DOCSLIB.ORG

Billboard-1987-11-21.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Billboard-1987-11-21.Pdf ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. The move comes in re- (Continued on page 78) ment with compact disk jukeboxes, drawn at the Amusement and Music 250,000 jukeboxes in the U.S. are sponse to what the company de- AMOA- affiliated, and that group scribes as a lack of growth in sales purchased 18 million of the 46 mil- of hit titles. lion 45s sold to the American juke- Under the plan, CBS /Fox will of- future? box industry in 1986, according to fer the Arnold Schwarzenegger ac- Is CBS DAT Software In Sony AMOA communications manager tion feature "Predator" at a re- if Sony buys the world's largest rec- wished to thrust DAT on the record Fred Newton. Consequently, the duced price, but only if dealers buy BY KEN TERRY ord company, it will quickly move to business by aggressively promoting fate of the declining 45 configura- a specially designed package con- NEW YORK With Sony poised to break the deadlock over DAT. But the technology through CBS, the tion depends, to a large extent, on taining two copies of the movie. A take over CBS Records (see story, other record and audio business ex- company would have to consider the decisions made by AMOA members. dealer who intends to purchase a page 3), the question of whether the ecutives argue that Sony wants to repercussions of such a move on its All of the five major jukebox single copy of the film must wait at giant electronics firm would place acquire CBS for many reasons oth- software side, according to these manufacturers were represented: least 10 days after the two-pack is CBS' vast repertoire on digital au- er than the furtherance of its DAT executives. No. 2- ranked Seeburg exhibited released. The street date for the diotape assumes new significance. plans. Bhaskar Menon, chairman of (Continued on page 81) Some industry observers feel that Even if Sony's hardware side (Continued on page 72) Big Labels Wary ADVERTISEMENTS Special -Interest Of Mini -CDs As Videos Compete A &M Plans Push For AVC Awards LOS ANGELES A total of 84 videos BY GEOFF MAYFIELD in 21 special -interest categories rang- NEW YORK Most major labels are ing from documentary to comedy reluctant to produce 3 -inch compact have been named as the finalists in disks as a retail product within the the first American Video Conference immediate future, although A &M Awards competition. The awards are plans to break from the pack with an believed to be the first devoted exclu- initial release during the first quarter sively to the special- interest market. of next year. Winners will be announced at a "I think you have to try it and deal closing -night gala capping the first with it," says David Steffen, A &M se- American Video Conference. The con- nior vice president of sales. He hints ference is being held Thursday to that A &M might have marketed such Saturday (19 -21) at the Hollywood disks sooner, but the company was Roosevelt Hotel here. Hosted by comedian/actor Martin concerned there might not be enough One of the classic voices of the 80's -GLENN JONES. Hot on the It s Better To Travel with Swing Out Sister. Their 1st single Mull, the awards banquet will also adapters -which make the 3- inchers heels of his Nc 1 R&B hit, "We've Only Just Begun," comes "OH "Breakout" was a multi- format chartbuster: Top 10 Pop & Dance compatible with conventional CD GIRL" 5364 -7,J, a song destined to become a classic all over darts; No. 1 A /C; Power Rotation VH1; Heavy Rotation MN. honor 15 winners in the ninth annual players -available on the market. again. "GLENN JONES" 1062 -1-J. The Jones to keep up with -on "Twilight World" (888 484 -7) is their next smash sngle. The Billboard Video Music Awards com- for it on all vidlao outlets! "It's Steffen says the label has a history tour with Barkeys, Levert and The Force M.D.'s. Jive /RCA. vxleo world premiered 11/13-watch petition (Billboard, Nov. 4). Better To Travel" (832 213 -1) on Mercury CD's, Cassettes & (Continued on page 58) i (Continued on page 80) Fecords. 1111111111 "I've taken the tonic each and every day, basking - at least once every four hours - in its cleaning sensual sway, caught up in the undiminished rapture of a classic pop song. In an ideal world, `No Conversation' would be available on the National Health." N W 0 -Sean O'Hagan, NME "No Conversation',' the first single from VIEW FROM THE HILL's debut album In Time. o CDC-66703 Record and cassette available at a specially low introductory dealer price. atse. ®t967 EMI RECORDS LTD ,ADVERTISEMENT www.americanradiohistory.com "LESS ZERO: Picture SoundtrackF Original Motion The TR,entHt Shade f Winter,,, of the womän' Bangles single, e .t the new single, "Are You Featuring Black Flames' Eck Rubin Production A Compact Discs. an d iously released. Cassettes WO' Records, -Are gell Recordings/ Again- and tor Door COlUmbia R, Lute nd -Bringnis Noise p,produced Def Jamb tl,,.cept ^Hoµ Pell Russell The Bdl titcphne}. On q,gent F. rions and " SupervisorcM1isur, Rush Productions(Production r and Ua..idphney. Carlnt Ryder g'dl Drescher Shad ec and by Bangles, Llt7 Hank Of Winter-VL'inl Release. Shade. , on ..Han' production Fox Nationwide Additional Century Geffen A Twentieth Theaters courtesy of Recurs. 