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VOCAL 78 rpm Discs JOHN O’SULLIVAN [t] 4390. 10” Red acous. Spanish Regal (Columbia) RS 5030 [70601/70694]. OTELLO: Esultate! / OTELLO: Niun mi tema (Verdi). Cons. 2. $25.00. 4290. 10” Maroon acous. Eng. Columbia D5372 [B514/B532]. WILLIAM TELL: O muto asil (Rossini) / CARMEN: Romanza del fiore (Bizet). Cons. 2. $25.00. 4403. 10: Red acous. Eng. Columbia D12458 [B541/B549]. LES HUGUENOTS: Stringe il periglio (Meyerbeer). Two sides. With DORA DE GIOVANNI [s]. O’Sullivan’s phenomenal top register heard here at full cry. Excellent surfaces. Few lightest mks., cons. 2. $35.00. 4264. 10” Red acous. Eng. Columbia D12459 [B518/B532]. HUGUENOTS: Bianca al par (Meyerbeer) / CARMEN: Romanza del fior (Bizet). Cons. 2. $25.00. 4953. 10” Blue elec. PW Eng. Columbia D1573 [WA3564/WA3562]. IL TROVATORE: Ah si, ben mio / IL TROVATORE: Di quella pira (Verdi). Just about 1-2. $15.00. MARIA PIA PAGLIARINI [s]. Modina, 1902-1935. A pupil of Vezzani and Boninsegna, Pagliarini made her debut in 1921 as Nedda in Pagliacci and retired in 1930 after marrying conductor Antonio Fugazzola. Her final performance seems to have been Leonora in Il Trovatore at Milan’s Teatro dal Verme. See: ALESSANDRO BONCI. ESTHER PALLISER (or PALLISSER) [s]. Germantown, PA, 1872 - ? , She was taught by her musician parents and then studied further in Europe. Her operatic debut was in Rouen as Marguerite in Faust. This was followed by work with the D’Oyly Carte Opera Company in 1890. Her career included other Gilbert and Sullivan performances and tours, concerts, music festivals and grand opera at Covent Garden and Drury Lane. An appearance at the July, 1916 San Diego Panama-California Exposition indicates that she was active at least through this period, but as to her subsequent career and life nothing seems to be known. 1118. 10” Blk. London G&T 3288 [2100-R]. SPRING (Henschel). Such limpid, effortless singing! Label is quite faded. Surface very bright, possibly waxed along the way? Harmless inherent surface pressing waves. There are some LGTs which sound (albeit scarcely visible), but with these in mind and the label faded, it otherwise looks 2 or better. $50.00. IMRE PALLO [b] 1272. 10” (on 12”) White lbl. vinyl HMV AM 1687 [BW2109-1/BW2110-2]. HARY ESTHER PALLISER JANOS: Bordal (Kodály) / MARIA BASILIDES [c]. TOLEM A NAP (both Kodály). Side one creator performance. Side two piano acc. Otto Herz. Two single-sided pressings. Just about 1-2. $25.00. ROSETTA PAMPANINI [s] 2137. 12” late Blue It. Col. GQX 10230 [WBX128/WBX134]. MADAMA BUTTERFLY: Un bel dì (Puccini) / ANDREA CHÉNIER: La mamma morta (Giordano). Excellent late pressing. Just about 1-2. $7.00. CHARLES PANZÈRA [b]. See also: Col. DE LA ROCQUE in Personality Section 4571. 10” Blk. PW Disque Gram. P-724 [BFR110-I/BFR115-II]. CHANSON POUR LE PETIT CHEVAL (Deodat de Severac) / LES BERCEAUX (Fauré). Piano acc. Mme. Panzéra-Baillot. Excellent late ‘30s laminated pressing. Just about 1-2. $15.00. 4364. 10” Blk. PW Disque Gram. P-739 [BFR72-II/BRF71-II]. CLAIR DE LUNE / LAMENTO (both Fauré). Orch. dir. Piero Coppola. Another late ‘30s laminated pressing. Few lt. rubs, cons. 2. $12.00. - 136 - VOCAL 78 rpm Discs 4369. 10” Blk. PW Disque Gram. P-740 [BFR466-I/BTR3124-II] POÈMES CHINOIS: Notre bateau glasse (J. Despas) / LES PRIÈRES: Symbole des Apotres (André Caplet). Piano acc. Mme. Panéra-Baillot. Cons. 2. $15.00. 4844. 10” Blk. PW Disque Gram. P-804 [BT4014-II/BT4037-I]. CHANT HÉBRAÏQUE TRA- DITIONNEL [NOUS VENONS T’IMPLORER] (Léon Algazi) / CHANT POPULAIRE HÉ- BRAÏQUE [LA SÉPARATION] (Darius Milhaud). Piano acc. Just about 1-2. $15.00. 