Radiotimes-July1967.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Radiotimes-July1967.Pdf msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. listening to with great interest and since What is it to file in enjoyment long before the they manage sitar was discovered those so-empty filing cabinets? And by British pop couldn't they just once have to groups. Look for a file?� Gladys E. Hay. With the growing appreciation of London, N.l. Indian music in this country, and an increasing flow of visiting artists, I hope we can look forward to further broadcasts in the near Test? Intelligence future.-R. J. Hill, Colchester. DOES the BBC underestimate the intelligence of so many people by showing the more interesting pro- You Can't! grammes so very late at night, or WHY do announcers use the verb is it that intelligent people do not ' can ' in a future sense? require as much sleep and so are able to and them?� As when they say ' Next week stay up enjoy can Miss B. Tolley, Wellington. you hear' meaning ' Next week you will be able to hear.' � K. H. Rudolph, Battersea. Nothing Incidental I WAS struck by the quality and authenticity of BBC-2's recent screening of the vintage film All Quiet on the Western Front. It was not until the next day that it dawned on me-there had been no incidental music to shatter the nerves, and the film was the better for this omission. There were no sobbing violins to distract from the last sad moments of the film and no battering of the senses with bongo drums. Was incidental music brought in to heighten the effect of other- wise unexciting and mediocre films? -Mrs. J. F. Beadle. Kenilworth. comes to BBC-2 YOUR QUESTIONS ANSWERED ^ LAUNCHING COLOUR When will colour TV start? Will they be difficult to use? By David Attenborough, Controller of BBC-2 The BBC's Colour Television service on Most colour receivers to be used in this THis week we launch colour. All BBC-2's coverage of the Centre BBC-2 will start on December 2. A country will have only one extra con- both live in the afternoon and recorded colour launching period, during which trol. This control decides the amount of Court at Wimbledon, So will One Pair BBC-2 will transmit regularly about five colour in the picture and you will be in the evenings, will be transmitted in colour. hours of colour programmes each week able to adjust it to suit the lighting of Eyes on Saturday, Impact on Thursday, and The Virginian on until the start of the full service, will open conditions in your room and your indi- Monday. And so will Late Night Line-Up every night. on July 1. vidual taste. We are showing these launching programmes for three main Will there be many programmes reasons. First to let viewers see for themselves just how exciting Will I be able to receive the and how technically excellent colour television can be. Second in colour? of aerials colour programmes? to help television dealers to check on the orientation Yes. The majority of BBC-2 programmes and to of handling sets in regular operation. Yes, if you live in an area served by get experience will be in colour, amounting to between us to to its use the colour BBC-2. But at the start of the launching And, third, to enable put proper 15 and 25 hours a week. installed and for period on July 1 colour will be avail- equipment that we now have ready public Outside able only from the BBC-2 transmitters When will colour be available transmissions both within our studios and in Broadcasts. at Crystal Palace (serving London and To begin with these programmes can be seen in colour in the South East), Sutton Coldfield (the on BBC-1 and ITV? areas London, the Midlands, the South, and the North-those Midlands), Winter Hill (Lancashire), It is expected that BBC-1 and ITV colour that receive BBC-2 from the transmitters at Crystal Palace (with Emley Moor (Yorkshire), Belmont services will be in operation in London, Coldfield three Rowridge, (Lincolnshire), and Rowridge (Southamp- the Midlands, and the North by the end four relays), Sutton (with relays), ton area). Colour will become available of 1969. Winter Hill, Emley Moor, and Belmont. In a few months the from other BBC-2 transmitters over the special circuits linking other BBC-2 transmitters will be com- next few months. Will my receiver cover any future pleted to bring the colour picture to the whole of the network. transmissions on other channels ? But the are only samples. The full Will I need a set? launching programmes special Yes. As future programmes are trans- service begins on December 2. Then, approximately eighty Yes. Black-and-white sets cannot be mitted the receiver will be capable of per cent of BBC-2 will go out in colour, and