DOCSLIB.ORG

Catalogo Dei Film E Degli Episodi Televisivi Contenenti Allusioni E Shakespeare

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogo Dei Film E Degli Episodi Televisivi Contenenti Allusioni E Shakespeare appendice Catalogo dei film e degli episodi televisivi contenenti allusioni e Shakespeare a cura di Mariangela Tempera ALL’S WELL THAT ENDS WELL ALL'S WELL THAT ENDS WELL Ian Charleson, Angela Down, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione della BBC. ing. col. 2h35’ dvd AL A 1 ALL'S WELL THAT ENDS WELL Versione del 'Globe Theatre'. regia: John Dove, 2011. ing. col. 2h18' cf AL A 3 TUTTO E' BENE QUEL CHE FINISCE BENE Ian Charleson, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione italiana della produzione BBC. it. col. 2h35’ dvd AL A 2 SAU SARUM JENUM CHEVATA SARUM Versione indiana presentata al Globe Theatre di Londra. regia: Sunil Shanbag, 2012. guj. col. 2h16' cf AL B 1 CRIBB 1.6: WOBBLE TO DEATH Cit. di 'All's well that ...' regia: Gordon Flemyng, 1980. ing. col. 51' cf AL D 9 CRIMINAL MINDS 3.9: PENELOPE Il narratore cita "love all, trust a few .." regia: Félix Enríquez Alcalà, 2007. ing. col. 43' dvd cf AL D 2 da 36 VUES DU PIC SAINT LOUP Un personaggio cita "All's well..." regia: Jacques Rivette, 2009. fra. col. 30" dvd AL D 3 da DARK COMMAND Sh. doveva essere texano perché 'All's well that ...' è un detto regia: Raoul Walsh, 1940. texano. ing. b/n 1' cf AL D 8 FUTARI WA PRETTY CURE 24: MATCH POINT! Cit. del titolo di All's well... regia: Daisuke Nishio 2009 [2004]. ing. col. 24' cf AL D 7 GOLDEN GIRLS 1.16: THE TRUTH WILL OUT Cit. di "All's well" regia: Terry Hughes, 1986. ing. col. 24' dvd AL D 4 NUCINGEN HAUS Cit. di 'All's well..' regia: Raoul Ruiz, 2008. fra. s/it. col. 1h35' dvd AL D 6 SEVEN SWEETHEARTS Un personaggio cita "To make the coming hour o'erflow with regia: Frank Borzage, 1942. joy..." ma non sa da che play è tratta. Cit. anche da AYLI e RJ. ing. b/n 1h38' dvd AL D 1 STAR TREK NG 5.3: ENSIGN RO Cit. di 'All's well...' regia: Les Landau, 1991. ing. col. 43' dvd AL D 5 ANTONY AND CLEOPATRA ANTOINE ET CLÉOPÂTRE Con: Judith Magre, François Chaumette. regia: Jean Prat, 1975. Versione per la televisione francese. fra. col. 2h35' dvd AN A 8 Pagina 1 di 358 ANTONII I KLEOPATRA Con: Julia Borisova, Mikhail Ulianov. regia: Yevgenij Simonov, 1971. Ripresa televisiva di uno spettacolo teatrale. rus. col. 2h19' cf AN A 10 ANTONIO E CLEOPATRA Jane Lapotaire, Colin Blakely. regia: Jonathan Miller, 1981. Versione italiana della produzione BBC. it. col. 2h57' dvd AN A 3 ANTONIO E CLEOPATRA Charlton Heston, JaneLapotaire, Hildegard Neil, Fernando regia: Charlton Heston, 1972. Rey. it. col. 1h50’ AN A 5 ANTONIO E CLEOPATRA Giorgio Albertazzi, Anna Proclemer. regia: Roberto Guicciardini, 1978. it. col. 2h40’ AN A 7 ANTONIO E CLEOPATRA Enrico Maria Salerno e Valeria Valeri. regia: Vittorio Cottafavi, 1965. it. b/n 1h50’ dvd AN A 2 ANTONIU SI CLEOPATRA Con: Gina Patrichi, Anton Tauf. regia: Mikai Maniutiu, 1990. rum. col. 2h37' cf AN A 9 ANTONY AND CLEOPATRA Colin Blakeley e Jane Lapotaire. regia Jonathan Miller, 1981. ing. col. 2h52’ dvd AN A 6 ANTONY AND CLEOPATRA Timothy Dalton, Lynn Redgrave. regia: Lawrence Carra, 1981. ing. col. 3h3’ dvd AN A 4 ANTONY AND CLEOPATRA Janet Suzman, Richard Johnson. Royal Shakespeare regia: Trevor Nunn, 1980. Company. ing. col. 2h42’ dvd AN A 1 ANTONY AND CLEOPATRA Versione teatrale giapponese. regia: Yukio Ninagawa, 2011. gia. col. 3h4' dvd AN A 11 ANTONIJ I KLEOPATRA di Edward Lazarev. Balletto per la televisione russa. Con: Alla Osipenko e John cor. Igor Chernishev, 1977. Markovski. rus. b/n 40' cf AN B 3 ANTONY AND CLEOPATRA di S. Barber Con: Catherine Malfitano, Richard Cowan. regia: Elijah Moshinsky, 1991. Dall' Opera di Chicago. ing. s/ing. 1h58' cf AN B 2 da ANTONIO E CLEOPATRA Ballerini del Bolscioi. di Lazarov, 1989. Scena dal balletto. ball. col. 6’ dvd AN B 1 ANTONIO CLEOPATRA Con: Qasim Nagi e Natavan Qeybani. regia: Punhan Hasanli, 2001. Sintesi del dramma recitata e ballata dai due interpreti. aze. col. 28' cf AN C 2 da ANTONIO E CLEOPATRA Breve estatto dallo spettacolo regia: Luca di Fusco, 2014. it. col. 5'30" cf AN C 3 Pagina 2 di 358 da ANTONY AND CLEOPATRA Paul Chapman, Linda Renwick. regia: Peter Seabourne, 1971. Estratti da: II.ii; V.ii. ing. col. 10’ dvd AN C 1 9021O 1.14-18 Gli studenti provano AC. regia: vari, 2009. ing. col. 3h12' dvd AN D 20 AEREOPORTO INTERNAZIONALE: ANTONIO E Aldo Giuffré, Marisa Belli. Il commissario dell’aereoporto recita CLEOPATRA regia: Enzo Tarquini, 1992. scene di AC con una ex-diva di cui è innamorato. it col. 30’ AN D 1 ALEXANDRIA AGAIN AND FOREVER Dopo Hamlet un regista filma AC. regia: Youssef Chahine, 1989. ara. s/ing. col. 1h45' dvd AN D 13 AMERICAN DRAGON JAKE LONG 1.5: ACT 4 SCENE 5 Jake vuole interpretare Antony perché è innamorato di regia: Christian Roman, 2005. Cleopatra. ing. col. 22' dvd cf AN D 19 AS TIME GOES BY 1.5: RELATIONSHIPS Un personaggio cita 'Age cannot wither her ...' regia: Sydney Lotterby, 1992. ing. col. 28' cf AN D 32 BEST OF MORECAMBE AND WISE (THE): ANTONY Glenda Jackson. AND CLEOPATRA [1971], 2001. La Jackson viene convinta a interpretare il ruolo di Cleopatra. ing. col. 19' dvd AN D 7 BIT OF FRY AND LAURIE (A) 4.3 Fry cita 'Time cannot wither her ...' regia: Bob Spiers, 1995. ing. col. 30' cf AN D 26 BOSTON LEGAL 2.21: WORD SALAD DAYS Breve allusione a "salad days". regia: Jeannot Szwarc, 2006. ing. col. 40' dvd AN D 18 BUGSY Warren Beatty. regia: Barry Levinson, 1991. Un triumvirato di mafiosi manda uno dei suoi alla conquista della West Coast. Paralleli con AC. ing. col. 2h15' dvd AN D 10 BUONA DOMENICA: ANTONIO E CLEOPATRA, 1991- Parodia della tragedia. 93. it. col. 23' dvd AN D 8 CLÉOPATRA Contiene cit. da AC di Sh. regia: Julio Bressane, 2006. por. col. 1h53' dvd AN D 29 CLEOPATRÀS Sandro Lombardi. regia: Federico Tiezzi, 1996. Il monologo di Testori contiene molti riferimenti a Shakespeare. it. col. 58' dvd AN D 3 da AFRICAN QUEEN (THE) Charles paragona se stesso e Rose a Antonio e Cleopatra. regia: John Huston, 1951. ing. col. 1' dvd AN D 14 da C'ERA UNA VOLTA L'AMERICA Elizabeth McGovern, Robert De Niro. regia: Sergio Leone, 1984. Il protagonista ritrova la sua antica fiamma nel ruolo di Cleopatra. it. col. 10’ AN D 4 Pagina 3 di 358 da ONCE UPON A TIME IN AMERICA Il protagonista ritrova la sua antica fiamma nel ruolo di regia: Sergio Leone, 1984. Cleopatra. ing. col. 10' dvd AN D 16 da RON CLARK STORY (THE) Due camerieri sono vestiti da A&C. regia: Randa Haines, 2006. ing. col. 1' cf AN D 35 da SECRET POLICEMAN'S BALL Rowan Atkinson interpreta uno sketch su AC. regia: Roger Graef, 1979. ing. col. 6' cf AN D 30 da SOUTH BANK SHOW: VANESSA REDGRAVE Vanessa Redgrave interpreta e commenta due versioni di 'I regia: Jack Bond, 1994. dreamt there was an Emperor...' ing. col. 16’ dvd AN D 2 da STANLEY BAXTER BIG PICTURE SHOW (THE) "Love's a Tonic": "Age cannot wither ..." Miss Penicilline. regia: David Bell, 1973. ing. col. 1' dvd AN D 15 da VIRGINIAN (THE) Bill Pullman, Diane Lane. regia: Bill Pullman, 2000. Il Virginiano ha apprezzato il monologo di Enobarbo dal libro prestatogli dalla maestra. ing. col. 3’ dvd AN D 5 KEN AND ALLAN MAKE A WWW SERIES 1.1: KEN'S Tre dilettanti tedeschi mettno in scena AC. Anche audizioni OPENING NIGHT regia: Juergen Hirsch, 2013. per Ham. ing. col. 40' cf AN D 28 MENTORS: THE CRUSH Cleopatra si materializza per aiutare una studentessa che regia: Michele Boniface, 1999. deve interpretare il suo ruolo. ing. col. 21' AN D 9 MISS FISHER 1.12: MURDER IN THE DARK Cit. da AC. Anche RJ. regia: Daina Reid, 2013. ing. col. 53' dvd AN D 34 MORECOMBE AND WISE SHOW (TWO OF A KIND) Sketch ispirato a AC. 2.7 1962 ing. b/n 8' dvd AN D 21 MRS BRADLEY'S MYSTERIES 1.1: SPEEDY DEATH Con: Diana Rigg. regia: Audrey Cooke, 1998. Un personaggio cita "age cannot wither her..." ing. col. 1h27' dvd AN D 23 NOTORIOUS CLEOPATRA (THE) Versione porno con alcune citazioni shakespeariane. regia: Peter Perry, 1970 ing. s/it. col. 1h28' dvd AN D 11 NPDV: PAOLA CORTELLESI E EMILIO SOLFRIZZI Parodia di AC. 2008. it. col. 10' cf AN D 25 PARADISE POSTPONED 1.8: ENIGMA VARIATION Breve cit. di 'New heaven new earth'. regia: Alvin Rakoff, 1986. ing. col. 52' dvd AN D 27 PATTY DUKE SHOW (THE) 1.11: THE ACTRESS La protagonista recita in AC. regia: Stanley Prager, 1963. ing. b/n 25' dvd AN D 22 Pagina 4 di 358 RAKE'S PROGRESS (THE) Una ragazza rifiuta di andare a teatro per uscire con il regia: Sidney Gilliat, 1945. protagonista. Cit. di "The barge..." ing. b/n 1h49' dvd AN D 12 REVENGE 3.3: CONFESSION Un personaggio accusa un altro di non saper riconoscere regia: Matt Earl Beesley, 2013. 'salad days'. ing. col. 41' dvd AN D 33 SPOOKS 2.3: SPIDERS I nomi in codice di due spie sono A e C. Cit. anche da R3. regia: Rob Bailey, 2003. ing. col. 59' cf AN D 31 SPOT: POSTE ITALIANE, 2005. Una recita di AC è interrotta da informazioni sui servizi postali.
