Name Calling: Group Identity and the Other Among First Age Elves
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Guide to Tolkienian Nationality Words by Malinornë After an Idea by ~Nóleme~
Guide to Tolkienian nationality words By Malinornë after an idea by ~nóleme~ The purpose of this chart is to help writers of fan fiction to avoid common mistakes involving non-English names for groups and individuals of various peoples, languages etc. The letters in parenthesis in the first column show which language the main term is in: Q for Quenya, S for Sindarin, E for English, D for Dwarvish and R for Rohirric. For many of the Sindarin terms, two plural forms are listed. The term marked "coll." is a collective noun or class plural that is used for a people or group as a whole. If you need a term for a number of individuals, then use the second one listed. Example: "the two Enyd", not "the two Onodrim". Or, make it simple and use English: "the two Ents" :) If the general adjective is not known, it usually works to circumscribe, e.g. write "of the Dúnedain". It can also work to simply use a noun, e.g. "She had hobbit blood." Avoid the plural form – don't write "He had Eorlingas ancestors." People or group Individual General adjective Language(s) spoken (plural or collective noun) (singular noun) by people or group Ainur (Q) Ainu (fem. Aini) Ainurin Valarin, Quenya Atani (Q) Atan - - Apanónar (Q) - - Ebennin (S) Abonnen (S) Avari (Q) Avar (Q + S) Avarin (Q) Avarin Evair (S) Balroeg (S) Balrog (S) - - Valaraukar (Q) Valarauko (Q) Calaquendi (Q) Calaquendë (Q) Calaquenderin (Q) Quenya, Sindarin, other Celbin (S) Calben (S) Drúedain (Q), Drûgs (E) Drúadan, Drûg - - Dúnedain (S) Dúnadan - Westron, Sindarin Dúnedhil (S) Dúnedhel Dúnedhellen Quenya, Sindarin, other Edain (S) Adan - - Eglath, Egladhrim (S, coll.) Eglan - - Eglain (S) Eldar (Q) Elda (Q) Eldarin (Q) Eldarin, Quenya, Sindarin Edhil (S) Edhel (S) Edhellen (S) Eorlingas (R), Eorlings (E) Eorling - Rohirric Eruhíni (Q) Eruhína (Q) - - Eruchín (S) Eruchen (S) Falathrim (S, coll.) Falathel ?Falathren Sindarin Felethil (S) (lit. -
THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. -
Quenya: the Influence of the Greek Language
Quenya: The Influence of the Greek Language Prologue For all those who do not know what Quenya is, it is one of the many languages that J.R.R. Tolkien created for his much loved Elves. Quenya is the most developed language that we presently have in our hands now and also contains the greatest vocabulary. All the linguists and die hard Tolkien fans, who have studied the author’s languages, would surely know that our beloved writer Tolkien based this language mainly on three other languages; Finnish, Latin and Greek. It is well known that Tolkien not only “borrowed” the grammatical structure of Finnish but also Finnish vocabulary. Tolkien imbedded into Quenya grammar the phenomenon of endings added to nouns for the possessive and prepositions for example, rather than independent words preceding the nouns eg. Coanya = house my. Also Tolkien used Finnish words such as the noun tie(=path) and the verb tul-(=to come) for his Quenya language which retain the same meaning. In other cases the words did not retain the same meaning. eg kuuma Finnish for hot, Quenya for the Void. Added to this preposition endings and pronouns such as –sse(=to) are very similar to Finnish –ssa/ssae(=to). In general the influence to Quenya by the Finnish language is large and evident, perhaps the greatest. Latin was also an influence to Quenya in the form of soft sounds (also a characteristic of finnish) and pronunciation. Moreover Quenya words have an accent on the second to last syllable unless a consonant cluster before that exists. -
LING Thesis Draft 5
TOLKIEN’S TONGUES: * THE PHONETICS AND PHONOLOGY OF TOLKIEN’S QUENYA LANGUAGE Kelsey Ryan ABSTRACT J.R.R. Tolkien, author of The Lord of the Rings and other Middle Earth tales as well as Oxford professor of linguistics, constructed over 14 languages in the development of the background of his stories. This thesis will seek to understand Tolkien’s linguistic experiment of Quenya, first in its historical context, and then assess its linguistic merit and behaviors. In the first few sections, Tolkien’s linguistic and academic background will be investigated, setting the scene for further linguistic analysis. This thesis then explores how the authentic nature of the language is developed and evoked through the phonetics and phonology of Tolkien’s Quenya, using the