2010 Twitter: #PE10 #TVD01

Total Page:16

File Type:pdf, Size:1020Kb

2010 Twitter: #PE10 #TVD01 TV DOCUMENTARY 01 Leuven Hulp At the beginning of 2009 a number of prisoners from the Leuven Help auxiliary prison in Leuven took part in a theatre workshop. The improvisations and rehearsals within the prison walls were filmed over a period of three months, culminating in a performance in front Belgium of an audience. For three months prisoners were filmed, often day and night - including in the cells, in which they were locked up 22 hours a day. The viewers are thus privileged witnesses of the day-to-day life of Entering organisation: Nico, Bogdan, Dilges, Christos, Peter, Antonio and Ali. They see Vlaamse Radio- en Televisieomroep - VRT them as they walk round the prison courtyard, as they go about the Contact: Franky Audenaerde tasks they are given to do and in their cells. They see them during Email: [email protected] the day, but also during the long nights. They observe their troubled relationship with the outside world, their often hopeless situations Author/s: and their survival strategies. Joeri Weyn, Yoohan Leyssens, Luc Haekens As a viewer you are constantly subjected to a conflict of feelings: on Directors: Joeri Weyn, Yoohan Leyssens, Luc Haekens the one hand you empathise with the person, on the other hand you Camera: Joeri Weyn & Yoohan Leyssens cannot avoid the reprehensible, often violent deeds of the criminal. Commissioning editor: Michel Vanhove Nico says to theatre-maker Thomas, ‘You often say ‘experienced’ but Email: [email protected] you should see it as ‘committed’. Dilges raps in his cell, ‘You know, Production company: Woestijnvis but you do it anyway, yo’. We carry on doing it even though we know Producer/s: Inge Sierens we shouldn’t. Co-producer/s: None This conflict of feelings regularly crops up in Leuven Hulp. What is ‘experiencing’ and what is ‘committing’? When is a perpetrator Length: 44 min. a victim? When do we punish the criminal and when do we Total budget: not available sympathise with the person’s impotence? Production format: 16:9 Leuven Hulp is a unique documentary about guilt and punishment, Original language: Dutch missed opportunities and the eternal intention of never going back to Date of production: June 2009 prison. First broadcast: on 28 December 2009, 21:15 by VRT één Presented on: Tuesday, 19 October 2010 Twitter: #PE10 #TVD01 2 TV DOCUMENTARY Decata na Drujbata 02 Ha and Ahmad are the Bulgarian symbols of communist internationalism in action. Ha is a Vietnamese singer and Ahmad a The Children of Drujba Lebanese doctor. Both came to Bulgaria at a young age and after the fall of socialism found themselves homeless. They are the ‘Children of Drujba - comradeship’, born in countries Bulgaria struggling for independence and socialism, nurtured and brought up in socialistic Bulgaria. With the fall of the Berlin Wall and the collapse of socialism, these ‘children’ are forced to grow up quickly and decide whether to go Entering organisation: back to their old countries where they do not feel they belong or to cineaste maudit production Bulgaria move on. Contact: Svetoslav Draganov Email: [email protected] Author/s: Svetoslav Draganov Director: Svetoslav Draganov Camera: Svetla Neykova, Aleksander Krumov and Svetoslav Draganov Commissioning editor: None Production company: cineaste maudit production Bulgaria Producer/s: Svetoslav Draganov Co-producer/s: BNT Key staff: George Donchev (music) Length: 70 min. Total budget: € 50.000 Production format: Beta 16:9 Original languages: Bulgarian, French, Arabic, Vietnamese Date of production: December 2009 First broadcast: on 7 June 2010, 2:15 Presented on: Thursday, 21 October 2010 Twitter: #PE10 #TVD02 3 TV DOCUMENTARY 03 Trg/20. stoljeće na filmu The experimental documentary film ‘The Square / 20th Century on The Square / Film’ explores directing, screenwriting and dramaturgical options in recycling fragmented footages from film archives. 