800 appears of En¡ mal('.a - Inc Acrosroith courte.} erica. In Over appears Virginin cordsAm cunl. Poison se of Der am Re' Playing appeal court courtesy of Now y Ro}' Orbison Slayer appear, "Columbia.' M are trademarks of CBS Inc © 198" CBS Inc. www.americanradiohistory.com Remain MR M -_ -MI MI - Sony Still Buying, But Complex Snags _------ __________- - - - -- - ---- - -- N. _ _D ___--__ _ _ __--_ _ _ Talks Continue To Drag In CBS Sale _______________ _ I___ _ - W - -MI - CBS Records -for long -term strate- chance the deal will go through. His BY MARK MEHLER gic reasons -and CBS is still in- figure is not disputed in the finan- NEW YORK Financial analysts clined to sell, an agreement in prin- cial community. VOLUME 99 NO. 47 November 21, 1987 and sources close to CBS Inc. are ciple remains likely before Jan. 1. A spokesman at Sony declined not surprised to see negotiations Completion of the deal is expected comment Nov. 11 on the negotia- CAPITOL'S SIMON SAYS dragging on in the proposed sale of next year, when the U.S. corporate tions except to say that to "my to Sony tax rate is scheduled to fall as a re- knowledge, nothing has changed" Simon Potts, Capitol's senior vice president of a&r worldwide, commutes the CBS Records Group Corp. CBS announced Nov. 11 that sult of tax- reform legislation passed since the two parties resumed dis- in his for new talent. In this between Los Angeles and London quest the board had adjourned its regular in 1986. cussions in late October (Billboard, week's One To One,' Potts discusses his job with talent editor Steve monthly meeting without taking ac- CBS chief financial officer Fred Nov. 7). CBS officials declined to Gett. Page 20 tion on Sony's offer, as no agree- Meyer recently told The Wall Street elaborate on the company state- ment had been presented for board Journal he believes there's a 70% ment. Country Record Sales Brisk In October approval. Record retailers say country records sold briskly in October, thanks to Observers point to the complexity of the approximately $2 billion plenty of promotional support from the Na- the CMA awards show and transaction and the number of fi- tional Assn. of Record Merchandisers. Ed Morris reports. Page 32 nancial issues still to be ironed out Can U Guess Who's New 2 by lawyers and accountants. BON JOVI VIDEO Analysts say the major sticking Initial shipments of Bon Jovi's new longform video, "Slippery When Wet: point is the nature of the deal itself.
Load more

Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • Diapositive 1
    From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space).
    [Show full text]
  • Sidvd504 Musicspectr
    Music Spectrum Page 5 of 23 death: “Dear God, take him, take them, take anyone, the stillborn, the newborn, the NorthernBlue infirm, take anyone, take people from Pittsburgh, Pennsylvania, just spare me.” Most of us 95North Reco wouldn’t say it out loud, but Morrissey outs our true sinister thoughts that pass through Or Music our brains. Palm Pictures Parasol Planetary Gro The Smiths: Under Review, An Provident Lab Independent Critical Analysis Righteous Ba The traditional topics in any Smiths Rhino biography are all covered here: the band Rough Trade name, traditional four piece lineup, Runway Netw ambiguous nature of Morrissey’s Ryko Music sexuality, being a household name in the Salt Lady Re UK (but not the U.S.), “Suffer Little Sanctuary Re Children” (Moors murders), album sleeves, singles slump, role of Mike Joyce Sounds Fami and Andy Rourke, reluctance to do videos Special Ops M in MTV era, Craig Gannon, and the split. Team Clermo However, while some of the information Theory 8 Rec may not be new, because The Smiths: Telarc Under Review, An Independent Critical Analysis is a video documentary, it is a comforting Transmit Sou companion for any Smiths fan or seeker. TVT Records Unschooled Having never attended a Smiths Convention http://www.musicconventions.com/, and Vanguard Re having very few close friends who are Smiths fans, sitting and watching so many writers, Wampus Rec musicians, and people in the circle discuss what the Smiths meant and mean is like Warp Record discovering that you’re not alone. Others have also spent hours thinking about why this Wind-up Rec band affected them so much.
