Provo Amsterdam's Anarchist Revolt Richard Kempton.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Provo Amsterdam's Anarchist Revolt Richard Kempton.Pdf amsterdam's anarchist revolt richard kempton autonomedia In memory of Suzanne Kempton-Gerson The Hague 1940-Berkeley 2000 whose interest in the Proves inspired this book. uxori carissimae Copyright © 2007 Richard Kempton Photographs on the following pages are copyright Cor Jaring, and used with permission: 20, 22, 29, 32, 37, 40, 54, 58, 64, 71, 74, 79, 82, 87, 97, 106. Book design: Josh MacPhee Published by Autonomedia, PO Box 568, Williamsburgh Station, Brooklyn, NY 11211-0568, USA. Autonomedia publishes and distributes a wide variety of materials on radical politics and culture. Please visit www.autonomedia.org for a full catalog and more information. State of the Arts This publication is made possible in part with public funds from the New York State Council on the Arts, a state agency. NYSCA Printed in Canada contents 6 acknowl edgements 7 pub lisher's forew ord 10 provo map of amsterdam 11 au thor's introduction 15 1. amsterdam, the magic center (1961-1965) 23 2. the prophet of magic amsterdam: robert jasper grootveld 31 3. the birth of provo (may-july 1965) 47 4. the state is provoked! (july 1965- march 1966) 59 5. the finest hour of the du tch republ ic (march 10, 1966) 69 6. the tw o dimensions of police brutality : amsterdam under seige (march 19-ju ne 13, 1966) 91 7. the monster of amsterdam (ju ne 14, 1966) 105 8. af termath of the battle: the gradual decline and death of provo (ju ne 15, 1966- may 14, 1967) 117 appendix 1: new babyl on 119 appendix 2: provo and the situationists 122 appendix 3: dada influences 125 appendix 4 : anarchist antecedents in amsterdam 129 appendix 5: provos in belgium and the provinces 132 appendix 6: the kabouters (1970) 136 appendix 7: sartre's concept of the fused grou p (analytical applications to revolutionary groups of the 1960 s) 144 appendix 8: some comments on a recent critiqu e of the provos 148 annotated general bibliography acl<nowledgements My interest in the Provo movement was initially kindled by a paper on the Provo use of the Dutch language written for a class at the University of California, Berkeley by my late wife, Suzanne Gerson, a native of the Netherlands. The impetus to write this book stemmed from conversations I had with Johan Snapper, Professor of Dutch at UC Berkeley. Thanks are due to a number of people who aided me with their help, encouragement, and sometimes by supplying with needed publications from the Netherlands. Jaap van Ginneken, Sjo­ erd Wartena, and Tjebbe van Tijen, the successive directors of the Provo archives when it was at the University of Amsterdam, gave generously of their time and greatly aided my use of the archives; as did Peter De Jonge at a more recent date at the Internationaale Instituut voor Sociale Geschiedenis (International Institute for So­ cial History), Amsterdam, which is the present location of the Provo archives. The Dutch writer Simon Vinkenoog and Provo co-founder Roel van Duyn were kind enough to read early versions of the man­ uscript, provided copious commentary, and supplied publications otherwise not available to me. Proves Luud Schimmelpennink of Amsterdam and Herman J. Claeys of Brussels also gave generously of their time in speaking with me. Dutch friends were helpful in answering numerous ques­ tions about details of Dutch political and social life and supplying me with publications and newspaper clippings. A very special word of appreciation is due to my brother-in-law Hans Gerson who has supplied me with much help and information over the years. Thanks are also due to the Oxenaar family of Arnhem and to Willem Maiten, formerly of Amsterdam. I owe a special debt of gratitude to Professor Gerald Larson, formerly of the University of California, Santa Barbara, who called my attention to Jean-Paul Sartre's neglected masterpiece, Th e Cri­ tique of Dialectical Reason , which I utilized in evaluating the revo­ lutionary phenomenon of the 1960s. Thanks too to L. J., formerly of Amsterdam, who translated phrases of her native Amsterdam slang and architectural terms I could not find in dictionaries avail­ able to me. And thanks to others who either read my manuscript or encouraged me to pursue publication, among them William Tim­ berman, John Rowe, Maurice Zeitlin, Richard Flacks, Joseph Adler, Daniel Marlin, Steve Williamson, Glenn and Colette Gauthier Myles, 6•richard kempton••••••••••••••••••••••- and Henk van Os. I have learned much from Jordan Zinovich and my other editors at Autonomedia about the history of anarchism and its developments since the '60s and have hopefully incorporated these valuable lessons in the text of the book. And I benefited from the comments of Hans Plomp and Stephen Snelders, who read the edited manuscript on Autonomedia's behalf. Again, a word of heartfelt thanks is due. Also, thanks to