20th Century on Film The film is based on two and a half hours of documentary and archive footage of Zagreb’s central point - Ban Jelačić Square, made Croatia between 1915 and 1981. Through reductions and derivations carried out by 6 co-screenwriters, the original material that included documentaries, newsreels, fragments and 16mm TV reports were reduced to 27 minutes of experimental documentary film. Entering organisation: Out of this, two minutes of essential takes of the square throughout Hrvatska radiotelevizija - HRT / Croatian Television the 20th century have been derived in the end. Contact: Hrvoje Juvančić Email: [email protected] Author/s: Hrvoje Juvančić Director: Hrvoje Juvančić Camera: archive footage Commissioning editor: Miro Branković (HRT), Dalibor Martinis (Croatian Audio Visual Centre) Email: [email protected] Production company: HRT Producer/s: Miro Rezić Co-producer/s: Croatian AudioVisual Centre, Hrvatska kinoteka, AIII Length: 27 min. Total budget: € 44.300 Production format: 16mm, final: IMX Original language: Croatian Date of production: January 2010 First broadcast: on 5 February 2010, 23:15 by HRT Presented on: Friday, 22 October 2010 Twitter: #PE10 #TVD03 4 TV DOCUMENTARY Cinematerapie 04 We live in times when television churns out one reality show after another to amuse us. Thus our emotionally arid contemporary Cinematherapy society artificially feeds on the stories of people whose further fate is shaped by dozens of professionals. ‘Cinematherapy’ has chosen a different method. In advertisements Czech Republic on the small screens of Czech Television viewers were invited to participate in a casting event, where they were to tell their life story. Eleven winners then underwent cinematherapy offered to them by the camera as mediator between these individuals and the outer Entering organisation: world. Česká televize - Czech Television Ivan Vojnar is the director of this film, which is something between Contact: Jitka Prochazkova a live-action movie, a documentary and a reality show. Email: [email protected] To these eleven protagonists he offers neither plastic operations nor Author/s: Ivan Vojnar, Tomas Bojar encounters with long-lost friends; he bids them look back at their Director: Ivan Vojnar often bizarre lives and thus shed the burning traumas we all carry Camera: Michal Cerny around within. Commissioning editor: Jana Skopkova Email: [email protected] Production company: Czech Television Producer/s: Ivan Vojnar - Ivan Vojnar Film Co-producer/s: Petr Moravek - Czech Television Jordi Niubo - I/O Post Key staff: Richard Müller (sound), Sarka Nemcova (editor) Length: 108 min. Total budget: € 153.846 Production format: 35 mm, Digi Beta 16:9 Original language: Czech Date of production: March 2010 First broadcast: on 15 December 2010, 20:00 by Czech Television Presented on: Sunday, 17 October 2010 Twitter: #PE10 #TVD04 5 TV DOCUMENTARY 05 Disco and Atomic War The film maker recalls with humorous commentary how J.R. Ewing Disco and Atomic War from the TV-series ‘Dallas’ influenced his Estonian childhood, how he and his cousins savoured the likes of ‘Emanuelle’ and interpreted