Load more

Recommended publications
  • Willits Charter School Family & Student Handbook 2020
    WILLITS CHARTER SCHOOL FAMILY & STUDENT HANDBOOK 2020-2021 1431 South Main St., Willits, CA 95490 Tel (707) 459-5506 Fax (707) 459-5576 https://www.willitscharter.org/ Like us on at Willits Charter: A Public School for the Arts & Sciences WCS Mission & Vision Mission The mission of Willits Charter School is to enable students in grades 6-12 to reach their fullest potential by providing them with a high-quality, personalized education in a safe and supportive environment. We strive to inspire students to embrace their curious, creative nature and be self-motivated, competent, life-long learners. We encourage students to become productive citizens who respect themselves, others, community, diversity, and the environment. Vision Willits Charter School maintains high academic standards while respecting the unique qualities of all learners. Our commitment to teaching individual responsibility as well as compassion and respect for self and others motivates all of our educational policies and procedures. We encourage students to reach for new heights in learning and to embrace challenges as opportunities, seeking their own positive solutions and find personal fulfillment as a result of their efforts. Our faculty, staff and board embody the school’s mission and vision providing both expertise and passion in their fields. We incorporate the arts, humanities, sciences and physical education throughout our curriculum at all levels. We are firmly committed to literacy and we encourage critical thinking in every subject. Willits Charter School is a place where families are actively involved in the formal education of their children. We recognize that every stakeholder plays an important role in a student’s academic success as well as personal development, and we work cooperatively with families to ensure that success.
    [Show full text]
  • No. 280 October 11
    small screen News Digest of Australian Council on Children and the Media (incorporating Young Media Australia) ISSN: 0817-8224 No. 280 October 2011 Classification update & call for action found on our website at Two significant policy reviews related asking about the process by which older http://www.youngmedia.org.au/pdf/me- to classification reach critical points this very violent games will be reclassified into dia_releases/Nov11_ALRC-proposals.pdf the new R18+ category (as promised). week. An article on this topic which appeared on- One is the review of the classification The second review is the Australian Law line in The National Times and also in The guidelines for computer games (includ- Reform Commission Review of the Na- Age, can be found on Page 6 of this small ing the proposed introduction of a new tional Classification Scheme. Their propos- screen. R18+ category). The “agreed” proposed als are out for public comment by Novem- new guidelines were released by the Min- ber 18 . ACCM wins Childrens Week Award Australian Council on Children and the ister for Home Affairs, The Hon Brendan ACCM comment: Media has won a 2011 Childrens Week O’Connor, on Friday Nov 4. [http://www. ACCM is disturbed by the underlying phi- Award for the Know Before You Go Movie classification.gov.au/www/cob/rwpattach. losphy of deregulation (that also underpins Review service for a significant contribu- nsf/VAP/] and will be debated at the meet- the Convergence Inquiry), and the argu- tion to the development and well–being ing of Federal, State and Territory Ministers ments that it’s too unwieldy and costly for of children, through provision of easily for Law and Justice in Hobart on Nov.18th.
    [Show full text]
  • Folsom Telegraph
    THURSDAY, FEBRUARY 20, 2020 Kitchen & Bath Top Five Newspaper Remodeling CNPA California Journalism Awards Painting THE FOLSOM Cabinets Counters Flooring Remodeling Jobs completed before April 1, 2020 * only while openings last * not to be combined with any other offer Your community news by a dam site since 1856 Serving the communities of Folsom and El Dorado Hills 916.774.6416 www.PerrymanPainting.com FOLSOMTELEGRAPH.COM Lic # 948889 (C33 & B) Exoneration, new arrest in 1985 EDH murder case BY BILL SULLIVAN The 1985 case went “This is the first case in occurred on July 7, 1985. OF THE FOLSOM TELEGRAPH unsolved for 14 years before California and only the For all these years, investigators said DNA second in this country Davis has been behind Since his conviction, evidence and an incrim- where investigative genetic bars awaiting retrial, for Ricky Davis continued inating statement by a genealogy has not only led a crime he didn’t commit. to plead his innocence resident of the home tied to the freeing on an individ- El Dorado Superior Court in an El Dorado Hills Davis to the slaying back in ual from prison for a crime Judge Kenneth Mele- murder that took place 35 November of 1999. He was he did not commit, but the kian ended that when he years ago. Last Thursday, then sentenced in 2005 to identification of the true threw out his second-de- 54-year-old Davis walked 16 years-to-life, accused of source,” said Sacramento gree murder conviction in out of El Dorado County stabbing Hylton 29 times County District Attorney the emotional court hear- Superior Court a free man in what was described as a Anne Marie Schubert.
    [Show full text]
  • Ladies and Gentlemen ... the Circus I
    6 REVIEW February 12, 2019 Ladies and gentlemen ... the circus is back in town No circus like Cirque du Soleil to hold its breath while watching one of the Cirque du Soleil, in its big blue and yellow goddesses as she balanced 13 palm leaf ribs. tent, opened a five-week run at Lone Star Park There is no music playing. The only sound in Grand Prairie. This time the circus presents is the heavy breathing of the artist as she the tale “Amaluna,” based on Shakespeare’s concentrates. “The Tempest.” The show opened Jan. 23 and One of the most touching acts involves a runs through March 3. scene between Miranda and her lover. Romeo “Amaluna” is the story of a magical island watched Miranda enjoy herself in choreogra- ruled by goddesses. Miranda, the daughter of phy that moved between playing in the water the Queen and shaman Prospera, is a happy bowl and displaying her strength skills in a dreamer and a romantic young girl who is difficult hand-balancing routine. The artists about to reach womanhood. also excel in their acting as the audience The queen creates a big storm that brings a watches the couple share a first kiss. group of young men to the island. The leader, “Amaluna” combines the theatrical story Prince Romeo and his men are trapped. with remarkable acrobatic acts. Watching the The show evolves into a love story between show likely gives viewers hope that dreams Romeo and Miranda. can come true. The couple confronts challenges to be The spectacle is one of more than 23 shows together, including dealing with the jealousy of by Cirque du Soleil.
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • Commonwealth of Australia Gazette! Published by the Australian Government Publishing Service
    commonwealth of Australia Gazette! Published by the Australian Government Publishing Service No. G 32 Canberra, Tuesday, 16 August 1977 GENERAL CONTENTS AVAILABILrrY. The Gazette may be obtained by mail from: Notice to private advertisers 2 Mail Ordei Sales, Australian Government Publishing Scrvice, Proclamations 2 P.O. Box 84, Canberra, A.C.T. 2600 Legislation 2 or over the counter from Australian Government Pub- Customs 3 lishing Service Bookshops at: Government departments 6 Adelaide: 12 Pirie Street (Telephone 212 3646) Defence force appointments, etc. 16 Brisbane: ShO"'lo]p 42, The Valley rCentre , Fortitud" " e Valley Commonwealth teaching service 20 (Telephone 52 5526) Canberra: 113 London Circuii t (Telephon 547 7211) Bankruptcy Act 20 Hobart: 162 Macquariarie StreeSu t (Telephone 23 7151) Private advertisements 28 Melbourne: 347 Swanston Street (Telephone 66 33010) Tenders invited 31 Perth: 200 St George's Terrace (Telephone 22 4737) Contracts arranged 35 Sydney: 309 Pitt Street (Telephone 211 4755) Special Gazettes Nos S 158, S 159, S 160, S 161 and The Gazette is also available for perusal at official S 162 are attached Post Offices. Commonwealth Acts and Statutory Rules, Australian Commonwealth of Australia Gazette is published section- Capital Territory Ordinances and Regulations, and other ally in accordance with the arrangements set out below: Australian Government publications may also be pur- Public Service issues contain notices concerning admin- chased at these addresses. istrative matters, including examinations, vacancies, transfers and promotions within the Australian Public NOTICES FOR PUBLICATION and related corres- Service. These issues are published weekly at 10.30 a.m. pondence should be addressed to: on Thursday, and are sold at 95c each plus postage or Gazette Office, Australian Government Publishing on subscription of $58,00 (50 issues), $32.00 (25 issues), Service, P.O.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • Romeo Y Julieta 1 Romeo Y Julieta
    Romeo y Julieta 1 Romeo y Julieta Romeo y Julieta Representación de la famosa escena del balcón de Romeo y Julieta. Pintura de 1884, por Frank Dicksee. Autor William Shakespeare Género Tragedia Tema(s) Amor prohibido Idioma Inglés [1] Título original The Most Excellent and Lamentable Tragedie of Romeo and Juliet País Inglaterra Fecha de publicación 1597 (Q1) 1599 (Q2) 1609 (Q3) 1622 (Q4) 1637 (Q5) Formato En cuarto[d] Romeo y Julieta (1597) es una tragedia de William Shakespeare. Cuenta la historia de dos jóvenes enamorados que, a pesar de la oposición de sus familias, rivales entre sí, deciden luchar por su amor hasta el punto de casarse de forma clandestina; sin embargo, la presión de esa rivalidad y una serie de fatalidades conducen al suicidio de los dos amantes. Esta relación entre sus protagonistas los ha convertido en el arquetipo de los llamados star-crossed lovers.[2] [a] Se trata de una de las obras más populares del autor inglés y, junto a Hamlet y Macbeth, la que más veces ha sido representada. Aunque la historia forma parte de una larga tradición de romances trágicos que se remontan a la antigüedad, el argumento está basado en la traducción inglesa (The Tragical History of Romeus and Juliet, 1562) de un cuento italiano de Mateo Bandello, realizada por Arthur Brooke, que se basó en la traducción francesa hecha por Pierre Boaistuau en 1559. Por su parte, en 1582, William Painter realizó una versión en prosa a partir de relatos italianos y franceses, que fue publicada en la colección de historias Palace of Pleasure.
