CBS Cuts $ on CD Front -Lines

Total Page:16

File Type:pdf, Size:1020Kb

CBS Cuts $ on CD Front -Lines iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. 3 According to CBS Records Divi- Three major labels whose company will soon launch its begin offering a sion president Al Teller, who deliv- CDV plans set, p. 4 REPORT officially an- CD -3 line says the format's alterna- large portion of ered this news March 12 at the Na- nounced imminent tive -the 5 -inch CD single -is a REPORT its new CD re- NARM photos, p. 62 tional Assn. of Recording Merchan- product rollout "dead issue" among major labels. leases at prices disers convention here, the price and Sony introduced a new pocket - CBS, A &M, and CEMA will all lower than its current front -line sault on high CD prices to date. reductions will allow retailers "to sized 3 -inch CD player. have the minidisks in stores by May; cost. Beginning in April, the CBS - offer consumers exciting new re- Retailers at the show-many ini- WEA, which has already expressed Although superstar product owned labels -Columbia, Epic, Por- leases at prices affordable by all." tially skeptical of CD -3's sales poten- its enthusiasm for the configuration won't be included in the permanent trait, and the CBS Associated la- Teller also noted that the CD Spring tial- indicated heightened enthusi- (Billboard, March 5), now says it price reduction, all of CBS' full - bels -will bring out nearly all of Sales Bonanza dealer incentive pro- asm for the format. "Before [the hopes to have commercial CD -3 prod- priced CD product will be heavily their new black, country, jazz, and gram could create "mass- market Sony] presentation, our company's uct in stores by early in the third discounted in a special second -quar- midrange pop releases on CD at the prices" for CBS' front -line CDs. feeling was, we don't need them," quarter. ter promotion. list -price equivalent of $14.98. (Continued on page 71) (Continued on page 76) While WEA has announced that it That's $2 less than the current News At NARM ADVERTISEMENTS VSDA Blueprints Gives Trade Lots Support Program To Think About BY EARL PAIGE LOS ANGELES The Video Soft- ware Dealers Assn. is launching a BY GEOFF MAYFIELD major distributor support program LOS ANGELES The National Assn. that will tackle some of the whole- of Recording Merchandisers celebrat- sale community's toughest issues. ed its 30th anniversary in style dur- For example, VSDA's Distribu- ing its annual con- tor's Council, which informally as- vention here sembled here for the first time March 11 -14 at the March 15, is exploring a national NARM Century Plaza Ho- center that would process reported- tel, fetching the ly defective videocassettes. Some meeting's highest (Continued on page 71) REPORT attendance in nine years. The boost in registrations to 2,400 from 1,800 last year mirrored a gen- Take these ladies seriously. Very seriously. The POINTER HE TOOK FIVE TD GIVE YOU A TEN! 8 erally healthy industry-not surpris- SISTERS are doin' some SERIOUS SLAMMIN' 6562 -1-R, the No-man Connors s back with PASSION, his first album in five PUBLISH NG ing, considering the number of labels album that's springing into action with the first hit single years. Featuring de smash single "I'M YOUR MELODY" and MHSiC (Continued on page 77) HE TURNED ME OUT from the motion picture "Action vocals by Spence' Harrison & Gabrielle Goodman, this one was Jackson." And this is just the beginning- SERIOUS SLAMMIN' wo-th the wait! Prcduced by Norman Connors for Captain is h t year long. /BMG. More from NARM, pp. 40, 42, 78. gonna all RCA Connors Productions, Inc. Capitol. Follows page 52 FIER 55 WEEKS ON THE CHARTS RICKY VAN SHELTON'S DE :U IS APPR *4 HIT SINGLES - ._ó THE LAST TWO #1! *HOT TOUR THROUGH '88! . 1.-; WE ALL HAVE THE RIGHT" -THE FIF;rrr: A ROW FROM THE ALBUM! SHIPPING APRICW''' LTON 7 (/fF 100 tYEb po p's .:......:. MAb Onr ;ijecords /Colual a :40602 ADVERTISEMENT www.americanradiohistory.com Including classic live versions of WHAT'S LOVE GOT To Do WITH IT? ADDICTED TO LOVE IN THE MIDNIGHT HOUR also includes LIMITED EDITION FULL COLOR TOUR SOUVENIR BOOKLET Cassette and CD contain over 115 minutes of music including 4 additional songs. Produced and Mixed by JOHN HUDSON Except for: I Can't Stand The Rain, Better Be Good To hie, Private Dancer, Let's .Slay Together, Show Some Respect, Help & Its Only Love Produced by TERRY BRITTEN On 2 High Quality XDR Cassettes (C4 90126), 2 Records (C1 90126) and 2 Compact Discs (C2 90126). Management: Roger Davies Management IN 01988 Capitol Records, in c. www.americanradiohistory.com ____________________,_ Teller Drops _ _ _ tom_ im_ _ -_ _ _ Blockbuster Hews = DI IDOad = - --- - - - -- -- - --- - --=- Keynoter Tells Of CBS' New Strategies -------- He announced a variable pricing Sales Bonanza incentive program - -- - BY IRV LICHTMAN ---- structure on front -line CDs set to will place in take the second quar- LOS ANGELES CBS Records begin in April, with black, country, ter, discounting more 430 VOLUME 100 than NO. 13 March 26, 1988 president Al Teller's NARM keynot- and jazz CDs carrying a wholesale front-line titles to four levels. er was a breakthrough address in price equivalent to a list of $14.98. Teller, active in the industry for SELL - THROUGH VIABLE YEAR-ROUND more ways than one. CDs from new and developing art- 20 of NARM's 30 years, not only sin- The word from panelists at media analyst Paul Kagan's recent round- In sketching a dramatic contrast ists will be cut to an equivalent gled out the cassette single and CD between the current industry and $12.98 list. table seminar in L.A. is that home video sell- through is now viable year - as examples of dramatic change, its state in 1958, Leaving the details for distribu- but also called attention to radio round, but it must post better margins at retail in order to grow. Page 47 when the music tion chief Paul Smith to reveal at (see story, this page), digital audio- business was a the label's product presentation the tape, and his own label's acquisition DIC And DAT: Ready To Go NARM "no-billion -dollar" following day, Teller had more by Sony in January. High -speed DAT duping has yet to begin, but New Jersey's DIC Digital industry, Teller's blockbuster news: A CD Spring (Continued on page 68) Supply Corp. 30th anniversary says it's the first firm ready to supply commercial DAT du- REPORT NARM conven- plicators with tape -in this case, either bulk pancakes or custom -length tion address here cassettes. Technology editor Steven Dupler reports. Page 53 March 12 portrayed a business be- ing carried by forceful "winds of Speech Raps Rock Radio TAX TIPS FOR ARTISTS, EXECS change." And to underscore his views, Tell- LOS ANGELES In perhaps the place to look for new artists, to dis- Wayne Mejia, a principal in a Beverly Hills CPA firm that specializes in er broke major CBS news on the most strongly worded passage of cover new music. AOR has largely services to the entertainment industry, offers last- minute tips on filing tax configuration front, where an in- his NARM keynote address, CBS become COR-catalog-oriented ra- returns for artists and entertainment execs. Page 63 dustry in transition is most appar- Records president Al Teller sharply dio. Much of it, the classic rock sta- ent. (Teller's reporting of "hard criticized album rock stations for tions, have chosen to chase the yup- Spotlight On Music Publishing Follows page 52 news" marked a departure from failing to program new music to pie generation to its grave." past keynoters, who have used their "the active mu- Turning to alternative and col- talks solely as a forum for philo- sic buyer." lege stations, Teller Concerts & Venues Special Follows page 56 declared: sophical perspectives on the indus- At the same "These young programmers are try.) time, Teller ap- NAHM not burdened by the computers and Teller revealed CBS' intentions to plauded alterna- consultants which have sapped so FEATURES market both cassette and 3 -inch tive- and college- much of AOR's courage and cre- compact disk singles (see stories, radio program- REPORT ativítÿ.
Recommended publications
  • The Allman Betts Band
    May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music.
    [Show full text]
  • Def Leppard – 02
    DEF LEPPARD – 02. Juli 2019 – Berlin – Zitadelle Spandau – Support: EUROPE – JOHN DIVA and the Rockets of Love – Text und Fotos: Holger Ott Im Zeichen des Retro rufen die Bands der guten alten 80er Jahre und die Fans pilgern in die Zitadelle Spandau von Berlin. Das alte Gemäuer ist beliebt, gibt es neben sehr guter Akustik auch von allen Plätzen eine hervorragende Sicht auf die schöne große Bühne. Das Wetter spielt heute auch mit. Weder zu heiß noch zu kalt und bei einem kleinen Lüftchen lässt es sich einige Stunden aushalten. Dieses Stehvermögen braucht das Publikum, denn mit drei Bands stehen, abgesehen von den Umbaupausen, geschlagene drei Stunden Musik auf dem Programm Eröffnet wird der Abend von einer, mir bis dato, unbekannten Band. JOHN DIVA mit seinen 'Rockets of Love' geben sich die Ehre und präsentieren in dreißig Minuten eine beeindruckende musikalische und optische Darbietung unter dem Motto: „Mama said, Rock is dead". Frontman JOHN DIVA und seine Mannen turnen in extravagantem Outfit über die Bühne. Schön grell und bunt darf es sein und sieht man dazu DIVAS passenden Hüftschwung, weiß der Fan sofort, dass es hier nur um Sex, Drugs and Rock 'n' Roll geht. Ohne Zweifel, die Truppe ist gut und rockt auch richtig fett ab. Also, im Auge behalten. Ein gelungener Einstand in den heutigen Abend. Zu EUROPE muss man nicht viel sagen. JOEY TEMPEST ist in top Form und schmettert seine bekanntesten Songs in die Menge. Das Gedränge vor der Bühne wird größer und der Hype wächst mit jedem Song ihrer einstündigen Show. Leider fällt durch die Supporterstellung einiges unter den Tisch, aber Hits wie „Carrie", „Superstitius" und natürlich das abschließende "The Final Countdown" reißen wieder alles heraus.
    [Show full text]
  • Top 100 Love Songs of All Time
    TOP 100 LOVE SONGS OF ALL TIME 1 I Will Always Love You - Whitney Houston 2 Lovesong - The Cure 3 Crazy For You - Madonna 4 Open Arms - Journey 5 Unchained Melody - The Rightwous Brothers 6 I'll Be There For You - Bon Jovi 7 I Got You Babe - Sonny & Cher 8 Your Song - Elton John 9 I Don’t Want To Miss A Thing - Aerosmith 10 Everything I Do (I Do It For You) - Bryan Adams 11 Sweet Child O' Mine - Guns N' Roses 12 I Just Called To Say I Love You - Stevie Wonder 13 I Just Can't Stop Loving You - Michael Jackson 14 Mad About You - Belinda Carlisle 15 All I Want Is You - U2 16 In Your Eyes - Peter Gabriel 17 Woman - John Lennon 18 When I Think Of You - Janet Jackson 19 More Than Words - Extreme 20 Just Like Heaven - The Cure 21 Eternal Flame - Bangles 22 Never Tear Us Apart - INXS 23 Right Here Waiting - Richard Marx 24 I Would Die 4 U - Prince & The Revolution 25 You're Still The One - Shania Twain 26 Heaven - Warrant 27 You're The Inspiration - Chicago 28 Silly Love Songs - Paul McCartney and Wings 29 I Believe In You - Kylie Minogue 30 Heaven - Bryan Adams 31 Wonderful Tonight - Eric Clapton 32 No One - Alicia Keys 33 Take My Breath Away - Berlin 34 When I See You Smile - Bad English 35 Faithfully - Journey 36 Breathe - Faith Hill 37 Stuck With You - Huey Lewis & The News 38 The Flame - Cheap Trick 39 My Heart Will Go On - Celine Dion 40 Always On My Mind - Pet Shop Boys 41 Every Time I Close My Eyes - Babyface 42 Chasing Cars - Snow Patrol 43 I Don't Want To Live Without You - Foreigner 44 All The Lovers - Kylie Minogue 45 Friday I'm In
    [Show full text]
  • Steve Smith Steve Smith
    • SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades.
    [Show full text]
  • Songs by Artist
    DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist
    [Show full text]
  • Billboard-1987-11-21.Pdf
    ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market.
    [Show full text]
  • Download Europe Full Album the Final Countdown (Expanded Edition) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
    download europe full album The Final Countdown (Expanded Edition) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £10.49. One of the most glorious launches in history, the title track for the thrice-platinum The Final Countdown is so bombastically brilliant, such glorious garbage, that this nuclear hair assault could only spew from the vacuous '80s. But the full-tilt follow-up "Rock the Night" rules also: "You know it ain't easy/Running out of thrills." "Carrie" comes off a consummate butane ballad. Meanwhile, the rest of the disc packs so much power that Swedish superheroes Europe get away with all the processed pretension. In fact, the lofty ambition of "Danger on the Track," "Ninja," and "Cherokee" (each as tasty as its title) combines with heated drive and hot delivery to meld The Final Countdown into a unique portrait of propulsive prog and a worthy addition to any hard rock collection. This is the story; this is the legend told by Teutonic guitars and predictable keyboards ringing pure and hurtling through each and every convention perfectly. The quintet's big-boy Epic inaugural, The Final Countdown deftly combines the Valhalla victory of Europe's heroic debut with the American poodle pomposity that devoured the band. You could live without The Final Countdown, but why? © Doug Stone /TiVo. Europe (2) Hair / Glam Metal (Heavy Metal) band from Upplands Väsby, Stockholm, (Sweden). Europe formed in 1979. The band rose to international fame in the 1980s with its third album, 1986's The Final Countdown, which sold over three million copies in the United States.