the world according to Finnish TV. Estonia Western popular culture had an incomparable role shaping Soviet children’s world-views in those days - in ways that now seem slightly odd. Finnish television was a window to a world of dreams that the authorities could not block in any way. Entering organisation: Though Finnish channels were banned, many households found Autlook filmsales some way to access the forbidden fruit. Contact: Youn Ji ‘Disco and Atomic War’ tells the story of a strange kind of Email: [email protected] information war, where a totalitarian regime stands face to face with the heroes of popular culture. And loses. Author/s: Jaak Kilmi and Kiur Aarma Director: Jaak Kilmi Camera: Manfred Vainokivi, Kristjan Svirgsden, Asko Kase Commissioning editor: Aleksi Bardy, Annika Sucksdorff Email: [email protected] Production company: Eetriüksus Producer/s: Kiur Aarma Co-producer/s: Aleksi Bardy, Annika Sucksdorff Length: 78 min. Total budget: not specified Production format: Digi Beta PAL Original languages: Estonian, Finnish, Russian, English Date of production: November 2009 First broadcast: on 14 July 2010, 0:00 by SF Presented on: Monday, 18 October 2010 Twitter: #PE10 #TVD05 6 TV DOCUMENTARY Miesten vuoro 06 Naked Finnish men in saunas speak straight from the heart and in the warmth of rusty stoves cleanse themselves both physically and Steam of Life mentally towards the film’s deeply emotional and unforgettable finale. Finland The film travels through Finland joining men of all walks of life in many different saunas to let us hear their touching stories about love, death, birth and friendship; about life. In all its simplicity the camera records the raw and rare beauty of landscapes, saunas and men in Entering organisation: almost magical pictures. Yleisradio - Finnish Broadcasting Company Contact: Monica Bergman The presence of the characters and the depth of their emotion Email: [email protected] reaches a limit where it is almost intolerable for the viewer to watch. Author/s: Joonas Berghäll and Mika Hotakainen ‘Steam of Life’ reveals the men’s naked souls in an exceptionally Directors: Joonas Berghäll and Mika Hotakainen intimate and poetic way. Camera: Heikki Färm, Jani Kumpulainen Commissioning editor: Ilkka Vehkalahti Email: [email protected] Production company: Oktober Oy Producer/s: Joonas Berghäll, Oktober Oy Co-producer/s: Adel Kjellström, Röde Orm Film AB, in association with: YLE TV2 Dokumenttiprojekti, ARTE, SVT, ERR Key staff: Timo Peltola, (editor), Christian Christensen (sound), Jonas Bohlin (music) Length: 82 min. Total budget: € 400.000 Production format: s16mm Original language: Finnish Date of production: December 2009 First broadcast: on 31 December 2010, 0:00 by YLE TV 2 Presented on: Thursday, 21 October 2010 Twitter: #PE10 #TVD06 7 TV DOCUMENTARY 07 Mes deux seins, journal d’une guérison The director learns she has breast cancer. A Diary of Healing It is a complete shock. Will her life end tomorrow? How will she manage? The film-maker in her decides to assist the patient as she searches for meaning.
Recommended publications
  • ELEMENTARY TACLOBAN CITY September 30, 2018 Rm/Grp