poem “Namárië” from The Fellowship of the Ring for analysis. Smith (2010:7) argues that Tolkien created a “flowing,” “light and melodious” language, designed much like a Romance language, with no “potentially harsh” phonemes or “brusque English consonant clusters.” But with such claims must come evidence. This thesis provides the background research Smith (2010) lacks behind these claims, defining Quenya as a functional language, with clear patterns and tendencies towards particular phonetic and linguistic behaviors. * Special thanks to: my advisors Professors Nathan Sanders (Linguistics) and Maud McInerney (English), Sofia Berlin and Lisa Bao, the library staff, particularly Jeremiah Mercurio, and Lizzie Carp and Bobby Brooks, for their ‘Excel-lent’ help in creating graphs. Thanks also to my close friends, who have pushed me to explore nerd culture all my life. 2 TABLE OF CONTENTS 1 Introduction………………………………………………………………………3 2 Tolkien Biography……………………………………………………………….4 3 Constructed Languages and Tolkien……..……………………..……………...7 4 Description and Use of Languages.……………………………………………..8 5 Data and Phonetic Analysis: Quenya………………………………….………13 5i. -
LENGUAS ARTIFICIALES (Y CÓMO CONSTRUIRLAS) XX ESCUELA DE GRAMATICA ESPAÑOLA «EMILIO ALARCOS» Santander, 15-19 De Julio
LENGUAS ARTIFICIALES (Y CÓMO CONSTRUIRLAS) XX ESCUELA DE GRAMATICA ESPAÑOLA «EMILIO ALARCOS» Santander, 15-19 de julio Carmen Galán Rodríguez (Universidad de Extremadura) [email protected] I. ALGUNAS CONFUSIONES HUMANAMENTE BABÉLICAS -Lengua artificial ≠ lengua perfecta ≠ lengua universal -Naturaleza (Φυσις) / convención (νόµος) -Lengua primigenia ≠ gramática universal -Lengua artificial ≠ lengua auxiliar -Lengua utópica (distópica) / lengua artificial II. ¿PARA QUÉ (Y POR QUÉ) SE INVENTAN LENGUAS ARTIFICIALES? 1. Garantizar la transparencia, racionalidad y univocidad de la comunicación científica (lenguas filosóficas o a priori). Georges Dalgarno (1661); John Wilkins (1668). 2. Reconstruir en una lengua artificial la supuesta perfección de la primitiva lingua adamica. La perfección reside en la capacidad para reflejar especularmente la realidad, de forma que exista una correspondencia absoluta entre palabras y cosas. 3. Facilitar y garantizar el comercio y el intercambio de ideas en un espacio internacional sin fronteras, que no será otro que el mundo de la cultura occidental (lenguas a posteriori). 4. Otorgar visos de credibilidad a los argumentos situados en «otros mundos» (utopías; CF de corte humanista) o contactar con otros mundos en estados de trance: las lenguas alienígenas de Hélène Smith. 5. Tres nuevas «especies» humanas: conlangers, auxlangers y unilangers. III. TIPOS DE LENGUAS ARTIFICIALES 3.1 Las lenguas artificiales a priori: entre la razón filosófica y la ciencia ficción 3.1.1. La impronta teológico-mítica de la Biblia (las lenguas como imago mundi y el mito de la lengua adámica) 3.1.2. El descubrimiento de la lengua china 3.1.3. La depuración filosófica del lenguaje: pasigrafías y pasifrasías: Lodwick, A Common Writing (1647); Cave Beck, Universal Character (1657); An Essay Towards An Universal Alphabet (1686); G. -
Downloadable
Linguistic Foolery:: Sindarin vs Quenya: RELEVANCE FIGHT! 1 ____ Linguistic Foolery Sindarin vs Quenya: RELEVANCE FIGHT! By Darth Fingon ___ Where Tolkien's two major Elvish languages are concerned, there's a lot of confusion regarding which one is used when for naming original characters and including random words and snippets of dialogue. This is a Back to Basics Linguistic Foolery article for people who have no interest in listening to me blathering about obscure stuff like how the letter D in primitive Elvish roots might present itself in later Vanyarin dialects. Instead of that, let's pit Sindarin against Quenya in an ultimate battle showdown to see which is more useful in the average fanfiction story. And let's begin with a very quick reference guide: If you write Second or Third Age Elf fiction, always choose Sindarin. If you write pre-Second Age Elf fiction, it's probably better to choose Sindarin. Okay, that's a little absolute. Let's examine these scenarios in greater detail, starting with a brief overview of the two languages. Quenya is the language spoken by the Noldor and Vanyar in Aman. While the Noldor did bring their language back to Middle-earth with them at the start of the First Age, it was not adopted by the locals. Instead, the Noldor preferred to learn Sindarin. When Thingol learned of the kinslaying at Alqualondë, he passed a ban on Quenya, but only in his own realm. Quenya became forbidden in Doriath; not so elsewhere. Thingol's ban would not have affected the language the Noldor used among themselves in their own homes. -