    [Show full text]
  • Kashif Kashif Mp3, Flac, Wma
    Kashif Kashif mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Kashif Country: Europe Released: 1989 Style: RnB/Swing, Soul MP3 version RAR size: 1749 mb FLAC version RAR size: 1120 mb WMA version RAR size: 1302 mb Rating: 4.6 Votes: 817 Other Formats: ASF MP2 WMA RA XM VOC WAV Tracklist Hide Credits Personality Backing Vocals – Kashif, Kim "Eurisa" Davis*, Nick MundyBass – Victor BaileyDrum 1 Programming, Keyboards – Kashif, Nick MundyEngineer [Assistant] – Ernie Perez, George 4:06 Mayers, Jr.*, Ossie Bowe*, Roy Sweeting, Tom CallahanRecorded By, Mixed By – "Prince Charles" Alexander*Written-By – Gina "Go Go" Gomez*, Nick Mundy Looking For A Lover Backing Vocals – Kashif, Nick Mundy, Sandra St. VictorBacking Vocals [Party Voice] – Rick 2 OriolEngineer [Assistant] – Alejandro Rodriguez, Chris Fuhrman, Ernie Perez, Joel Iwataki, 5:00 Kevin Thomas, Mitchell OsiasRecorded By, Mixed By – "Prince Charles" Alexander*Written- By, Drum Programming, Keyboards – Kashif, Nick Mundy Love Letter Out Loud Backing Vocals – Kashif, Sandra St. Victor, Victor BaileyEngineer [Assistant] – Angela Dryden*, Chris Savino*, Dug Larsen, Maurice PuertoGuitar – Ira Siegel, Nick 3 5:10 MorochInstruments [All] – KashifMixed By – Earl Cohen, "Prince Charles" Alexander*Recorded By – Earl Cohen, "Prince Charles" Alexander*, Steve GoldmanWritten- By, Co-producer – Victor Bailey Step Into My World Backing Vocals – Joi Cardwell, KashifBass – Allen McGrierEngineer [Assistant] – Chris 4 Fuhrman, Ernie Perez, Joel Iwataki, Rob Harvey, Robin
    [Show full text]
  • The Dance Pdf, Epub, Ebook
    THE DANCE PDF, EPUB, EBOOK Oriah Mountain Dreamer | 208 pages | 27 Jul 2002 | HarperCollins Publishers | 9780007112999 | English | London, United Kingdom The Dance PDF Book Let us know if you have suggestions to improve this article requires login. Lenny Castro. Nobody Gets Off in This Town. Gibson the Rockstar Cat. Josephus specified that the execution took place at Machaerus, a fort near the Dead Sea in modern-day Jordan. Close cart. Available on Amazon. Unsourced material may be challenged and removed. Explore Our Dance Classes. Lindsey Buckingham : I think all of us have an inner demon that we struggle with Some scholars were not convinced, expressing doubts about whether the newly identified niche represents the remains of the throne of Herod Antipas. Unlike the movements performed in everyday living, dance movements are not directly related to work, travel, or survival. Hair Accessories. As the pics flashed across the screen of friends of kindergarten that were still friends there senior year, it's like you never will really know what that group went through the past 13 years but i was probably rough, and not to think that even if it was the worst of times that would not have changed anything. The three of us had been hanging out at a benefit for M. Garth Brooks. A Dance Shop Exclusive. Save Cancel. By Artist. Victim of the Game. Against The Grain. No you would want to dance with the "love of you life" what if you just sat back and watched everyone else dance with that one person you could have maybe possibly had that chance with Shop Best Sellers View all.
    [Show full text]
  • Un Océano De Diversión Santiago Negro MOANA Otros Títulos: Vaiana
    Un océano de diversión Santiago Negro MOANA Otros títulos: Vaiana. John Musker, Ron Clements, Don Hall, Chris Williams . Estados Unidos, 2016. Disney vuelve a las carteleras, con el toque de magia que caracteriza sus producciones. En la ya legendaria tradición de la productora, nos invita a explorar el Pacífico Sur, el exótico paraje donde tiene lugar esta aventura. Moana contiene todos los ingredientes inconfundibles de Disney y, al mismo tiempo, continúa el camino de modernización de sus propios clichés, adaptados a las sensibilidades del público del siglo veintiuno. Quedan muy atrás las princesas cursis, meros objetos de fantasías románticas para el príncipe azul de turno. Las protagonistas de las últimas producciones de Disney son independientes, luchadoras y, desde luego, no necesitan que las salve el enésimo hortera de brillante armadura. John Musker, Ron Clements, Don Hall y Chris Williams se reparten la responsabilidad de llevar a Moana a buen puerto como directores de una película que sigue el pulso de esa nueva Disney, como decía, pero que, en el fondo, a pesar de los interesantes cambios y las buenas intenciones, tira de fórmula. La compañía vive en el continuado enfrentamiento interno, a la búsqueda de esa nueva identidad, pero aferrados a una forma muy determinada de trabajo. El éxito de la productora se mantiene gracias a que las piezas básicas de sus narraciones son reconocibles por un público que aglutina ya a varias generaciones. El secreto para que Moana funcione es el camuflaje de esos lugares comunes, a base de un apartado técnico de enorme belleza y las transformaciones obligadas por el paso del tiempo.
    [Show full text]
  • Still on the Road Venue Index 1956 – 2016
    STILL ON THE ROAD VENUE INDEX 1956 – 2016 STILL ON THE ROAD VENUE INDEX 1956-2016 2 Top Ten Concert Venues 1. Fox Warfield Theatre, San Francisco, California 28 2. The Beacon Theatre, New York City, New York 24 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 Top Ten Studios 1. Studio A, Columbia Recording Studios, New York City, New York 27 2. Studio A, Power Station, New York City, New York 26 3. Rundown Studios, Santa Monica, California 25 4. Columbia Music Row Studios, Nashville, Tennessee 16 5. Studio E, Columbia Recording Studios, New York City, New York 14 6. Cherokee Studio, Hollywood, Los Angeles, California 13 Columbia Studio A, Nashville, Tennessee 13 7. Witmark Studio, New York City, New York 12 8. Muscle Shoals Sound Studio, Sheffield, Alabama 11 Skyline Recording Studios, Topanga Park, California 11 The Studio, New Orleans, Louisiana 11 Number of different names in this index: 2222 10 February 2017 STILL ON THE ROAD VENUE INDEX 1956-2016 3 1st Bank Center, Broomfield, Colorado 2012 (2) 34490 34500 30th Street Studio, Columbia Recording Studios, New York City, New York 1964 (1) 00775 40-acre North Forty Field, Fort Worth Stockyards, Fort Worth, Texas 2005 (1) 27470 75th Street,
    [Show full text]
  • Introduction
    Notes Introduction 1. I witnessed the demonstrations against Terrence McNally’s play, Corpus Christi, in 1999 at Edinburgh’s Bedlam Theatre, the home of the University’s student theatre company. But these protests were not taken seriously by any- one I knew: acknowledged as a nuisance, certainly, but also judged to be very good for publicity in the competitive Festival fringe. 2. At ‘How Was it for You? British Theatre Under Blair’, a conference held in London on 9 December 2007, the presentations of directors Nicholas Hytner, Emma Rice and Katie Mitchell, writers Mark Lawson, Kwame Kwei-Armah, Tanika Gupta and Mark Ravenhill, and actor and Equity Rep Malcolm Sinclair all included reflection upon issues of censorship, the policing of per- formance or indirect forms of constraint upon content. Ex-Culture Minister Tessa Jowell’s opening presentation also discussed censorship and the closure of Behzti. 3. Andrew Anthony, ‘Amsterdammed’, The Observer, 5 December 2004; Alastair Smart, ‘Where Angels Fear to Tread’, The Sunday Telegraph, 10 December 2006. 4. Christian Voice went on to organise protests at the theatre pro- duction’s West End venue and then throughout the country on a national tour. ‘Springer protests pour in to BBC’, BBC News, 6 January 2005, http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4152433.stm [accessed 1 August 2007]. 5. Angelique Chrisafis, ‘Loyalist Paramilitaries Drive Playwright from His Home’, The Guardian, 21 December 2005. 6. ‘Tate “Misunderstood” Banned Work’, BBC News, 26 September 2005, http://news.bbc.co.uk/1/entertainment/arts/4281958.stm [accessed 1 August 2007]; for discussion of the Bristol Old Vic’s decision, see Ian Shuttleworth, ‘Prompt Corner’, Theatre Record, 25.23, 6 December 2005, pp.
    [Show full text]