Stephen Fry ­ Wikipedia, the Free Encyclopedia Stephen Fry from Wikipedia, the Free Encyclopedia

Total Page:16

File Type:pdf, Size:1020Kb

Stephen Fry ­ Wikipedia, the Free Encyclopedia Stephen Fry from Wikipedia, the Free Encyclopedia 13/05/2015 Stephen Fry ­ Wikipedia, the free encyclopedia Stephen Fry From Wikipedia, the free encyclopedia Stephen John Fry (born 24 August 1957)[1] is an English comedian, actor, writer, presenter, and Stephen Fry activist. After a troubled childhood and adolescence, during which he was expelled from two schools and spent three months in prison for credit card fraud, he secured a place at Queens' College, Cambridge, where he studied English literature. While at university, Fry became involved with the Cambridge Footlights, where he met his long­time collaborator Hugh Laurie. As half of the comic double act Fry and Laurie, he co­ wrote and co­starred in A Bit of Fry & Laurie, and took the role of Jeeves (with Laurie playing Wooster) Fry in Happy Birthday to GNU (2008) in Jeeves and Wooster. Born Stephen John Fry 24 August 1957 [1] Fry's acting roles include a Golden Globe Award– nominated lead performance in the film Wilde, Hampstead, London, United Melchett in the BBC television series Blackadder, the Kingdom title character in the television series Kingdom, a Nationality English recurring guest role as Dr. Gordon Wyatt on the crime Education The College of West Anglia series Bones, and as Gordon Deitrich in the dystopian thriller V for Vendetta. He has also written and Alma mater Queens' College, Cambridge presented several documentary series, including the Occupation Actor, comedian, author, journalist, Emmy Award–winning Stephen Fry: The Secret Life broadcaster, film director of the Manic Depressive, which saw him explore his mental illness. He is also the long­time host of the Years active 1981–present BBC television quiz show QI. Title President of Mind (2011–present)[2] Besides working in television, Fry has contributed Kentucky colonel[3][4] columns and articles for newspapers and magazines Freeman of the City of London[5] and written four novels and three volumes of Patron of the British Humanist autobiography, Moab Is My Washpot, The Fry Association Chronicles and More Fool Me. He also appears Honorary Life Member of the Union frequently on BBC Radio 4, starring in the comedy of UEA Students Patron of the Lip Theatre Company series Absolute Power, being a frequent guest on Patron of the Norwich Playhouse panel games such as Just a Minute, and acting as theatre chairman for I'm Sorry I Haven't a Clue, where he Vice­President of the Noël Coward was one of a trio of hosts who succeeded the late Society Humphrey Lyttelton. Fry is also known for his voice­ Honorary fellow of Queens' College, Cambridge overs, reading all seven of the Harry Potter novels for Honorary fellow of Cardiff the UK audiobook recordings, narrating the University LittleBigPlanet and Birds of Steel series of video Honorary president of the games, as well as an animated series of explanations Cambridge University Quiz Society [6] of the laws of cricket, and a series of animations Rector of the University of Dundee about Humanism for the British Humanist (1992–1998) Association.[7] http://en.wikipedia.org/wiki/Stephen_Fry 1/23 13/05/2015 Stephen Fry ­ Wikipedia, the free encyclopedia Spouse(s) Elliott Spencer (m. 2015) Contents Parent(s) Alan John Fry Marianne Eve Fry (née 1 Early life and education Newman) 2 Career 2.1 Television 2.1.1 Comedy Stephen Fry's voice 2.1.2 Drama 0:00 MENU 2.1.3 Documentaries and other Recorded January 2014 factual programmes 2.1.4 QI 2.2 Film Signature 2.3 Radio 2.4 Theatre 2.5 Audiobooks 2.6 Video games 2.7 Advertising 2.8 Literature Website 2.9 Football 2.10 Twitter www.stephenfry.uk (http://www.stephenfry.uk) 2.11 Acclaim 3 Personal life 3.1 Sexuality 3.2 Politics 3.3 Poland controversy 3.4 Health 3.5 Views on religion 3.6 Business 3.7 Computing and software freedom 4 Bibliography 5 References 6 External links Early life and education Fry was born in Hampstead, London, on 24 August 1957,[1] the son of Marianne Eve Fry (née Newman) and Alan John Fry, an English physicist and inventor.