Constructed Languages and Their Role in Drama
University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Spring 2019 Constructed Languages and Their Role in Drama Emelie Vandenberg University of New Hampshire Follow this and additional works at: https://scholars.unh.edu/honors Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Television Commons Recommended Citation Vandenberg, Emelie, "Constructed Languages and Their Role in Drama" (2019). Honors Theses and Capstones. 449. https://scholars.unh.edu/honors/449 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Constructed Languages and Their Role in Drama By Emelie Vandenberg Advised by: Prof. David Richman Prof. Deborah Kinghorn 12/14/2018 Dialect is the “distinctive vocabulary and grammar of someone’s use of language” that creates a sound so unique to that person that their character and language become one (Crystal and Crystal, 2014, pg. 16). In the recent production of Brian Friel’s masterpiece, Dancing at Lughnasa, at the University of New Hampshire, we see dialect play a significant role in the differentiation between characters, how it shapes them, bonds them, and how it separates them from each other (Friel, 2013). From the ideolects of the sisters to the changed dialect of their brother, Father Jack, and the Welshman hiding from himself, Gerry Evans, we see that character is influenced by dialect and dialect reflects character. -
The Routledge Companion to Imaginary Worlds Invented Languages
This article was downloaded by: 10.3.98.104 On: 23 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion to Imaginary Worlds Mark J. P. Wolf Invented Languages Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315637525.ch3 Dimitra Fimi, Andrew Higgins Published online on: 09 Oct 2017 How to cite :- Dimitra Fimi, Andrew Higgins. 09 Oct 2017, Invented Languages from: The Routledge Companion to Imaginary Worlds Routledge Accessed on: 23 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315637525.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 INVENTED LANGUAGES Dimitra Fimi and Andrew Higgins Language invention has occupied many brilliant minds throughout history, from the philosophically driven pursuit for the prelapsarian “perfect language” of Adam in the Middle Ages (Eco, 1995) to the more utilitarian 20th-century aim of facilitating communication in an increasingly globalized world by creating languages such as Esperanto and its offspring (see Okrent, 2009). -
Linguistyka Silesiana 38.Indd
Linguistica Silesiana 38, 2017 ISSN 0208-4228 KRZYSZTOF TOMASZ WITCZAK [email protected] University of Łódź THE POSITION OF THE ADÛNAIC LANGUAGE IN TOLKIEN’S MIDDLE-EARTH The Adûnaic (or Númenórean) language was spoken by the Dúnedain, i.e. the Nú- menoreans, who were “half-elven” humans in the world of Middle-Earth, created by John Ronald Reuel Tolkien (1892–1973). Their language contains numerous ele- ments of Elvish origin. Exact lexical correspondences between Adûnaic and Elv- ish languages (especially Quenya and Sindarin) seem to suggest that according to Tolkien’s idea the Adûnaic language represented a member of the Elvish language family in the linguistic world of Middle-Earth. The great English linguist John Ronald Reuel Tolkien (1892–1973) achieved world fame and wide recognition not through his scientifi c writings but thanks to his literary endeavors in the genre now commonly known as fantasy. In his books Tolkien created the fascinating world of the Middle-Earth, full of fabulous beings. It is populated not only with humans but also with other sapient creatures: elves, dwarves, hobbits, trolls, goblins and even intelligent wolves gifted with speech, ea- gles, bears and dragons. Each and every one of those species uses their proper and distinct language. Moreover specifi c tribes of elves, dwarves and men have their own languages and dialects – proof of their diverse ethnic, cultural and linguistic identity. Such a diversity of tribes and languages in Tolkien’s world brings to mind the multi-faceted variety of ethnicities and linguistic identities in our world. This resemblance seems to be a fully deliberate and conscious effort on the part of Tolkien who – let us keep this fact in mind – was after all a linguist, a professor of Old English at Oxford, the author of many academic works in this fi eld and a col- laborator of the Oxford English Dictionary. -
The Pennsylvania State University Schreyer Honors College
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DIVISION OF HUMANITIES, ARTS, AND SOCIAL SCIENCES THE WANDERERS AND THE ANALYTICS: A LEXICOSTATISTICAL STUDY OF SINDARIN AND QUENYA CHRISTIAN BRENDEL SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Communication Arts and Sciences with honors in Communication Arts and Sciences Reviewed and approved* by the following: Sandy Feinstein Associate Professor of English Thesis Supervisor Honors Advisor Holly Ryan Assistant Professor of English Faculty Reader Jeanne Marie Rose Associate Professor of English Faculty Reader * Signatures are on file in the Schreyer Honors College i Abstract Literary analysis of Tolkien’s The Lord of the Rings and The Silmarillion has long incorporated an interest in the usage of language in the texts, including the examination of Tolkien’s constructed, fictional Elvish languages. For example, the break-up of language has been seen as a metaphor for the fragmentation of original truth or purity, and the divergence of the various races of Elves is connected to the separation of their languages (Flieger, 2002). In the narrative, the two Elvish languages most used in The Lord of the Rings and The Silmarillion, Quenya and Sindarin, diverge from a shared ancestor, but evolve in isolation from each other: Quenya develops in the heavenly Undying Lands whereas Sindarin remains in Middle-Earth, a land of relative strife and hardship. Although Quenya is a language heavily influenced by the divine beings who shaped the world, it is Sindarin, curiously, which wields power in Middle-Earth, and is often used to invoke magic. -
Sindarin and Quenya Phonology
Volume 1 Issue 2 Article 16 January 1971 Sindarin and Quenya Phonology Robert Foster Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Foster, Robert (1971) "Sindarin and Quenya Phonology," Mythcon Proceedings: Vol. 1 : Iss. 2 , Article 16. Available at: https://dc.swosu.edu/mythpro/vol1/iss2/16 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Attempts to classify the distinguishing phonemes of Quenya and Sindarin and use them to develop a framework for determining where on the scale of historical change a vocabulary word might fall. Keywords Tolkien, J.R.R.—Languages This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss2/16 Foster: Sindarin and Quenya Phonology Smdartn and Ouenya Phonology by Robert Foster This paper Is the first version or a portion or what I available, It might be possible to distinguish the stages hope will eventually become an Elvish Grammar and Diction• or Slndarin more reasonably, since there are no clear his• ary. Obviously, my efforts are somewhat tentatl•e and this torical or cultural dividing points. (It occurs to me that paper somewhat premature, but In this way I hope to be able the return or Peanor to Middle-earth, which caused ar. -
Constructed Languages and Copyright: a Brief History and Proposal for Divorce
Harvard Journal of Law & Technology Volume 27, Number 2 Spring 2014 CONSTRUCTED LANGUAGES AND COPYRIGHT: A BRIEF HISTORY AND PROPOSAL FOR DIVORCE Michael Adelman* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 544 II. WHAT IS A CONSTRUCTED LANGUAGE? ...................................... 545 A. Classification of Constructed Languages by Their Form ........ 546 B. Classification of Constructed Languages by Their Communicative Function ....................................................... 547 III. PREVIOUS ATTEMPTS TO CONTROL CONSTRUCTED LANGUAGES VIA COPYRIGHT ....................................................... 549 A. Dr. Zamenhof Makes Esperanto the “Property of Society” .................................................................................. 550 B. Tolkien’s “Secret Vice” and Ownership of Elvish Languages .............................................................................. 551 C. Klingon and Paramount ........................................................... 553 D. The Loglan v. Lojban Dispute and a Trip to the Federal Circuit .................................................................................... 554 E. What Qualifies as Fair Use and How Does It Protect Users of Constructed Languages? ......................................... 556 IV. CONSTRUCTED LANGUAGES SHOULD BE USED FREELY AND WITHOUT FEAR OF LEGAL CONSEQUENCES ......................... 558 A. Copyright Protection Does Not Incentivize the Creation of New Constructed Languages