Peter Stansill and David Zane Mairowitz for permission to use materials from their collection BAMN (By Any Means Necessary): Outlaw Manifestos and Ephem­ era, 1965-70. I must add that the opinions and conclusions expressed are my own. In no way do they constitute an endorsement of my views on the part of those mentioned above - I am thinking here particu­ larly of my Dutch contacts. It seems to be a point of Batavian pride that no two Dutch people will agree on any matter social or politi­ cal, so I gracefully accept beforehand the possibility that no one in the Netherlands will be completely in accord with that which I have written about three years of their nation's history. -Richard Kempton publisher's foreword Provo: Amsterdam's Anarchist Revolt is another title in Autono­ media's ongoing exploration of Dutch resistance movements: pre­ viously, Th e Devil's Anarchy (2005) examined early Dutch piracy, and Cracking the Movement (1994) chronicled the Dutch squatting movement. · While some in our collective cannot imagine modern anar­ chism without Provo, others only came to understand the move­ ment's impact through researching and editing this book. Provo is a legendary movement whose creative energy, successes, and fail­ ures helped shape the anarchism that we practice and love today. And while the effects of legends often drift in and out of our every­ day lives, they frequently pass unanalyzed. This book brings the history of Provo to the fore so that we can make the connections between the past and present, as well as take note of substantial differences between their historical moment and ours. Our hope for this introductory history of Provo in English audience is that it al- ••••••••••••••••••• provo: amsterdam's anarchist revolt•7 ; lows others to mine Provo's experiments and experiences for inspi­ =f; ration and strategies . .; Provo's playful combination of theory and street-level prac­ � tice helped generate the creative and flexible engagement that has .5 become an essential part of our most effective interventions into the increasingly militarized and regulated spaces of our everyday lives. It is part of a hidden history of fleeting moments, outbursts, and insurgencies that connect to form a linked revolutionary his­ tory, one which often remains secret even to those who make it. Many people involved in Provo likely were not aware of the ways in which previous revolutionary traditions informed them, and like­ wise, Provo has "invisibly" informed current practices of creative resistance. This book hopes to uncover parts of the hidden history that we're already embodying and living through even if we're not totally aware of it. Provo initiated the programs of playful street insurrection that we picked up and expanded through events such as Critical Mass and Reclaim the Streets. The White Housing Plan was an im­ portant precursor for the squatting movement that emerged in Am­ sterdam and elsewhere in Europe, eventually spreading to North America. Furthermore, the White Bicycles intervention, which Amsterdam authorities had seen as such a threat, is now copied around the world and are often sponsored and funded by municipal authorities. But such tactics are only the beginning of what we can learn from Provo. The Proves found ways to expand temporary autono­ mous zones into a sustainable movement that were based on col­ lective processes, critical reflection, and an impulse towards action. Rather than isolating the spheres of contemplation, politics, pro­ test, and play, they valued informed theories that generated new practices through critical reflection. There is much to learn from the particular ways they worked these levels simultaneously. Even the death of Provo was a strategic move stemming from a consensus-based process of self-reflection. It was initiated by the movement itself: when the Proves realized that their cohe­ sion was waning, they determined that dispersal was more strate­ gic than continuation. Their conscious choice of public dissolution demonstrated Provo's true vitality. That choice enabled them to join and inspire other groups, and we need only scrutinize the founda­ tions of the practices of resistance in Amsterdam today to recognize the continuing impact they have. Provo does not stand alone. It lies embedded in a matrix of earlier movements, as well as countless later layerings. There is clear evidence that the 1968 Paris activists borrowed from Provo's successes. So even the Situationists - who are often canonized S•richard kempton•••••••••••••••••••••••• within various radical milieus - owe a debt to the creative Provo activists who played with the political potential of aesthetics. It is sometimes surprising to realize that our histories are so incomplete, and a project like this by no means completes the history of Provo. In the DIY spirit, we take this opportunity to en­ courage others to pick up this thread and explore it on their own.
Recommended publications
  • Is Elon Musk an Anarchist? More Like a Libertarian Lenin
    Is Elon Musk an Anarchist? More like a Libertarian Lenin William Gillis June 18th, 2018 Elon Musk is trolling on twitter. A celebrity billionaire wasting his time making inane provo- cations would hardly be worthy of note but in the process Musk has declared that his politics are in line with Iain Banks’ anarcho-transhumanist utopia and that he aspires to see a world of direct democracy. There’s few spectacles like a billionaire in a labor dispute essentially fronting asa proponent of fully automated luxury communism. Yet when a number of his statements wander close to left wing market anarchist takes it may be worth responding. In particular I want to focus on the line, “Socialism vs capitalism is not even the right question. What really matters is avoiding monopolies that restrict people’s freedom.” There’s a lot to pick apart here, and it’s not remotely clear how much historical context Musk is aware of. Free market libertarians like Bastiat sat on the left of the French assembly and many advocates of free markets that modern Libertarians see as forefathers like Lysander Spooner and Benjamin Tucker considered themselves and were seen as socialists. There is a long and storied history of those who would problematize the terms “socialist” or “libertarian” and “capitalism” or “markets”, putting forth myriad conflicting definitions and frameworks, each in hopes ofillu- minating something lost in partisan tribalism. But Musk is a billionaire and in any coherent libertarian analysis a plutocrat whose success is in no small part dependent upon his collaboration with the state.
    [Show full text]
  • Chicago 7’ by Joshua Furst
    YOUR SHABBAT EDITION • OCTOBER 23, 2020 Stories for you to savor over Shabbat and through the weekend, in printable format. Sign up at forward.com/shabbat. GET THE LATEST AT FORWARD.COM 1 GET THE LATEST AT FORWARD.COM Culture Aaron Sorkin’s moralizing liberal fantasy betrays the real ‘Chicago 7’ By Joshua Furst According to the lore provided to the press, the the United States stood firmly against radical agitation development of Aaron Sorkin’s new movie, “The Trial of of all stripes. the Chicago 7,” originated in 2007 when Steven It was a show trial in the classic sense, political theater Spielberg, who at the time was toying with making the meant to affirm the government’s power. That it failed film himself, summoned Sorkin to his home and urged in this goal owes largely to the chaotic drama that him to write the screenplay for him. Interestingly, transpired within the courtroom with, on the one side, Sorkin had never heard of the trial, but to a certain kind Judge Julius Hoffman, an overbearing authoritarian of educated liberal possessing a working knowledge of presence incapable of hiding his prejudice, and on the its historic importance — and this, one must assume, other, defendants who used the trial as another stage includes Spielberg — a courtroom battle of ideas with from which to project their various political messages. nothing less at stake than the soul of America must If the government’s purpose was to put the have seemed to be a perfect match for his very specific counterculture on trial, the defendants used their wit talents.