[8][9][10] Fry's mother is Jewish but Fry was not raised in a religious background.[11] His maternal grandparents, Martin and Rosa Neumann,[10] were Hungarian Jews, who emigrated to Britain in 1927; Martin's parents, who originally lived in Vienna, Austria, Fry, upper right, rehearsing a student were sent to a concentration camp in Riga, Latvia and production of A Midsummer Night's [10][11][12] murdered. His mother's aunt and cousins were sent to Dream at the Norfolk College of Arts Auschwitz and never seen again.[10] Fry's father is English, and and Technology in 1975 his paternal grandmother had roots in Kent and Cheshire.[13][14] http://en.wikipedia.org/wiki/Stephen_Fry 2/23 13/05/2015 Stephen Fry ­ Wikipedia, the free encyclopedia Fry grew up in the village of Booton near Reepham, Norfolk, having moved from Chesham, Buckinghamshire, at an early age. He has an elder brother named Roger and a younger sister named Joanna.[15] Fry briefly attended Cawston Primary School in Cawston, Norfolk,[16] before going on to Stouts Hill Preparatory School in Uley, Gloucestershire, at the age of seven, and then to Uppingham School, Rutland, where he joined Fircroft house, and was described as a "near­asthmatic genius".[17] He was expelled from Uppingham when he was 15 and subsequently from the Paston School. At 17, after leaving Norfolk College of Arts and Technology, Fry absconded with a credit card stolen from a family friend.[18] He had taken a coat when leaving a pub, planning to spend the night sleeping rough, but had then discovered the card in a pocket.[19] He was arrested in Swindon, and, as a result, spent three months in Pucklechurch Prison on remand. While Fry was in Pucklechurch, his mother had cut out the crossword from every copy of The Times since he had been away, something which Fry said was "a wonderful act of kindness". Fry later stated that these crosswords were the only thing that got him through the ordeal.[18] Following his release, he resumed his education at City College Norwich, promising administrators that he would study rigorously to sit the Cambridge entrance exams. He scored well enough to gain a scholarship to Queens' College, Cambridge. At Cambridge, Fry joined the Cambridge Footlights, appeared on University Challenge,[20] and read for a degree in English literature, graduating with upper second­class honours.[21][22] Fry also met his future comedy collaborator Hugh Laurie at Cambridge and starred alongside him in the Footlights Club. Career Television Comedy Fry's career in television began with the 1982 broadcasting of The Cellar Tapes, the 1981 Cambridge Footlights Revue which was written by Fry, Hugh Laurie, Emma Thompson and Tony Slattery. The revue caught the attention of Granada Television, who, keen to replicate the success of the BBC's Not the Nine O'Clock News, hired Fry, Laurie and Thompson to star alongside Ben Elton in There's Nothing to Worry About!. A second series, re­titled Alfresco, was broadcast in 1983, and a third in 1984; it established Fry and Laurie's reputation as a comedy double act. In 1983, the BBC offered Fry, Laurie and Thompson their own show, which became The Crystal Cube, a mixture of science fiction and mockumentary that was cancelled after the first episode. Undeterred, Fry and Laurie appeared in an episode of The Young Ones in 1984, and Fry Fry signing autographs at the also appeared in Ben Elton's 1985 series, Happy Families. In 1986 and Apple Store, Regent Street, 1987 Fry and Laurie performed sketches on the LWT/Channel 4 show London, on 3 February 2009 Saturday Live. Forgiving Fry and Laurie for The Crystal Cube, the BBC commissioned, in 1986, a sketch show that was to become A Bit of Fry & Laurie. The programme ran for 26 episodes