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The Song of Kriol: a Grammar of the Kriol Language of Belize
The Song of Kriol: A Grammar of the Kriol Language of Belize Ken Decker THE SONG OF KRIOL: A GRAMMAR OF THE KRIOL LANGUAGE OF BELIZE Ken Decker SIL International DIS DA FI WI LANGWIJ Belize Kriol Project This is a publication of the Belize Kriol Project, the language and literacy arm of the National Kriol Council No part of this publication may be altered, and no part may be reproduced in any form without the express permission of the author or of the Belize Kriol Project, with the exception of brief excerpts in articles or reviews or for educational purposes. Please send any comments to: Ken Decker SIL International 7500 West Camp Wisdom Rd. Dallas, TX 75236 e-mail: [email protected] or Belize Kriol Project P.O. Box 2120 Belize City, Belize c/o e-mail: [email protected] or [email protected] Copies of this and other publications of the Belize Kriol Project may be obtained through the publisher or the Bible Society Bookstore 33 Central American Blvd. Belize City, Belize e-mail: [email protected] © Belize Kriol Project 2005 ISBN # 978-976-95215-2-0 First Published 2005 2nd Edition 2009 Electronic Edition 2013 CONTENTS 1. LANGUAGE IN BELIZE ......................................................................................................................... 1 1.1 AN INTRODUCTION TO LANGUAGE ........................................................................................................ 1 1.2 DEFINING BELIZE KRIOL AND BELIZE CREOLE ...................................................................................... 2 1.3 -
“I'm Not a Bloody Pop Star!”
Andy Palacio (in white) and the Garifuna Collective onstage in Dangriga, Belize, last November, and with admirers (below) the voice of thPHOTOGRAPHYe p BYe ZACH oSTOVALLple BY DAVE HERNDON Andy Palacio was more than a world-music star. “I’m not a bloody pop star!” He was a cultural hero who insisted Andy Palacio after an outdoor gig in Hopkins, Belize, that revived the hopes of a was so incendiary, a sudden rainstorm only added sizzle. But if it Caribbean people whose was true that Palacio wasn’t a pop star, you couldn’t tell it from the heritage was slipping away. royal treatment he got everywhere he went last November upon 80 CARIBBEANTRAVELMAG.COM APRIL 2008 81 THE EVENTS OF THAT NOVEMBER TOUR WILL HAVE TO GO DOWN AS PALACIO’S LAST LAP, AND FOR ALL WHO WITNESSED ANY PART OF IT, THE STUFF OF HIS LEGEND. Palacio with his role model, the singer and spirit healer Paul Nabor, at Nabor’s home in Punta Gorda (left). The women of Barranco celebrated with their favorite son on the day he was named a UNESCO Artist for Peace (below left and right). for me as an artist, and for the Belizean people which had not been seen before in those parts. There was no as an audience.” The Minister of Tourism Belizean roots music scene or industry besides what they them- thanked Palacio for putting Belize on the map selves had generated over more than a dozen years of collabora- in Europe, UNESCO named him an Artist tion. To make Watina, they started with traditional themes and for Peace, and the Garifuna celebrated him motifs and added songcraft, contemporary production values as their world champion. -
302232 Travelguide
302232 TRAVELGUIDE <P.1> (118*205) G5-15 DANIEL V2 TABLE OF CONTENTS 2 INTRODUCTION 5 WELCOME 6 GENERAL VISITOR INFORMATION 8 GETTING TO BELIZE 9 TRAVELING WITHIN BELIZE 10 CALENDAR OF EVENTS 14 CRUISE PASSENGER ADVENTURES Half Day Cultural and Historical Tours Full Day Adventure Tours 16 SUGGESTED OVERNIGHT ADVENTURES Four-Day Itinerary Five-Day Itinerary Six-Day Itinerary Seven-Day Itinerary 25 ISLANDS, BEACHES AND REEF 32 MAYA CITIES AND MYSTIC CAVES 42 PEOPLE AND CULTURE 50 SPECIAL INTERESTS 57 NORTHERN BELIZE 65 NORTH ISLANDS 71 CENTRAL COAST 77 WESTERN BELIZE 87 SOUTHEAST COAST 93 SOUTHERN BELIZE 99 BELIZE REEF 104 HOTEL DIRECTORY 120 TOUR GUIDE DIRECTORY 302232 TRAVELGUIDE <P.2> (118*205) G5-15 DANIEL V2 302232 TRAVELGUIDE <P.3> (118*205) G5-15 DANIEL V2 The variety of activities is matched by the variety of our