHOOL OF HISTORICAL STUDIES The Life and Times of George Orwell 1903-50 A moral history of the first half of the 20th century Module Description Eric Blair was born on 25 June 1903 at Motihari, in Bengal, and died of pulmonary tuberculosis at University College hospital London on 26 January 1950. This is his centenary year. The life he lived was mainly a writer’s life but it was also an active life where he got involved in the things that mattered to him. ‘Getting involved’, and then writing about it, Blair did in the guise of ‘George Orwell’. Blair was an intensely serious and well-read man who in his guise of George Orwell pretended not to be. Instead he pretended to be ordinary, and it was as the ordinary and broadest Englishman that he put his moral self on the line. Orwell’s literary achievements alone would have made him interesting to historians. But in the personality he adopted, and in the moral issues he was interested in, and faced down, Orwell was more than a good writer. He is a way into the century’s dilemmas. This module considers Orwell in history. It considers also the moral and political battle over his reputation. Module Objectives We will endeavour to learn something of Orwell’s life and times; to reflect critically on those times; to read selected works by Orwell and about him; to discuss the moral issues of his day; to understand that there are varieties of ways of interpreting those issues and the history behind them; to construct arguments and deploy supporting data; and most importantly to write and talk about all these things clearly and accurately - much as Orwell himself tried to do. -
The Classic Slum: Salford Life in the First Quarter of the Century Free
FREE THE CLASSIC SLUM: SALFORD LIFE IN THE FIRST QUARTER OF THE CENTURY PDF Robert Roberts | 288 pages | 07 Dec 1990 | Penguin Books Ltd | 9780140136241 | English | London, United Kingdom The Classic Slum: Salford Life in the First Quarter of the Century by Robert Roberts Today's Date: October 14, Pages: 1 2. Although essentially, the nature of slum life was quite dismal, especially by modern standards, it should be remembered that there also some less grim aspects, particularly after the First World War. It is certainly not a romanticized portrait of slum life in Edwardian England, but it does present a deeper understanding of the causes as well as outcomes of many of the problems which included extreme poverty, lack of employment, illiteracy, ill health, and other social maladies. The nature of life in a slum such as that of Salford was harsh and constantly changing. One usually was not sure whether or not there would be enough money left for food from day to day. The employment situation was grim and while some could find work that might last for an extended period, they could expect to be terminated and unable to find employment elsewhere at some point. Since the cost of living, which included mostly food, was so high, families often did not have many luxuries and many homes were almost bare since there was not money for anything except sustenance. They made do with boxes and slept in their clothes and in what other garments they could beg or filch. Of such people there were millions. It is striking to realize that there were literally millions of people in such a category and at one point, Roberts figures that 50 percent of the population in industrial cities were this class of destitute unskilled workers Aside from general employment and financial problems, the health of people living in Salford was terrible and before the Great War, there was the widespread practice of selling rotting The Classic Slum: Salford Life in the First Quarter of the Century for cheaper prices and thinning out beer with water or worse, formaldehyde. -
British Masculinity and Propaganda During the First World War Evan M
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2015 British Masculinity and Propaganda during the First World War Evan M. Caris Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Caris, Evan M., "British Masculinity and Propaganda during the First World War" (2015). LSU Master's Theses. 4047. https://digitalcommons.lsu.edu/gradschool_theses/4047 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BRITISH MASCULINITY AND PROPAGANDA DURING THE FIRST WORLD WAR A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Evan M. Caris B.A. Georgia College & State University, 2011 December 2015 TABLE OF CONTENTS ABSTACT ..................................................................................................................................... iii 1. INTRODUCTION .....................................................................................................................1 2. MASCULINITY IN BRITISH PROPAGANDA POSTERS DURING THE FIRST WORLD -
Introduction
Notes Introduction 1. I witnessed the demonstrations against Terrence McNally’s play, Corpus Christi, in 1999 at Edinburgh’s Bedlam Theatre, the home of the University’s student theatre company. But these protests were not taken seriously by any- one I knew: acknowledged as a nuisance, certainly, but also judged to be very good for publicity in the competitive Festival fringe. 2. At ‘How Was it for You? British Theatre Under Blair’, a conference held in London on 9 December 2007, the presentations of directors Nicholas Hytner, Emma Rice and Katie Mitchell, writers Mark Lawson, Kwame Kwei-Armah, Tanika Gupta and Mark Ravenhill, and actor and Equity Rep Malcolm Sinclair all included reflection upon issues of censorship, the policing of per- formance or indirect forms of constraint upon content. Ex-Culture Minister Tessa Jowell’s opening presentation also discussed censorship and the closure of Behzti. 3. Andrew Anthony, ‘Amsterdammed’, The Observer, 5 December 2004; Alastair Smart, ‘Where Angels Fear to Tread’, The Sunday Telegraph, 10 December 2006. 4. Christian Voice went on to organise protests at the theatre pro- duction’s West End venue and then throughout the country on a national tour. ‘Springer protests pour in to BBC’, BBC News, 6 January 2005, http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4152433.stm [accessed 1 August 2007]. 5. Angelique Chrisafis, ‘Loyalist Paramilitaries Drive Playwright from His Home’, The Guardian, 21 December 2005. 6. ‘Tate “Misunderstood” Banned Work’, BBC News, 26 September 2005, http://news.bbc.co.uk/1/entertainment/arts/4281958.stm [accessed 1 August 2007]; for discussion of the Bristol Old Vic’s decision, see Ian Shuttleworth, ‘Prompt Corner’, Theatre Record, 25.23, 6 December 2005, pp. -
British TV Comedies
Copyrighted material – 978–1–137–55294–5 Introduction, editorial matter and selection © Jürgen Kamm and Birgit Neumann 2016 Individual chapters © Contributors 2016 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identifi ed as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2016 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–55294–5 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. -
European Social History, 1830-1914 Fall 2013, Humanities 1641, TR 4-5:15 Prof
History 474: European Social History, 1830-1914 Fall 2013, Humanities 1641, TR 4-5:15 Prof. Koshar, Humanities 4101; Office hours: R 2:00-3:45 & by appt. email: [email protected] Rationale: Europe in the nineteenth century became recognizably “modern.” Factory- based manufacture increasingly shaped the economic life of men and women even though small-scale production and agriculture persisted and in some cases flourished. Urban centers grew in population and influence, becoming economic motors as well as cultural magnets. Science, technology, and more rapid means of communication exerted influence in the most intimate spaces of people’s lives. As free, compulsory education grew, literacy and cultural entertainments expanded, becoming more widely available to people of lesser means in both urban and rural milieus. New political parties mobilized larger constituencies; the masses were no longer bit players on the political stage. As modern parties became more organized and socially anchored, so too did ideologies—liberal, socialist, sectarian, nationalist, racist, or conservative—assume more importance in laying out blueprints for the future. Increasingly bureaucratized national states both responded to and facilitated such large-scale changes. Through it all, Europeans asserted themselves not only as members of families, churches, regions, and nations but also as individuals. In surveying these massive transformations, this course focuses on a single yet complex thread of European social experience: the relationship between the individual and the modern state. Goals: The pedagogical goals of the course are: to deepen your knowledge of nineteenth- century European social history in all its drama and many-sidedness; to build your expository and critical skills through writing and discussion; to advance your abilities to analyze primary sources (novels, memoirs, autobiographies) with reference to larger historical narratives and problems; and where possible to relate past and present through rigorous comparison and analogy. -
PRR David Cohen Judges Announced FINAL