spanning four series between 1986 and 1995, and was very successful. During this time, Fry starred in Blackadder II as Lord Melchett, http://en.wikipedia.org/wiki/Stephen_Fry 3/23 13/05/2015 Stephen Fry ­ Wikipedia, the free encyclopedia made a guest appearance in Blackadder the Third as the Duke of Wellington, then returned to a starring role in Blackadder Goes Forth, as General Melchett. In the 1988 television special Blackadder's Christmas Carol, he played the roles of Lord Melchett and Lord Frondo. Between 1990 and 1993, Fry starred as Jeeves (alongside Hugh Laurie's Bertie Wooster) in Jeeves and Wooster, 23 hour­long adaptations of P. G. Wodehouse's novels and short stories. Towards the end of 2003, Fry starred alongside John Bird in the television adaptation of Absolute Power, previously a radio series on BBC Radio 4. In 2010, Fry took part in a Christmas series of short films called Little Crackers. His short was based on a story from his childhood at school.[23] He appeared as the Christian God in 2011's Holy Flying Circus. Drama Fry has appeared in a number of BBC adaptations of plays and books, including a 1992 adaptation of the Simon Gray play The Common Pursuit (he had previously appeared in the West End stage production); a 1998 Malcolm Bradbury adaptation of the Mark Tavener novel In the Red, taking the part of the Controller of BBC Radio 2; and in 2000 in the role of Professor Bellgrove in the BBC serial Gormenghast, which was adapted from the first two novels of Mervyn Peake's Gormenghast series. In 2011, Fry portrayed Professor Mildeye in the BBC adaption of Mary Norton's 1952 novel The Borrowers.[24] Fry narrates the first two seasons of the English­language version of the Spanish children's animated series Pocoyo.[25] From 2007 to 2009, Fry played the lead role in (and was executive producer for) the legal drama Kingdom, which ran for three series on ITV1.[26] He has also taken up a recurring guest role as FBI psychiatrist Dr.
Recommended publications
  • Lost Prince Pack Latest
    Miranda Richardson Miranda Richardson Miranda Richardson portrays Queen Mary, the Stranger,The Crying Game, Enchanted April, Damage, emotionally repressed mother of Prince John.A Empire Of The Sun,The Apostle and Spider (Official fundamentally inhibited character, she is a loving Selection, Cannes 2002), as well as the mother but has great difficulty communicating with unforgettable Queenie in the BBC’s Blackadder. She her son. says:“Mary had an absolute belief in the idea of duty. She thought that her husband’s word was the The actress, one of Britain’s most gifted screen law and believed in the divine right of kings. performers, immersed herself in research for the Although that view seems old-fashioned to us now, role and emerged with a clearer, more sympathetic she thought it could not be questioned. Ultimately, I idea about this often-maligned monarch. think this film understands Mary. It portrays her most sympathetically.” ‘’When people hear I’m playing Mary, they say, ‘Wasn’t she a dragon?’ But I’ve learnt from my For all that, Mary’s rigid adherence to the research that she wasn’t just a crabby old bag. She Edwardian code of ethics created a barrier may never have laughed in public, but that was between her and her independent-minded son, because she was shy. She felt she wasn’t able to Johnnie.“She loved him as fully as she could,” express her emotions in public.” Richardson reflects.“She knew that he was a free spirit who was able to be himself. Mary could never Miranda has gained a towering reputation for a be herself because she was always so serious, number of films, including Tom And Viv, Dance With A dedicated, dutiful and aware of her destiny.
    [Show full text]
  • Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
    ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective.
    [Show full text]
  • CBS Cuts $ on CD Front -Lines
    iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p.
    [Show full text]
  • Al Pacino Receives Bfi Fellowship
    AL PACINO RECEIVES BFI FELLOWSHIP LONDON – 22:30, Wednesday 24 September 2014: Leading lights from the worlds of film, theatre and television gathered at the Corinthia Hotel London this evening to see legendary actor and director, Al Pacino receive a BFI Fellowship – the highest accolade the UK’s lead organisation for film can award. One of the world’s most popular and iconic stars of stage and screen, Pacino receives a BFI Fellowship in recognition of his outstanding achievement in film. The presentation was made this evening during an exclusive dinner hosted by BFI Chair, Greg Dyke and BFI CEO, Amanda Nevill, sponsored by Corinthia Hotel London and supported by Moët & Chandon, the official champagne partner of the Al Pacino BFI Fellowship Award Dinner. Speaking during the presentation, Al Pacino said: “This is such a great honour... the BFI is a wonderful thing, how it keeps films alive… it’s an honour to be here and receive this. I’m overwhelmed – people I’ve adored have received this award. I appreciate this so much, thank you.” BFI Chair, Greg Dyke said: “A true icon, Al Pacino is one of the greatest actors the world has ever seen, and a visionary director of stage and screen. His extraordinary body of work has made him one of the most recognisable and best-loved stars of the big screen, whose films enthral and delight audiences across the globe. We are thrilled to honour such a legend of cinema, and we thank the Corinthia Hotel London and Moët & Chandon for supporting this very special occasion.” Alongside BFI Chair Greg Dyke and BFI CEO Amanda Nevill, the Corinthia’s magnificent Ballroom was packed with talent from the worlds of film, theatre and television for Al Pacino’s BFI Fellowship presentation.
    [Show full text]
  • (23Rd - 28Th August 2017) Pavilions Teignmouth Episodes from Blackadder the Third - Dual & Duality - Sense and Senility - Ink & Incapability
    August 2017 In this Edition Chairman’s Welcome Membership Reminder Blackadder III Box office summer closure Princess & the Pea Name of the Theatre Production News Who’s who CHAIRMAN’S WELCOME Our new committee members have had a very busy time since joining us and we are looking forward to more busy months ahead. We are very pleased that they volunteered and only hope that everyone on the committee is able to continue with all their good work, and we again extend our thanks to past committee members too, who also still contribute constantly to T.P. Following on from months of rehearsals with the youngest Tykes, and slightly less with the more senior Tykes and the ‘adults’ we were so pleased to present Peter Pan at the Pavilions Teignmouth in July. It was by no means an easy task and a great many ‘thank you’ messages need to be passed on. Mike and June Hewett spent many hours to design and build the set and then painting was done by Jane Branch and a ‘friend’ - I’m sorry but I cannot remember the lady’s name – to create some wonderful scenes. June also weilded her paint brush in a less artistic way but with more great results. Unfortunately some last minute adjustments were needed once the set had been transported to Pavilions as there was complications with space, but Mike laid aside his Mr Darling costume and spent many more hours with assistance from Iain Ferguson, completing it. The lighting was designed by Daniel Saint; then he had help from some members as they took down the majority of lights from the Ice Factory and re-erected them inside Pavilions.
    [Show full text]
  • A Writer's Calendar
    A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive.