people. You will meet Belizeans from many cultural traditions: Mestizo, Creole, Maya and Garifuna. You can sample their varied cuisines and enjoy their music and Belize is one of the few unspoiled places left on Earth, their company. and has something to appeal to everyone. It offers rainforests, ancient Maya cities, tropical islands and the Since we are a small country you will be able to travel longest barrier reef in the Western Hemisphere. from East to West in just two hours. Or from North to South in only a little over that time. Imagine... your Visit our rainforest to see exotic plants, animals and birds, possible destinations are so accessible that you will get climb to the top of temples where the Maya celebrated the most out of your valuable vacation time. -
Lopez Niu 0162D 12061.Pdf (3.188Mb)
ABSTRACT BECOMING WHO WE ARE: INFORMAL LEARNING AND IDENTITY FORMATION AMONG THE GARINAGU OF WESTERN BELIZE Harold Anthony Lopez, Ed.D. Department of Counseling, Adult, and Higher Education Northern Illinois University, 2014 Gene Roth and Jorge Jeria, Co-Directors This ethnography explores the wholesome contexts of informal learning and identity formation among an ethnic minority group in Belize. The central research question of the study was: How is informal learning manifested among the Garinagu of Western Belize. Snowball sampling technique was used to recruit 20 participants aged between 36 and 82 years. The group’s ways of learning were examined through the lens of Sociocultural learning theory. In the conduct of the maintenance of culture, learning is centered on their resiliency as examined through the various experiences that they acquired as a result of their movements, disruption and setbacks, the concept of Garifunaduaü, the meet and greet process, and the roles of rituals and ancestry. The Garinagu display remarkable resiliency in their quest to maintain their cultural identity. Their resiliency is demonstrated through the ways in which they navigate their world that constantly changes through the many moves, disruptions and setbacks that they experience and share. Garifunaduaü pays homage to the principles of caring, daring, sharing and family. Rituals and ancestry provides for connection and continuity. Connection with traditional Garifuna communities as maintained through regular or extended visits to traditional communities helped participants retain key cultural habits and artifacts including fluency in the Garifuna language, participation in the rituals, and regular preparation of traditional foods. Smaller family sizes and a shrinking of the extended family are threatening cultural practice. -
Anthropology / Anthropologie/ Antropología
Bibliographical collection on the garifuna people The word garifuna comes from Karina in Arawak language which means “yucca eaters”. ANTHROPOLOGY / ANTHROPOLOGIE/ ANTROPOLOGÍA Acosta Saignes, Miguel (1950). Tlacaxipeualiztli, Un Complejo Mesoamericano Entre los Caribes. Caracas: Instituto de Antropología y Geografía, Facultad de Filosofía y Letras, Universidad Central. Adams, Richard N. (1956). «Cultural Components of Central America». American Anthropologist, 58, 881- 907. Adams, Sharon Wilcox (2001). The Garifuna of Belize: Strategies of Representation. B.A. Honors Thesis, Mary Washington College. Adams, Sharon Wilcox (2006). Reconstructing Identity: Representational Strategies in the Garifuna Community of Dangriga, Belize. M. A. Thesis, University of Texas, Austin. Agudelo, Carlos (2012). “Qu’est-ce qui vient après la reconnaissance ? Multiculturalisme et populations noires en Amérique latine» in Christian Gros et David Dumoulin Kervran (eds.) Le multiculturalisme au concret. Un modèle latino américain?. Paris: Presses Sorbonne Nouvelle, pp. 267-277. Agudelo, Carlos (2012). «The afro-guatemalan Political Mobilization: Between Identity, Construction Process, Global Influences and Institutionalization» in Jean Rahier (ed) Black Social Movements in Latin America. From Monocultural Mestizaje to Multiculturalism. Miami: Palgrave Macmillan. Agudelo, Carlos (2012). “Los garifunas, identidades y reivindicaciones de un pueblo afrodescendiente de América Central” in CINU-Centro de información de las Naciones Unidas (ed.) Afrodescendencia: aproximaciones contemporáneas desde América Latina y el Caribe, pp. 59-66. http://www.cinu.mx/AFRODESCENDENCIA.pdf viewed 06.04.2012. Agudelo, Carlos (2010). “Génesis de redes transnacionales. Movimientos afrolatinoamericanos en América Central» in Odile Hoffmann (ed.) Política e Identidad. Afrodescendientes en México y América Central. México: INAH, UNAM, CEMCA, IRD, pp. 65-92. Agudelo, Carlos (2011). “Les Garifuna. -
The Geography of Fishing in British Honduras and Adjacent Coastal Areas
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1966 The Geography of Fishing in British Honduras and Adjacent Coastal Areas. Alan Knowlton Craig Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Craig, Alan Knowlton, "The Geography of Fishing in British Honduras and Adjacent Coastal Areas." (1966). LSU Historical Dissertations and Theses. 1117. https://digitalcommons.lsu.edu/gradschool_disstheses/1117 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been „ . „ i i>i j ■ m 66—6437 microfilmed exactly as received CRAIG, Alan Knowlton, 1930— THE GEOGRAPHY OF FISHING IN BRITISH HONDURAS AND ADJACENT COASTAL AREAS. Louisiana State University, Ph.D., 1966 G eo g rap h y University Microfilms, Inc., Ann Arbor, Michigan THE GEOGRAPHY OP FISHING IN BRITISH HONDURAS AND ADJACENT COASTAL AREAS A Dissertation Submitted to the Graduate Faculty of the Louisiana State university and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Geography and Anthropology by Alan Knowlton Craig B.S., Louisiana State university, 1958 January, 1966 PLEASE NOTE* Map pages and Plate pages are not original copy. They tend to "curl". Filmed in the best way possible. University Microfilms, Inc. AC KNQWLEDGMENTS The extent to which the objectives of this study have been acomplished is due in large part to the faithful work of Tiburcio Badillo, fisherman and carpenter of Cay Caulker Village, British Honduras. -
Rassegna Stampa Fids
Direzione Marketing e Comunicazione – Ufficio Stampa RASSEGNA STAMPA FIDS Maggio – Dicembre 2019 ANSA http://www.ansa.it/emiliaromagna/notizie/2019/05/15/a-rimini-leuropeo-di-street-dance_304aa318-4e1f- 416c-a968-f3bff0822c45.html Direzione Marketing e Comunicazione FIDS Responsabile: Dionisio Ciccarese per l’Ufficio Stampa Alessandro Montone (333 3911417) Direzione Marketing e Comunicazione – Ufficio Stampa ADNKRONOS BREAKDANCE: EUROPEI A RIMINI DAL 16 AL 19 MAGGIO = Roma, 15 mag. - (AdnKronos) - Rimini si infiamma con le sfide e le battaglie delle Urban Dance. Al Rds Stadium è tutto pronto per l'appuntamento con l'Europeo di Breakdance, Hip Hop e Electric Boogie, promosso dalla Ido (International dance organization) che per quattro giorni, dal 16 al 19 maggio, trasformerà la città romagnola in un vero tempio delle street dance internazionali. Sul dancefloor riminese sono attesi oltre 2.000 atleti, proveniente da 26 Nazioni che si sfideranno in evoluzioni, battle e gare one to one nei cyper e nelle arene tipiche dell'arti di strada. A scendere in pista le categorie Children, Junior e Adult suddivise a loro volta in Solo Male, Solo Female, Duo, Group e Formation che vedranno gareggiare le unità competitive under 11, 12/15 e 16/Oltre. Grande attenzione sarà riservata alle gare di Breakdance degli atleti 12/15 in quanto i migliori potranno andare a formare la nuova nazionale under 18 che potrà partecipare alle selezioni per le Olimpiadi Giovanile che si terranno in Senegal nel 2022. (segue) (Spr/AdnKronos) ISSN 2465 – 122 - 15-MAG-19 12:37 . NNNN BREAKDANCE: EUROPEI A RIMINI DAL 16 AL 19 MAGGIO (2) = (AdnKronos) - La Break sarà inoltre protagonista nella categoria 16/Oltre con i ''Fantastici 4'' della FIDS: Alessandra Cortesia (Bgirl Lexy), Alex Mammì (Bboy Lele), Eleonora Mereu (Bgirl Kobra) e Mattia Schinco (Bboy Bad Matty) che oltre a puntare alla vittoria nell'Europeo riminese comporranno la Nazionale Azzurra che a fine luglio parteciperà al Mondiale di breakdance in Cina. -
Redalyc.Diaspora Sounds from Caribbean Central America