! New release: for release 00:00 23rd May 2017 David Cohen Prize for Literature: 2017 judges announced The David Cohen Prize for Literature is proud to announce the judges for 2017. Now in its 25th year, the prize is singular in its approach: it is awarded every two years in recognition of a living writer’s lifetime achievement in literature, and has consequently earned its position in the literary canon as the “UK Nobel for literature”. The winner of the prize is nominated and selected by a panel of judges comprising authors, literary critics and academics. Their identity may now be revealed. Under the chair’s eye of Mark Lawson, the judges are: Kate Bassett, Gillian Clarke, Professor Simon J. James, Alan Johnson, Denise Mina and Anita Sethi. They met together for the first time on 18th May. Managed by New Writing North, the award will be announced in London on 8 November 2017. Comments from the judges include: Alan Johnson: “I'm honoured to be asked to judge this prestigious award. Some of the greatest names in British and Irish literature have been recognised through the David Cohen Prize but there are so many writers to honour and so few generic awards to be made. It will be fun to have a role in determining the latest recipient.” Professor Simon James: “Many literary prizes give the opportunity to make a judgement on the quality of a single work; the David Cohen prize, unusually, allows the opportunity to recognise, and applaud a lifetime's work. Most professors of literature evaluate writing from the past - it is very exciting to be able to celebrate the work of a living writer, and I am delighted to be involved in this year's prize.” Anita Sethi: “I'm delighted to be a Judge for the David Cohen Prize for Literature 2017 which has a prestigious history of honouring some fantastic writers including Doris Lessing, Hilary Mantel, VS Naipaul and Harold Pinter. -
2 November 2012 Page 1 of 17 SATURDAY 27 OCTOBER 2012 Involved with Tiger Poaching in India
Radio 4 Listings for 27 October – 2 November 2012 Page 1 of 17 SATURDAY 27 OCTOBER 2012 involved with tiger poaching in India. To mark his 70th birthday in 2012, Sarfraz Manzoor looked back over his career. SAT 00:00 Midnight News (b01ngp1n) He spends a lot of time filming abroad so Clare was lucky to The latest national and international news from BBC Radio 4. catch up with him on his home patch. As they wander along the Producer: Mark Rickards Followed by Weather. Thames, Steve explains that his love of the outdoors began when - as a child - his parents sent him and his sister out to play First broadcast on BBC Radio 4 in 2012. and told them not to come back until it was dark. This kind of SAT 00:30 Book of the Week (b01njy7v) 'feral' (as he put it) freedom developed in him an enduring Into the Abyss passion for the natural world. SAT 11:00 The Week in Westminster (b01nk149) Steve Richards of The Independent looks behind the scenes at Episode 5 Producer: Karen Gregor. Westminster The organisation at Number Ten is often criticised for not Read by Barbara Barnes. controlling the agenda. David Cameron is currently accused of SAT 06:30 Farming Today (b01nk141) "not having a grip". What are the requirements for a The astonishing true life adventure story of a plane crash in the Farming Today This Week successfully Prime Minister's office? Steve Richards talks to wilds of northern Canada and the four men who survived to tell Baroness Sally Morgan who worked with Tony Blair, Sheila the tale. -
Religion in the Working Class Community, and the Evolution of Socialism in Late Nineteenth Century Lancashire: a Case of Working Class Consciousness
Religion in the Working Class Community, and the Evolution of Socialism in Late Nineteenth Century Lancashire: A Case of Working Class Consciousness by A. J. AINSWORTH* The Bible is full of revolutionary teaching, and it is not surprising that, in a country where thought is free, many men and women have drawn from it the support which they needed for their instinctive revolt against the inhuman conditions which Capitalism brings. I think that probably the majority of those who have built up the socialist movement in this country have been adherents of the Christian reli gion .. C.R. ATILEE, The Labour Party in Perspective (1937) p. 27. A number of ambiguities surrounding religion amongst the working class of late nineteenth century Lancashire suggest that a statement of clarification is necessary, particularly regarding the relationship between religious ideals and the developing socialist consciousness of the 1890s. Firstly, since the appearance of Professor Inglis' influential Churches and the Working Classes in Victorian England, it has become commonplace, by drawing upon sources of church attendance such as the 1851 religious census, to suggest that the churches had but little impact upon the masses of the provincial manufacturing centres. This position, however, needs to be reconciled with that of commentators such as P.F. Clarke, who has noted that, "In the north west, religion was probably associated with po litics more closely than in any other part of Britain.'' 1 Secondly, and in response to the growth of popular Conservatism in Lancashire after 1868, there has been a clear tendency to examine religion primarily in relation to the Irish question.