(23Rd - 28Th August 2017) Pavilions Teignmouth Episodes from Blackadder the Third - Dual & Duality - Sense and Senility - Ink & Incapability
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Macbeth on Three Levels Wrap Around a Deep Thrust Stage—With Only Nine Rows Dramatis Personae 14 Separating the Farthest Seat from the Stage
Weird Sister, rendering by Mieka Van Der Ploeg, 2019 Table of Contents Barbara Gaines Preface 1 Artistic Director Art That Lives 2 Carl and Marilynn Thoma Bard’s Bio 3 Endowed Chair The First Folio 3 Shakespeare’s England 5 Criss Henderson The English Renaissance Theater 6 Executive Director Courtyard-Style Theater 7 Chicago Shakespeare Theater is Chicago’s professional theater A Brief History of Touring Shakespeare 9 Timeline 12 dedicated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style Courtyard Theater, 500 seats Shakespeare's Macbeth on three levels wrap around a deep thrust stage—with only nine rows Dramatis Personae 14 separating the farthest seat from the stage. Chicago Shakespeare also The Story 15 features a flexible 180-seat black box studio theater, a Teacher Resource Act by Act Synopsis 15 Center, and a Shakespeare specialty bookstall. In 2017, a new, innovative S omething Borrowed, Something New: performance venue, The Yard at Chicago Shakespeare, expanded CST's Shakespeare’s Sources 18 campus to include three theaters. The year-round, flexible venue can 1606 and All That 19 be configured in a variety of shapes and sizes with audience capacities Shakespeare, Tragedy, and Us 21 ranging from 150 to 850, defining the audience-artist relationship to best serve each production. Now in its thirty-second season, the Theater has Scholars' Perspectives produced nearly the entire Shakespeare canon: All’s Well That Ends -
The Teacher & Student Notes This Lesson Plan
Student’s page 1 Warm-up Ask and answer these questions. Then, report back to the class with any answers or information. Losing things! • When was the last time you lost something? What was it? • Have you misplaced anything lately? What was it? Did you ever find it again? • Have you ever accused someone of having taken something of yours? What was it? • Why did you accuse them? What happened in the end? • Has anyone ever accused you of having taken something of theirs? What was it? Why did they accuse you? What happened in the end? • How careful are you about putting away your things? How easy is it to find something if you need it? What are your top tips for not losing things? • Have you ever lost any socks? Have any of your socks ever gone missing mysteriously? • Where do you think all the missing socks go? 2 First viewing You’re going to watch a clip from the British comedy series Blackadder the Third, which aired during the 1980s. The series is set in the late 18th and early 19th centuries, a period known as the Regency. For much of this time, King George III was incapacitated due to poor mental health, and his son George, the Prince of Wales, acted as regent, becoming known as “the Prince Regent". The TV series features Prince George and his fictional butler, Edmund Blackadder. Watch the clip once. How would you describe the relationship between the butler and the prince? Who seems to be in charge? 3 Second viewing Watch the video again. -
Blackadder Goes Forth the Final Push
CARDIFF OPEN AIR THEATRE FESTIVAL: EVERYMAN 20 Sophia Gardens Cathedral Road Cardiff CF11 9SQ AUDITION NOTICE “... if nothing else works, a total pig-headed unwillingness to look facts in the face will see us through.” General A.C.H. Melchett, VC KCB DSO (May 1917) BLACKADDER GOES FORTH THE FINAL PUSH from the BBC TV Series by Richard Curtis & Ben Elton It's 1917 and Edmund Blackadder is now a captain in the British Army at the Western Front, commanding gallant-but-dumb Lieutenant George St. Barleigh and the even dumber Private S. Baldrick. Waiting in fear of the dreaded order to go 'over the top' from the patently insane General Melchett and his twitchy staff officer, Captain Darling, Blackadder devises serial attempts to escape the trenches always with the offer of one of Baldrick's cunning plans. First broadcast on the BBC in 1989, Blackadder Goes Forth is one of the most intelligent as well as among the funniest of British sitcoms. Adapted & Directed by SIMON H WEST Performance Dates: Thursday 18th June to Saturday 27th June 2020 Festival Theatre, Sophia Gardens, Cardiff No performances on Sunday 19th June Technical & Dress Rehearsals: Sunday 14th June to Wednesday 17th June Rehearsal period will be short and intensive, taking place over just one month beginning around May 14th. Rehearsal days are to be confirmed but will include all day Sundays (10-5) plus a weeknight (7-10) Additional rehearsal days will be called nearer production period. Rehearsals will be carefully scheduled and not everyone will be called to every session. Please note that all performances take place in the open-air. -