    Professional Regulation Commission TACLOBAN REGIONAL OFFICE NO. 8 Licensure Examination for PROFESSIONAL TEACHERS ELEMENTARY TACLOBAN CITY September 30, 2018 Rm/Grp. No.: School: SAN JOSE CENTRAL SCHOOL Address: San Jose, Tacloban City Building: Floor: 1 Seat No. LAST NAME FIRST NAME MIDDLE NAME 1 ABAD AILEEN BATESTER 2 ABAD FAITH LUMAPAS 3 ABAD RAMILDA TUAZON 4 ABAD ROWELYN SALUDAR 5 ABADIAC JENNIFER PACAMPARA 6 ABADIANO JANICA ABARQUEZ 7 ABAIGAR JAYFECY TOBIAS 8 ABAIGAR MA FE ABANTAO 9 ABAIGAR MARC PAULOS ALFANTE 10 ABAIGAR TEJAY LOPEZ 11 ABAIGAR VANIZA ABANAG 12 ABAINZA LEA BOHOL 13 ABALA RUTCHEL CATIPON 14 ABALAJEN SHELLA MAY ASPACIO 15 ABALOS ANGELYN LABONG 16 ABALOS GENIE YBUT 17 ABALOS GINALISA LABONG 18 ABALOS JESSA MABANAN 19 ABALOS JOEY LABONG 20 ABALOYAN ARIANNE TEBRERO REMINDER: 1. USE SAME NAME IN ALL EXAMINATION FORMS. IF THERE IS AN ERROR IN SPELLING, KINDLY REQUEST YOUR ROOM WATCHER(S) TO CORRECT IT ON THE DAY OF EXAM. 2. STRICTLY NO BRINGING OF MOBILE PHONES DURING EXAMINATIONS. 3. LATE EXAMINEES WILL NOT BE ADMITTED TO THE EXAMINATION ROOM. BE PUNCTUAL, REPORT TO YOUR SCHOOL ASSIGNMENT BEFORE 6:30 AM. LATE EXAMINEES WILL NOT BE ADMITTED Professional Regulation Commission TACLOBAN REGIONAL OFFICE NO. 8 Licensure Examination for PROFESSIONAL TEACHERS ELEMENTARY TACLOBAN CITY September 30, 2018 Rm/Grp. No.: School: SAN JOSE CENTRAL SCHOOL Address: San Jose, Tacloban City Building: Floor: 2 Seat No. LAST NAME FIRST NAME MIDDLE NAME 1 ABAN CLARISA RAMOS 2 ABAN RICHARD LABID 3 ABANADOR HANNA GABE 4 ABANADOR REGINE LOMBRES 5 ABANAG ADORA UY 6 ABANAG LUNALYN ABARRATIGUE 7 ABANDO JOSELYN ROSCO 8 ABANTAO APRIL ANNE GABON 9 ABANTAO BRYAN VERZOSA 10 ABANTAO MA NANCY CABRITO 11 ABANTAO MARY JOY VENTABAL 12 ABANTAO TRIXIE PACADALJEN 13 ABAPO CHEREY ANN FLORENTINO 14 ABARAO JEANNIEL TALISIC 15 ABAROLLO ANNA PALCE 16 ABARQUEZ ABEGAIL GABUYA 17 ABARRACOSO MA NEÑA ABAIGAR 18 ABARRACOSO REGGIE BOY ACABAN 19 ABARRACOSO ROXAN PACLEAN 20 ABARRATIGUE AGNES ABARQUEZ REMINDER: 1.
    [Show full text]
  • EUROPEAN CULTURE FESTIVAL - a PART of EUROPEAN SOCIAL FORUM 2008 EUROPEAN CULTURE FESTIVAL Sept
    EUROPEAN CULTURE FESTIVAL - A PART OF EUROPEAN SOCIAL FORUM 2008 EUROPEAN CULTURE FESTIVAL Sept. 12th – 21st 2008 A part of European Social Forum 2008 European Culture Festival (ECF) is a project that has functioned primarily as a tool within the framework of the European Social Forum (ESF) aiming to inspire, anchor and integrate different parts of the local cultural scene - to make possible a rich and diverse cultural programme to complement the forum. The project was initiated by Folkets Bio Malmö and immediately a creative collaboration was established with Folkets Hus och Parker to set an extensive film programme. All along more local culture actors has joined the project, which has grown into including all cultural fields, with focus remaining on the film programme. The result is both unique and outstanding, presenting the most extensive film programme in Malmö ever, and at the same time the biggest commitment to documentaries and film seminars ever. During the ESF approximately 400 cultural events will be presented, in which all artistic expressions are represented and there will be events for all ages. Add to that the forum seminar programme, with over 200 seminars, and we have for Malmö - a grand and very unique forum. ECF is founded on the cooperation between 200 organizations and actors from all over the world presenting events in 18 different locations in Malmö. The festival is based on extensive voluntary work. The programme includes 210 events within all cultural fields. We have largely concentrated on film screenings, art video screenings & exhibitions as well as seminars. Thematically we have our main TRANSITPASSENGERS & MAGIC LANTERN FOUNDATION focus on design, architecture and urban planning, queer, migration, labour rights, alternative movements and actions, local resistance, environment and feminism.
    [Show full text]
  • De AS 104/105
    anarchistisch tijdschrift Een en twintigste jaargang, nr. 104, najaar 1993 / Twee en twintigste jaargang, nr. 105, winter 1994. De AS verschijnt vier maal per jaar en is een uitgave van Stichting De AS, Moerkapelle. ISSN-nummer 0920-3257. Bestelling: door storting op postgiro 4460315 van de AS te Moerkapelle. Jaarabonnement: ƒ28,-; buiten Benelux f34,- Druk: Macula, Boskoop. Zetwerk: Stichting Rode Emma, Amsterdam. Adreswijzigingen: bij voorkeur per briefkaart, of per giro (verbeter het adres op de kaart) graag met vermelding van de postcode. Reklamering: met vermelding van de laatste betaaldatum, als aangegeven in uw giro- administratie. Nieuwe abonnementen: gaan in met het eerste nummer van de jaargang, tenzij anders aangegeven bij bestelling. Zonder opzegging worden abonnementen verlengd. Redactie-adres: postbus 35061, 3005 DB Rotterdam. Administratie-adres: postbus 43,2750 AA Moerkapelle. Redactie: Cees Bronsveld, Marius de Geus, Thom Holterman, Rudolf de Jong, Jaap van der Laan, Wim de Lobel, Bas Moreel, Simon Radius, Hans Ramaer. Omslagontwerp: Detlef Greinert. Verder werkten mee: Machteld Bakker, Aat Brand, Francis Faes, Eric Goeman, Marli Huijer, Roger Jacobs, Jan Moulaert, André de Raaij, Hein Westerouen van Meeteren, Dick de Winter. EEN WITLOFMONARCHIE IN DE GREEP VAN HET POPULISME Eric Goeman "La Belgique qu'elle créve" riep Vlaams Blok volksvertegenwoordiger Joris Van Hauthem tijdens het debat over de staatshervorming in het parlement. "Leve de republiek. Vive Julien Lahaut" riep ex-beursgoeroe, Ferrarimaniak en volksvertegenwoordiger Jean-Pierre van Rossem tijdens de kroningsplechtigheid van Albert II in het parlement. (Julien Lahaut was een communistisch voorman en volksvertegenwoordiger die tijdens de eedaflegging in 1951 van Boudewijn I "Vive la république" riep.
    [Show full text]
  • What Do Students Know and Understand About the Holocaust? Evidence from English Secondary Schools
    CENTRE FOR HOLOCAUST EDUCATION What do students know and understand about the Holocaust? Evidence from English secondary schools Stuart Foster, Alice Pettigrew, Andy Pearce, Rebecca Hale Centre for Holocaust Education Centre Adrian Burgess, Paul Salmons, Ruth-Anne Lenga Centre for Holocaust Education What do students know and understand about the Holocaust? What do students know and understand about the Holocaust? Evidence from English secondary schools Cover image: Photo by Olivia Hemingway, 2014 What do students know and understand about the Holocaust? Evidence from English secondary schools Stuart Foster Alice Pettigrew Andy Pearce Rebecca Hale Adrian Burgess Paul Salmons Ruth-Anne Lenga ISBN: 978-0-9933711-0-3 [email protected] British Library Cataloguing-in-Publication Data A CIP record is available from the British Library All rights reserved. Except for the quotation of short passages for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permissions of the publisher. iii Contents About the UCL Centre for Holocaust Education iv Acknowledgements and authorship iv Glossary v Foreword by Sir Peter Bazalgette vi Foreword by Professor Yehuda Bauer viii Executive summary 1 Part I Introductions 5 1. Introduction 7 2. Methodology 23 Part II Conceptions and encounters 35 3. Collective conceptions of the Holocaust 37 4. Encountering representations of the Holocaust in classrooms and beyond 71 Part III Historical knowledge and understanding of the Holocaust 99 Preface 101 5. Who were the victims? 105 6.
    [Show full text]
  • 2011 Annual Report from the President and Chair
    2011 ANNUAL REPORT FROM THE PRESIDENT AND CHAIR 2012 marks the 25th anniversary of the founding of the Buzzards Bay Coalition by a dedicated group of citizens spanning the Bay from Woods Hole to Westport. They were brought together by the loss of shellfish beds to contamination from sewage, by the ongoing threat of oil spills from barges, by toxic pollution in need of cleanup in New Bedford and at Otis, and by the spread of sprawl development and loss of open space throughout the watershed. In 1987, these problems were reaching an all-time peak and the Bay’s citizens came together to create a new future for our region’s environment. They believed that local citizens from all watershed towns should work together; for they had the most to gain from the Bay’s preservation and the most to lose by its degra- dation. They created the Buzzards Bay Coalition to carry forth that mission. So a sign was hung on a donated cadets room at Mass Maritime, a phone line estab- lished, and from the keys of a typewriter, the Bay Coalition began its work to build a citizens movement to clean up the Bay. The accomplishments in this 2011 Annual Report speak volumes about how far we’ve come as an organization and how the challenges facing our Bay have changed in the past quarter century. But one thing that remains as true today as it was in 1987 is that people are the engine of the Buzzards Bay Coalition. Our members and generous sup- porters who volunteer their time, money, and ideas are at the heart of our efforts and make our work possible.
    [Show full text]
  • PEN (Organization)
    PEN (Organization): An Inventory of Its Records at the Harry Ransom Center Descriptive Summary Creator: PEN (Organization) Title: PEN (Organization) Records Dates: 1912-2008 (bulk 1926-1997) Extent: 352 document boxes, 5 card boxes (cb), 5 oversize boxes (osb) (153.29 linear feet), 4 oversize folders (osf) Abstract: The records of the London-based writers' organizations English PEN and PEN International, founded by Catharine Amy Dawson Scott in 1921, contain extensive correspondence with writer-members and other PEN centres around the world. Their records document campaigns, international congresses and other meetings, committees, finances, lectures and other programs, literary prizes awarded, membership, publications, and social events over several decades. Call Number: Manuscript Collection MS-03133 Language: The records are primarily written in English with sizeable amounts in French, German, and Spanish, and lesser amounts in numerous other languages. Non-English items are sometimes accompanied by translations. Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation, cataloging, and selective digitization of this collection. The PEN Digital Collection contains 3,500 images of newsletters, minutes, reports, scrapbooks, and ephemera selected from the PEN Records. An additional 900 images selected from the PEN Records and related Ransom Center collections now form five PEN Teaching Guides that highlight PEN's interactions with major political and historical trends across the twentieth century, exploring the organization's negotiation with questions surrounding free speech, political displacement, and human rights, and with global conflicts like World War II and the Cold War. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials.
    [Show full text]
  • Anarchist Cybernetics Control and Communication in Radical Left Social Movements
    ANARCHIST CYBERNETICS CONTROL AND COMMUNICATION IN RADICAL LEFT SOCIAL MOVEMENTS Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Thomas Swann MA (University of Glasgow), MA (Radboud University Nijmegen) School of Management University of Leicester September 2015 Thesis Abstract Anarchist Cybernetics Control and Communication in Radical Left Social Movements by Thomas Swann This thesis develops the concept of anarchist cybernetics in an attempt to elaborate an understanding of the participatory and democratic forms of organisation that have characterised radical left-wing social movements in recent years. Bringing together Stafford Beer’s organisational cybernetics and the organisational approaches of both classical and contemporary anarchism, an argument is made for the value of an anarchist cybernetic perspective that goes beyond the managerialism cybernetics has long been associated with. Drawing on theoretical reflection and an empirical strategy of participatory political philosophy, the thesis examines contemporary social movement organisational practices through two lenses: control and communication. Articulating control as self-organisation, in line with cybernetic thought, an argument is made for finding a balance between, on the one hand, strategic identity and cohesion and, on the other, tactical autonomy. While anarchist and radical left activism often privileges individual autonomy, it is suggested here that too much autonomy or tactical flexibility can be as damaging to a social movement organisation as over-centralisation. Turning to communication, the thesis looks at social media, the focus of another kind of hype in recent activism, and identifies both the potentials and the problems of using social media platforms in anarchist and radical left organisation.
