The Finnicization of Quenya
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Guide to Tolkienian Nationality Words by Malinornë After an Idea by ~Nóleme~
Guide to Tolkienian nationality words By Malinornë after an idea by ~nóleme~ The purpose of this chart is to help writers of fan fiction to avoid common mistakes involving non-English names for groups and individuals of various peoples, languages etc. The letters in parenthesis in the first column show which language the main term is in: Q for Quenya, S for Sindarin, E for English, D for Dwarvish and R for Rohirric. For many of the Sindarin terms, two plural forms are listed. The term marked "coll." is a collective noun or class plural that is used for a people or group as a whole. If you need a term for a number of individuals, then use the second one listed. Example: "the two Enyd", not "the two Onodrim". Or, make it simple and use English: "the two Ents" :) If the general adjective is not known, it usually works to circumscribe, e.g. write "of the Dúnedain". It can also work to simply use a noun, e.g. "She had hobbit blood." Avoid the plural form – don't write "He had Eorlingas ancestors." People or group Individual General adjective Language(s) spoken (plural or collective noun) (singular noun) by people or group Ainur (Q) Ainu (fem. Aini) Ainurin Valarin, Quenya Atani (Q) Atan - - Apanónar (Q) - - Ebennin (S) Abonnen (S) Avari (Q) Avar (Q + S) Avarin (Q) Avarin Evair (S) Balroeg (S) Balrog (S) - - Valaraukar (Q) Valarauko (Q) Calaquendi (Q) Calaquendë (Q) Calaquenderin (Q) Quenya, Sindarin, other Celbin (S) Calben (S) Drúedain (Q), Drûgs (E) Drúadan, Drûg - - Dúnedain (S) Dúnadan - Westron, Sindarin Dúnedhil (S) Dúnedhel Dúnedhellen Quenya, Sindarin, other Edain (S) Adan - - Eglath, Egladhrim (S, coll.) Eglan - - Eglain (S) Eldar (Q) Elda (Q) Eldarin (Q) Eldarin, Quenya, Sindarin Edhil (S) Edhel (S) Edhellen (S) Eorlingas (R), Eorlings (E) Eorling - Rohirric Eruhíni (Q) Eruhína (Q) - - Eruchín (S) Eruchen (S) Falathrim (S, coll.) Falathel ?Falathren Sindarin Felethil (S) (lit. -
THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. -
Quenya: the Influence of the Greek Language
Quenya: The Influence of the Greek Language Prologue For all those who do not know what Quenya is, it is one of the many languages that J.R.R. Tolkien created for his much loved Elves. Quenya is the most developed language that we presently have in our hands now and also contains the greatest vocabulary. All the linguists and die hard Tolkien fans, who have studied the author’s languages, would surely know that our beloved writer Tolkien based this language mainly on three other languages; Finnish, Latin and Greek. It is well known that Tolkien not only “borrowed” the grammatical structure of Finnish but also Finnish vocabulary. Tolkien imbedded into Quenya grammar the phenomenon of endings added to nouns for the possessive and prepositions for example, rather than independent words preceding the nouns eg. Coanya = house my. Also Tolkien used Finnish words such as the noun tie(=path) and the verb tul-(=to come) for his Quenya language which retain the same meaning. In other cases the words did not retain the same meaning. eg kuuma Finnish for hot, Quenya for the Void. Added to this preposition endings and pronouns such as –sse(=to) are very similar to Finnish –ssa/ssae(=to). In general the influence to Quenya by the Finnish language is large and evident, perhaps the greatest. Latin was also an influence to Quenya in the form of soft sounds (also a characteristic of finnish) and pronunciation. Moreover Quenya words have an accent on the second to last syllable unless a consonant cluster before that exists. -
LING Thesis Draft 5
TOLKIEN’S TONGUES: * THE PHONETICS AND PHONOLOGY OF TOLKIEN’S QUENYA LANGUAGE Kelsey Ryan ABSTRACT J.R.R. Tolkien, author of The Lord of the Rings and other Middle Earth tales as well as Oxford professor of linguistics, constructed over 14 languages in the development of the background of his stories. This thesis will seek to understand Tolkien’s linguistic experiment of Quenya, first in its historical context, and then assess its linguistic merit and behaviors. In the first few sections, Tolkien’s linguistic and academic background will be investigated, setting the scene for further linguistic analysis. This thesis then explores how the authentic nature of the language is developed and evoked through the phonetics and phonology of Tolkien’s Quenya, using the poem “Namárië” from The Fellowship of the Ring for analysis. Smith (2010:7) argues that Tolkien created a “flowing,” “light and melodious” language, designed much like a Romance