Caribbean Studies ISSN: 0008-6533 [email protected] Instituto de Estudios del Caribe Puerto Rico Stone, Michael Diaspora Sounds from Caribbean Central America Caribbean Studies, vol. 36, núm. 2, julio-diciembre, 2008, pp. 221-235 Instituto de Estudios del Caribe San Juan, Puerto Rico Available in: http://www.redalyc.org/articulo.oa?id=39215107020 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative WATCHING THE CARIBBEAN...PART II 221 Diaspora Sounds from Caribbean Central America Michael Stone Program in Latin American Studies Princeton University [email protected] Garifuna Drum Method. Produced by Emery Joe Yost and Matthew Dougherty. English and Garifuna with subtitles. Distributed by End of the Line Productions/ Lubaantune Records, 2008. DVD. Approximately 100 minutes, color. The Garifuna: An Enduring Spirit. Produced by Robert Flanagan and Suzan Al-Doghachi. English and Garifuna with subtitles. Lasso Pro- ductions, 2003. Distributed by Lasso Productions. DVD. 35 minutes, color. The Garifuna Journey. Produced by Andrea Leland and Kathy Berger. English and Garifuna with subtitles. New Day Films, 1998. Distributed by New Day Films. DVD and study guide. 47 minutes, color. Play, Jankunú, Play: The Garifuna Wanáragua Ritual of Belize. Produced by Oliver Greene. English and Garifuna with subtitles. Distributed by Documentary Educational Resources, 2007. DVD. 45 minutes, color. Trois Rois/ Three Kings of Belize. Produced by Katia Paradis. English, Spanish, Garifuna, and K’ekchi Maya with subtitles (French-language version also available). -
Belize (British Honduras): Odd Man Out, a Geo-Political Dispute" (1976)
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 Belize (British Honduras): Odd Man Out, a Geo- Political Dispute Gustave D. Damann Eastern Illinois University This research is a product of the graduate program in Geography at Eastern Illinois University. Find out more about the program. Recommended Citation Damann, Gustave D., "Belize (British Honduras): Odd Man Out, a Geo-Political Dispute" (1976). Masters Theses. 3424. https://thekeep.eiu.edu/theses/3424 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. BELIZE (BRITISH HONDURAS): ODD MAN OUT A GEO-POLITICAL DISPUTE (TITLE) BY Gustave D. Damann - - THESIS SUBMIITTD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.S. in Geography IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1976 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE May 13, 1976 DATE ADVISER May 13, 1976 DATE DEPARTMENT HEAD PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. I The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. -
Pioneers of Belmopan’
This publication was designed by Ms. Tiffany Taylor, UB Social Work student, and printed by the National Council on Ageing. July 2009 The National Council on Ageing Unit 17, Garden City Plaza Mountain View Boulevard P.O. Box 372 Belmopan City Belize Central America Telephone: + 501-822-1546 Fax/ Message: + 501-822-3978 Email: [email protected] Web: www.ncabz.org TABLE OF CONTENTS The National Council on Ageing continually seeks to raise awareness of the important role of older people in Belizean society. Forward ...…………………………………………………3 Through the collaboration with Ms. Tiffany Taylor, History of Belmopan ..……………….….….……………..4 University of Belize, Associates Degree, Social Work Mr. .Justo Castillo …..……………………...….………….6 student, the NCA was able to highlight the contribution of just some of the older people who played a part in laying the Mrs. Gwendolyn Zetina ……………………………………8 foundations of Belmopan. Mrs. Patricia Robinson …………………………………10 Mrs. Leonie Cain …..…………………………………….11 The people in this booklet, along with so many others too Ms. Juanita Ireland ………… ………………………… 12 numerous to mention, are truly all ‘Pioneers of Belmopan’. Mr. Orlando Orio .……………………….………..……...13 The National Council on Ageing congratulates Tiffany for Mrs. Justa Arzu .….……………………………………. 14 the production of this booklet and for successfully Mr. Edred and Mrs. Alma Dakers …..…....…….…...……15 completing her Social Work Degree. Mrs. Catharine Gill ..……………………………………..17 Thank You .……………………………………………....19 Acknowledgement . ……………………………………..20 Page 2 Page 19 pecial thanks to all the people S who agreed to be interviewed FORWARD and share their memories with me, without them this booklet wouldn’t have been possible. MAIN HEADING The foundation of our country was built on the production and ambitions of our ancestors and present generation should Thanks to the Belize Archives preserve and admire the fruits of their labors, and therefore Department for providing me with keep their stories alive and fresh in the minds of our youths. -