that will include converted to receive colour. receiving them. all types of programmes from light entertainment shows like International Cabaret and The Black and White Minstrels, to Will I need another aerial? Do I need an additional licence Theatre 625 and drama serials, film documentaries and quiz Yes, unless you already have a BBC-2 for colour? shows, sport, operas, and feature films. aerial installed you giving good reception The Government has announced an will con- on this channel. Between then and now, the launching programmes additional fee for colour receivers of E5 tinue every week. Wimbledon will have come to an end, but we but it will not be until the payable have other outside broadcasts in store and other documentary Can I see black-and-white Postmaster General makes a further pro- announcement. and light entertainment series too. Together these programmes on a will provide about five hours of colour a week. Many viewers grammes as well as colour The answers to these questions have been are no doubt waiting to make up their minds about colour until prepared by the BBC in with colour set ? co-operation see it with their own We offer the the British Radio Equipment Manufacturers' they eyes. launching pro- Yes. Colour receivers will be dual Association grammes, with confidence and excitement, as evidence. standard and will provide BBC-1, ITV, and BBC-2 in black-and-white as well as the colour programmes. PROGRAMMES IN COLOUR THIS WEEK- Will I be able to see the colour from the BBC transmitters at programmes in black-and-white Crystal Palace, on set ? my present Sutton Coldfield, Yes. The transmission system employed is what is known as compatible and, Winter Hill, Emley Moor, providing you have a modern black- and-white set capable of receiving Belmont, and Rowridge BBC-2, then you will be able to see the colour programme in black-and-white. WIMBLEDON ONE PAIR OF EYES All week, including Match of the Day Saturday at 9.25 Will colour sets be reliable? Yes. They must, however, be installed and maintained by a fully qualified colour service engineer. What will my set cost? The price will vary according to size and model. Costs will also depend on whether you buy or rent your set. It is advisable to consult your TV supplier THE VIRGINIAN IMPACT LATE NIGHT LINE-UP about the type of receiver which will Monday at 9.55 Thursday at 9.5 every evening best suit your requirements. Saturday A City of Magnificent THE DEFENDERS Intentions This tense and brilliant series of legal dramas starring E. G. Marshall and Robert Reed returns tonight Anthony Howard, Washington Correspondent of the 'Observer,' ANOTHERseries of introduces tonight's hard-hitting legal dramas starts with the return 'One Pair of Eyes,' the first tonight the colour documentary to be shown of The Defenders, programme which in the United States has won WHEN I first arrived in television awards, as well as honours from Bar Associations.
Recommended publications
  • The BBC National Orchestra of Wales Is the Nation's Only Full-Time
    CC(3) AC 11 Communities and Culture Committee Inquiry into the „accessibility of arts and cultural activities in Wales‟ Submission by the BBC National Orchestra of Wales We are grateful for the opportunity to provide evidence for the Committee‟s Inquiry. The first part of our submission provides an overview of the Orchestra‟s work. The second part addresses a number of questions posed in the consultation letter. A. Background The BBC National Orchestra of Wales (BBC NOW) is the nation‟s only full-time professional symphony orchestra. It has an established reputation as one of the leading orchestral ensembles in the UK. It has won considerable audience and critical acclaim in recent years, under its conducting team, led by Thierry Fischer. The Orchestra‟s home is the newly-built Hoddinott Hall at the Wales Millennium Centre in Cardiff, and it produces extensive output for BBC Radio 3, BBC Radio Wales and BBC Radio Cymru. With the crucial funding support of Arts Council Wales, the Orchestra has also developed a major national role, touring throughout Wales each year (this role is described in more detail in our response to question 1) and delivering a highly-regarded community outreach and education programme (please see our response to question 2). In any one season, BBC NOW strives to present a broad repertoire of both past and contemporary music to allow audiences to experience works drawn from the whole panoply of orchestral music – from the baroque to present day film and jazz. The Orchestra works with a wide range of contemporary composers and has two positions specifically for composers within its artistic roster.