    [Show full text]
  • De AS 104/105
    anarchistisch tijdschrift Een en twintigste jaargang, nr. 104, najaar 1993 / Twee en twintigste jaargang, nr. 105, winter 1994. De AS verschijnt vier maal per jaar en is een uitgave van Stichting De AS, Moerkapelle. ISSN-nummer 0920-3257. Bestelling: door storting op postgiro 4460315 van de AS te Moerkapelle. Jaarabonnement: ƒ28,-; buiten Benelux f34,- Druk: Macula, Boskoop. Zetwerk: Stichting Rode Emma, Amsterdam. Adreswijzigingen: bij voorkeur per briefkaart, of per giro (verbeter het adres op de kaart) graag met vermelding van de postcode. Reklamering: met vermelding van de laatste betaaldatum, als aangegeven in uw giro- administratie. Nieuwe abonnementen: gaan in met het eerste nummer van de jaargang, tenzij anders aangegeven bij bestelling. Zonder opzegging worden abonnementen verlengd. Redactie-adres: postbus 35061, 3005 DB Rotterdam. Administratie-adres: postbus 43,2750 AA Moerkapelle. Redactie: Cees Bronsveld, Marius de Geus, Thom Holterman, Rudolf de Jong, Jaap van der Laan, Wim de Lobel, Bas Moreel, Simon Radius, Hans Ramaer. Omslagontwerp: Detlef Greinert. Verder werkten mee: Machteld Bakker, Aat Brand, Francis Faes, Eric Goeman, Marli Huijer, Roger Jacobs, Jan Moulaert, André de Raaij, Hein Westerouen van Meeteren, Dick de Winter. EEN WITLOFMONARCHIE IN DE GREEP VAN HET POPULISME Eric Goeman "La Belgique qu'elle créve" riep Vlaams Blok volksvertegenwoordiger Joris Van Hauthem tijdens het debat over de staatshervorming in het parlement. "Leve de republiek. Vive Julien Lahaut" riep ex-beursgoeroe, Ferrarimaniak en volksvertegenwoordiger Jean-Pierre van Rossem tijdens de kroningsplechtigheid van Albert II in het parlement. (Julien Lahaut was een communistisch voorman en volksvertegenwoordiger die tijdens de eedaflegging in 1951 van Boudewijn I "Vive la république" riep.
    [Show full text]
  • From Artist-As-Leader to Leader-As-Artist Is a Critical Examination of the Image of Contemporary Leadership and Its Roots
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UVH Repository from from from artist - as artist-as-leader - leader to to to leader leader-as-artist - as From artist-as-leader to leader-as-artist is a critical examination of - artist the image of contemporary leadership and its roots. Through the lens of modern management texts, Pieterse explores the the dutch Beat poet and performer link between contemporary management speak and the artistic critique of the avant-garde movements of the 1950s in the Netherlands, simon Vinkenoog as exemplar of leadership focusing specifically on the Dutch Fiftiers group, the Cobra movement and 1960s countercultural activism. Subsequently, a neo- in contemporary organizations management discourse is generated whereby the figure of the artist becomes the model for the modern leader: charismatic, visionary, intuitive, mobile, creative, cooperative, open to taking risks and strong at networking. Such a discourse appeals to the values of self- actualization, freedom, authenticity and “knowledge deriving from personal experience” (Boltanski and Chiapello 2007: 113), the very values of the artistic critique that have been absorbed into modern- day capitalism. Pieterse explores this transformation of the artistic critique into contemporary leadership rhetoric by unfolding the life and work of ISBN 978-90-818047-1-4 the Dutch Beat poet and performer Simon Vinkenoog, a highly influential leader in the artistic critique. In doing so he examines the dilemmas, paradoxes and contradictions present within contemporary leadership. Vincent Pieterse is a Program Director at de Baak Management Centre, one of the largest management training institutes in the Vincent Pieterse NUR 600 Netherlands.
    [Show full text]
  • City-Bike Maintenance and Availability
    Project Number: 44-JSD-DPC3 City-Bike Maintenance and Availability An Interactive Qualifying Project Report Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science By Michael DiDonato Stephen Herbert Disha Vachhani Date: May 6, 2002 Professor James Demetry, Advisor Abstract This report analyzes the Copenhagen City-Bike Program and addresses the availability problems. We depict the inner workings of the program and its problems, focusing on possible causes. We include analyses of public bicycle systems throughout the world and the design rationale behind them. Our report also examines the technology underlying “smart-bike” systems, comparing the advantages and costs relative to coin deposit bikes. We conclude with recommendations on possible allocation of the City Bike Foundation’s resources to increase the quality of service to the community, while improving the publicity received by the city of Copenhagen. 1 Acknowledgements We would like to thank the following for making this project successful. First, we thank WPI and the Interdisciplinary and Global Studies Division for providing off- campus project sites. By organizing this Copenhagen project, Tom Thomsen and Peder Pedersen provided us with unique personal experiences of culture and local customs. Our advisor, James Demetry, helped us considerably throughout the project. His suggestions gave us the motivation and encouragement to make this project successful and enjoyable. We thank Kent Ljungquist for guiding us through the preliminary research and proposal processes and Paul Davis who, during a weekly visit, gave us a new perspective on our objectives. We appreciate all the help that our liaison, Jens Pedersen, and the Danish Cyclist Federation provided for us during our eight weeks in Denmark.
