Falstaff Page 1 of 2 Opera Assn

Total Page：16

File Type：pdf, Size：1020Kb

San Francisco War Memorial 1944 Falstaff Page 1 of 2 Opera Assn. Opera House Falstaff (in Italian) Opera in three acts by Giuseppe Verdi Libretto by Arrigo Boito Based on works by Shakespeare Conductor CAST William Steinberg Sir John Falstaff Salvatore Baccaloni Stage director Fenton, a young nobleman Bruno Landi Armando Agnini Ford, a wealthy burgher Ivan Petroff Chorus Director Dr. Caius, a physician John Garris Kurt Herbert Adler Bardolph Alessio De Paolis Set designer Pistol Lorenzo Alvary Armando Agnini Mistress Ford Vivian Della Chiesa Nannetta, her daughter Licia Albanese Mistress Quickly Margaret Harshaw Mistress Page Herta Glaz A Page Kathleen Lawlor Innkeeper Paul Guenter *Role debut †U.S. opera debut PLACE AND TIME: Fifteenth Century; Windsor Monday, October 16 1944, at 8:00 PM Act I, Scene 1 -- Room at the Garter Inn Thursday, October 26 1944, at 8:00 PM Scene 2 -- Courtyard at Ford's Home Act II, Scene 1 -- Same as Act I, Scene 1 Scene 2 -- Room in Ford's House Act III, Scene 1 -- Same as Act I, Scene 1 Scene 2 -- Windsor Forest at Night San Francisco War Memorial 1944 Falstaff Page 2 of 2 Opera Assn. Opera House Sponsors: Notes: Settings constructed in the studios of the San Francisco Opera Association. Part of the opera was broadcast live on October 26 between 10 p.m. and 11:15 p.m. over the Mutual Broadcasting System, sponsored by Safeway Stores. AIR RAID PRECAUTIONS The Opera House in "blacked out" and all facilities have been inspected and approved by Civilian Defense authorities. As an additional factor for your safety, trained air raid wardens are on duty during performances. PLEASE OBEY ALL INSTRUCTIONS OF THE AIR RAID WARDENS.

Copy Link

Recommended publications

Atada ^J Inca ^Y^Iaat
WM. C ¿W*¿*^~*S I l ¿#p#ryr~ V.etttyatada ^J inca ^y^iaat 19 4 3 DBt<té ■JJlftestros (Españolas A- "LA MANTILLA BLANCA" de Julio Moisés Fernández de Villosonte se destaca por otmós- su técnica clora y brillante y por la naturalidad y fera que envuelven a la modelo. maestras como Es, en realidad, una de las obras españolas, lo son también los Vinos Finos y Coñacs de PEDRO DOMECQ, S. A., f . GONZÁLEZ. BYASS Y CÍA. JEREZ DE LA FRONTERA ESPAÑA Chile Agentes generales y distribuidores poro DANIEL BILBAO, URIARTE Y CÍA. LTDA. SAN DIEGO 1177 - CASILLA 1372 TELEFONO 53005 SANTIAGO TEMPORADA UJfygA DPIDÜAI * ■ h,í? ■' s *■/' -A ¿' \ Bajo el patrocinio de la I. Municipalidad y del Instituto ds Extensión Mu- sical de la Universidad de Chile. ' • X. ^- X-RÍ- '"~t rrmitr dirrrtivr %'-;'",, POR LA I. MUNICIPALIDAD. Héctor Pacheco, Rene Frías Ojedo, Osear Dahm, Administrador del T. Municipal, Renato Salvati, Asesor Artístico del Teatro Municipal. POR EL INSTITUTO DE EXTENSIÓN MUSICAL. Arturo Aletsandri Rodríguez, Delegado de la Universidad de Chile en la Junta Directiva del I. de E. M., Armando Carvajal, Director Artístico del I. de E. M. y Director de la Orquesta Sinfónica de Chile. wipemnrüfiii© G. VERDI "AIDA", "RIGOLETTO", "TRAVIATA" R. WAGNER "LOHENGRIN", "LA WALKYRIA" PUCCINI "TOSCA" GIORDANO "ANDREA CHÉNIER" ROSSINI "EL BARBERO DE SEVILLA" BIZET _l "CARMEN" THOMAS "MIGNON" MASSENET "MANON" BISQUERTT "SAYEDA" AURA A SANTIAGO (CHILE) Dirección Telegráfica: "Hueto" - (od. ABC 5.a Ed Méj. PRODUCTORES Y DISTRIBUIDORE S OFICINA CENTRAL:,: ^M^fc_ CASILLA N." 4700 S»LEX N A T A N I E L 21 ~^C—^ TELEF.
[Show full text]
TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi
TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi 1940 Rigoletto baritono Mario Basiola, soprano Lina Aimaro, tenore Carlo Merino, direttore Arturo Lucon 1941 La Traviata soprano Magda Olivero, tenore Mario Filippeschi, baritono Gino Vanelli, direttore Arturo Lucon Andrea Chenier tenore Galliano Masini, soprano Fernanda Ciani, baritono Luigi Borgonovo, direttore Arturo Lucon 1942 Il Barbiere di Siviglia baritono Carlo Galeffi, soprano Emilia Carlino, tenore Vladimiro Badiali, basso Andrea Mongelli, direttore Arturo Lucon Madama Butterfly soprano Iris Adami Corradetti, tenore Mario Del Monaco, baritono Afro Poli, direttore Antonino Votto 1943 La Sonnambula soprano Emilia Carlino, tenore Francesco Albanese, basso Italo Taio, direttore Federico Del Cupolo 1947 Tosca soprano Carla Castellani, tenore Gianni Poggi, baritono Raimondo Torres, direttore Umberto Berrettoni 1948 Un Ballo in Maschera soprano Franca Sacchi, tenore Antonio Latino, mezzo soprano Miriam Pirazzini, baritono Raimundo Torres 1949 Rigoletto baritono Aldo Protti, soprano Hilde Reggiani, tenore Giuseppe Savio, direttore Federico Del Cupolo L’Amico Fritz tenore Bruno Landi, soprano Rosetta Noli, baritono Gino Vanelli, direttore Federico del Cupolo Mefistofele basso Cesare Siepi, soprano Rosetta Noli, tenore Glauco Scarlin, direttore Umberto Berrettoni 1950 La Traviata soprano Rosetta Noli, tenore Giuseppe Campora, baritono Carlo Tagliabue, direttore Umberto Berrettoni Manon soprano Mafalda Favero, tenore Agostino Lazzari, baritono Leo Piccioli, direttore Umberto
[Show full text]
[T] IMRE PALLÓ
VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
[Show full text]
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
[Show full text]
12" Ejslp Issues
VOCAL 78 rpm Discs JOHN O’SULLIVAN [t] 4390. 10” Red acous. Spanish Regal (Columbia) RS 5030 [70601/70694]. OTELLO: Esultate! / OTELLO: Niun mi tema (Verdi). Cons. 2. $25.00. 4290. 10” Maroon acous. Eng. Columbia D5372 [B514/B532]. WILLIAM TELL: O muto asil (Rossini) / CARMEN: Romanza del fiore (Bizet). Cons. 2. $25.00. 4403. 10: Red acous. Eng. Columbia D12458 [B541/B549]. LES HUGUENOTS: Stringe il periglio (Meyerbeer). Two sides. With DORA DE GIOVANNI [s]. O’Sullivan’s phenomenal top register heard here at full cry. Excellent surfaces. Few lightest mks., cons. 2. $35.00. 4264. 10” Red acous. Eng. Columbia D12459 [B518/B532]. HUGUENOTS: Bianca al par (Meyerbeer) / CARMEN: Romanza del fior (Bizet). Cons. 2. $25.00. 4953. 10” Blue elec. PW Eng. Columbia D1573 [WA3564/WA3562]. IL TROVATORE: Ah si, ben mio / IL TROVATORE: Di quella pira (Verdi). Just about 1-2. $15.00. MARIA PIA PAGLIARINI [s]. Modina, 1902-1935. A pupil of Vezzani and Boninsegna, Pagliarini made her debut in 1921 as Nedda in Pagliacci and retired in 1930 after marrying conductor Antonio Fugazzola. Her final performance seems to have been Leonora in Il Trovatore at Milan’s Teatro dal Verme. See: ALESSANDRO BONCI. ESTHER PALLISER (or PALLISSER) [s]. Germantown, PA, 1872 - ? , She was taught by her musician parents and then studied further in Europe. Her operatic debut was in Rouen as Marguerite in Faust. This was followed by work with the D’Oyly Carte Opera Company in 1890. Her career included other Gilbert and Sullivan performances and tours, concerts, music festivals and grand opera at Covent Garden and Drury Lane.
[Show full text]
Copyright by Melody Marie Rich 2003
Copyright by Melody Marie Rich 2003 The Treatise Committee for Melody Marie Rich certifies that this is the approved version of the following treatise: Pietro Cimara (1887-1967): His Life, His Work, and Selected Songs Committee: _____________________________ Andrew Dell’Antonio, Supervisor _____________________________ Rose Taylor, Co-Supervisor _____________________________ Judith Jellison _____________________________ Leonard A. Johnson _____________________________ Karl Miller _____________________________ David A. Small Pietro Cimara (1887-1967): His Life, His Work, and Selected Songs by Melody Marie Rich, B.M., M.M. Treatise Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2003 ACKNOWLEDGEMENTS The journey to discovering Pietro Cimara began in 1996 at a summer workshop where upon first hearing “Ben venga amore,” I instantly knew that I had to have more of Cimara’s music. Since then, the momentum to see my research through to the finish would not have continued without the help of many wonderful people whom I wish to formally acknowledge. First, I must thank my supervisor, Dr. Andrew Dell’Antonio, Associate Professor of Musicology at the University of Texas at Austin. Without your gracious help and generous hours of assistance with Italian translation, this project would not have happened. Ringraziando di cuore, cordiali saluti! To my co-supervisor, Rose Taylor, your nurturing counsel and mounds of vocal wisdom have been a valuable part of my education and my saving grace on many occasions. Thank you for always making your door open to me.
[Show full text]
Williams Demands Investigation of Police, Charges Frame-Up in Gambling “Permit« WILLIAM J
•w >itii<tirifmiiriiimririmiMMmiifiiii<!ifimmrtriuiHiiJ Most Complete Coverage Use The Times'- CLASSIFIED ADS of the Belleville Territory- to sell, buy or trade. Read weekly by more than Belleville's Most Potent Selling; Force 28,000 Belleviilites. Call Be. 2-3200 rmtimirjii jiinmniiiiifi »uiilitiiitiiii PRICE FIVE CENTS Yol XIX., No. 38 BELLEVILLE, N. L, THURSDAY, APRIL 13, 1944 Williams Demands Investigation Of Police, Charges Frame-up In Gambling “Permit« WILLIAM J. ROSS Opening St. Peter's Bowling Alleys JERALDO MAIORAN, Principals In Police Controversy Says King Suppressed NAMEDOFFICIAL BUILDING PIONEER, Leighton Statement 0F RED CROSS PASSES AT 73 First Aid Vice Chairman Developer, ‘Unofficial Mayor’ Wachenfeld Calls For Transcript On Executive Group; Of Silver Lake Succumbs Of Sensational Meeting; Mayor Duval Resigns After Long illness Promises Many More Disclosures Jeraldo Maioran of 184 Bel William J. Ross of 182 Floyd A sweeping in yestigation of the police department anc street, vice chairman of the Red mont avenue, who developed near ly all of present-day Silver Lake, its functioning since Joseph King became director of publr Cross first aid committee, was uied at his home last week after a elected a member of the executive long illness. Thus ended nearly a safety was demanded yesterday morning by Mayor Wil committee of the Belleville chap- { half-century devoted to the inter lianis in a conference with county Prosecutor Wachenfeld ter at a meeting at the Woman’s ests of that southwestern portion club Monday night. of the town. The confab took place in the prosecutor’s office less that At the same time the resigna Mr.
[Show full text]
Cagnoni” Dal 1948 Al 1973
GLI SPETTACOLI PIU’ IMPORTANTI ALLESTITI AL “CAGNONI” DAL 1948 AL 1973 ANNO DATA SPETTACOLO E INTERPRETI PRINCIPALI 1948 20-21 marzo BOHEME con Renata Tebaldi, Mario Binci Direttore m° Primo Casale 28 marzo TRAVIATA con Margherita Carosio aprile SIMPATIA rivista con Nino Taranto, Dolores Palumbo, Pupetta Maresca 3 maggio AMLETO di Shakespeare con Renzo Ricci e Eva Magni 4 maggio GLI SPETTRI di Ibsen con Renzo Ricci e Eva Magni 5 maggio ENRICO IV di Shakespeare con Renzo Ricci e Eva Magni ottobre TURANDOT con Emilica Vera, Vasco Campignano RIGOLETTO con Lina Borello, Giuseppe Campora, Carlo Savarese Direttore m° Federico Del Cupolo 1949 2-4 aprile ANDREA CHENIER con Antonio Vela, Delia Sanzio, baritono Vidali 3 aprile BUTTERFLY con Aida Sterlich, baritono Gilardoni