    [Show full text]
  • Daniel Jones Symphonies Nos
    Daniel Jones Symphonies Nos. 3 & 5 BBC Welsh Symphony Orchestra conducted by Bryden Thomson ‘The process of writing any piece of music really is one of discovery and the feeling I always have is that what I’m setting myself to write already exists and that what I have Also Available by Daniel Jones Symphonies on Lyrita to do is unveil it, discover it’.1 This characterisation by Daniel Jones of the creative process as one of exploration and excavation seems appropriate for a composer whose Symphony No. 1 BBC Welsh Symphony Orchestra, Bryden Thomson scores have a powerful sense of rightness and inevitability. His lifelong dedication to Symphony No. 10 BBC Welsh Symphony Orchestra, Bryden Thomson.………………..SRCD358 music meant that he was unwilling to compromise by diluting it with other work, such as teaching. When he was mischievously accused of never having had a proper job, his Symphony No. 2 BBC Welsh Symphony Orchestra, Bryden Thomson Symphony No. 11 BBC Welsh Symphony Orchestra, Bryden Thomson…..…..…………SRCD364 response was to tap his manuscript and reply, ‘This is a proper job’.2 Born in Pembroke, South Wales, on 7 December 1912, he was brought up in Swansea Symphony No. 4 Royal Philharmonic Orchestra, Sir Charles Groves Symphony No. 7 Royal Philharmonic Orchestra, Sir Charles Groves where he lived for most of his life, describing it as ‘that magnet city’.3 His mother was Symphony No. 8 BBC Welsh Symphony Orchestra, Bryden Thomson.………………….SRCD329 a singer and his father, Jenkin Jones, was an amateur composer who wrote religious and choral pieces. The young Daniel soon began to compose and by the time he was nine Symphony No.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • 23 July 2021 Page 1 of 11 SATURDAY 17 JULY 2021 Narrator
    Radio 4 Extra Listings for 17 – 23 July 2021 Page 1 of 11 SATURDAY 17 JULY 2021 Narrator ...... James Fleet First broadcast on BBC Radio 4 in July 2013. Beryl Bainbridge ...... Samantha Bond SAT 04:30 To the Manor Born (b007k4vh) SAT 00:00 Charles Chilton - Journey into Space (b007jrdj) Author: Brendan King Sons of the Fathers The World in Peril Abridger: Pete Nichols Clearing out the cellar - Audrey finds more than she'd Episode 5 Producer: Karen Rose bargained for. Jet and Lemmy monitor strange calls coming in on the ship-to- A Sweet Talk production for BBC Radio 4, first broadcast in Starring Penelope Keith and Keith Barron. ship intercom. September 2016. Lady of the manor Audrey fforbes-Hamilton, forced to sell her Completing the sci-fi trilogy of the adventures of Captain Jet SAT 02:15 Shardlake (b09l2299) beloved Grantleigh Estate, has decamped to the tiny Old Lodge Morgan, Mitch, Doc and Lemmy. Heartstone cottage with her butler in tow. Jet Morgan …. Andrew Faulds Episode 10 From this vantage point, Audrey keeps a close and disapproving Stephen ‘Mitch’ Mitchell …. Don Sharp Concluding Colin MacDonald's dramatisation of the Tudor eye on new owner, the nouveau-riche Richard DeVere. Doc Matthews …. Guy Kingsley-Poynter mystery novel by C.J. Sansom. Adapted for radio by Peter Spence from his BBC TV script. Lemmy Barnet …. Alfie Bass Matthew Shardlake is on board the Mary Rose when the Audrey fforbes-Hamilton …. Penelope Keith Various …. Alan Tilvern warship is sunk in battle with the loss of more than four Keith Barron ..... Richard DeVere Various and Announcer ….
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
    [Show full text]
  • CYAN MAGENTA YELLOW BLACK Code No. Booklet-Pgs20&1
    CYAN MAGENTA YELLOW BLACK 1. It's an open secret Webb 1964 2. When Jesus comes to you Webb 1964 3. Set the world a-singing Webb 1964 4. A million songs Webb 1964 5. Now I know Dalziel/Davidson 1964 6. All Alone Dalziel/Davidson 1965 7. He Cares Webb 1965 8. Have faith in God Webb 1965 9. I want to sing it Webb 1965 10. Follow Webb 1965 11. Lord on our side Davidson 1966 12. Time Davidson 1966 13. Love that's in my heart Dalziel/Davidson 1966 14. Without Him Gair (Dalziel) 1966 15. He is near Webb 1966 16. Where will it end Dalziel 1966 17. Long lost cause Davidson 1966 18. There will be God Webb 1966 19. It won't always be like this Dalziel/Robson 1967 20. This is living Davidson 1967 21. Everything Davidson 1967 22. Tomorrow Davidson 1967 SPS 254 CD Code No. Booklet-Pgs20&1 CYAN MAGENTA YELLOW BLACK INTRODUCTION by Sylvia Dalziel (Gair) When Commissioner Frederick Coutts was elected General of The Salvation Army in November 1963 he expressed the hope, in his election press conference, that The Salvation Army might show a Executive Producer more modern approach in bringing the message of Christian faith to the ‘man in the street’. He felt it Trevor Caffull should be possible for Salvationists with guitars to play in coffee bars and clubs if this proved to be an effective method of evangelising. After all the sixties was all about pop music and groups – it was Mastering the communication channel of the time, why not use it for God’s work? Adam Goldsmith The whole idea attracted considerable publicity and the media wanted photographs of ‘pop’ Production Manager Salvationists.
    [Show full text]
  • The Outwood Cricket Club Founded 1889 a Brief
    THE OUTWOOD CRICKET CLUB FOUNDED 1889 A BRIEF HISTORY BY L. C. WALLER Published by Allan Good, Hurst & Co., Ltd., 233/235 High Street, Beckenham, Kent and Printed by Michael Stephen Press, la Links Road, London, SW17. CONTENTS Foreword Mainly Acknowledgements Early Days Until 1914 Between The Wars (1919-1940) 1946-1965 Au Revoir List of Honour Notes on a few of the interesting buildings in the Outwood District Outwood Cricket Club - a brief history is the only formal history of Outwood Cricket Club. It was produced by L.C. 'Johnny' Waller in 1966. FOREWORD The Author has been kind enough to ask me to write a foreword to his History of the Outwood Cricket Club. It is of course a particular honour to follow the Past Presidents of the Club, Mr. Alfred Lloyd, Mr. Theodore Lloyd, and until her death in 1963 Mrs. B. M. Lloyd. The Lloyd family were Lord of the Manor, a distinction I cannot remotely claim, but one thing we shared was a love of village cricket, and Outwood Cricket in particular. The Club owe a debt of thanks to Mr. Waller, for the time and energy he has devoted to preparing this History. The research entailed in order to produce an accurate picture over nearly eighty years, is more than may be realised. Although this is the story of Outwood, it could well be many a village club, and some of the characters portrayed may bring nostalgic memories to those who have had the privilege of being associated with that particular luxury known as “Village Cricket".
    [Show full text]
  • Pirates' $10 Million Haul U
    JEMPHISir A BILLBOARD SPOTLIGHT r-r^'TTR c `r SECTION COIN MACHINE MARCH 29, 1969 $1.00 PAGES TWO SECTIONS SECTION I 49 TO 54 The A/o r'3 International Music -Record Newsweekly GRT in 1 -Fold Pirates' $10 Million Haul U. S. Car Mart By BRUCE WEBER LOS ANGELES Contract With - Music sales manager of Robbins, Feist, strument representatives for publishers are losing more than Miller. counterfeit product. Breakthrough $10 million a year to illegal The forged music "The worst offenders book and books, often are or- sheet music counter- peddled by traveling gan teachers, professional feiters. salesmen mu- Gamble & Huff or sold under-the-counter at mu- sic studios and musical instru- "Sheet and book music pi- For sic stores, sell in a loose-leaf ment jobbers," said Steiger. "We Cassettes By rates have been active MIKE GROSS for 30 binder for $15-$25 for 1,000 (The Big Three) prosecute every years because copyright laws By HANK FOX are songs, most of which are case our investigators NEW YORK GRT fur- not severe incom- uncover." - enough to halt the plete. The Big The Big ther solidified its foothold in the Three, which pub- Three sells product NEW YORK-The cassette practice," said Herman Steiger, lishes about (Continued recording field by wrapping up 52 hardbound folios on page 15) system will establish a beach- a year, sells its head in a deal with independent pro- books for $1.50- the U. S. automobile $3.95 for 15 IIII I IIII I Ildl I I I IIIIII1mINIIIIIIIII market this to IIIII I I I I I I I I I I 30 I summer when ducers Gamble and Huff that complete III I11111111IIIIIIIIIIOIIIIII111 Mer- songs.
    [Show full text]
  • LIST “A” Library of Arrangements with Some Jazz Interest
    1 Andy Leggett – see www.andyleggett.com email – [email protected] Tel 0044 (0)117 9249267 or 0044(0)796 9260454 LIST “A” Library of arrangements with some jazz interest TITLE LINE-UP COMPOSER(S) ARRANGER DATE Absent Minded Blues 3 Bb horns + tbn + rhythm Tom Delaney Andy Leggett 2000 After You’ve Gone Stock 10-piece + violin Creamer & Layton Archie Bleyer 1931 Alabama Stomp 10-piece + violin Henry Creamer & Jimmy Johnson Frank Skinner 1926 Alice in Dixieland 4-piece front line + rhythm George Shearing George Shearing 1955 Alligator Crawl 10-piece + violin “Fats” Waller Frank L Ventre 1927 All or nothing at all 3 tpt, 2 tbn, 5 sax, 4 rhy, voc Jack Lawrence, Arthur Altman Gordon Rees 1940 Allegheny Moon (slow waltz) 3 tpt, 2 tbn, 5 sax, 4 rhythm, vln Al Hoffman & Dick Manning Brian Fahey 1956 Alpine Boogie 3 tpt, tbn, 5 sax, 4 rhy, conductor Steve Kirk Reg Owen 1952 Always 3 tpt, 2 tbn, 5 sax, pno, bass, d Irving Berlin Don Benn (MS) ? Amapola 10-piece J Lacalle & A Gamse Hudson/Michael 1924 American Patrol (as G Miller) 3 tpt, 2tbn, 4 saxes, 4 rhy, vlns F W Meecham Jerry Gray 1942 Anchors Aweigh 10-piece + extra clt & vln Chas A Zimmermann Frank Skinner 1934 Angry 10-piece D Mecum, J Cassard, H & M Brunies David Bee 1925? Anniversary Waltz 3 tpt, 2 tbn, 5 saxes, 4 rhy, vlns Al Dubin & Dave Franklin Jack Mason 1941 Anvil Chorus 3 tpt, 2 tbn, 4 saxes, 4 rhy, vlns Verdi Jerry Gray 1941 Apple Honey 3 tpt, 2 tbn, 4 saxes, 4 rhy, vlns Woody Herman Joe Bishop 1945 April in Paris 3 tpt, 2 tbn, 5 saxes, pno, bs, d, V Duke Peter Benn (MS) ? Armen’s Theme “y’day and you” 3 tpt, 2 tbn, 5 saxes, pno, bs, d Ross Bagdasarian Donald Benn (MS) As-tu le Cafard? Sop sax, tpt, tbn, clt + 4 rhythm Sidney Bechet (1952) Andy Leggett 1999 At a Georgia Camp Meeting 10-piece + violin, extra clarinet Kerry Mills (1897) G to C Lee Terry 1925 At a Georgia Camp Meeting Quartet based on the above.
    [Show full text]
  • Serenade in E Major, Op. 10 / String Trio in C Major
    NATURAL BALANCE LONG PLAYING RECORDS WL 5316 JEAN POUGNET Jean Pougnet was born in 1907. ERNST VON DOHNANYI He started to study the violin at age of 5, was taught by his sister for two years, then jor by Prof. Rowsby Woof, at age 11 entered Royal Academy of Music, winning three scholar- Serenade in © Major, Op. 10 ships in succession, until 1925. His first London recital age 15, first Promenade Concert, the next year subsequent experience with chamber music, solo playing, both for Music Societies, Public concerts and radio. At outbreak of war, undertook some special work for BBC until 1942, then joined LENNOX BERKELEY London Philharmonic Orchestra as concertmaster, in 1945 left the orchestra and has since concentrated on solo work. String Trio : FREDERICK CRAIG RIDDLE “Born in 1912 im Liverpool. Kent Scholar at Royal College of Music 1928-1933. Winner of Tagore Gold Medal 1933. Professor of viola at Royal College of Music. JEAN FRANCAIX Principal viola of the London Symphony Orchestra 1935-1938 and of London Philhar- monic Orchestra 1939-1952. String Trio in C Major ANTHONY PINI String C Trio, Ma Born in Buenos Aires. Came to England in 1912. ANTHONY PINI Has devoted much time to Chamber Music, co-founder of Philharmonia Quartet with Jean JEAN POUGNET FREDERICK RIDDLE Pougnet, Frederick Riddle and Henry Holst. Has played in most capitals of Europe as Violin Viola Cello soloist and toured America four times also with Sir Thomas Beecham and the Royal Philharmonic Orchestra. He is Professor of cello Guildhall School of Music and Birming- The three string trios that comprise this recorded recital are each of them worthwhile ham College.
    [Show full text]
  • An Analysis of John Peel's Radio Talk and Career At
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2008 The Power of a Paradoxical Persona: An Analysis of John Peel’s Radio Talk and Career at the BBC Richard P. Winham University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Communication Commons Recommended Citation Winham, Richard P., "The Power of a Paradoxical Persona: An Analysis of John Peel’s Radio Talk and Career at the BBC. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/440 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Richard P. Winham entitled "The Power of a Paradoxical Persona: An Analysis of John Peel’s Radio Talk and Career at the BBC." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication and Information. Paul Ashdown, Major Professor We have read this dissertation and recommend its acceptance: Barbara Moore, Naeemah Clark, Michael Keene Accepted for the Council:
    [Show full text]