4771. 10” Red PW Disque Gram. DA-4810 [OW478-II/OW479-II]. TROIS BALLADES DE FRANÇOIS VILLON: Nos. 2: Ballade que fait Villon à la requeste de se mère/No. 3: Ballade des femmes de Paris (Debussy). Orch. dir. P. Coppola. Just about 1-2. $12.00. ANTONIO PAOLI [t] 4153. 10” White lbl. red vinyl Victor 91078 [10521b]. SAMSON ET DALILA: Figli miei v’arestate (Saint-Saëns). Just about 1-2. $20.00. 4154. 10” White lbl. red vinyl Victor 91080 [10522b]. LE PROPHÈTE: Re del ciel e dei beati (Meyerbeer). Just about 1-2. $20.00. 1899. 12” White lbl. red vinyl Victor 92049 [1178c]. IL TROVATORE: Miserere (Verdi). With CLARA JOANNA [s]. Just about 1-2. $20.00 1704. 12” Red Pats. Vla 88268 [1844½c]. AIDA: Nume custode e vindice (Verdi). With ANDREA PERELLO DE SEGUROLA [bs]. This is most often found as an S/8 transfer. Fine copy, few lightest mks. Cons. 2. $15.00. 1768. 12” Red Vla 8050. PAGLIACCI: Un grande spettacolo! / PAGLIACCI: Finale (Leonca- vallo). With GIUSEPPINA HUGUET [s], GAETANO PINI-CORSI [t], ERNESTO BADINI [b], and (side two only) GIUSEPPE ROSCI [b]. Conducted by the composer. Just about 1-2. $8.00. 1915. 12” Red HMV 052166 [1210c]. PAGLIACCI: Vesti la giubba (Leoncavallo). Con- ducted by the composer. This was never issued in the U.S., Victor offering the Caruso or Albani recordings to complete the Pagliacci set. 2. $15.00. 1938. 12” White lbl. red vinyl HMV 052329 [317ai]. IL TROVATORE: Ah si, ben mio (Verdi). Pressed by Victor, but never issued in the U.S. Just about 1-2. $25.00. SALVATORE PAPACCIO [t]. Naples, 1890 – Naples, 1977. One source gives his debut in 1908 at the Teatro San Carlo as the Sailor in Tristan und Isolde, a performance directed by Cleofante Campanini. If his debut and birthdate are correct, this would have made him 18 at the time. His repertoire, mostly comprimario roles, included well over 100 parts. Most of his operatic career was at the Teatro San Carlo, from which he retired in 1963. He was also a famous interpreter of Canzone Napoletana, and he made many records in this genre. SALVATORE PAPACCIO [left] and BENIAMINO GIGLI [seated] The disc below is a scarce souvenir of his lengthy operatic career. 4222. 10” Green acous. Phonotype 3604/3605. L’ARLESIANA: Lamento di Federico (Cilèa) / GIULIETTA E ROMÉO: Lamento del cantatore (Zandonai). 3. $15.00. ARMIDA PARSI-PETTINELLA [ms] 1084. 11” Col.-Fonotipia 92036/92096 [XPh2808/XPh3016]. MIGNON: Non conosci il bel suol / MIGNON: In veder l’amata stanza [Gavotta di Federico] (Thomas). Small lbl. stkrs. Cons. 2. $12.00. TAURINO PARVIS [b]. See also: ERNESTO COLLI [t], GINA CIAPARELLI VIAFORA [s] 4973. 10” B&S Columbia 3080 [M-119-1]. OCCHI DI FATA (Denza). Piano acc. Nice copy. 2. $10.00. - 137 - VOCAL 78 rpm Discs TANCREDI PASERO [bs]. See also: MAFALDA FAVERO [s] 4612. 10” PW Red Eng. Columbia D12537 [WB1324/WB1325]. FAUST: Dio dell’ or / FAUST: Serenata (Gounod). Just about 1-2. $10.00. LINA PASINI-VITALE [s]. See: ELVIRA DE HIDALGO [s] CONCETTO PATERNA [bs]. Catania, 1870 – 1940?. His debut seems to have been in 1890. Aside from appearing with many Italian companies, Paterna was also heard in Lisbon (1890), the Metropolitan Opera (season of 1908-09), Covent Garden (1920), and Madrid’s Teatro Reale (1915). Paterna was one of his era’s most prominent buffo basses, and at the Met his roles included Bartolo in Il Barbiere di Siviglia, Dulcamara in l’Elisir d’Amore, Don Pasquale, and several smaller parts. His lengthy career concluded in 1938 but included only five recorded sides (for Fonotipia in 1910). -Roberto Marcocci. 1015. 