Rassegna Stampa Break Dance 2019
RASSEGNA STAMPA Attività 2018-2019 Aggiornata al 7 aprile 15-FEB-2019 da pag. 43 Dir. Resp.: Andrea Monti foglio 1 / 2 www.datastampa.it Tiratura: 270079 - Diffusione: 199220 - Lettori: 3179000: da enti certificatori o autocertificati Superficie 73 % 116 15-FEB-2019 da pag. 43 Dir. Resp.: Andrea Monti foglio 2 / 2 www.datastampa.it Tiratura: 270079 - Diffusione: 199220 - Lettori: 3179000: da enti certificatori o autocertificati Superficie 73 % 116 Arriva la danza ai Giochi: Parigi 2024 con la breakdance 20 febbraio 2019 Dopo il surf, il climbing (arrampicata) e lo skateboard, tocca alla danza sportiva (probabile sia la breakdance) entrare a fare parte dei Giochi olimpici: succederà a Parigi nel 2024, proprio quella Olimpiade che sognava Malagò per Roma. Domani, giovedì 21 febbraio, il comitato olimpico francese annuncerà a Parigi quali saranno le discipline che faranno parte dei Giochi estivi. Rispetto a Tokyo 2020, usciranno quasi sicuramente baseball &softball e karate (dove pure i francesi sono forti). Si "salveranno" surf, arrampicata e skateboard, che entreranno a fare parte per la prima volta dei Giochi olimpici giapponesi fra un anno. Ma farà il suo ingresso per la prima volta in maniera ufficiale alle Olimpiadi di Parigi la danza sportiva, disciplina praticatissima anche in Italia dove c'è una Federazione forte (Fids), con oltre centomila iscritti e che adesso, col presidente Barbone, pare aver trovato un periodo di tranquillità dopo anni assai travagliati. Le discipline riconosciute dal Coni nel vasto panorama agonistico della danza sportiva sono ben 54, articolate tra i settori delle danze artistiche (Accademiche, Coreografiche, Street e Pop Dance, Etniche, Popolari e di Carattere) e delle danze di coppia (Internazionali - tra cui Standard, Latine, Jazz, Caraibiche, Argentine e Afrolatine - Nazionali e Regionali). -
Libayababaflyer Web.Pdf
The American Folklife Center of the Library of Congress presents Traditional Ethnic and Regional Music and Dance that’s “Homegrown” in Communities across the U.S. AN ACQUISITIONS & PRESENTATION PROJECT Libaya Baba Greg Palacio Jeffrey Bernardez Kelsie Bernardez Dayton Bernardez Conrad Nolberto Martha Martinez (singer and dancer) Georgette Lambey (singer and dancer) James Lovell (special guest from NYC) Garifuna Music and Dance from California Tuesday July 2, 2013 FREE AND OPEN 12 NOON –1 PM Coolidge Auditorium TO THE PUBLIC Ground Floor, Thomas Jefferson Building Metro Stop: Library of Congress Capitol South, 10 First Street, SE, one block south Washington, DC of the Jefferson Building Cosponsored with the Kennedy Center Millennium Stage With special thanks to the Smithsonian Folklife Festival Request ADA accommodations five days in advance at (202) 707-6362 or [email protected] For more information contact Thea Austen 202-707-1743 Libaya Baba Garifuna Music and Dance from California Garifuna Music and Dance hüngühüngü have their origins in ancestral ritual. In the Michele Goldwasser hüngühüngü, a shuffle and step dance movement is The Garifuna people have a vibrant history and performed to songs about historical or social events. In distinctive culture. Descended from West Africans and another dance, the chumba, women sing about everyday South American Indians, the Garinagu (the plural form of activities. In the Spanish-influenced paranda tradition, men Garifuna) call St.Vincent their homeland. During the sing while playing acoustic guitars. Though traditionally colonial era, the British attempted to force the Garinagu performed during the Christmas season, paranda songs onto reservations. They resisted and fought for their address social concerns rather than religious themes.