Hulu: Under the Hood WE FIND GUESTS for YOUR SHOW

Total Page:16

File Type:pdf, Size:1020Kb

Hulu: Under the Hood WE FIND GUESTS for YOUR SHOW March 2018 Hulu: Under the hood WE FIND GUESTS FOR YOUR SHOW We are television bookers ready to find guests for your show. Guestbooker.com has media trained experts based across the US and the UK in a range of sectors, including; poliics, healthcare, security, law, business, finance and entertainment. Our team is based in London, New York City, Los Angeles, Washington D.C, Nashville, Dallas, Ausin, Miami and Chicago. Journal of The Royal Television Society March 2018 l Volume 55/3 From the CEO It has been an exciting That so many female journalists of Television, don’t miss Mark Lawson’s and illuminating end different ages and backgrounds were insightful profile of the great Macken- to the RTS’s winter among the night’s winners says a lot zie Crook. Meanwhile, our cover looks programme. Despite about the changing times that we are at the rise and rise of Hulu. I, for one, the “Beast from the living in. can’t wait to watch the second season East” bringing snow So, too, did our sold-out early- of The Handmaid’s Tale, coming soon on and ice to even Lon- evening event “Sale or scale”, when Channel 4. don’s Hyde Park Corner, this year’s a high-powered panel analysed the I look forward to seeing many of RTS Television Journalism Awards rapidly consolidating entertainment you at the RTS Programme Awards. generated a lot of genuine warmth. sector. Many thanks to the wonderful This is undoubtedly the most glamor- I’d like to thank everyone who panellists: Kate Bulkley, Mike Darcey, ous night in the RTS calendar. Let’s made this such a very special evening. Tim Hincks and Mathew Horsman; hope the weather has seriously Reeta Chakrabarti was a brilliantly and to the always incisive event chair, warmed up by then – and good luck gracious and witty host. Her smile Matthew Garrahan. There is a full to all the nominees. seemed to be particularly radiant report in this issue of Television. on this coldest of nights. There are many wonderful female Thanks also to Sue Inglish who gave role models working in our industry up so much of her time to chair the and I am thrilled that this month’s awards, and a big thank you to all the diarist is one of them. I know that our jury members. Huge congratulations readers will enjoy All3Media CEO Jane to all the awards winners. Turton’s diary. Also in this month’s Theresa Wise Contents Jane Turton’s TV Diary Our Friend in Bangladesh In a week of bad weather and cancelled travel plans, Sanjoy Majumder describes how the plight of Rohingya 5 Jane Turton is determined to attend her early-morning 19 refugees became a big Western news story spin class The scholar who loves sharing stories Hulu ups the ante Mary Beard tells Pippa Shawley why she was reluctant to Thanks to its reimagining of The Handmaid’s Tale, 21 become a TV presenter and reveals her own viewing habits 6 the US streaming service is moving centre stage. Stuart Kemp investigates British TV’s best-kept secret TalkTalk TV is the UK’s smallest pay-TV provider. The shy genius of Mackenzie Crook 24 Its Managing Director, Aleks Habdank, explains to Mark Lawson learns how one of TV’s brightest but Steve Clarke why it can only get bigger 8 unlikeliest stars turned reticence into an art form Sage advice from the TV pros Sale or scale Attendees at the RTS’s biggest TV Careers Fair yet A stellar RTS panel confronted the threats posed by the 26 received copious expert advice, reports Matthew Bell 10 tech giants to legacy media. Matthew Bell took notes RTS Television Journalism Awards 2018 Tech-savvy minister for testing times Hosted by Reeta Chakrabarti and sponsored Anne McElvoy profiles Matt Hancock, the new Secretary 29 by GuestBooker, the awards were presented on 14 of State for Digital, Culture, Media and Sport 28 February at the London Hilton, Park Lane – the winners and nominees over six pages The reinvention of Channel 5 The broadcaster is gaining viewers and winning new 16 admirers, says Tim Dams. What is it doing right? Cover: Channel 4/Hulu Editor Production, design, advertising Royal Television Society Subscription rates Printing Legal notice Steve Clarke Gordon Jamieson 3 Dorset Rise UK £115 ISSN 0308-454X © Royal Television Society 2018. [email protected] [email protected] London EC4Y 8EN Overseas (surface) £146.11 Printer: FE Burman The views expressed in Television News editor and writer Sub-editor T: 020 7822 2810 Overseas (airmail) £172.22 20 Crimscott Street are not necessarily those of the RTS. Matthew Bell Sarah Bancroft E: [email protected] Enquiries: [email protected] London SE1 5TP Registered Charity 313 728 [email protected] [email protected] W: www.rts.org.uk Television www.rts.org.uk March 2018 