11” Fonotipia 92769/92770 [XPh4446/XPh4447]. TUTTI IN MASCHERA: Aria di Don Gregorio (Carlo Pedrotti). Two sides. The character on this record, Don Grego- rio, is a music teacher akin to Rossini’s Dr. Bartolo. IMs. Just about 1-2. $35.00. ADELINA PATTI [s] 1192. 12” White lbl. Vla 95037 [543f]. FAUST: Air des Bijoux (Gounod). Harmless ULCs. Fine pressing. Just about 1-2. $12.00. 1756. 12” Pink HMV 03056 [543f]. Same as preceding item but HMV pressing (flush, probably from the ‘teens or ‘twenties). Few lightest mks., cons. 2. $12.00. 1712. 12” Blue Opera Disc 03059 [549f]. ROBIN ADAIR (Keppel). Piano acc. Just about 1-2. $10.00. 2113. 12” Pink HMV 03064 [557f]. WITHIN A MILE OF EDINBORO’ TOWN (James Hook). Piano acc. Sir Landon Ronald. PW. HMV Bk. Just about 1-2. $12.00. 1830. 12” White lbl. HMV 03080 [678c]. ‘TWAS WITHIN A MILE OF EDINBORO’ TOWN (Hook). Piano acc. Unpublished. Just about 1-2. $20.00. 1754. 12” PW Silver Vla IRCC 17-A [684½c]. LA CALESERA (Yradier). This is an oddity, being a single sided pressing, with regular IRCC Vla label, numbered (in pen) 101. ADELINA PATTI Excellent condition, few lightest mks., cons. 2. $15.00. TINO PATTIERA [t] 1834. 12” Red acous. Polydor 72759 [532as/534as]. CARMEN: Air de la fleur (Bizet) / AFRICAINE: O Paradiso (Meyerbeer). In French/Italian. Small lbl. stkr. Just about 1-2. $15.00. 1796. 12” Red acous. Polydor 72759 [532as/534as]. Same as preceding listing (item #1834). Lt. rubs, 2. $10.00. 1312. 12” PW Blk. elec. Polydor 66628 [407bi/408½bi]. IDEALE (Tosti) / LOLITA (Buzzi- Peccia). In Italian. Orch. dir. Johann Heidenreich. Just about 1-2. $12.00. JULIUS PATZAK [t] 4417. 10” Green PW Polydor 23919 [2939BH/2641½BH]. ICH HAB’ AMAL A RÄUSCHERL G’HABT [WIENERLIED] (Wilhelm) / DU GUATER HIMMELVALER [WIENERLIED] (Krakauer). Few lt. mks., cons. 2. $10.00. 4600. 10” Green PW Polydor 23921 [2341BH/2643½BH]. EINE NACHT IN VENEDIG: Gondollied (J. Strauss) / DER GOLDSCHMIED VON TOLEDO: Ständchen (Offen- bach). Just about 1-2. $10.00. 4591. 10” Orange PW Grammophon 10324 [5814½GR/5815½GR]. GASPARONE: O, daß ich doch der Räuber wär (Millöcker) / WALDMEISTER: Die ganze Nacht durch schwärmt (J. Strauss). Berlin Staatsoper Orch. dir.
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    1wmm H?mi BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT or Hetirg W, Sage 1891 A36:66^a, ' ?>/m7^7 9306 Cornell University Library ML 100.M39 V.9 The art of music :a comprehensive ilbrar 3 1924 022 385 342 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022385342 THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editor-in-Chief DANIEL GREGORY MASON Columbia UniveTsity Associate Editors EDWARD B. HILL LELAND HALL Harvard University Past Professor, Univ. of Wisconsin Managing Editor CESAR SAERCHINGER Modem Music Society of New Yoric In Fourteen Volumes Profusely Illustrated NEW YORK THE NATIONAL SOCIETY OF MUSIC Lillian Nordica as Briinnhilde After a pholo from life THE ART OF MUSIC: VOLUME NINE The Opera Department Editor: CESAR SAERCHINGER Secretary Modern Music Society of New York Author, 'The Opera Since Wagner,' etc. Introduction by ALFRED HERTZ Conductor San Francisco Symphony Orchestra Formerly Conductor Metropolitan Opera House, New York NEW YORK THE NASTIONAL SOCIETY OF MUSIC i\.3(ft(fliji Copyright, 1918. by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Bights Reserved] THE OPERA INTRODUCTION The opera is a problem—a problem to the composer • and to the audience. The composer's problem has been in the course of solution for over three centuries and the problem of the audience is fresh with every per- formance.
  • TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi

    TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi

    TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi 1940 Rigoletto baritono Mario Basiola, soprano Lina Aimaro, tenore Carlo Merino, direttore Arturo Lucon 1941 La Traviata soprano Magda Olivero, tenore Mario Filippeschi, baritono Gino Vanelli, direttore Arturo Lucon Andrea Chenier tenore Galliano Masini, soprano Fernanda Ciani, baritono Luigi Borgonovo, direttore Arturo Lucon 1942 Il Barbiere di Siviglia baritono Carlo Galeffi, soprano Emilia Carlino, tenore Vladimiro Badiali, basso Andrea Mongelli, direttore Arturo Lucon Madama Butterfly soprano Iris Adami Corradetti, tenore Mario Del Monaco, baritono Afro Poli, direttore Antonino Votto 1943 La Sonnambula soprano Emilia Carlino, tenore Francesco Albanese, basso Italo Taio, direttore Federico Del Cupolo 1947 Tosca soprano Carla Castellani, tenore Gianni Poggi, baritono Raimondo Torres, direttore Umberto Berrettoni 1948 Un Ballo in Maschera soprano Franca Sacchi, tenore Antonio Latino, mezzo soprano Miriam Pirazzini, baritono Raimundo Torres 1949 Rigoletto baritono Aldo Protti, soprano Hilde Reggiani, tenore Giuseppe Savio, direttore Federico Del Cupolo L’Amico Fritz tenore Bruno Landi, soprano Rosetta Noli, baritono Gino Vanelli, direttore Federico del Cupolo Mefistofele basso Cesare Siepi, soprano Rosetta Noli, tenore Glauco Scarlin, direttore Umberto Berrettoni 1950 La Traviata soprano Rosetta Noli, tenore Giuseppe Campora, baritono Carlo Tagliabue, direttore Umberto Berrettoni Manon soprano Mafalda Favero, tenore Agostino Lazzari, baritono Leo Piccioli, direttore Umberto
  • The Mysterious Affair of the Serenade

    The Mysterious Affair of the Serenade

    THE MYSTERIOUS AFFAIR OF THE SERENADE The time has come for the revaluation of Aldo Finzi, a Jewish composer who was on the point of winning, with his “playful comedy” when the anti-Jewish laws were about to be issued in Italy, the competition for a new opera which the La Scala Theatre had published. Aldo Finzi’s “Serenade to the Wind”, an injustice to be repaired. “ ... go, serenade to the wind, but don’t reveal that your singing - hides a secret longing - for a weeping moment - of an intimate torment...” On 11th February 1936 Wolf Ferrari’s “Il campiello”was staged at the Scala Theatre , conducted by Gino Marinuzzi with an all star cast: Mafalda Favero, Margherita Carosio, Iris Adami- Corradetti, Giuseppe Nessi, the very colourful and sunny only scene by Pieretto Bianchi. It can still be admired in the nowadays impossible to find volume that La Scala caused to be published in 1946 (1). Just seven years before, Toscanini had conducted, in addition to Fidelio, also Falstaff and Meistersingers in what was going to be his last Scala season before World War II (2). In December of the same year, on Bronislaw Hubermann’s invitation, he went to Palestine ( Jerusalem and Tel Aviv) to conduct the first Israeli orchestra and he was so impressed by the new life of the country he was visiting that he stated: “Here in Palestine I have found the country where I can be only Man as I conceive him” (3). These were the times and the place where a Jewish composer, on the eve of those anti-Jewish laws that were to alter radically the landscape of Italian music, was about to set to music a libretto by Carlo Veneziani, a “comedy of manners” racy and romantic, spicy and amusing, in which graceful satire and tart repartees combined to create the kind of wit which, to quote Falstaff,” creates wit in others”.
  • Diszkográfia Az Első Kötethez

    Diszkográfia Az Első Kötethez

    © Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus