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Stuart Bentley Director of Photography
Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net STUART BENTLEY DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER STRANGE BUT TRUE Rowan Athale Automatik BLACK MIRROR (HANG THE DJ) Tim Van Patten Netflix SOMETIMES CHINESE (Short) Leo Leigh Somesuch SS-GB Philipp Kadelbach Sid Gentle Films THIS IS ENGLAND ’90 Shane Meadows Warp Films Winner, Best TV Series, Empire Awards (2016) Channel 4 TV Winner, Best Mini-Series, BAFTA TV Awards (2016) HUMANS (Episodes 3 & 4) Daniel Nettheim Kudos / AMC Nominated, Best Drama Series, BAFTA TV Awards (2016) Channel 4 TV OUR WORLD WAR Bruce Goodison & BBC TV Nominated, Best Mini Series, BAFTA Television Awards (2015) Ben Chanan GLUE (Episodes 6 – 8) Daniel Nettheim Eleven Films Channel 4 TV PALIO Cosima Spender Working Title Nominated, Best Documentary, British Independent Film Awards (2015) Playmaker Films Official Selection, Tribeca Film Festival (2015) THE RISE (a.k.a. WASTELAND) Rowan Athale Moli-Mischief Ltd. Official Selection, Toronto Film Festival (2012) Official Selection, BFI London Film Festival (2012) THE PATROL Tom Petch AFG Film Ltd. FIRE IN BABYLON Stevan Riley Passion Pictures Official Selection, BFI London Film Festival (2010) DIRECTORS/COMMERCIALS (Selected Credits) OLIVER PEARCH HADLEE Adidas ADAM ROSENBLATT Purple Bricks SAUL DIBB Heads Together NIALL KENNY GQ Magazine/Tag Heuer PETER CATTANEO Paddy Power, Alpen, Maltesers, Camelot, McDonald’s, Virgin Media, Public Health England, Nivea, Cass Bank JOHNNY HOPKINS TUC, Braun, Tesco, Sainsbury’s, Dulux, MasterCard PATRICK KILLINGBECK Drive Insured JEREMIE ROZAN Vogue MARSHMALLOW LASER FEAST Footlocker THE GENERAL ASSEMBLY Radio 1 Big Weekend FRED & NICK Match.com, McDonald’s HENERY SCHOLFIELD Smirnoff, Converse, Monoprix MERT & MARCUS Brian Atwood, Dsquared JAKOB MARKY Nike DAN HENSHAW Adidas ADAM MUFTI Head & Shoulders MIKE MCGEE Speedo MONICA MENEZ Tanqueray SI & AD RBS, Yorkshire Tea DIRECTORS/MUSIC VIDEOS ROBERT HALES Tinie Tempah feat. -
Students MAP out Their Futures Features Letter from the President
The free magazine for The University of Manchester 5 October 2009 UniLifeIssue 1 Volume 7 Students MAP out their futures Features Letter from the President Given that my monthly UniLife pieces should probably reflect what is at the top of my own personal agenda, I will keep returning to the urgent News need for the University to give the utmost priority to Chemical improving the quality of the learning experiences Engineering gets offered to undergraduates here in Manchester. £30m boost Manchester’s performance in undergraduate page 3 education is patchy. In some Schools undergraduate students enter a supportive, intellectually rewarding learning environment enriched by frequent, meaningful interactions with teachers, both formally (in small groups) and informally, through timely, informative feedback on their work and through other forms of constructive personal engagement. Research Such Schools and programmes are exemplary. New clues in Easter But although the academic community cares deeply Island mystery about undergraduate learning, and all Schools contain individual teachers whose dedication, experience, I was struck recently by the relevance of page 7 creativity and passionate commitment to their an article that Derek Rowntree wrote about his own students are beacons of excellence, Manchester, as institution, the Open University (THE, 25 June - an institution, falls well short of what any of us 1 July 2009). should regard as satisfactory. How was it, he wondered, that a University with According to the most recent National Student Survey student:staff ratios of 150:1 could achieve a higher (NSS), Manchester is still ranked embarrassingly low in level of student satisfaction in the NSS that “any terms of overall student satisfaction. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Downloaded from THE
Downloaded from www.bbc.co.uk/radio4 THE ATTACHED TRANSCRIPT WAS TYPED FROM A RECORDING AND NOT COPIED FROM AN ORIGINAL SCRIPT. BECAUSE OF THE RISK OF MISHEARING AND THE DIFFICULTY IN SOME CASES OF IDENTIFYING INDIVIDUAL SPEAKERS, THE BBC CANNOT VOUCH FOR ITS COMPLETE ACCURACY. LOOSE ENDS TX: 07.01.2017 1815-1900 PRESENTER: CLIVE ANDERSON GUESTS: HUGH DENNIS ARINZE KENE BRIDGET CHRISTIE NIKKI BEDI LIZ CARR MUSIC: L.A. SALAMI CIARAN LAVERY Anderson Yes thank you, thank you both of you, I’m not sure which is worse, baffling, shocking or pleasant. But hello and welcome anyway to the first Loose Ends of 2017, as we go forward into the New Year in a spirit of hope and optimism. Things can only get better – or to put it another way - things can scarcely get any worse. Though with Donald Trump just about to become leader of the free world, Boris Johnson already in post as Britain’s top diplomat and Jeremy Corbyn continuing to be leader of the opposition, who can be sure? But we crack on here with a studio-full of top line guests, even more smartly dressed than shoppers in a Tesco superstore, including the comedian and actor Hugh Dennis, star of Radio 4’s the Now Show, BBC 2’s Mock the Week and these days virtually every comedy drama broadcast on the TV, here to tell us about the programmes and the Lord of Misrule, which you’ve just been hearing from, which have taken charge of Radio 4 today. And the award winning comedian and Lady of Misrule, Bridget Christie, here because you demanded it, or at any rate to tell us about her stand up show called Because You Demanded It, which was one of the benefits of Brexit unpredicted by the so called experts. -
Anna Crilly Writer/ Performer
Anna Crilly Writer/ Performer Anna is a hugely talented writer / performer. She has just filmed COBRA for Sky. She also recently played the role of Flavia in HORRIBLE HISTORIES: THE MOVIE. Before that, Anna filmed a pliot with Romesh Ranganathan. Other recent credits include THE HARRY HILL SITCOM, the BBC's STILL OPEN ALL HOURS and SUCCESSION for HBO. She featured in WITLESS for the BBC, and stars as Cath in THE REBEL, a comedy series for UKTV Gold, with Anita Dobson and Amit Shah. She also played the role of Jenny in an episode of Jimmy McGovern's MOVING ON Series 6, BLIND which aired on BBC1. Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Kitty Laing Associate Agent [email protected] Isaac Storm +44 (0) 203 214 0915 [email protected] 020 3214 0997 Roles Film Production Character Director Company THE STORY OF KEN (short Laura Ingrid Oliver film) WYRDOES (short film) Lady Macbeth NAT LUURTSEMA Silk Screen Pictures Ltd TWO FAT LADIES (short Tracey Martin De Lange Jipsom film) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE INTERVIEW (short film) The Interviewer Michael Jacob BBC 2 Television Production Character Director Company COBRA S2 Lin Various Sky One LADHOOD S2 Jonathan Schey BBc Studios HORRIBLE HISTORIES Flavia Dominic Brigstocke BBC THE HARRY HILL Chamain CPL SITCOM STILL OPEN ALL HOURS Mrs Snaith BBC (Series 5) SUCCESSION -
Sally Matthews Is Magnificent
` DVORAK Rusalka, Glyndebourne Festival, Robin Ticciati. DVD Opus Arte Sally Matthews is magnificent. During the Act II court ball her moral and social confusion is palpable. And her sorrowful return to the lake in the last act to be reviled by her water sprite sisters would melt the winter ice. Christopher Cook, BBC Music Magazine, November 2020 Sally Matthews’ Rusalka is sung with a smoky soprano that has surprising heft given its delicacy, and the Prince is Evan LeRoy Johnson, who combines an ardent tenor with good looks. They have great chemistry between them and the whole cast is excellent. Opera Now, November-December 2020 SCHUMANN Paradies und die Peri, Cincinnati Symphony Orchestra, Paolo Bortolameolli Matthews is noted for her interpretation of the demanding role of the Peri and also appears on one of its few recordings, with Rattle conducting. The soprano was richly communicative in the taxing vocal lines, which called for frequent leaps and a culminating high C … Her most rewarding moments occurred in Part III, particularly in “Verstossen, verschlossen” (“Expelled again”), as she fervently Sally Matthews vowed to go to the depths of the earth, an operatic tour-de-force. Janelle Gelfand, Cincinnati Business Courier, December 2019 Soprano BARBER Two Scenes from Anthony & Cleopatra, Chicago Symphony Orchestra, Juanjo Mena This critic had heard a fine performance of this music by Matthews and Mena at the BBC Proms in London in 2018, but their performance here on Thursday was even finer. Looking suitably regal in a glittery gold form-fitting gown, the British soprano put her full, vibrant, richly contoured voice fully at the service of text and music. -
23 July 2021 Page 1 of 11 SATURDAY 17 JULY 2021 Narrator