Direttore m° Angelo Quadri 6-7 ottobre OTELLO con Clara Petrella, Antonio Lonardi, Piero Blasini 9 ottobre TOSCA con Jole Gavina, Pino Campora e baritono Azzolini 1950 29-30 aprile I CASTELLI IN ARIA rivista con Ugo Tognazzi e Lia Cortese – musiche di D’Anzi 4 giugno ARLECCHINO SERVITORE DI DUE PADRONI di Goldoni presentato dalla Compagnia del Piccolo Teatro di Milano 4 settembre CONCERTO dell’Orchestra sinfonica di Mozarteum di Salisburgo diretta dal m° Pierluigi Sanpietro (mortarese) 14 settembre MANON di Massenet con Mafalda Favero, Agostino Lazzari 15 settembre TRAVIATA di Rosetta Noli, Alfredo Venzetti, Luigi Borgonovo Direttore m° Federico Del Cupolo 1951 29 marzo CAVALLERIA RUSTICANA con Germana Di Giulio e il tenore Casale 16 maggio BUTTERFLY con Rosina Lipora e Giovanni
[Show full text]
Wooster, OH), 1941-04-17 Wooster Voice Editors
The College of Wooster Open Works The oV ice: 1941-1950 "The oV ice" Student Newspaper Collection 4-17-1941 The oW oster Voice (Wooster, OH), 1941-04-17 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1941-1950 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1941-04-17" (1941). The Voice: 1941-1950. 10. https://openworks.wooster.edu/voice1941-1950/10 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1941-1950 by an authorized administrator of Open Works. For more information, please contact [email protected]. STUDENT SENATE WILL H&LD rrn VOICE CALLS REPORTERS, NOMINATIONS FOR OFFICERS SPORTS WRITERS, MONDAY, IN CHAPEL ON TUESDAY HE WOOSTE.R YO 1 4 P.M, VOICE OFFICE -- Official Student Publication "4f .the College ap.; Wooster -- 1 Volume LVII O WOOSTER, OHIO, THURSDAYAPRIL 17, 1941 Number 21 Wooster Mourns j of Jn Statement Policy Facts The 1941 '42 Voice staff intends to' pursue a much more Wilder and McCarley Head Sudden Death of vigorous editorial policy than has been the custom of the Review , '.,-- . paper-i- n thepast." - - - . STAN -V- ;:;.By COAtESm ainuJO-Jiel- oiee-Staff BM!OaFcock" We. p; formulate and 4jrecttudentj)pinion INTRODUCTION This " column, NewWooster rather than Be "merely itS "expressionrWhen-contraversi- al. unlike the late Senator Borah, does to an 6rgariof not claim to have any "inside infor- issues xarise, we shall not evade them either by : Crider, Slreeger, and mation".
[Show full text]
Il Barbiere Di Siviglia
IL BARBIERE DI SIVIGLIA Con las grabaciones completas de Il barbiere di En el listado siguiente ofrecemos las cerca de ciento diez 1949 Siviglia de Rossini llegamos por fin a tiempos antes grabaciones documentadas que están completas y cantadas Enzo Mascherini; Giuseppe di Stefano; Giulietta en italiano, con los papeles principales presentados en este Simionato; Gerhard Pechner; Cesare Siepi; Concha de de la Segunda Guerra Mundial. No deberían haber orden: Figaro (barítono); Il Conte Almaviva (tenor); Rosina los Santos; los demás sin especificar; coro y orquesta del escaseado registros de esta ópera tan conocida desde (mezzosoprano); Dr. Bartolo (bajo); Don Basilio (bajo); Berta Palacio de las Bellas Artes; dir. Renato Cellini. Giuseppe la introducción de las nuevas tecnologías de grabación (soprano); Fiorello (bajo); Un Ufficiale (bajo). di Stefano GDS 105; Istituto Discografico Italiano IDIS en el mundo de la ópera, y así fue efectivamente. 347-348 (2 CD). Grabación en directo. Il barbiere di Siviglia en disco Aparte del registro de una retransmisión en directo por ▮ la radio de una representación desde la Metropolitan 1918-1919 1950 Giuseppe Valdengo; Giuseppe di Stefano; Lily Pons; Opera en 1938, las demás grabaciones se realizaron Francesco Novelli; Fernando De Lucia; Maria Resemba; Giorgio Schottler; Stefano Valentino; Nina Sabatano; Salvatore Baccaloni; Jerome Hines; Hertha Glaz; George en los estudios discográficos o radiofónicos. Angelo di Tommaso; NN; coro y orquesta del Teatro di Cehanovsky; NN; coro y orquesta de la Metropolitan EL hecho de que las primeras grabaciones italianas San Carlo de Nápoles; dir. Salvatore Sassano. Phonotype Opera; dir. Alberto Erede. Cetra Opera Live LO 3/3 (3 LP); utilizan el italiano no extraña, pero sí es llamativo la alta (78 rpm) (1919); Rubini SJG 121 (2 LP) (1973); OASI 602; Gala GL 100.738 (2 CD) (2003).
[Show full text]
191 VOCAL 78 Rpm Discs 2398. 11” Brown Praha Odeon 38539/38519
VOCAL 78 rpm Discs 2398. 11” Brown Praha Odeon 38539/38519 [XV62/Vx497]]. FRÜHLINGSZEIT (Becker) / WLADISLAV FLORIJANSKY [t]. EUGEN ONEGIN: Air (Tschaikowsky). Piano acc. Rare. Speeds 89.7/81.8 rpm, (presuming the key of A). Side one 4-5. Remarkably forward and the graying sounds only a bit. Side one 3-4 (although hardly any graying). Looks considerably worse than it sounds. $50.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. He also appeared in Mexico and the Phil- lipines. Among the leading baritones of his era, Pacini’s only records were a few for Fonotipia. 9024. 11” Gold SS Fonotipia 39005 [XPh2]. LE ROI DE LAHORE: O casto fior (Massenet). Few MGTs, just about 2. $50.00. REGINA PACINI [s]. Lisbon, 1871-Buenos Aires, 1965. Born of a musical family, Pacini made her debut in 1888 at the San Carlo in Lisbon as Amina in Bellini’s La Sonnambula. She also appeared at La Scala, Covent Garden (with Caruso), Rome, Warsaw and St. Petersburg. In Buenos Aires, 1907, Pacini wed the Argentine Diplomat Marcelo de Alvear and then retired from the stage. From 1922 through 1928 she was first lady of Argentina, her husband having been elected President. Pacini was still living during the reign of another more recognized Argentine presidential wife, Evita Peron.
[Show full text]
Ejecución Impeca&(E
TEATRO MUNICIPAL . 4T^rt«i_¿'i. .n.i„ Concesionarios: SALVATI, BETTEO, MEWE — GRAN =- COMPAÑÍA LÍRICA ITALIANA PROGRAMA OFICIAL .TEMPORADA 19 3 8 © m. irpq 2as alhajas de (a Gasa <IDeU son aífiajas finas, de diseño exquisito in ejecución impeca&(e, coa piedcas calidad, Las pceciosas de aíta [a oecdadeca ampacá, además ampíia y. eí del gacantía que implica pcestigio aom&ce de ía Qasa ¿IDeil ceconocido nace más de en todo Gnite desde medio siglo SANTIAGO ESTADO 370 X ■>.- ~ X ■<■ r ■'+■!■ s -■■)*('+ .+ VsXs<:f; jr^+'XsS' *,■*-. -i- >>>>>;<-*^sí' ■i- +' -i- ;(• -Í-' ■>■ :f ,4- ;t- ■** -+>'@ AR TEF ACTOS díoMeh o% JCoMeh DARÁN A SU SALA ELEGANCIA Y DISTINCIÓN wm00s X •.RT •-■:-}.. • MORRISON y Cía. TELEFONO 63263 AHUMADA 67 ■'+.+ +'+>;yv> .-)■;+. + + l muóuj y I Tri "rr:r\ r ' c >;< i h i 0 ?■. i V--H* ,..s,., .- R '«|F 1|| l1 --fe- Í.A. , J VT ■íi' ■X Mcestro P. De Rngelis Hilde Reggiani GRAN SASTRERÍA FALABELLA AHUMADA 242 (Frente Banco de Chile) y CORTE IMPECABLE, CASIMIRES INGLESES DE PRIMERA CALIDAD Carmen Gómez Conchita Uelasquez DEPARTAMENTO DE SEÑORAS, ATEN 31 Ü ■ POR CORTADORES ESPECIALISTAS :— : :-: .—. Extenso surtido en cortes exclusivos RODIER y LYOU r X' -'p' Consulte nuestra sección créditos xx&M' m¿ Bruno Landi luirlo v M-^ iR';¡ i :_. DE BiU-;;- P S. N. C. PARA SUS VIAJES EN LA COSTA ESTADOS UNIDOS O EUDOPA PDEFIEQA LOS GPANDES Y LUJOSOS TDANSATLANTICOS DE THE PACIFIC SÍEAM NAVK1ATION COMPANY f(bm/7onta /ng/esa (fe l/aponesj 98 AÑOS DE PRESTIGIO AL SERVICIO DEL MUNDO VIAJERO SEGUPIDAD QAPIDE2 ATENCIÓN ESMERADA VERMOUTH I@®LÍTT® a Saint Vallier y Opera en cuatro actos del maestro G.
[Show full text]