3 Your guide to upcoming events. Book online at RTS NEWS www.rts.org.uk National events Local events Gaming and TV: RTS AWARDS BRISTOL Tuesday 20 March ■ Belinda Biggam What’s the score? RTS Programme Awards 2018 ■ [email protected] In Partnership with Audio Network Venue: Grosvenor House Hotel, DEVON & CORNWALL 86-90 Park Lane, London W1K 7TN ■ Jane Hudson ■ RTSDevonandCornwall@rts. RTS EARLY EVENING EVENT org.uk Monday 16 April Mind the gap: Closing the EAST gender pay gap in broadcasting ■ Nikki O’Donnell Panellists: Jane Corbin, BBC cur- ■ [email protected] rent affairs journalist; Rt Hon Har- riet Harman MP, former Minister LONDON for Women and Equalities; Sian Wednesday 21 March Kevill, former BBC executive and Making media in a sustainable 2 May founder, Make Productions; and future Charlotte Sweeney OBE, expert Speaker: Aaron Matthews, ITV London Studios SE1 9LT adviser on equality, diversity and project manager, Albert (the inclusion. Chair: Jane Martinson, collaborative indie- and Guardian columnist and journalist broadcaster-backed project NORTHERN IRELAND WALES Venue: The Hospital Club, 24 Endell that provides the film and TV Tuesday 20 March ■ Hywel Wiliam 07980 007841 Street, London WC2H 9HQ industries with the expertise Student Television Awards ■ [email protected] to take practical action on Venue: The Black Box, 18-22 Hill RTS AWARDS environmental sustainability). Street, Belfast BT1 2LA YORKSHIRE Friday 22 June 6:30pm for 7:00pm ■ John Mitchell Wednesday 25 April RTS Student Television Venue: ITV London Studios, ■ mitch.mvbroadcast@ Masterclasses: How to get a Awards 2018 Upper Ground, London SE1 9LT btinternet.com job in TV Venue: BFI Southbank, Belvedere Wednesday 2 May Teams from True North and Lime Road, London SE1 8XT Gaming and TV: What’s REPUBLIC OF IRELAND Pictures will hold two 75-minute, the score? Tuesday 27 March video-rich masterclasses, with RTS CONFERENCE Panellists: Steve McNeil, writer, AGM 2018 lots of opportunities to ask Tuesday 18 September comedian and streamer; Sam 8:00pm questions. RTS London Conference 2018 Pamphilon, actor, writer and Venue: AR4 RTÉ, Stillorgan Road, Held in association with the Sponsored by Viacom comedian; Julia Hardy, presenter, Montrose, Dublin 4 Creative Cities Convention, Venue: Kings Place, 90 York Way, journalist, YouTuber and broad- ■ Charles Byrne (353) 87251 3092 which students will have the London N1 9AG caster. Chair: Ellie Gibson, jour- ■ [email protected] opportunity to participate in nalist, presenter, comedian and (and to attend the networking RTS MASTERCLASSES author. 6:30pm for 7:00pm SCOTLAND drinks on the opening evening, Tuesday 13 Novermber Venue: ITV London Studios, Wednesday 9 May 25 April). RTS Student Programme Upper Ground, London SE1 9LT RTS Scotland Awards Places are free but you Masterclasses ■ Daniel Cherowbrier Venue: TBC must book in advance with Venue: IET London, 2 Savoy ■ [email protected] ■ Jane Muirhead Victoria Griffin (07880231626/ Place, London WC2R0BL ■ [email protected] [email protected]). MIDLANDS Group bookings from universities Wednesday 14 Novermber ■ Jayne Greene 07792 776585 SOUTHERN and colleges are preferred. RTS Craft Skills Masterclasses ■ [email protected] ■ Stephanie Farmer 2.00pm start Venue: IET London, 2 Savoy ■ [email protected] Venue: Leeds College of Music, Place, London WC2R0BL NORTH EAST & THE BORDER 3 Quarry Hill, Leeds LS2 7PD ■ Jill Graham THAMES VALLEY Friday 6 July RTS AWARDS ■ [email protected] ■ Tony Orme Annual Awards Monday 26 November ■ [email protected] Venue: TBC RTS Craft & Design Awards 2018 NORTH WEST ■ Lisa Holdsworth 07790 145280 London Hilton on Park Lane ■ Rachel Pinkney 07966 230639 ■ lisa@allonewordproductions. 22 Park Lane, London W1K 1BE ■ [email protected] co.uk 4 TV diary In a week of bad weather and cancelled travel plans, Jane Turton is determined to attend her early-morning spin class he temperature in ■ We announce a new start-up, ■ Later that day, we make a call to London has plum- Unstoppable, on Wednesday. It’s a the management team in Los Ange- meted to a 10-year new drama company run by two les. We are looking for a new CEO to low and the snow very talented guys, Noel Clarke and run our West Coast studio and, next has arrived. Our top- Jason Maza, and the response has week, we will meet the search com- floor fficeo in Covent been fabulous. pany to discuss progress. Garden has the most I love the strategy and development The business there comprises amazing views over Westminster and parts of my job. I work closely with creative teams from Studio Lambert, Tall the way round to the Gherkin and Steven Brown, our director of corpo- Objective, Main Event, Studio Ram- the Shard. It’s very beautiful in the rate development, and we both enjoy say, Maverick, Woodman Park and snow.