language, with no “potentially harsh” phonemes or “brusque English consonant clusters.” But with such claims must come evidence. This thesis provides the background research Smith (2010) lacks behind these claims, defining Quenya as a functional language, with clear patterns and tendencies towards particular phonetic and linguistic behaviors. * Special thanks to: my advisors Professors Nathan Sanders (Linguistics) and Maud McInerney (English), Sofia Berlin and Lisa Bao, the library staff, particularly Jeremiah Mercurio, and Lizzie Carp and Bobby Brooks, for their ‘Excel-lent’ help in creating graphs. Thanks also to my close friends, who have pushed me to explore nerd culture all my life. 2 TABLE OF CONTENTS 1 Introduction………………………………………………………………………3 2 Tolkien Biography……………………………………………………………….4 3 Constructed Languages and Tolkien……..……………………..……………...7 4 Description and Use of Languages.……………………………………………..8 5 Data and Phonetic Analysis: Quenya………………………………….………13 5i. -
Notes on Complete Consonantal Assimilations. PUB DATE Apr 73 NOTE 11P
DOCUMENT RESUME ED 127 777 FL 006 759 AUTHOR Hutcheson, James W. TITLE Notes on Complete Consonantal Assimilations. PUB DATE Apr 73 NOTE 11p. JOURNAL CIT Working Papers in Linguistics; n14 p58-64 Apr 1973 EDRS PRICE MF-$0.83 HC-$1.67 Plus Postage. DESCRIPTORS Arabic; *Articulation (Speech); Consonants; Finnish; Generative Phonology; Latin; *Linguistic Theory; *Phonological Units; *Phonology; Suprasegmentals; Synchronic Linguistics; Vowels; Yakut IDENTIFIERS Assimilation (Language); Sandhi ABSTRACT This paper is one of a number of studies within the conceptual framevork of natEral phonology, according to which phonological processes are of two kinds, context-free aril context-sensitive. Context-free changes can be explained by the character of the sounds themselves; context-sensitive processesare explained largely by the function of the actual processes and by the character of the sounds affected by them. This paper investigates the operation of complete consonantal assimilations within this framework. Complete assimilation results in the complete identity of the two sounds involved. Evidence from English casual speech is offered supporting the principle claiming that complete assimilations normally occur only when the segments involved are already very similar. Sandhi phenomena in Arabic and Yakut are shown to support this principle. Latin assimilations and Finnish consonant gradation are considered. The following points are emphasized:(1) Complete assimilations normally affect sounds already very similar; ti2) If relatively different sounds assimilate completely, so will less different sounds - assimilations operate hierarchically; (3) Nonphonological conditions can play a role in triggering assimilatory processes.(CHK) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. -
Top-Down Predictions of Familiarity and Congruency in Audio-Visual Speech Perception at Neural Level
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Kolozsvári, Orsolya B.; Xu, Weiyong; Leppänen, Paavo H. T.; Hämäläinen, Jarmo A. Title: Top-Down Predictions of Familiarity and Congruency in Audio-Visual Speech Perception at Neural Level Year: 2019 Version: Published version Copyright: © The Authors, 2019. Rights: CC BY 4.0 Rights url: https://creativecommons.org/licenses/by/4.0/ Please cite the original version: Kolozsvári, O. B., Xu, W., Leppänen, P. H. T., & Hämäläinen, J. A. (2019). Top-Down Predictions of Familiarity and Congruency in Audio-Visual Speech Perception at Neural Level. Frontiers in Human Neuroscience, 13, 243. 10.3389/fnhum.2019.00243 fnhum-13-00243 July 11, 2019 Time: 17:36 # 1 ORIGINAL RESEARCH published: 12 July 2019 doi: 10.3389/fnhum.2019.00243 Top-Down Predictions of Familiarity and Congruency in Audio-Visual Speech Perception at Neural Level Orsolya B. Kolozsvári1,2*, Weiyong Xu1,2, Paavo H. T. Leppänen1,2 and Jarmo A. Hämäläinen1,2 1 Department of Psychology, University of Jyväskylä, Jyväskylä, Finland, 2 Jyväskylä Centre for Interdisciplinary Brain Research (CIBR), University of Jyväskylä, Jyväskylä, Finland During speech perception, listeners rely on multimodal input and make use of both auditory and visual information. When presented with speech, for example syllables, the differences in brain responses to distinct stimuli are not, however, caused merely by the acoustic or visual features of the stimuli. The congruency of the auditory and visual information and the familiarity of a syllable, that is, whether it appears in the listener’s native language or not, also modulates brain responses. -
LENGUAS ARTIFICIALES (Y CÓMO CONSTRUIRLAS) XX ESCUELA DE GRAMATICA ESPAÑOLA «EMILIO ALARCOS» Santander, 15-19 De Julio
LENGUAS ARTIFICIALES (Y CÓMO CONSTRUIRLAS) XX ESCUELA DE GRAMATICA ESPAÑOLA «EMILIO ALARCOS» Santander, 15-19 de julio Carmen Galán Rodríguez (Universidad de Extremadura) [email protected] I. ALGUNAS CONFUSIONES HUMANAMENTE BABÉLICAS -Lengua artificial ≠ lengua perfecta ≠ lengua universal -Naturaleza (Φυσις) / convención (νόµος) -Lengua primigenia ≠ gramática universal -Lengua artificial ≠ lengua auxiliar -Lengua utópica (distópica) / lengua artificial II. ¿PARA QUÉ (Y POR QUÉ) SE INVENTAN LENGUAS ARTIFICIALES? 1. Garantizar la transparencia, racionalidad y univocidad de la comunicación científica (lenguas filosóficas o a priori). Georges Dalgarno (1661); John Wilkins (1668). 2. Reconstruir en una lengua artificial la supuesta perfección de la primitiva lingua adamica. La perfección reside en la capacidad para reflejar especularmente la realidad, de forma que exista una correspondencia absoluta entre palabras y cosas. 3. Facilitar y garantizar el comercio y el intercambio de ideas en un espacio internacional sin fronteras, que no será otro que el mundo de la cultura occidental (lenguas a posteriori). 4. Otorgar visos de credibilidad a los argumentos situados en «otros mundos» (utopías; CF de corte humanista) o contactar con otros mundos en estados de trance: las lenguas alienígenas de Hélène Smith. 5. Tres nuevas «especies» humanas: conlangers, auxlangers y unilangers. III. TIPOS DE LENGUAS ARTIFICIALES 3.1 Las lenguas artificiales a priori: entre la razón filosófica y la ciencia ficción 3.1.1. La impronta teológico-mítica de la Biblia (las lenguas como imago mundi y el mito de la lengua adámica) 3.1.2. El descubrimiento de la lengua china 3.1.3. La depuración filosófica del lenguaje: pasigrafías y pasifrasías: Lodwick, A Common Writing (1647); Cave Beck, Universal Character (1657); An Essay Towards An Universal Alphabet (1686); G. -
Downloadable
Linguistic Foolery:: Sindarin vs Quenya: RELEVANCE FIGHT! 1 ____ Linguistic Foolery Sindarin vs Quenya: RELEVANCE FIGHT! By Darth Fingon ___ Where Tolkien's two major Elvish languages are concerned, there's a lot of confusion regarding which one is used when for naming original characters and including random words and snippets of dialogue. This is a Back to Basics Linguistic Foolery article for people who have no interest in listening to me blathering about obscure stuff like how the letter D in primitive Elvish roots might present itself in later Vanyarin dialects. Instead of that, let's pit Sindarin against Quenya in an ultimate battle showdown to see which is more useful in the average fanfiction story. And let's begin with a very quick reference guide: If you write Second or Third Age Elf fiction, always choose Sindarin. If you write pre-Second Age Elf fiction, it's probably better to choose Sindarin. Okay, that's a little absolute. Let's examine these scenarios in greater detail, starting with a brief overview of the two languages. Quenya is the language spoken by the Noldor and Vanyar in Aman. While the Noldor did bring their language back to Middle-earth with them at the start of the First Age, it was not adopted by the locals. Instead, the Noldor preferred to learn Sindarin. When Thingol learned of the kinslaying at Alqualondë, he passed a ban on Quenya, but only in his own realm. Quenya became forbidden in Doriath; not so elsewhere. Thingol's ban would not have affected the language the Noldor used among themselves in their own homes. -
Constructed Languages and Their Role in Drama
University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Spring 2019 Constructed Languages and Their Role in Drama Emelie Vandenberg University of New Hampshire Follow this and additional works at: https://scholars.unh.edu/honors Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Television Commons Recommended Citation Vandenberg, Emelie, "Constructed Languages and Their Role in Drama" (2019). Honors Theses and Capstones. 449. https://scholars.unh.edu/honors/449 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Constructed Languages and Their Role in Drama By Emelie Vandenberg Advised by: Prof. David Richman Prof. Deborah Kinghorn 12/14/2018 Dialect is the “distinctive vocabulary and grammar of someone’s use of language” that creates a sound so unique to that person that their character and language become one (Crystal and Crystal, 2014, pg. 16). In the recent production of Brian Friel’s masterpiece, Dancing at Lughnasa, at the University of New Hampshire, we see dialect play a significant role in the differentiation between characters, how it shapes them, bonds them, and how it separates them from each other (Friel, 2013). From the ideolects of the sisters to the changed dialect of their brother, Father Jack, and the Welshman hiding from himself, Gerry Evans, we see that character is influenced by dialect and dialect reflects character. -