    [Show full text]
  • The Transformative Energy of Children's Literature
    Notes 1 Breaking Bounds: The Transformative Energy of Children’s Literature 1. I do not recognise Karin Lesnik-Oberstein’s insistence that the majority of academics who write about children’s literature are primarily concerned with finding the right book for the right child (Children’s Literature: New Approaches, 2004: 1–24). 2. Although publishing for children includes many innovative and important non- fictional works, my concern is specifically with narrative fictions for children. 3. See Rumer Godden’s entertaining ‘An Imaginary Correspondence’ featuring invented letters between Mr V. Andal, an American publisher working for the De Base Publishing Company, and Beatrix Potter for an entertaining insight into this process. The piece appeared in Horn Book Magazine 38 (August 1963), 197–206. 4. Peter Hunt raises questions about the regard accorded to Hughes’s writing for children suggesting that it derives more from the insecurity of children’s literature critics than the quality of the work: ‘It is almost as if, with no faith in their own judgements, such critics are glad to accept the acceptance of an accepted poet’ (2001: 79–81). 5. See Reynolds and Tucker, 1998; Trites, 2000 and Lunden, 2004. 6. Although writing in advance of Higonnet, Rose would have been familiar with many of the examples on which Pictures of Innocence is based. 7. By the time she reaches her conclusion, Rose has modified her position to empha- sise that ‘children’s literature is just one of the areas in which this fantasy is played out’ (138), undermining her claims that the child-audience is key to the work of children’s literature in culture.
    [Show full text]
  • Presents a Film by Michael Winterbottom 104 Mins, UK, 2019
    Presents GREED A film by Michael Winterbottom 104 mins, UK, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis GREED tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion – bringing the high street to the catwalk and the catwalk to the high street – but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick (David Mitchell). Cast SIR RICHARD MCCREADIE STEVE COOGAN SAMANTHA ISLA FISHER MARGARET SHIRLEY HENDERSON NICK DAVID MITCHELL FINN ASA BUTTERFIELD AMANDA DINITA GOHIL LILY SOPHIE COOKSON YOUNG RICHARD MCCREADIE JAMIE BLACKLEY NAOMI SHANINA SHAIK JULES JONNY SWEET MELANIE SARAH SOLEMANI SAM TIM KEY FRANK THE LION TAMER ASIM CHAUDHRY FABIAN OLLIE LOCKE CATHY PEARL MACKIE KAREEM KAREEM ALKABBANI Crew DIRECTOR MICHAEL WINTERBOTTOM SCREENWRITER MICHAEL WINTERBOTTOM ADDITIONAL MATERIAL SEAN GRAY EXECUTIVE PRODUCER DANIEL BATTSEK EXECUTIVE PRODUCER OLLIE MADDEN PRODUCER
    [Show full text]
  • 18 February 2011 Page 1 of 15
    Radio 4 Listings for 12 – 18 February 2011 Page 1 of 15 SATURDAY 12 FEBRUARY 2011 SAT 07:00 Today (b00yd8mz) was stepping down; Rupert Wingfield Hayes examines what Morning news and current affairs with James Naughtie and will happen to the army of police, thugs and torturers who SAT 00:00 Midnight News (b00y9yd3) Evan Davis, including: enforced Mubarak's police state; Jonathan Marcus explains how The latest national and international news from BBC Radio 4. 08:32 The Foreign Secretary William Hague on the potential western diplomats were left floundering by this very Egyptian Followed by Weather. impact of Egypt's revolution on the middle east. revolution while Sarah Monaghan's in Oman, a distant outpost 07:57 Just what effect will David Cameron's Big Society really of the Arab world waiting to see if the winds of change will have? blow through there as well. SAT 00:30 Book of the Week (b00ydbn9) 08:23 Hip-hop writer Dave Tompkins explains his love for the Battle Hymn of the Tiger Mother vocoder. SAT 12:00 Money Box (b00ydbv5) Episode 5 In this week's programme, Paul Lewis interviews the minister SAT 09:00 Saturday Live (b00yd8n1) responsible for the funding of high-street debt advice. The By Amy Chua. After a difficult time for the family the Chuas Fi Glover with Eden Project founder Tim Smit and poet Salena government recently announced the end of the Financial go on holiday to Russia. But in Red Square, tensions between Godden; interviews with a man who lived with a stammer for Inclusion Fund, which pays for 500 face-to-face debt advisors Amy and Lulu come to a head.
    [Show full text]
  • Download File
    In the Shadow of the Family Tree: Narrating Family History in Väterliteratur and the Generationenromane Jennifer S. Cameron Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 2012 Jennifer S. Cameron All rights reserved ABSTRACT In the Shadow of the Family Tree: Narrating Family History in Väterliteratur and the Generationenromane Jennifer S. Cameron While debates over the memory and representation of the National Socialist past have dominated public discourse in Germany over the last forty years, the literary scene has been the site of experimentation with the genre of the autobiography, as authors developed new strategies for exploring their own relationship to the past through narrative. Since the late 1970s, this experimentation has yielded a series of autobiographical novels which focus not only on the authors’ own lives, but on the lives and experiences of their family members, particularly those who lived during the NS era. In this dissertation, I examine the relationship between two waves of this autobiographical writing, the Väterliteratur novels of the late 1970s and 1980s in the BRD, and the current trend of multi-generational family narratives which began in the late 1990s. In a prelude and three chapters, this dissertation traces the trajectory from Väterliteratur to the Generationenromane through readings of Bernward Vesper’s Die Reise (1977), Christoph Meckel’s Suchbild. Über meinen Vater (1980), Ruth Rehmann’s Der Mann auf der Kanzel (1979), Uwe Timm’s Am Beispiel meines Bruders (2003), Stephan Wackwitz’s Ein unsichtbares Land (2003), Monika Maron’s Pawels Briefe (1999), and Barbara Honigmann’s Ein Kapitel aus meinem Leben (2004).
    [Show full text]
  • A Transnational Feminist Study on the Woman's Historical Novel By
    University of Alberta Writing Back Through Our Mothers: A Transnational Feminist Study on the Woman’s Historical Novel by Tegan Zimmerman A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature ©Tegan Zimmerman Fall 2013 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. For my grandmother and my mother … ABSTRACT This transnational feminist study on the contemporary woman’s historical novel (post 1970) argues that the genre’s central theme and focus is the maternal. Analyzing the maternal, disclosed through a myriad of genealogies, voices, and figures, reveals that the historical novel is a feminist means for challenging historical erasures, silences, normative sexuality, political exclusion, divisions of labour, and so on within a historical-literary context. The novels surveyed in this work speak from the margins and spaces of silence within history and the genre. As much as the works contest masculinist master narratives, they also create and envision new genealogies.
    [Show full text]
  • The Acid House a Film by Paul Mcguigan
    100% PURE UNCUT IRVINE WELSH The Acid House a film by Paul McGuigan a Zeitgeist Films release The Acid House a film by Paul McGuigan based on the short stories from “The Acid House” by Irvine Welsh Starring Ewen Bremner Kevin McKidd Maurice Roëves Martin Clunes Jemma Redgrave Introducing Stephen McCole Michelle Gomez Arlene Cockburn Gary McCormack Directed by Paul McGuigan Screenplay by Irvine Welsh Director of Photography Alasdair Walker Editor Andrew Hulme Costume Designers Pam Tait & Lynn Aitken Production Designers Richard Bridgland & Mike Gunn Associate Producer Carolynne Sinclair Kidd Produced by David Muir & Alex Usborne FilmFour presents a Picture Palace North / Umbrella Production produced in association with the Scottish Arts Council National Lottery Fund, the Glasgow Film Fund and the Yorkshire Media Production Agency UK • 1999 • 112 mins • Color • 35mm In English with English subtitles Dolby Surround Sound a Zeitgeist Films release The Acid House a film by Paul McGuigan Paul McGuigan’s THE ACID HOUSE is a surreal triptych adapted by Trainspotting author Irvine Welsh from his collection of short stories. Combining a vicious sense of humor with hard- talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche. Part One The Granton Star Cause The first film of the trilogy is a black comedy of revenge, soccer and religion that come together in one explosive story. Boab Coyle (STEPHEN McCOLE) thinks he has it all, a ‘tidy’ bird, a job, a cushy number living at home with his parents and a place on the kick-about soccer team the Granton Star.
    [Show full text]