    [Show full text]
  • Aztec Camera: Discography Albums Articles Audio B-Sides Discography Guestbook Tabs Images Info Links Search Home
    Aztec Camera: Discography albums articles audio b-sides discography guestbook tabs images info links search home Discography & Videography Thanks to Phillip Gauthier, Roger Boge and the Aztec Camera Information Service. Just Like Gold January 1981 Just Like Gold ( Lyrics | Audio ) Postcard Catalog # 81-3 U.K. 7 inch We Could Send Letters ( Lyrics ) Mattress of Wire May 1981 ( Sleeve ) Postcard Catalog # 81-8 ( Lyrics | Audio ) U.K. 7 inch Mattress of Wire Lost Outside the Tunnel ( Lyrics ) Pillar to Post September 1982 ( Sleeve ) Rough Trade # RT 112 ( Lyrics ) U.K. 7 inch Pillar to Post Queens Tattoos ( Lyrics ) http://www.aoinfo.com/aztec/html/disc.htm (1 of 14) [1/29/2000 5:34:54 PM] Aztec Camera: Discography Rough Trade # RT 112P [ picture disc ] U.K. 7 inch Oblivious January 1983 Oblivious ( Lyrics ) Rough Trade # RT 122 U.K. 7 inch Orchid Girl ( Lyrics ) Rough Trade # RT 122T Oblivious (remix) Sire # 020219 Orchid Girl U.K. 12 inch Haywire ( Lyrics ) Walk Out to Winter April 1983 Walk Out to Winter ( Lyrics ) Rough Trade # RT 132 U.K. 7 inch Set the Killing Free ( Lyrics ) Rough Trade # RT 132T Walk Out to Winter (extended remix) U.K. 12 inch Set the Killing Free High Land, Hard Rain April 1983 U.K. LP Rough Trade # 47 See ( Info ) for track listings, lyrics, performers, etc. ( Info ) U.S. LP Sire U.K. CD Rough Trade CD adds the following tracks: U.S. CD Sire Haywire, Orchid Girl and Queens Tattoos Oblivious (second release) October 1983 Oblivious (remix) WEA # AZTEC 1 U.K.
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • MORGAN KENNEDY Production Designer
    MORGAN KENNEDY Production Designer COMMERCIALS (partial list) Ford, *Ikea, Coca Cola, McDonald’s, Beats, Vodafone, Yves Saint Laurent, Philips, Kit Kat, Jagermeister, Nikon, Malibu, Orange, KVIFF, Suzuki, Hugo Boss, Davidoff, Google Chrome, O2, Orbis, Schwarma, Johnny Walker, HP, Pot Noodle, Bud Ice, Sainsbury’s, Boots, Adidas, Rimmel, Freesat, Activia, 3 Mobile, Samsung, Halifax, Deichmann Shoes, Heineken, AMD, Sudafed, British Gas, ESP, Baileys, Green Giant, Chivas Regal, H&M, Carmignac, Hugo Boss, Nike, Volvo, Head & Shoulders, Crunchy Nut, Capital FM, Kellogg’s, Cinzano, Grazia, Daygum, Dove, EA Games, TJ Maxx, Special K, Grancereale, Kronenbourg, Telefonia, Olay, Nintendo, Daks, RSPCA, Cadbury’s, WH Smith *2013 British Arrow Craft Awards Nomination – Best Production Design MUSIC VIDEOS (partial list) *Dua Lipa, Taylor Swift, 50 Cent & Justin Timberlake, Muse, Oasis, The Kooks, Alesha Dixon, Take That, Snow Patrol, **Biffy Clyro, Pete Doherty, Glas Vegas, Kasabian, Imogen Heap, Guillemots, Il Divo, Kings of Leon, Shania Twain, The Streets, Sugababes, Lucia Silvas, Funeral for a Friend, Candice, Agent Provocateur *2017 UK Music Video Awards Nomination – Best Pop Video “IDGAF” **2010 NME Awards Winner – Best Music Video “Captain” DIRECTORS (partial list) Chris Applebaum, Arni & Kinski, Casper Balslev, Katie Bell, Ben & Joe, Steve Bendelack, Big TV!, Sarah Chatflied, Simon Cole, Patrick Daughters, Es Devlin, Eden Diebel, Sara Dunlop, Steve Dunn, Sean Ellis, Zac Emerson, Scott, Fatima, Luke Forsythe, Romain Gavras, Paul Gore, Ben Gregor,