    [Show full text]
  • Inkomend Gescand Document 1-10-2009
    COMMISSARIAAT VOOR DE MEDIA Hoge Naarderweg 78 HUI 1217 AH Hilversum HUI Postbus 1426 HUI 1200 BK Hilversum HUI [email protected] HUI www.cvdm.nl T 035 773 77 00 Ulli F 035 773 77 99 Hill Ministerie van OCW E-doc Nr. De minister van Onderwijs, Datum Reg l-IQ-loo^ Cultuur en Wetenschap de heer dr. Ronald H.A. Plasterk Directie Postbus 16375 Ter behandeling aan: 2500 BJ DEN HAAG B'Advies aan/jildoening dmot bewindspersoon D Advies aan/afdoening door lid MT-OCW Datum Onderwerp D Afdoening op directieniveau 29 september 2009 Advies erkenningaanvragen G Ter kennisneming Uw kenmerk Ons kenmerk Col fcfttóSfilftpOoor; Doorkiesnummer 18895/2009014195 JariVoccolmon Boseh i 31 (005) 773 TT09 Geachte heer Plasterk, Voor de komende erkenningperiode, die loopt van september 2010 tot en met 31 december 2015, zijn de bestaande omroepverenigingen en nieuwe initiatieven in de gelegenheid gesteld een aanvraag in te dienen voor toekenning van een (voorlopige) erkenning. In de daarvoor aangewezen periode ontving het Commissariaat aanvragen van alle acht omroepverenigingen die nu al een definitieve erkenning hebben, van de twee aspirant omroepverenigingen LLiNK en MAX en van de twee nieuwe initiatieven PowNed en Wakker Nederland, dat momenteel onder de naam WNL opereert. Wij hebben alle aanvragen doorgeleid naar uw ministerie, naar de Raad voor Cultuur en naar de raad van bestuur van de publieke omroep, welke laatste twee daarover net als het Commissariaat advies zullen uitbrengen. Bij brief van 13 juli 2009 heeft u ons formeel om advies gevraagd. Bij deze adviesaanvraag hoorde een "handreiking bij de beoordeling van aanvragen voor erkenning als omroepvereniging".
    [Show full text]
  • Elementary March 24, 2019
    PROFESSIONAL REGULATION COMMISSION TACLOBAN PROFESSIONAL TEACHER - ELEMENTARY MARCH 24, 2019 School : SAN JOSE CENTRAL SCHOOL Address : SAN JOSE, TACLOBAN CITY Building : Floor : 1ST Room/Grp No. : 1 Seat Last Name First Name Middle Name School Attended No. 1 ABAD FAITH LUMAPAS VISAYAS STATE UNIVERSITY(FOR VISCA,LSU) - VILLABA CAMPUS 2 ABAD RAMILDA TUAZON HOLY INFANT COLLEGE 3 ABADIAC JENNIFER PACAMPARA NORTHWEST SAMAR STATE UNIVERSITY (FOR.TIBURCIO TANCINCO) 4 ABADIANO JANICA ABARQUEZ SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 5 ABAIGAR MA. FE ABANTAO SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 6 ABAIGAR TEJAY LOPEZ SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 7 ABAIGAR VANIZA ABANAG SAMAR COLLEGE 8 ABAJON GLENDA CASINAY LEYTE NORMAL UNIVERSITY 9 ABALOS ANGELYN LABONG SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 10 ABALOS GENIE YBUT SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 11 ABALOS GINALISA LABONG SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 12 ABALOS JESSA MABANAN SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 13 ABALOS JOEY LABONG SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 14 ABAN CLARISA RAMOS SAINT MARY'S COLLEGE OF CATBALOGAN (SACRED HEART COLL.) 15 ABAN RICHARD LABID SAMAR STATE UNIVERSITY (SAMAR S.P.C.) 16 ABANADOR HANNA GABE EASTERN SAMAR STATE UNIVERSITY-SALCEDO CAMPUS 17 ABANADOR REGINE LOMBRES EASTERN SAMAR STATE UNIVERSITY-BORONGAN 18 ABANAG LUNALYN ABARRATIGUE SAMAR COLLEGE 19 ABANDO JOSELYN ROSCO SAMAR COLLEGE REMINDER: USE SAME NAME IN ALL EXAMINATION FORMS. IF THERE IS AN ERROR IN SPELLING AND OTHER DATA KINDLY REQUEST YOUR ROOM WATCHERS TO CORRECT IT ON THE FIRST DAY OF EXAMINATION. REPORT TO YOUR ROOM ON OR BEFORE 6:30 A.M.