    [Show full text]
  • Anarchist Cybernetics Control and Communication in Radical Left Social Movements
    ANARCHIST CYBERNETICS CONTROL AND COMMUNICATION IN RADICAL LEFT SOCIAL MOVEMENTS Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Thomas Swann MA (University of Glasgow), MA (Radboud University Nijmegen) School of Management University of Leicester September 2015 Thesis Abstract Anarchist Cybernetics Control and Communication in Radical Left Social Movements by Thomas Swann This thesis develops the concept of anarchist cybernetics in an attempt to elaborate an understanding of the participatory and democratic forms of organisation that have characterised radical left-wing social movements in recent years. Bringing together Stafford Beer’s organisational cybernetics and the organisational approaches of both classical and contemporary anarchism, an argument is made for the value of an anarchist cybernetic perspective that goes beyond the managerialism cybernetics has long been associated with. Drawing on theoretical reflection and an empirical strategy of participatory political philosophy, the thesis examines contemporary social movement organisational practices through two lenses: control and communication. Articulating control as self-organisation, in line with cybernetic thought, an argument is made for finding a balance between, on the one hand, strategic identity and cohesion and, on the other, tactical autonomy. While anarchist and radical left activism often privileges individual autonomy, it is suggested here that too much autonomy or tactical flexibility can be as damaging to a social movement organisation as over-centralisation. Turning to communication, the thesis looks at social media, the focus of another kind of hype in recent activism, and identifies both the potentials and the problems of using social media platforms in anarchist and radical left organisation.
    [Show full text]
  • De AS Verschijnt in Vier Afleveringen Per Jaar En Is Een Uitgave Van Stichting De AS, Moerkapelle
    anarchistisch tijdschrift Eén en dertigste jaargang, nr. 142, zomer 2003. De AS verschijnt in vier afleveringen per jaar en is een uitgave van Stichting De AS, Moerkapelle. ISSN-nummer 0920-3257. Bestelling: door storting op postgiro 4460315 van de AS te Moerkapelle. Jaarabonnement: 18,90 euro; buiten Nederland 22 euro. Druk: BGS, Schiedam. Zetwerk: Stichting Rode Emma, Amsterdam. Adreswijzigingen: bij voorkeur per briefkaart, of per giro (verbeter het adres op de kaart) graag met vermelding van de postcode. Nieuwe abonnementen: gaan in met het eerste nummer van de jaargang, tenzij anders aangegeven bij bestelling. Zonder opzegging worden abonnementen verlengd. Adres: postbus 43, 2750 AA Moerkapelle. Redactie: André Bons, Marius de Geus, Jaap van der Laan, Wim de Lobel, Hans Ramaer. Redactieraad: Arie Hazekamp, Thom Holterman, Rudolf de Jong, Freek Kallenberg, Judith Metz, Bas Moreel, André de Raaij, Martin Smit, Siebe Thissen, Rymke Wiersma, Hanneke Willemse. Verder werkten mee: Bert Altena, P'tje Lanser, Johny Lenaerts, Herman Noordegraaf, Dick de Winter. Publicatie van een bijdrage impliceert niet dat daarin of daardoor redactionele standpunten worden weergegeven. E-mail: [email protected] luternet:http:/ /www.geocities.com/deasnl DOMELA NIEUWENHUIS EN DE ALGEMENE WERKSTAKING* Bert Altena Wie iets over de spoorwegstakingen van 1903 wil weten, die slaat het dikke proefschrift van A.J.C. Rüteri op, dat bijna zeventig jaar geleden geheel aan dat onderwerp gewijd werd. Het is een wetenschappelijk werk maar wie het boek aandachtig leest, merkt dat de auteur niet zonder politiek engagement zijn werk geschreven heeft. Het engagement van een voor- uitstrevend liberaal. Rüters opvatting over de geschiedenis van de vakbeweging is echter die van het NVV in de jaren dertig.