    [Show full text]
  • The Ithacan, 1984-04-19
    Ithaca College Digital Commons @ IC The thI acan, 1983-84 The thI acan: 1980/81 to 1989/90 4-19-1984 The thI acan, 1984-04-19 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1983-84 Recommended Citation The thI acan, "The thI acan, 1984-04-19" (1984). The Ithacan, 1983-84. 22. http://digitalcommons.ithaca.edu/ithacan_1983-84/22 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1983-84 by an authorized administrator of Digital Commons @ IC. THE ITHACAN,·,,- 'Y',.o The Student Newspaper for Ithaca College ·, ;,,;i_\ ~ ,~ ~ ~, ' . ,;"y April 19, 1984 ..1\ · · · c\,,, Volume 15 Issue 11 ·:...,.., \ ,./ Ithaca College will''<>- increase• your tu1t1on• • by 8.5 percent rate Ithaca. NY--lthaca College tui­ principal rea~ons for the in­ tion will incwase S5:l6 10 crease c1rc acl<litional funds w­ S6.5(i2 for the 1984-85 quired for ..,,uctcnt financial aid. academic y!'ar. Coll1·g1· of­ fc1culty and staff salarws and ficials announcccl toclay, lwndits. ancl 1lw high co~, ot Standarcl room ancl hoard .,,,11e-of-1lw-,ir1 instrunional and student insurance will Ill· <·quipmenl cre,N· SWJ resulting 111 charges In spi11· ot IIH·s<· pressuws. of S2.992. rhe total 1984-85 sn1- 1.1ppinrn11 sc1ys lh,11 "llllaca·s den1 llill of S9.S54 rcprc-s1·n1s 1u11ion r1·m,1in~ qu11c an 8.58 pt•rc·<'nl lrl(TeclS(' 0\ er wasonablc.
    [Show full text]
  • Bob Sarles Resume
    Bob Sarles [email protected] (415) 305-5757 Documentary I Got A Monster Editor. True crime feature documentary. Directed by Kevin Abrams. Alpine Labs. The Nine Lives of Ozzy Osbourne Producer, editor. An A&E documentary special. Osbourne Media. Born In Chicago Co-director, Editor. Feature documentary. Shout! Factory/Out The Box Records. Mata Hari The Naked Spy Editor. Post Production Producer. Feature documentary. Red Spoke Films. BANG! The Bert Berns Story Co-director (with Brett Berns), editor. Theatrically released feature documentary. Sweet Blues: A Film About Mike Bloomfield Director, Editor. Produced by Ravin’ Films for Sony Legacy. Moon Shot Editor. Documentary series produced for Turner Original Productions and aired on TBS. Peabody Award recipient. Two Primetime Emmy nominations: editing and outstanding documentary. The Story of Fathers & Sons Editor. ABC documentary produced by Luna Productions. Unsung Editor. Documentary television series produced by A.Smith & Company for TV One. Behind The Music Producer and Editor. Documentary television series produced by VH1. Digital Divide Series Editor. PBS documentary series produced by Studio Miramar. The True Adventures of The Real Beverly Hillbillies Editor. Feature documentary. Ruckus Films. Wrestling With Satan Co-Producer, editor. Feature documentary. Wandering Eye Productions. Feed Your Head Director, editor. Documentary film produced for the Rock and Roll Hall of Fame, Cleveland. Yo Cip! Director, Editor. Documentary short. A Ravin’ Film for Cipricious Productions. Produced by Joel Peskin. Coldplay Live! At The Fillmore Director, editor. Television series episode produced by BGP/SFX. Take Joy! The Magical World of Tasha Tudor Editor. Documentary. Aired on PBS. Spellbound Prods. Teen People Presents 21 Stars Under 21 Editor.