Recommended publications
  • Lyra Mckee 31 March, 1990 – 18 April, 2019 Contents
    MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | MAY-JUNE 2019 Lyra McKee 31 March, 1990 – 18 April, 2019 Contents Main feature 16 The writing’s on the wall Exposing a news vacuum News t’s not often that an event shakes our 03 Tributes mark loss of Lyra McKee profession, our union and society as powerfully as the tragic death of Lyra McKee. Widespread NUJ vigils A young, inspirational journalist from 04 Union backs university paper Belfast, lost her life while covering riots Ethics council defends standards Iin the Creggan area of Derry. Lyra became a journalist in the post peace agreement era 05 TUC women’s conference in Northern Ireland and in many ways was a symbol of the Calls for equal and opportunities new Ireland. She campaigned for Northern Ireland’s LGBTQ 07 Honouring Lyra community and used her own coming out story to support Photo spread others. She was a staunch NUJ member and well known in her Belfast branch. “At 29 she had been named as one of 30 European journalists Features under 30 to watch. She gave a prestigious Ted talk two years 10 A battle journalism has to win ago following the Orlando gay nightclub shootings in 2016. She Support for No Stone Unturned pair had signed a two-book deal with Faber with the first book about children and young men who went missing in the Troubles due 12 Only part of the picture out next year. How ministers control media coverage The NUJ has worked with the family to create a fund 22 Collect your royal flush in Lyra’s name and the family said that they have been How collecting societies help freelances inundated with requests to stage events in her name.
    [Show full text]
  • October 2020 Message from the Chair Dear
    October 2020 Message from the Chair Dear Colleague RTS PROGRAMME AWARDS 2021 I am delighted to be the new Chair of the RTS Programme Awards. These are one of the gold standard awards in our industry and are an important showcase of the extraordinary talent evident across all genres in British television. We have taken on board feedback from the industry following last year’s awards. Our aim, as ever, is to reflect the changing television landscape and to make sure the categories recognise the kinds of programmes and talent that make up today's schedules and the best content in Britain. Following discussions with judges and entering companies we have implemented the following changes: • Updated eligibility period: The eligibility period will now follow the calendar year. For this changeover year entries will be accepted from programmes broadcast between 1 November 2019 and 31 December 2020. Please refer to the Conditions of Entry for further details. Please be aware that in order to accommodate this change we will not be able to allow extensions to the entry deadlines. • Minimum duration: We have introduced a minimum duration of 10 minutes (with the maximum duration still 15 minutes) for all performance categories • Comedy Entertainment: We have introduced a new Comedy Entertainment category alongside the existing Entertainment category. • Allocation of entries: in the genre and writing categories we will now limit the number of entries per category by broadcaster rather than by channel. Details of the new limit can be found within the description of each category. Entries in the performance categories remain at 5 per channel.
    [Show full text]
  • How the TV Debates Were Organised in #GE2015 and Their Impact: the Full Story
    How the TV debates were organised in #GE2015 and their impact: the full story blogs.lse.ac.uk/polis/2017/04/19/how-were-the-tv-debates-organised-in-ge2015-and-what-was-their-impact- the-full-story/ 2017-4-19 I wrote the chapter on broadcasting for the Cowley/Kavanagh Election 2015 book. Here is the section on the negotiations that led to the TV ‘debates’ and their impact – for the full chapter and the authoritative record of all aspects of that campaign, get the book here! By Charlie Beckett, Professor in the Department of Media and Communications, LSE and director of Polis, the LSE’s journalism think-tank. @CharlieBeckett In this election broadcasting tried to reflect a changing political landscape. Television in particular was challenged to adjust to the impact of the smaller parties such as the Greens, UKIP and the SNP. Editorially, broadcasters had to cover a diverse range of issues of varying degrees of scale, importance and relevance to different audiences. All journalists, but most obviously broadcasters, found themselves limited in scope by the unprecedented levels of party stage-management. There were the usual concerns about delivering impartiality and information but perhaps the hardest task for the broadcast journalists was to fulfil their key democratic functions at election time: to engage the public and to hold politicians to account. The strategic reluctance of the main parties to conduct more open campaigns meant that the desire for dramatic broadcasting to match the significance of the stakes was frustrated. Like all journalists, broadcasters were also misled by erroneous polling to construct a false narrative around the relative success of the two main parties.
    [Show full text]
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • The Official Journal of Focal International N E W S
    THE OFFICIAL JOURNAL OF FOCAL INTERNATIONAL SPRING 2017 ISSUE NO. 101 Hero or monster? Documenting a Lebanese legend Saviours or pirates? The murky world of film collectors Singapore remembers 75 years on FOCAL’s 2017 Awards: Lifetime Achiever The nominations shortlist The Archive industry source for NEWS • FEATURES • EVENTS • REVIEWS FOCAL INTERNATIONAL ARCHIVE ZONES (ONLINE) ISSN 2398-1814 FEDERATION OF COMMERCIAL AUDIO VISUAL LIBRARIES SHOW STOPPERS The Irrepressible – Bill Nighy FremantleMedia Archive Email: [email protected] Tel: +44(0)207 691 6733 EDITORIAL Editorial Contents So, we embark on a second century of Archive Zones with the usual tasty Features mix of history, technology, business and personal experiences. Our diverse Singapore remembers 75 years on 4 cast of contributors guarantees you Karma and Tibet’s digital archive 7 another really ‘good read’. They’re Woodfall’s ‘Accidental Curator’ 8 an eclectic bunch. The ‘Accidental Hero or monster? Documenting Curator’ working on digital outlets a Lebanese legend 16 for his ’60s and ’70s classic films. The Investing in sofa cinemas – ‘snapper up of unconsidered trifles’, and restoration 18 who shrewdly built his own ‘out-takes’ The Right life after BBC – archive. The ex-BBC rights developer meet Ben Green 20 Michael Archer who, after 20 years, decided to Peter Davis’ other world of ‘paddle his own canoe’. And FOCAL’s copyright legislation, we’ve got those out-takes 22 ‘Lifetime Achiever’ for 2017 whose covered too. journey took him from Bridge over the Technology River Kwai to Mysteries of the Archives. And, across our centrepages, we whet your appetites for the event that will Internationally, we have an ‘insider’ Big decisions for legacy dominate our next issue of AZ – the format owners 10 look at Singapore’s fascinating th FOCAL International Awards Analysing film scanner investment 11 exhibition marking the 75 anniversary 2017.
    [Show full text]
  • Al Pacino Receives Bfi Fellowship
    AL PACINO RECEIVES BFI FELLOWSHIP LONDON – 22:30, Wednesday 24 September 2014: Leading lights from the worlds of film, theatre and television gathered at the Corinthia Hotel London this evening to see legendary actor and director, Al Pacino receive a BFI Fellowship – the highest accolade the UK’s lead organisation for film can award. One of the world’s most popular and iconic stars of stage and screen, Pacino receives a BFI Fellowship in recognition of his outstanding achievement in film. The presentation was made this evening during an exclusive dinner hosted by BFI Chair, Greg Dyke and BFI CEO, Amanda Nevill, sponsored by Corinthia Hotel London and supported by Moët & Chandon, the official champagne partner of the Al Pacino BFI Fellowship Award Dinner. Speaking during the presentation, Al Pacino said: “This is such a great honour... the BFI is a wonderful thing, how it keeps films alive… it’s an honour to be here and receive this. I’m overwhelmed – people I’ve adored have received this award. I appreciate this so much, thank you.” BFI Chair, Greg Dyke said: “A true icon, Al Pacino is one of the greatest actors the world has ever seen, and a visionary director of stage and screen. His extraordinary body of work has made him one of the most recognisable and best-loved stars of the big screen, whose films enthral and delight audiences across the globe. We are thrilled to honour such a legend of cinema, and we thank the Corinthia Hotel London and Moët & Chandon for supporting this very special occasion.” Alongside BFI Chair Greg Dyke and BFI CEO Amanda Nevill, the Corinthia’s magnificent Ballroom was packed with talent from the worlds of film, theatre and television for Al Pacino’s BFI Fellowship presentation.
    [Show full text]
  • BBC World Service Report by the Comptroller and Auditor General Presented to the BBC Trust Value for Money Committee, 14 June 2016
    BBC World Service Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 14 June 2016 BRITISH BROADCASTING CORPORATION BBC World Service Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 14 June 2016 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty June 2016 © BBC 2016 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money review: BBC World Service In the four years to 2014-15 the government BBC Trust response cut core funding to the World Service by As the governing body of the BBC, the around 8% and, in response, the World Trust is responsible for ensuring that the Service reduced its annual expenditure by licence fee is spent efficiently and effectively. £46.8 million. Two thirds of these savings Value-for-money reviews like this one (almost £31 million) have been achieved are an integral part of the governance through greater efficiency and without framework through which the Trust fulfils an impact on audiences. For example, this responsibility. better integration with the BBC newsroom at Broadcasting House has created a The BBC Trust welcomes richer experience for both domestic and the National Audit Office’s international audiences while also saving conclusion that, through its money.
    [Show full text]
  • Adding Value Report Vol.1
    ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland.
    [Show full text]
  • BBC Music Booklet Celebrating 80 Years of Music.Pdf
    Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music.
    [Show full text]
  • Ofcom Censures London Live Over David Icke Interview – Deadline.Pdf
    4/20/2020 Ofcom Censures London Live Over David Icke Interview – Deadline London Real/YouTube The UK’s media regulator Ofcom has censured local TV channel London Live after it broadcast an 80-minute interview with David Icke, in which the notorious conspiracy theorist made baseless claims about coronavirus. On April 8, London Live aired London Real: COVID-19 an edited version of an interview Icke did with YouTube channel London Real in March on the coronavirus crisis. During the exchange with presenter Brian Rose, a largely unchallenged Icke set out his wild theory that the pandemic is part of a plot by technocrats to destroy the global economy and impose mass surveillance on society. The interview prompted 48 complaints and Ofcom launched an urgent investigation into the matter to establish whether London Live broke strict broadcasting standards in the UK. Ofcom today has concluded that London Real: COVID-19 represented a “serious” breach of its Broadcasting Code and is now considering sanctions (up to an including a fine) against the broadcaster, which is owned by Russian billionaire Evgeny Lebedev. In its assessment, Ofcom said Icke “was allowed to set out his highly controversial and unsubstantiated views on the coronavirus and the public policy response to it in significant detail with very little challenge or context.” It added Icke’s views “had the potential to undermine confidence in the motives of public authorities for introducing restrictions and therefore discourage viewers from following current official rules around social distancing.” In short, Ofcom concluded that this might have caused “significant harm to viewers,” given the virus has killed more than 16,000 people in the UK and the lockdown currently is the most effective weapon for keeping it in check.
    [Show full text]
  • February 2018 at BFI Southbank Events
    BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola.
    [Show full text]
  • Performing Arts Success Rock Challenge Maths Competition
    The Monthly News Magazine of Buttershaw Business & Enterprise College Performing Arts Success Year 11 student Cody Ryan will be appearing as Hayley Booth in a channel 4 drama called Ackley Bridge. The drama will be on screen at 8pm on 7 June and will Following on from last year’s successful production of run for six weeks. As well as Cody, you will see several of ‘Annie’, the performing arts department is proud to our performing arts sixth form students in the back- announce this year’s production: ‘The Sound Of Music.’ ground as extras, so it is definitely worth a watch. The show will be held on 11, 12 and 13 July at 7pm in the main school hall. Tickets are £3.50 and can be purchased from student reception or by emailing Dragon Boat Race [email protected]. Over 15 BBEC students recently took part in the first ever youth championship Dragon Boat festival at Roberts Park in Saltaire. The students were invited to Maths Competition the competition after winning an event at Doe Park last year. BBEC recently entered 120 top performing Year 7 and 8 The students performed exceptionally and won the students in an individual national mathematics youth category, overcoming competition from six other competition. youth teams. They performed so well they placed second overall finishing only three seconds behind the Students had to answer 25 multiple questions which leading senior team. incorporated problem solving and mathematical knowledge. The top scoring students across the country will win awards and certificates. We look forward to seeing the results and hopefully handing out a few prizes! On Thursday 4 May in true ‘Star Wars’ spirit, 100 Year 7 and 8 students were taken to Laserzone in Bradford.
    [Show full text]