    [Show full text]
  • Gb 1456 Thomas
    GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production.
    [Show full text]
  • Oliver Kieran-Jones Actor
    Oliver Kieran-Jones Actor Training: LAMDA Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company 80 Minutes Lloyd Thomas Jahn Zeitsprung Other Production Character Director Company Accents: American General and Southern Collateral Damage Pastor / DiLaura Mike Alfreds Handbag Phil Gari Jones King John Prince Arthur / Prince Geof Gould Henry Maggie May Fred / Milko Anne Durham / Stephen Jameson United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company Strange Orchestra Jimmie John Link The Changeling Alsemero Jonas Finlay The Man Of Mode Mr Medley Rodney Cottier The Revenger's Tragedy Vindice Rodney Cottier Three Sisters Ferapoint / Fedotik Colin Cook Stage Production Character Director Company A MIDSUMMER NIGHTS Lysander/Snug Natalie Abrahami Headlong Theatre DREAM The Fairy Queen Lysander Glyndebourne Festival Julius Caesar Octavius Caesar Deborah Warner Barbican Richard II Duke of Aumerle Trevor Nunn Old Vic Riders to the Sea Fiona Shaw English National Opera Romeo and Juliet Tybalt Mike Dodsworth Anglia TV The Cherry Orchard Yasha Philip Franks Chichester Festival The Revenger's Tragedy Junior Gavin McAlinden Southwark Playhouse The Tempest Ferdinand Greg Hersov Royal Exchange Troilus and Cressidus Patroclus Peter Stein RSC Stratford Edinburgh Festival Television Production Character Director Company NCIS: New Orleans Reid Gorie Alrick Riley CBS Pretty Little Liars Colin Various ABC GLEE Adam Crawford Various Fox Episodes Andrew James Griffiths BBC Casualty Jonas David Bartlett BBC Foyles War Worth Simon Langton Green Lit Holby Blue Ricky Martin Hutchins BBC Judge John Deed Butch Cassidy Andy Hay BBC Liberty Dr.
    [Show full text]
  • Love and Class in Mexican Neoliberal Cinema
    Regimes of Affect: Love and Class in Mexican Neoliberal Cinema Ignacio M. Sánchez Prado Published online: February 2014 http://www.jprstudies.org Abstract: Departing from the idea of studying affects and emotions in their relationship to contemporary capitalism, this article explores the way in which love stories have evolved in Mexican cinema of the past 20 years to accommodate the social divisions produced by neoliberal social and economic reform. The article argues that Mexican commercial cinema, led by a boom in the romantic comedy, caters a narrative that idealizes what Richard Florida calls “the creative class” and thus constructs a regime of affect that proactively segregates audiences by class. This thesis is developed through the study of works by filmmakers such as Alfonso Cuarón (Sólo con tu pareja), Antonio Serrano (Sexo, pudor y lágrimas) and Fernando Sariñana (Amar te duele). About the Author: Ignacio M. Sánchez Prado is Associate Professor of Spanish and International and Area Studies at Washington University in Saint Louis. He is the author of El canon y sus formas. La reinvención de Harold Bloom y sus lecturas hispanoamericanas (2002), Naciones intelectuales. Las fundaciones de la modernidad literaria mexicana (1917- 1959) (2009), winner of the LASA Mexico 2010 Humanities Book Award, and Intermitencias americanistas. Ensayos académico y literarios (2004-2009) (2012), a collection of his essays on the question of Latin Americanism. He has edited and co-edited nine scholarly collections and published over forty scholarly articles on Mexican literature, culture and film, as well as on Latin American cultural theory. His next book, Screening Neoliiberalism. Mexican Cinema 1988-2012, explores the connections between film and neoliberalism in contemporary Mexico and will be published by Vanderbilt University Press in 2014.
    [Show full text]