    [Show full text]
  • IML-575: World Building As a Design Practice for Storytelling Fall 2015, 4
    IML-575: World Building as a Design Practice for Storytelling Fall 2015, 4 units Taught by Professor Alex McDowell Tuesdays and Wednesdays, 9:00 am - 11:50 am RZC 120 (Robert Zemeckis Center) Any storyteller can weave a compelling narrative, but world builders create storyworlds that can support myriad stories by multiple storytellers across disparate platforms –including those platforms for which there may not yet be a name. Such world building becomes even more powerful when it moves beyond transmedia entertainment experiences and tackles real-world challenges in real-world environments. IML 575: World Building as a Design Practice for Storytelling is a practice-based studio class that introduces world building as a comprehensive methodology that defines the connective tissue and logic of any story-driven world, allowing narratives to evolve organically and defining both history and future in either the real world or fictional ones. Students will learn: • the narrative designer’s art of world building • how to use world building to rethink existing narrative forms and practices • how to build compelling story worlds with new media technologies in mind Over the course of the semester, students will collaboratively create a new fictional storyworld, consulting with domain experts across multiple disciplines to ensure this world is imaginative, plausible and extensible. The robust, holistic and unified world developed in this class will support multiple narratives to be iterated, designed and prototyped by the class. These might include, but are not limited to, short films, animations, interactive media, comic books or VR experiences. In producing these narratives, the class will engage in design visualization, interactive prototyping, location scouting (virtual or real), research of environments, population, and inception, and development of characters and stories for various platforms.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Yellin' Rebel
    ■Hivmiir or hewam, las visas YELLIN' REBEL 739-3478 October 9, 19M Volume 31 luuc 6 "for the students" Advertising 739-3999 Newt CSUNputs new constitution to vote of students (hose A constitutional revision will ap- Serious work on the revision began of the regents' change was approved proved the constitution with the in- proved the new constitution last quires a majority of students pear on According to Haldeman, the ballot during the CSUN shortly after Haldeman took office at that afternoon's senate meeting to clusion of Klasic's amendment. week. voting. senate elections Oct. 17 and 18. last May. The majority of the revi- that therevision could appear on tie The "fiscalprocedure" in question General Counsel Don Klasic had every matriculated undergraduate currently considered a According to CSUN Senate Presi- sion is accredited to Haldeman and Oct. 17 and 18 ballot. is the authority to disburse funds. offered several amendments, student is dent Bill Haldeman, a 1983 directive Senate President Pro Tempore James The change dealt with CSUNS The present constitution requires that Haldeman said, but not all of them CSUN member and will therefore be from the Board of Regents mandated Ohriner. allotment of Where the two of the three executive board were incorporated into the revision. permitted to vote on the issue. student fees. adoption the that student government revise its One version of therevision was ap- students had written "A CSUN fee, members must approve any disburse- "We did a lot of meeting on the mid- Haldeman urges of constitution, adopting "fiscal pro- proved by the CSUN Senate Sept.
    [Show full text]
  • Death and the Powers Release
    For Immediate Release: February 23, 2011 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater in association with MIT’s FAST Arts Festival presents DEATH AND THE POWERS: The Robots’ Opera by Tod Machover directed by Diane Paulus March 18-25 Cutler Majestic Theatre at Emerson College When the eccentric patriarch Simon Powers departs his physical being and downloads himself into The System, his house assumes his immortal presence around his family and friends… So begins Death and the Powers, a groundbreaking new opera created by Tod Machover and his Opera of the Future Group at the MIT Media Lab, which receives its North American premiere at the American Repertory Theater. Performances take place at the Cutler Majestic Theater in Boston on March 18 (press opening), March 20, March 22, and March 25. The September 24, 2010 world premiere of Death and the Powers at l’Opéra de Monte-Carlo was praised by audiences and critics alike: “A grand, rich, deeply serious new opera, presented by a team with manifold, coherent accomplishments. Machover has a command of expressive vocal gesture. Voices and electronic sound are well balanced, often with telling counterpoints. Diane Paulus’s staging and Alex McDowell’s scenes were dazzling in their inventions.” — Opera magazine, London “The technological triumph of linking voice to stage, and the acoustical instruments of the excellent orchestra to the synthesized instruments is impressive… Mr. Machover and his students invented magical machines. “ — Herald Tribune The libretto for Death and the Powers is written by U.S. Poet Laureate Robert Pinsky, story by Pinsky and Randy Weiner and directed by Diane Paulus, with choreography by Karole Armitage.
    [Show full text]