Kirkby-In-Ashfield, Nottinghamshire
BBC VOICES RECORDINGS http://sounds.bl.uk Title: Kirkby-in-Ashfield, Nottinghamshire Shelfmark: C1190/26/03 Recording date: 02.02.2005 Speakers: Collishaw, Mark, b. 1972 Crawley, West Sussex; male; fireman (father manager; mother fundraising manager) Duke, Kev, b. 1975 Mexborough, South Yorkshire; male; fireman Johnson, Richard, b. 1967 Mansfield; male; fireman Langton, Ivan, b. 1963 Pinxton, Derbyshire; male; fireman Mason, Danny, b. 1966 Kirkby-in-Ashfield; male; fireman The interviewees are all ex-servicemen currently working as fire-fighters in Nottinghamshire. PLEASE NOTE: this recording is still awaiting full linguistic description (i.e. phonological, grammatical and spontaneous lexical items). A summary of the specific lexis elicited by the interviewer is given below. ELICITED LEXIS ○ see English Dialect Dictionary (1898-1905) * see Survey of English Dialects Basic Material (1962-1971) ▼see Ey Up Mi Duck! Dialect of Derbyshire and the East Midlands (2000) ∆ see New Partridge Dictionary of Slang and Unconventional English (2006) ◊ see Green’s Dictionary of Slang (2010) ♦ see Urban Dictionary (online) ⌂ no previous source (with this sense) identified pleased over t’ moon [ɒvəʔ muːn]; chuffed; happy tired buggered; knackered; shattered; knick knacked♦; chin-strapped∆, chinned♦ (learnt in Army); “as tired as ten …”⌂ (e.g. “I’m as tired as ten WEMs” used in Navy as WEMs1 perceived to be lazy) 1 Abbreviation for ‘Weapons Engineering Mechanic’. http://sounds.bl.uk Page 1 of 3 BBC Voices Recordings unwell don’t feel right; poorly; badly (“badly as a fowl”, “you been badly?” commonly used locally on return to work following illness) hot redders2 (thought to be abbreviation for “red-hot” used of e.g. -
WODS Win the David Beach Trophy
Somerset Drama’s Online Magazine Charity No. spotlight April 2015 1084863 WODS win The David Beach Trophy Worle Operatic & Dramatic Society In this month’s Spotlight… walked off with the prestigious David Beach News 2 Trophy at the glittering awards ceremony at David Beach Awards 3 the County Cricket Ground on Saturday, 14th County Drama Festival 6 March. Some 200 amateur thespians had Original Playwriting Competition 10 gathered for the ceremony, which saw a total of Writing an Adjudication 11 twenty-seven awards given out in a year when Political Correctness or ‘Hairspray’? the moderator, Ian Hurdman, said the by Sue Pomeroy 12 standards were very high. Full details are on Reviews by Ian Hurdman 13 page 3. What’s On 16 1 The Cinderella Committee Cuttings The SFD committee met on St Patrick’s Day – 17th march – in Ruishton Village Hall. The Trophy following are my notes of the meeting but, as ever, the factual account will be in the minutes! Competition – Membership Secretary There is still no replacement for Sherry Briggs and this is becoming urgent. Decisions made Original Playwriting Competition Pam Hillier said that the winner of the 2014/15 The Cinderella Trophy team met competition will be announced on Saturday on Saturday, 28th March to agree the award and the new competition will be launched on winners for the 2014/15 season. The awards 1st April. With entries to close at 12 noon on ceremony will be at the Winter gardens in Wednesday 12th September. Weston-super-Mare on Saturday 30th May. County Drama Festival Unlike other SFD competitions the nominees The organiser of this year’s County Drama for the Cinderella awards are not declared in Festival, Lyn Lockyer outlined her plans for the advance, making the award ceremony itself a festival and the committee were pleased with nail-biting and exciting occasion. -
Echoes of Shakespeare's
Johnson Borrowed robes and garbled transmissions University of Southern Queensland, Australia Laurie Johnson Borrowed robes and garbled transmissions: echoes of Shakespeare’s dwarfish thief Abstract: When Shakespeare’s plays are creatively reinterpreted or rewritten, ‘Shakespeare’ invariably remains locked in as the fixed point of reference: rewritings of Shakespeare; reinterpretations of Shakespeare, and so on. Since 1753, Shakespeare source studies have been mapping the source materials on which his plays were based, which should have enabled us to loosen this fixed point of reference and to begin to picture the much longer history of reinterpretations in which the plays participate. Yet traditional approaches to Shakespeare source studies merely lock in a new point of reference, encompassing both source text and play. This paper aims to show that the new source studies unravels the notion of an ‘original’ by enabling us to unlock broader fields of exchange within which Shakespeare’s texts and our interpretations circulate together. Using the example of Macbeth and the language of borrowing and robbery within it, this essay