    [Show full text]
  • Anarchisme & Recht
    Thom Holterman HET ANARCHISME ALS BRON 2 VAN VRIJHEIDSLIEVENDE IDEEËN Anarchisme en Recht (1) ANARCHISME Hans Ramaer IN MEMORIAM ERIC BROUWER (1958-2012) 4 Thom Holterman OOK ANARCHISTEN REGELEN ZAKEN 7 & RECHT DOOR MIDDEL VAN PROCEDURES Anarchisme en Recht (2) Thom Holterman ANTROPOLOGISCH ONDERZOEK 14 Anarchisme & Recht– BIEDT INZICHT IN RECHTSOPVATTINGEN Anarchisme en Recht (3) Thom Holterman STAATSWIL EN RECHT 20 VERSCHILLEN VAN ELKAAR Anarchisme en Recht (4) Thom Holterman DE SAMENLEVING VORMT 27 DE GRONDSLAG VAN RECHTSREGELS de AS Anarchisme en Recht (5) Thom Holterman HET KRITISCH EN CONSTRUCTIEF POTENTIEEL 31 179 VAN HET ANARCHISME Anarchisme en Recht (6) Arie Hazekamp JURRIE ZUIDEMA OVERLEDEN (1919-2012) 37 André de Raaij HET VLOOIENPARK 38 Dubbele boterham met kaas 4 Boudewijn Chorus TEGEN DE (RECHTS)STAAT? 39 Sterke Verhalen 11 Martin Smit IN MEMORIAM JACQUES GIELE (1942-2012) 43 André de Raaij REACTIES EN DISCUSSIES 44 Crisisbericht Thom Holterman MACHT EN EMANCIPATIE: EEN STRIJD 45 Uit het land van Proudhon 19 Hans Ramaer DWANGARBEID 48 Hard Rain 18 Rymke Wiersma e.a. BOEKBESPREKINGEN 50 DE AS 179 Prijs van dit nummer 5,- euro. de AS anarchistisch tijdschrift 40ste jaargang, nummer 179, herfst 2012. De AS verschijnt in vier afleveringen per jaar en is een uitgave van Stichting de AS, Moerkapelle. ISSN-nummer 0920-3257. Bestelling: door storting op rekeningnummer 4460315 ten name van de AS in Moerkapelle. Jaarabonnement: 18,50 euro; buiten Nederland 26,- euro. Druk: BGS, Schiedam. Opmaak: Atalanta, Utrecht. Adreswijzigingen: per post of per e-mail ([email protected]). Nieuwe abonnementen: gaan in met het eerste nummer van de jaargang, tenzij anders aan- gegeven bij bestelling.
    [Show full text]
  • The Actuality of Critical Theory in the Netherlands, 1931-1994 By
    The Actuality of Critical Theory in the Netherlands, 1931-1994 by Nicolaas Peter Barr Clingan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Martin E. Jay, Chair Professor John F. Connelly Professor Jeroen Dewulf Professor David W. Bates Spring 2012 Abstract The Actuality of Critical Theory in the Netherlands, 1931-1994 by Nicolaas Peter Barr Clingan Doctor of Philosophy in History University of California, Berkeley Professor Martin E. Jay, Chair This dissertation reconstructs the intellectual and political reception of Critical Theory, as first developed in Germany by the “Frankfurt School” at the Institute of Social Research and subsequently reformulated by Jürgen Habermas, in the Netherlands from the mid to late twentieth century. Although some studies have acknowledged the role played by Critical Theory in reshaping particular academic disciplines in the Netherlands, while others have mentioned the popularity of figures such as Herbert Marcuse during the upheavals of the 1960s, this study shows how Critical Theory was appropriated more widely to challenge the technocratic directions taken by the project of vernieuwing (renewal or modernization) after World War II. During the sweeping transformations of Dutch society in the postwar period, the demands for greater democratization—of the universities, of the political parties under the system of “pillarization,” and of
    [Show full text]
  • From Squatting to Tactical Media Art in the Netherlands, 1979–1993
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979–1993 Amanda S. Wasielewski The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3125 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BETWEEN THE CRACKS: FROM SQUATTING TO TACTICAL MEDIA ART IN THE NETHERLANDS, 1979–1993 by AMANDA WASIELEWSKI A dissertation submitted to the Graduate Faculty in Art History in partiaL fulfiLLment of the requirements for the degree of Doctor of PhiLosophy, The City University of New York 2019 © 2019 AMANDA WASIELEWSKI ALL Rights Reserved ii Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of PhiLosophy. Date David JoseLit Chair of Examining Committee Date RacheL Kousser Executive Officer Supervisory Committee: Marta Gutman Lev Manovich Marga van MecheLen THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski Advisor: David JoseLit In the early 1980s, Amsterdam was a battLeground. During this time, conflicts between squatters, property owners, and the police frequentLy escaLated into fulL-scaLe riots.