    [Show full text]
  • De AS Verschijnt in Vier Afleveringen Per Jaar En Is Een Uitgave Van Stichting De AS, Moerkapelle
    anarchistisch tijdschrift Eén en dertigste jaargang, nr. 142, zomer 2003. De AS verschijnt in vier afleveringen per jaar en is een uitgave van Stichting De AS, Moerkapelle. ISSN-nummer 0920-3257. Bestelling: door storting op postgiro 4460315 van de AS te Moerkapelle. Jaarabonnement: 18,90 euro; buiten Nederland 22 euro. Druk: BGS, Schiedam. Zetwerk: Stichting Rode Emma, Amsterdam. Adreswijzigingen: bij voorkeur per briefkaart, of per giro (verbeter het adres op de kaart) graag met vermelding van de postcode. Nieuwe abonnementen: gaan in met het eerste nummer van de jaargang, tenzij anders aangegeven bij bestelling. Zonder opzegging worden abonnementen verlengd. Adres: postbus 43, 2750 AA Moerkapelle. Redactie: André Bons, Marius de Geus, Jaap van der Laan, Wim de Lobel, Hans Ramaer. Redactieraad: Arie Hazekamp, Thom Holterman, Rudolf de Jong, Freek Kallenberg, Judith Metz, Bas Moreel, André de Raaij, Martin Smit, Siebe Thissen, Rymke Wiersma, Hanneke Willemse. Verder werkten mee: Bert Altena, P'tje Lanser, Johny Lenaerts, Herman Noordegraaf, Dick de Winter. Publicatie van een bijdrage impliceert niet dat daarin of daardoor redactionele standpunten worden weergegeven. E-mail: [email protected] luternet:http:/ /www.geocities.com/deasnl DOMELA NIEUWENHUIS EN DE ALGEMENE WERKSTAKING* Bert Altena Wie iets over de spoorwegstakingen van 1903 wil weten, die slaat het dikke proefschrift van A.J.C. Rüteri op, dat bijna zeventig jaar geleden geheel aan dat onderwerp gewijd werd. Het is een wetenschappelijk werk maar wie het boek aandachtig leest, merkt dat de auteur niet zonder politiek engagement zijn werk geschreven heeft. Het engagement van een voor- uitstrevend liberaal. Rüters opvatting over de geschiedenis van de vakbeweging is echter die van het NVV in de jaren dertig.
    [Show full text]
  • Video Catalogue 2009
    Video Catalogue 2009 COLOPHON The Holland Film Meeting 2009 is supported by : MEDIA Programme of the European Union Netherlands Film Fund, HGIS – Cultuurmiddelen Ministry of Education, Culture and Science Binger Filmlab Holland Film Netherlands Feature Film Association (NVS) MEDIA Desk Nederland City of Utrecht Ministry of Foreign Affairs Kodak Variety Screen International Treaty of Utrecht EAVE Cinelink Rotterdam Media Commission CoBO CineMeta Digital Holland Subtitling Versteeg Wigman Sprey Advocaten Holland Harbour Productions AVP Grand Hotel Karel V Warnier Studio Bord Scannan nah Eireann/The Irish Film Board Rotterdam Media Fund Flanders Audiovisual Fund Film Fund Luxembourg Mitteldeutsche Medienforderung Swedish Film Institut Production Lorette Steenman, Coördinator Video Library Fred de Haas, Benelux Screenings & Industry Office Design Nico Komen Cover Design Evelyne Brehm for Geijsen Design GENERAL INFORMATION Welcome in the Video Library of the 2009 Holland Film Meeting. The Video Library is the place to bring recent films from the Benelux to the attention of buyers, commissioning editors, festival directors and sales agents. It presents a variety of recent Benelux Film- and TV productions, Netherlands Film Festival- and special programme selections, available for screening in one of the 20 screening booths. Every professional visitor receives a catalogue, which lists approximately 180 titles. These titles include especially films that were selected for one of the 2009 Netherlands Film Festival programs. The festival competition films are marked by the NFF logo in the catalogue. Besides, we offer this year a great amount of student films. Most of the available titles are English subtitled or English spoken. By looking through the films of the catalogue, which can only be obtained from the Video Library-desk in “De Boerderij” room, at the Karel V Hotel, you can decide which films you would like to see.
    [Show full text]
  • Glen Tetley: Contributions to the Development of Modern
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr.
    [Show full text]