Radio 4 Extra Listings for 17 – 23 July 2021 Page 1 of 11 SATURDAY 17 JULY 2021 Narrator ...... James Fleet First broadcast on BBC Radio 4 in July 2013. Beryl Bainbridge ...... Samantha Bond SAT 04:30 To the Manor Born (b007k4vh) SAT 00:00 Charles Chilton - Journey into Space (b007jrdj) Author: Brendan King Sons of the Fathers The World in Peril Abridger: Pete Nichols Clearing out the cellar - Audrey finds more than she'd Episode 5 Producer: Karen Rose bargained for. Jet and Lemmy monitor strange calls coming in on the ship-to- A Sweet Talk production for BBC Radio 4, first broadcast in Starring Penelope Keith and Keith Barron. ship intercom. September 2016. Lady of the manor Audrey fforbes-Hamilton, forced to sell her Completing the sci-fi trilogy of the adventures of Captain Jet SAT 02:15 Shardlake (b09l2299) beloved Grantleigh Estate, has decamped to the tiny Old Lodge Morgan, Mitch, Doc and Lemmy. Heartstone cottage with her butler in tow. Jet Morgan …. Andrew Faulds Episode 10 From this vantage point, Audrey keeps a close and disapproving Stephen ‘Mitch’ Mitchell …. Don Sharp Concluding Colin MacDonald's dramatisation of the Tudor eye on new owner, the nouveau-riche Richard DeVere. Doc Matthews …. Guy Kingsley-Poynter mystery novel by C.J. Sansom. Adapted for radio by Peter Spence from his BBC TV script. Lemmy Barnet …. Alfie Bass Matthew Shardlake is on board the Mary Rose when the Audrey fforbes-Hamilton …. Penelope Keith Various …. Alan Tilvern warship is sunk in battle with the loss of more than four Keith Barron ..... Richard DeVere Various and Announcer …. -
CHESS FEDERATION Newburgh, N.Y
Announcing an important new series of books on CONTEMPORARY CHESS OPENINGS Published by Chess Digest, Inc.-General Editor, R. G. Wade The first book in this current series is a fresh look at 's I IAN by Leonard Borden, William Hartston, and Raymond Keene Two of the most brilliant young ployers pool their talents with one of the world's well-established authorities on openings to produce a modern, definitive study of the King's Indian Defence. An essen tial work of reference which will help master and amateur alike to win more games. The King's Indian Defence has established itself as one of the most lively and populor openings and this book provides 0 systematic description of its strategy, tactics, and variations. Written to provide instruction and under standing, it contains well-chosen illustrative games from octuol ploy, many of them shown to the very lost move, and each with an analysis of its salient features. An excellent cloth-bound book in English Descriptive Notation, with cleor type, good diagrams, and an easy-to-follow format. The highest quality at a very reasonable price. Postpaid, only $4.40 DON'T WAIT-ORDER NOW-THE BOOK YOU MUST HAVE! FLA NINGS by Raymond Keene Raymond Keene, brightest star in the rising galaxy of young British players, was undefeated in the 1968 British Championship and in the 1968 Olympiad at Lugano. In this book, he posses along to you the benefit of his studies of the King's Indian Attack and the Reti, Catalan, English, and Benko Larsen openings. The notation is Algebraic, the notes comprehensive but easily understood and right to the point. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Review: Punt and Dennis – Ploughing on Regardless | Nouse
Nouse Web Archives Review: Punt and Dennis – Ploughing on Regardless Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Arts › Features Reviews Books Review: Punt and Dennis – Ploughing on Regardless Hilarious radio duo Hugh Dennis and Steve Punt take to stage as Katy Sandalls reviews Monday 17 February 2014 Photo courtesy of Punt and Dennis ★★★★☆ As a perennial fan of Hugh Dennis and Steve Punt’s inputs on the BBC Radio 4 programme The Now Show, the prospect of seeing them live on stage promised to be a treat – and it didn’t disappoint. Indeed, sat in the majestic setting of the York Grand Opera House, at times it felt like I was at a recording of the radio show with Punt producing his usual masterful set ups for Dennis to later pick up and run with. And run he did, with topics ranging from the TV listings experience to our obsession with the snow the show touched upon every possible avenue. One thing that did come across, lost to a radio audience, was Dennis’ mastery of visual comedy. A particular favourite being his take on the giving out of buns in Denmark to celebrate the signing of the treaty of Rome. That was the first and probably the last time I will see a man old enough to be my father walk in circles around a stage with the flap of jacket lifted up showing the audience his “beautiful buns”. Punt’s earlier cynical comment really summed this up well; the pair are indeed “wasted on the radio”. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy.