Ogham Course
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Faerie Faith and the Beth-Luis-Nion Celtic Lunar Tree
The Faerie Faith and the Beth-Luis-Nion Celtic Lunar Tree Calendar James Clifford Landis Certificate of Approval: ________________________ ________________________ Richard Penaskovic Jack W. Rogers, Jr. Professor Director Religious Studies University Honors College The Faerie Faith and the Beth-Luis-Nion Celtic Lunar Tree Calendar James Clifford Landis A Thesis Submitted to The Honors College of Auburn University In Partial Fulfillment of the Requirements for the Title of University Honors Scholar Auburn, Alabama May 11, 2002 The Faerie Faith and the Beth-Luis-Nion Celtic Lunar Tree Calendar James Clifford Landis Permission is granted to Auburn University to make copies of this thesis at its discretion, upon the request of individuals or institutions and at their expense. The author reserves all publication rights. __________________________ Signature of Author __________________________ Date Copy sent to: Name Date iii Vita James Clifford (Cliff) Landis, son of William Ronald and Mary Lou Landis, was born March 11, 1980, in Somerset, New Jersey. He graduated from Lowndes High School in 1998. He entered Auburn University in August, 1998, and graduated University Honors Scholar with a Bachelor of Arts degree in Philosophy with a concentration in Religious Studies in May, 2002. He obtained his Second Solar degree in the Faerie Faith in November, 2001. He maintains an interest in New Religious Movements, Mysticism, Feminist Religion, Psychology, and Library Science. iv Thesis Abstract The Faerie Faith and the Beth-Luis-Nion Celtic Lunar Tree Calendar James Clifford Landis Bachelor of Arts, May 11, 2002 57 Typed Pages Directed by Richard Penaskovic The following thesis is presented in two parts. -
Modern Rune Carving in Northern Scotland. Futhark 8
Modern Rune Carving in Northern Scotland Andrea Freund and Ragnhild Ljosland (University of the Highlands and Islands) Abstract This article discusses modern runic inscriptions from Orkney and Caithness. It presents various examples, some of which were previously considered “genuine”, and reveals that OR 13 Skara Brae is of modern provenance. Other examples from the region can be found both on boulders or in bedrock and in particular on ancient monuments ranging in date from the Neolithic to the Iron Age. The terminology applied to modern rune carving, in particular the term “forgery”, is examined, and the phenomenon is considered in relation to the Ken sington runestone. Comparisons with modern rune carving in Sweden are made and suggestions are presented as to why there is such an abundance of recently carved inscriptions in Northern Scotland. Keywords: Scotland, Orkney, Caithness, modern runic inscriptions, modern rune carving, OR 13 Skara Brae, Kensington runestone Introduction his article concerns runic inscriptions from Orkney and Caithness Tthat were, either demonstrably or arguably, made in the modern period. The objective is twofold: firstly, the authors aim to present an inventory of modern inscriptions currently known to exist in Orkney and Caith ness. Secondly, they intend to discuss the concept of runic “forgery”. The question is when terms such as “fake” or “forgery” are helpful in de scribing a modern runic inscription, and when they are not. Included in the inventory are only those inscriptions which may, at least to an untrained eye, be mistaken for premodern. Runes occurring for example on jewellery, souvenirs, articles of clothing, in logos and the Freund, Andrea, and Ragnhild Ljosland. -
Language and Runes
Language andRunes Extracts of Swarkestone runic verse These dialects were spoken across what are from The now Denmark, Norway, and Sweden, and were in Ransome of Egill the Scald taken to Iceland when the Vikings settled there. Derbyshire and The Dying Ode of Regner Modern Icelandic is the closest surviving form combines Lodbrog on the title page of this medieval tongue; many Icelanders today the Old of their first English can still easily enjoy the medieval Icelandic Norse translation. Thomas sagas of the 12th-14th centuries in their original personal Percy, Five written form. name Pieces of Runic Poetry Swerkir with the Old English Translated from Anglo-Saxons spoke Old English, the ancestor Pp 1-2 from Magnús Ólafsson’s the Islandic element -tun (meaning ‘farm’ Old Icelandic dictionary with runic Language to our modern language. Old English was headwords and Latin definitions. (London or ‘homestead’), suggesting Magnús Ólafsson, Specimen lexici 1763). another Germanic language, with close kinship runici, obscuriorum qvarundam vocum, Eiríkur perhaps that a Viking took qvae in priscis occurrunt historiis & Benedikz to Old Norse, so it is plausible that Old poëtis danicis (Copenhagen 1650) Icelandic over an Anglo-Saxon farm. Special Collection Oversize PD2093.W6 Collection English and Old Norse speakers could, to a PT7245.E5 certain extent, understand one another. Early The Scandinavians also brought their system medieval Scandinavians had a notable effect on of writing with them: runes. The runic the development of modern English: words alphabet the Viking settlers employed is such as skirt, sky, window, and egg are all derived known as the Younger Futhark and consists from Old Norse. -
Celtiques, Conséquence
L’IMPOSTURE DE « L’ASTROLOGIE CELTIQUE » 1 par Peter Berresford Ellis Traduction par Philippe Camby Les fabrications de « zodiaques d’arbres » celtiques, conséquence directe de l’invention d’un « calendrier des arbres » par Robert Graves, sont devenues un obstacle presque insurmontable pour des études sérieuses sur l’astrologie réellement pratiquée dans les sociétés celtiques préchrétiennes. Depuis que Robert Graves, il y a cinquante ans, a publié La déesse blanche (The White Goddess, 1946 2), ses imitateurs ont bâti une véritable industrie éditoriale qui professe des opinions astrologiques erronées, basées sur des arguments faux. Quelques-uns ont même publié des ouvrages sur ce qu’ils nomment familièrement l’« astrologie celtique », fabriquant ainsi « un système astrologique » sans authenticité. Il n’entre pas dans mes habitudes de critiquer Robert Graves ou ses disciples. Poète et romancier, Graves est tout à fait admirable et son étude des mythes grecs (Greek Myths, 1955) est hautement appréciée. Il y a même beaucoup de choses précieuses dans La déesse blanche. Son travail a consisté en une tentative intéressante d’analyse anthropologique et mythologique ; il aurait pu en résulter, avec une assistance universitaire, un apport intéressant dans la ligne des œuvres de Joseph Campbell 3. Cependant, alors qu’il avait besoin de l’avis d’un maître réputé dans les recherches celtiques, et particulièrement dans le domaine de l’Ogham, il a refusé d’y recourir parce qu’il n’admettait pas les rigoureux concepts de cette discipline. « Chacun est un débutant dans le commerce ou le métier d’autrui 4 », c’est un vieux proverbe irlandais que j’ai souvent cité. -
Ancient and Other Scripts
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Florida Native Plants Ogam
Florida Native Plants Ogam OBOD Ovate Gift Dana Wiyninger Starke, Florida USA July 29, 2012 Introduction Moving to a new region with completely different plants and climate, and having to manage a neglected forest meant I had to really learn about and examine the trees and plants on our property. (No relying on my previous knowledge of plants on the west coast.) Even with the subtropical climate, we paradoxically have many temperate east coast trees in north Florida. To make sense of it all in context of the Ogam, I had to seriously study and search to find the plants in my Florida Ogam. I often had to make more intuitive associations when an Ogam plant species wasn‟t found here. I had vivid impressions from the Ogam (and other) plants- I later used these to find my path through the many interpretations authors have offered. Personally, I use my own Florida correspondences when I see many of these plants every day; the impressions and messages are just part of my perceptions of the plants now. Since using my correspondences I‟m more aware of the varying time streams the plants experience and the spirits associated with them. I feel a conduit with the plants, and the resulting insights are particularly useful to me and relevant to changes going on in my life. Not quite formal divination, I receive guidance none the less. I feel there may be a healing practice in my future that will incorporate the Ogam, but that is yet to come. So, as enjoyable as it was, learning the basics of the Ogam wasn‟t easy for me. -
Download (1MB)
Quaintmere, Max (2018) Aspects of memory in medieval Irish literature. PhD thesis. https://theses.gla.ac.uk/9026/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Aspects of Memory in Medieval Irish Literature Max Quaintmere MA, MSt (Oxon.) Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Humanities College of Arts University of Glasgow September 2017 Abstract This thesis explores a number of topics centred around the theme of memory in relation to medieval Irish literature roughly covering the period 600—1200 AD but considering, where necessary, material later than this date. Firstly, based on the current scholarship in memory studies focused on the Middle Ages, the relationship between medieval thought on memory in Ireland is compared with its broader European context. From this it becomes clear that Ireland, whilst sharing many parallels with European thought during the early Middle Ages based on a shared literary inheritance from the Christian and late-classical worlds, does not experience the same renaissance in memory theory that occurred in European universities from the thirteenth century onwards. -
Elder Futhark Rune Poem and Some Notes RYKHART: ODINSXRAL
Elder Futhark Rune Poem and some notes RYKHART: ODINSXRAL Dedication Mysteries ancient, Allfather found Wrested from anguish, nine days fast bound Hung from the world tree, pierced by the spear Odin who seized them, make these staves clear 1 Unless otherwise specified, all text and artwork within ELDER FUTHARK RUNE POEM and some notes RYKHART: ODINSXRAL are copyright by the author and is not to be copied or reproduced in any medium or form without the express written permission of the author Reikhart Odinsthrall both Reikhart Odinsthrall and RYKHART: ODINSXRAL are also both copyright Dec 31, 2013 Elder Futhark Rune Poem by Reikhart Odinsthrall is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Based on a work at http://odinsthrall.co.uk/rune-poem.html. 2 F: Fehu : Cattle / Wealth Wealth is won and gold bestowed But honour's due to all men owed Gift the given and ware the lord For thy name's worth noised abroad U: Uruz : Aurochs / Wild-ox Wild ox-blood proud, sharp hornéd might On moorland harsh midst sprite and wight Unconquered will and fierce in form Through summer's sun and winter's storm X: Thurisaz : Thorn / Giant / Thor Thorn hedge bound the foe repelled A giant's anger by Mjolnir felled Thor protect us, fight for troth In anger true as Odin's wrath A: Ansuz : As / God / Odin In mead divine and written word In raven's call and whisper heard Wisdom seek and wise-way act In Mimir's well see Odin's pact R: Raidho : Journey / Carriage By horse and wheel to travel far Till journey's -
Ogham-The-Druidic-Play
Ogham (A Druidic Play1) by Susa Morgan Black, Druid (OBOD) Characters: Celtic Deities: Name Description Suggested Prop or tool Nemetona NEH-MEH- Celtic Goddess of Sacred Robed in the colors of the TONA Groves and forests forest – greens and browns Duine Glas DOON-YEH - The Green Man Green foliage, Celtic torque GLAS Druid Fellowship: Name Description Suggested Prop or tool Druid Master of Ceremonies, Druid staff or shepherd’s dressed in white robe and crook; or scythe and gold tabard (or plain white mistletoe robe with no tabard) Ovate Seer; dressed in white robe Ogham cards in ogham and green tabard bowl, Druid wand Bards Poets, Musicians; dressed Harp or Zither; in white robe and blue Drum tabard Nymphs Dressed as fairies Fairy wands, flowers, etc. The Ogham Trees (in one of the traditional ogham orders, Beth Luis Fearn). Each tree should have a sign with their tree name printed in Gaelic and English, so that they can be easily found at the time of divination Name Description Suggested Prop or tool Beith (Birch) BEHTH A young, energetic maiden white shawl Luis (Rowan) LOOSH A witchy, sexy woman sheer red veil Fearn (Alder) FARN A strong determined man, a Building tools (perhaps a “bridge builder” hammer) Saille (Willow) SALL-YEH A mysterious lunar female Luminescent shimmering veil Nunn (Ash) NOON A stalwart guardian tree Spear Huathe (Hawthorn) HOO- The playful May Queen Green and white finery with AH a floral wreath Duir (Oak) DOO-OR Regal Male, Druid King of Oak staff, scepter, acorns the Woods Tinne (Holly) TCHEEN- Young male warrior -
Rune-Names: the Irish Connexion
Rune-names: the Irish connexion Alan Griffiths Introduction Runologists are justifiably sceptical when it comes to comparing anything ogamic with anything runic. Moltke was also justifiably sceptical when he said of attempts to explain rune-names that “We may safely relegate them to the world of fantasy” (1985: 37). While acknowledging such scepticism, this paper nonetheless dares not only to venture into the world of rune-names, but also to compare them with ogam- names. In so doing it risks confrontation with the long-nurtured view crystal- lized in Polomé’s contention concerning the rune-names recorded in manu- scripts that “It is fairly undeniable that the names they transmit to us appear to derive from a common source, which has enabled Wolfgang Krause to recon- struct a plausible early Germanic list...” (1991: 422). In the paper from which this sentence is taken Polomé reviews what might be called the pagan-cult thesis of rune-names, which he summarizes in the commonly accepted hypothesis that the names “are imbedded in the German concepts about the world of the gods, nature and man” (1991: 434). He also reiterates the idea, based on classical references to the Germans’ use of notae, that runes were employed for divi- nation and “in this context, they were ideographic, i.e. we deal with the so-called Begriffsrunen...” (1991: 435).1 But then he reminds us, albeit in a valedictory footnote: “It should be remembered that these names of runes do not occur in any document of pagan origin, nor in any source (either alphabetic listings [runica manuscripta] or runic poems) prior to the Carolingian Renaissance” (1991: 435, fn. -
Answers and Solutions
191 ANSWERS AND SOLUTIONS ~ds a column POEMS IN PRAISE OF ENGLISH PHONOLOGY Charles F. Hockett ment on arti lough need for 1. stop 2. spirant 3. labial, laminal, dorsal 4. lateral, retroflex, nasal 5. voiceless 6. voiceless 7. voiceless, obstruent 8. nasal but let I s 9. voicele s s 10. labial rench-Ian AN OLYMPIC QUIZ Darryl Francis ure Potenti Horrors of myopical, diplomacy, cephalodymia, polydemoniac, polysemantic, ecita1 of the polymicrobic, mycoplasmic, compliancy, cytoplasmic, microphysi cle on OuLiPo cal, polyschematic Lge example polymicroscope, cosmopolicy, lycopersicum, lycopodium/polycod ~y, hate-shy ium, polygamistic, cryptoglioma, hypokalemic, polypharmic, poly you ex-wise mathie, myelopathic, polyhemic, lipothymic polychromia, polychromin, polytrichum, polystichum, impolicy, lms, Profes mispolicy, compliably, myopically, pyromellitic, symptomical, :h Phonologyll cryptonemiales, polyatomic : a princess in .ins no bilabials polysomatic, polynomic, cypselomorphic, polymicrian, policymak er, microtypal, pyrometrical, polymeric, microcephal y /pyrochem ical, polycormic, polydromic, polymastic es of the is sue ge as this can spatilomancy, cyps eliform, compre s sively, myeloplastic, polysomic, , and I try to polycrotism, polycentrism, polymetameric, polymythic, complicity, ~ar in rough compositely, polyonymic llC e of printing , to the problem. PRIMER TIME Ralph G. Beaman the se copie s however, if 'two letter s, T and A, are used in this alphabet primer to form the ed. (Don't tliree-Ietter words TAA, TAB, TAC, etc. Two imperfect words are TAFe and TAQlid. -- Adventuret! KlCKSHAWS Philip M. Cohen mprehensive Heful study. Jabberwocky: The vicar Bwigs chilled bubbly in the parish too. litd in defining If you try this with II Jabberwocky" you'll find it much less ::annot stomach; amenable, but some changes are possible. -
The Unicode Standard, Version 3.0, Issued by the Unicode Consor- Tium and Published by Addison-Wesley
The Unicode Standard Version 3.0 The Unicode Consortium ADDISON–WESLEY An Imprint of Addison Wesley Longman, Inc. Reading, Massachusetts · Harlow, England · Menlo Park, California Berkeley, California · Don Mills, Ontario · Sydney Bonn · Amsterdam · Tokyo · Mexico City Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed in initial capital letters. However, not all words in initial capital letters are trademark designations. The authors and publisher have taken care in preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode®, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. If these files have been purchased on computer-readable media, the sole remedy for any claim will be exchange of defective media within ninety days of receipt. Dai Kan-Wa Jiten used as the source of reference Kanji codes was written by Tetsuji Morohashi and published by Taishukan Shoten. ISBN 0-201-61633-5 Copyright © 1991-2000 by Unicode, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or other- wise, without the prior written permission of the publisher or Unicode, Inc.