illustrates the capacity for creative or writerly engagements with a Shakespearean text to tap, perhaps even unconsciously at times, into a history of words and images that goes far beyond the 400 years that we are marking in this year of Shakespeare. Biographical note: Laurie Johnson is Associate Professor (English and Cultural Studies) at the University of Southern Queensland and President elect of the Australian and New Zealand Shakespeare Association. His publications include The Tain of Hamlet (Cambridge Scholars, 2013), The Wolf Man’s Burden (Cornell, 2001), Embodied Cognition and Shakespeare’s Theatre: The Early Modern Body-Mind (co-edited with John Sutton and Evelyn Tribble, Routledge, 2014), and Rapt in Secret Studies: Emerging Shakespeares (co-edited with Darryl Chalk, Cambridge Scholars, 2010). -
P32 Layout 1
TV PROGRAMS MONDAY, JANUARY 6, 2014 08:05 Cash In The Attic 19:20 Mako Mermaids 08:50 Bargain Hunt 19:40 Violetta 09:35 Bargain Hunt 20:30 Violetta Don’t miss out! 10:20 Rhodes Across Italy 21:15 Violetta 11:05 Rhodes Across Italy 22:00 Violetta 00:50 Untamed & Uncut 11:50 Rick Stein’s Taste Of Italian 22:50 Violetta American Idol returns 01:45 Gator Boys Opera 23:35 Wizards Of Waverly Place 02:35 Animal Cops Philadelphia 12:40 Bill’s Kitchen: Notting Hill to OSN screens this 03:25 Sharks Of Palau 13:05 MasterChef 04:15 America’s Cutest Pets 13:35 MasterChef 05:05 Too Cute! 14:25 DIY SOS: The Big Build month with season 13 05:55 Animal Cops Philadelphia 15:15 Antiques Roadshow 06:45 Wildest Islands 16:10 Antiques Roadshow 00:00 Chelsea Lately 07:35 Wildlife SOS 17:05 Extreme Makeover: Home 00:30 The Dance Scene 08:00 Meerkat Manor Edition Specials 00:55 The Dance Scene 08:25 My Cat From Hell 18:25 Gok’s Clothes Roadshow 01:25 THS 09:15 America’s Cutest... 19:10 Gok’s Clothes Roadshow 03:15 THS 10:10 Weird Creatures With Nick 20:00 Fat & Fatter 04:10 E! Entertainment Special Baker 20:50 Come Dine With Me: 05:05 Extreme Close-Up 11:05 Call Of The Wildman Supersize 05:30 Extreme Close-Up 11:30 Swamp Brothers 22:25 Antiques Roadshow 06:00 THS 12:00 Bondi Vet 23:15 Bargain Hunt: Famous Finds 07:50 Style Star 12:55 Wildest Islands 08:20 E! News 13:50 Cheetah Kingdom 09:15 Opening Act 14:20 Cheetah Kingdom 10:15 Eric And Jessie: Game On 14:45 Cheetah Kingdom 10:40 Eric And Jessie: Game On 15:15 Cheetah Kingdom 11:10 E!ES 15:40 Cheetah Kingdom -
ABC KIDS/COMEDY Program Guide: Week 33 Index
1 | P a g e ABC KIDS/COMEDY Program Guide: Week 33 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 9 August 2020 .......................................................................................................................................... 3 Monday, 10 August 2020 ...................................................................................................................................... 9 Tuesday, 11 August 2020 .................................................................................................................................... 15 Wednesday, 12 August 2020 .............................................................................................................................. 21 Thursday, 13 August 2020 ................................................................................................................................... 27 Friday, 14 August 2020 ....................................................................................................................................... 33 Saturday, 15 August 2020 ................................................................................................................................... 39 2 | P a g e ABC KIDS/COMEDY Program Guide: Week 33 Sunday 9 August 2020 Program Guide Sunday, 9 August 2020 5:00am The Day Henry Met (Repeat,G) 5:05am Timmy Time (CC,Repeat,G) 5:15am Sarah And Duck (Repeat,G) -
Echoes of Shakespeare's
Johnson Borrowed robes and garbled transmissions University of Southern Queensland, Australia Laurie Johnson Borrowed robes and garbled transmissions: echoes of Shakespeare’s dwarfish thief Abstract: When Shakespeare’s plays are creatively reinterpreted or rewritten, ‘Shakespeare’ invariably remains locked in as the fixed point of reference: rewritings of Shakespeare; reinterpretations of Shakespeare, and so on. Since 1753, Shakespeare source studies have been mapping the source materials on which his plays were based, which should have enabled us to loosen this fixed point of reference and to begin to picture the much longer history of reinterpretations in which the plays participate. Yet traditional approaches to Shakespeare source studies merely lock in a new point of reference, encompassing both source text and play. This paper aims to show that the new source studies unravels the notion of an ‘original’ by enabling us to unlock broader fields of exchange within which Shakespeare’s texts and our interpretations circulate together. Using the example of Macbeth and the language of borrowing and robbery within it, this essay illustrates the capacity for creative or writerly engagements with a Shakespearean text to tap, perhaps even unconsciously at times, into a history of words and images that goes far beyond the 400 years that we are marking in this year of Shakespeare. Biographical note: Laurie Johnson is Associate Professor (English and Cultural Studies) at the University of Southern Queensland and President elect of the Australian and New Zealand Shakespeare Association. His publications include The Tain of Hamlet (Cambridge Scholars, 2013), The Wolf Man’s Burden (Cornell, 2001), Embodied Cognition and Shakespeare’s Theatre: The Early Modern Body-Mind (co-edited with John Sutton and Evelyn Tribble, Routledge, 2014), and Rapt in Secret Studies: Emerging Shakespeares (co-edited with Darryl Chalk, Cambridge Scholars, 2010). -
The Seventh and Final Chapter of the Harry Potter Story Begins As Harry
“Harry Potter and the Deathly Hallows – Part 2,” is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. “Harry Potter and the Deathly Hallows – Part 2” stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright. The film was directed by David Yates, who also helmed the blockbusters “Harry Potter and the Order of the Phoenix,” “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hallows – Part 1.” David Heyman, the producer of all of the Harry Potter films, produced the final film, together with David Barron and J.K. 1 Rowling. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer. Behind the scenes, the creative team included director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, visual effects supervisor Tim Burke, special effects supervisor John Richardson, and costume designer Jany Temime. -
The PAA Budget
THETu Senate Senate reduces 1. 0. discusses its the PAA budget byLAURENHElST ion show,’ which is what it would Daily Editorial Board be without the stage.” byLAURl3”EIST The Senate voted to approve an Describing a concern of some Daily Editorial Board Allocations Board (ALBO) decision of the senators, Pashman said, With only three meetings remaining for Tufts to reduce the budget of the Pan- “Some people thought it was un- Community Union Senate this semester, the Senate African AlliancetPAA), despite an wise to spend $2,500 for a stage committees discussed their progress during the se- appeal by group members during that was going to be destroyed the mester and outlined their immediate goals for the last night’s meeting of the Tufts next day.” He added, however, that remainder of the year during Sunday’s Senate meet- Community Union Senate. the Senate has approved funding ing. Last week, ALBO voted to re- for many things that are used not The Services Committee, chaired by Sean Barrow, duce the budget ofthe PAA, saying reusable. discussed cause dinners, Dishes for Dollars, class that the group did not need to spend After lengthy debate, the Sen- dinners, and cleanliness in the Commons. as much money to supply transpor- ate voted to compromise with the “We’ve been gettinga lot ofcomplaints about the tation to and from a predominately PAA, by agreeing to grant the or- cause dinners thing,” Barrows said. “The Dishes for African-American church in ganization a portion ofthe money Dollars thing has been going along pretty well.” Roxbury. -
Catalogo Dei Film E Degli Episodi Televisivi Contenenti Allusioni E Shakespeare
appendice Catalogo dei film e degli episodi televisivi contenenti allusioni e Shakespeare a cura di Mariangela Tempera ALL’S WELL THAT ENDS WELL ALL'S WELL THAT ENDS WELL Ian Charleson, Angela Down, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione della BBC. ing. col. 2h35’ dvd AL A 1 ALL'S WELL THAT ENDS WELL Versione del 'Globe Theatre'. regia: John Dove, 2011. ing. col. 2h18' cf AL A 3 TUTTO E' BENE QUEL CHE FINISCE BENE Ian Charleson, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione italiana della produzione BBC. it. col. 2h35’ dvd AL A 2 SAU SARUM JENUM CHEVATA SARUM Versione indiana presentata al Globe Theatre di Londra. regia: Sunil Shanbag, 2012. guj. col. 2h16' cf AL B 1 CRIBB 1.6: WOBBLE TO DEATH Cit. di 'All's well that ...' regia: Gordon Flemyng, 1980. ing. col. 51' cf AL D 9 CRIMINAL MINDS 3.9: PENELOPE Il narratore cita "love all, trust a few .." regia: Félix Enríquez Alcalà, 2007. ing. col. 43' dvd cf AL D 2 da 36 VUES DU PIC SAINT LOUP Un personaggio cita "All's well..." regia: Jacques Rivette, 2009. fra. col. 30" dvd AL D 3 da DARK COMMAND Sh. doveva essere texano perché 'All's well that ...' è un detto regia: Raoul Walsh, 1940. texano. ing. b/n 1' cf AL D 8 FUTARI WA PRETTY CURE 24: MATCH POINT! Cit. del titolo di All's well... regia: Daisuke Nishio 2009 [2004]. ing. col. 24' cf AL D 7 GOLDEN GIRLS 1.16: THE TRUTH WILL OUT Cit.