    [Show full text]
  • Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H
    Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H. Haworth Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H. Haworth © 2012 PM Press All rights reserved. ISBN: 978–1–60486–484–7 Library of Congress Control Number: 2011927981 Cover: John Yates / www.stealworks.com Interior design by briandesign 10 9 8 7 6 5 4 3 2 1 PM Press PO Box 23912 Oakland, CA 94623 www.pmpress.org Printed in the USA on recycled paper, by the Employee Owners of Thomson-Shore in Dexter, Michigan. www.thomsonshore.com contents Introduction 1 Robert H. Haworth Section I Anarchism & Education: Learning from Historical Experimentations Dialogue 1 (On a desert island, between friends) 12 Alejandro de Acosta cHAPteR 1 Anarchism, the State, and the Role of Education 14 Justin Mueller chapteR 2 Updating the Anarchist Forecast for Social Justice in Our Compulsory Schools 32 David Gabbard ChapteR 3 Educate, Organize, Emancipate: The Work People’s College and The Industrial Workers of the World 47 Saku Pinta cHAPteR 4 From Deschooling to Unschooling: Rethinking Anarchopedagogy after Ivan Illich 69 Joseph Todd Section II Anarchist Pedagogies in the “Here and Now” Dialogue 2 (In a crowded place, between strangers) 88 Alejandro de Acosta cHAPteR 5 Street Medicine, Anarchism, and Ciencia Popular 90 Matthew Weinstein cHAPteR 6 Anarchist Pedagogy in Action: Paideia, Escuela Libre 107 Isabelle Fremeaux and John Jordan cHAPteR 7 Spaces of Learning: The Anarchist Free Skool 124 Jeffery Shantz cHAPteR 8 The Nottingham Free School: Notes Toward a Systemization of Praxis 145 Sara C.
    [Show full text]
  • The Left in Europe
    ContentCornelia Hildebrandt / Birgit Daiber (ed.) The Left in Europe Political Parties and Party Alliances between Norway and Turkey Cornelia Hildebrandt / Birgit Daiber (ed.): The Left in Europe. Political Parties and Party Alliances between Norway and Turkey A free paperback copy of this publication in German or English can be ordered by email to [email protected]. © Rosa Luxemburg Foundation Brussels Office 2009 2 Content Preface 5 Western Europe Paul-Emile Dupret 8 Possibilities and Limitations of the Anti-Capitalist Left in Belgium Cornelia Hildebrandt 18 Protests on the Streets of France Sascha Wagener 30 The Left in Luxemburg Cornelia Weissbach 41 The Left in The Netherlands Northern Europe Inger V. Johansen 51 Denmark - The Social and Political Left Pertti Hynynen / Anna Striethorst 62 Left-wing Parties and Politics in Finland Dag Seierstad 70 The Left in Norway: Politics in a Centre-Left Government Henning Süßer 80 Sweden: The Long March to a coalition North Western Europe Thomas Kachel 87 The Left in Brown’s Britain – Towards a New Realignment? Ken Ahern / William Howard 98 Radical Left Politics in Ireland: Sinn Féin Central Europe Leo Furtlehner 108 The Situation of the Left in Austria 3 Stanislav Holubec 117 The Radical Left in Czechia Cornelia Hildebrandt 130 DIE LINKE in Germany Holger Politt 143 Left-wing Parties in Poland Heiko Kosel 150 The Communist Party of Slovakia (KSS) Southern Europe Mimmo Porcaro 158 The Radical Left in Italy between national Defeat and European Hope Dominic Heilig 166 The Spanish Left
    [Show full text]