Name Calling: Group Identity and the Other Among First Age Elves
Linguistic Foolery: 'Sindarin' is a Quenya Word 1 ____ Linguistic Foolery 'Sindarin' is a Quenya Word: how the clan names make Elvish more confusing By Darth Fingon ___ Last month's article looked at the differences between Sindarin and Quenya, and when each would be the appropriate language to use. This month will take that same idea a little further and expand on the Sindarin vs Quenya smackdown. Because while the vast majority of the character and place names given in Tolkien's works are in Sindarin, there's one category where Quenya wins hands down. And that category is Names of the Kindreds of the Elves. Everyone who reads and writes Silm fic is familiar with words like Sindar, Noldor, Vanyar, Teleri, Nandor, and Avari. What these words have in common, apart from the obvious fact that they're names of Elven kindreds, is that they're all Quenya words. Throughout The Silmarillion, Tolkien uses these Quenya terms to describe his Elves, thus setting the standard for Quenya in narrative. But problems can arise when you need to use these descriptors in dialogue or tight POV. Realistically, a Sindarin Elf will not refer to himself or his speech as 'Sindarin'; this word does not exist in his language. He'd have to say something else. Fair warning before going any further on this: as with all in-story Elvish, there's a fine line between being right and being a pretentious goon. While it would be hypocritical for me to say 'just use the familiar Quenya', since that's the exact opposite of what I always advocate, I also think it's a little silly to pepper one's writing with an overabundance of the lesser-known Sindarin terms to the point that most readers will be running to the glossary every few lines. -
TEEM NO ISBN-951-678-255-B PUB DATE 79 NOTE 228P
DOCUMENT RESUME ED 192 584 FL 011 744 AUTHOR Lehtonen, Jaakko, Ed.; Sajavaara, Kari, Ed. TITLE Papers in Contrastive Phonetics, Jyvaskyla Cross-Language Studies, No. 7. INSTITUTION Jyvaskyla Univ. (Finland). Dept. of English. TEEM NO ISBN-951-678-255-B PUB DATE 79 NOTE 228p. AVAILABLE FECM Department of English, University yvaskyla, 40100 Jyvaskyla 10, Finland EDFS PRICE MF01/PC10 Plus Postage. DESCRIPTOF Auditory Perception: *Consonants: *Contrastive Linguistics: Cistinctive Features (Language): English (Second Language) :Finnish: Interference (Language) *Phonetics: Pronunciation: Second Language Learning: Stress (Phonology): *Vowels IDENTIFIERS Reduction (Phonology): *Voicing ABSTRACT Four papers report on phonetic differences between Finnish and English, with pedagogical implicationsfor teaching English as a second language. "The English/ptk/-/bdg/ Distinction: Data and Discussion" by Kari Suomi isa survey of recent work on the phonetic parameters of the fortis/lenis distinction.The distinction "voiced-voiceless" is preferred to "fortis-lenis."In "The Voiceless-Voiced Opposition of English Consonants: Difficultiesof Pronunciation and Perception in Communication between Nativeand Finnish Speakers," Risto Hanninen analyzes the learningdifficulties encountered by Finns in isolated words, in words included inword lists, and in words embedded in meaningfulsentences. Learning difficulties vary greatly according to context.In voiced-voiceless identification tests, Finnish students failed to identifymost of the tested oppositions. In "Vowel -
The Routledge Companion to Imaginary Worlds Invented Languages
This article was downloaded by: 10.3.98.104 On: 23 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion to Imaginary Worlds Mark J. P. Wolf Invented Languages Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315637525.ch3 Dimitra Fimi, Andrew Higgins Published online on: 09 Oct 2017 How to cite :- Dimitra Fimi, Andrew Higgins. 09 Oct 2017, Invented Languages from: The Routledge Companion to Imaginary Worlds Routledge Accessed on: 23 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315637525.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 INVENTED LANGUAGES Dimitra Fimi and Andrew Higgins Language invention has occupied many brilliant minds throughout history, from the philosophically driven pursuit for the prelapsarian “perfect language” of Adam in the Middle Ages (Eco, 1995) to the more utilitarian 20th-century aim of facilitating communication in an increasingly globalized world by creating languages such as Esperanto and its offspring (see Okrent, 2009).