VISIBLE LANGUAGE the Journal for Research on the Visual Media Oflanguage Exjjression
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The Ogham-Runes and El-Mushajjar
c L ite atu e Vo l x a t n t r n o . o R So . u P R e i t ed m he T a s . 1 1 87 " p r f ro y f r r , , r , THE OGHAM - RUNES AND EL - MUSHAJJAR A D STU Y . BY RICH A R D B URTO N F . , e ad J an uar 22 (R y , PART I . The O ham-Run es g . e n u IN tr ating this first portio of my s bj ect, the - I of i Ogham Runes , have made free use the mater als r John collected by Dr . Cha les Graves , Prof. Rhys , and other students, ending it with my own work in the Orkney Islands . i The Ogham character, the fair wr ting of ' Babel - loth ancient Irish literature , is called the , ’ Bethluis Bethlm snion e or , from its initial lett rs, like “ ” Gree co- oe Al hab e t a an d the Ph nician p , the Arabo “ ” Ab ad fl d H ebrew j . It may brie y be describe as f b ormed y straight or curved strokes , of various lengths , disposed either perpendicularly or obliquely to an angle of the substa nce upon which the letters n . were i cised , punched, or rubbed In monuments supposed to be more modern , the letters were traced , b T - N E E - A HE OGHAM RU S AND L M USH JJ A R . n not on the edge , but upon the face of the recipie t f n l o t sur ace ; the latter was origi al y wo d , s aves and tablets ; then stone, rude or worked ; and , lastly, metal , Th . -
Modern Rune Carving in Northern Scotland. Futhark 8
Modern Rune Carving in Northern Scotland Andrea Freund and Ragnhild Ljosland (University of the Highlands and Islands) Abstract This article discusses modern runic inscriptions from Orkney and Caithness. It presents various examples, some of which were previously considered “genuine”, and reveals that OR 13 Skara Brae is of modern provenance. Other examples from the region can be found both on boulders or in bedrock and in particular on ancient monuments ranging in date from the Neolithic to the Iron Age. The terminology applied to modern rune carving, in particular the term “forgery”, is examined, and the phenomenon is considered in relation to the Ken sington runestone. Comparisons with modern rune carving in Sweden are made and suggestions are presented as to why there is such an abundance of recently carved inscriptions in Northern Scotland. Keywords: Scotland, Orkney, Caithness, modern runic inscriptions, modern rune carving, OR 13 Skara Brae, Kensington runestone Introduction his article concerns runic inscriptions from Orkney and Caithness Tthat were, either demonstrably or arguably, made in the modern period. The objective is twofold: firstly, the authors aim to present an inventory of modern inscriptions currently known to exist in Orkney and Caith ness. Secondly, they intend to discuss the concept of runic “forgery”. The question is when terms such as “fake” or “forgery” are helpful in de scribing a modern runic inscription, and when they are not. Included in the inventory are only those inscriptions which may, at least to an untrained eye, be mistaken for premodern. Runes occurring for example on jewellery, souvenirs, articles of clothing, in logos and the Freund, Andrea, and Ragnhild Ljosland. -
Language and Runes
Language andRunes Extracts of Swarkestone runic verse These dialects were spoken across what are from The now Denmark, Norway, and Sweden, and were in Ransome of Egill the Scald taken to Iceland when the Vikings settled there. Derbyshire and The Dying Ode of Regner Modern Icelandic is the closest surviving form combines Lodbrog on the title page of this medieval tongue; many Icelanders today the Old of their first English can still easily enjoy the medieval Icelandic Norse translation. Thomas sagas of the 12th-14th centuries in their original personal Percy, Five written form. name Pieces of Runic Poetry Swerkir with the Old English Translated from Anglo-Saxons spoke Old English, the ancestor Pp 1-2 from Magnús Ólafsson’s the Islandic element -tun (meaning ‘farm’ Old Icelandic dictionary with runic Language to our modern language. Old English was headwords and Latin definitions. (London or ‘homestead’), suggesting Magnús Ólafsson, Specimen lexici 1763). another Germanic language, with close kinship runici, obscuriorum qvarundam vocum, Eiríkur perhaps that a Viking took qvae in priscis occurrunt historiis & Benedikz to Old Norse, so it is plausible that Old poëtis danicis (Copenhagen 1650) Icelandic over an Anglo-Saxon farm. Special Collection Oversize PD2093.W6 Collection English and Old Norse speakers could, to a PT7245.E5 certain extent, understand one another. Early The Scandinavians also brought their system medieval Scandinavians had a notable effect on of writing with them: runes. The runic the development of modern English: words alphabet the Viking settlers employed is such as skirt, sky, window, and egg are all derived known as the Younger Futhark and consists from Old Norse. -
Elder Futhark Runes (1/2) (9 Points)
Ozclo2015 Round 1 1/15 <1> Elder Futhark Runes (1/2) (9 points) Old Norse was the language of the Vikings, the language spoken in Scandinavia and in the Scandinavian settlements found throughout the Northern Hemisphere from the 700’s through the 1300’s. Much as Latin was the forerunner of the Romance languages, among them Italian, Spanish, and French, Old Norse was the ancestor of the North Germanic languages: Icelandic, Faroese, Norwegian, Danish, and Swedish. Old Norse was written first in runic alphabets, then later in the Roman alphabet. The first runic alphabet, found on inscriptions dating from throughout the first millennium CE, is known as “Elder Futhark” and was used for both proto- Norse and early Old Norse. Below are nine Anglicized names of Old Norse gods and the nine Elder Futhark names to which they correspond. Listed below are also two other runic names for gods. The names given below are either based on the gods’ original Old Norse names, or on their roles in nature; for instance, the god of the dawn might be listed either as ‘Dawn’ or as Delling (his original name). Remember that the modern version of the name may not be quite the same as the original Old Norse name – think what happened to their names in our days of the week! Anglicized names: Old Norse Runes: 1 Baldur A 2 Dallinger B 3 Day C 4 Earth 5 Freya D 6 Freyr E 7 Ithun F 8 Night G 9 Sun H I J K Task 1: Match the runes to the correct names, by placing the appropriate letter (from A to K) for the runic word corresponding in meaning to the anglicized name in the first table. -
A STUDY of WRITING Oi.Uchicago.Edu Oi.Uchicago.Edu /MAAM^MA
oi.uchicago.edu A STUDY OF WRITING oi.uchicago.edu oi.uchicago.edu /MAAM^MA. A STUDY OF "*?• ,fii WRITING REVISED EDITION I. J. GELB Phoenix Books THE UNIVERSITY OF CHICAGO PRESS oi.uchicago.edu This book is also available in a clothbound edition from THE UNIVERSITY OF CHICAGO PRESS TO THE MOKSTADS THE UNIVERSITY OF CHICAGO PRESS, CHICAGO & LONDON The University of Toronto Press, Toronto 5, Canada Copyright 1952 in the International Copyright Union. All rights reserved. Published 1952. Second Edition 1963. First Phoenix Impression 1963. Printed in the United States of America oi.uchicago.edu PREFACE HE book contains twelve chapters, but it can be broken up structurally into five parts. First, the place of writing among the various systems of human inter communication is discussed. This is followed by four Tchapters devoted to the descriptive and comparative treatment of the various types of writing in the world. The sixth chapter deals with the evolution of writing from the earliest stages of picture writing to a full alphabet. The next four chapters deal with general problems, such as the future of writing and the relationship of writing to speech, art, and religion. Of the two final chapters, one contains the first attempt to establish a full terminology of writing, the other an extensive bibliography. The aim of this study is to lay a foundation for a new science of writing which might be called grammatology. While the general histories of writing treat individual writings mainly from a descriptive-historical point of view, the new science attempts to establish general principles governing the use and evolution of writing on a comparative-typological basis. -
Ancient and Other Scripts
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Old Turkic Script
Old Turkic script The Old Turkic script (also known as variously Göktürk script, Orkhon script, Orkhon-Yenisey script, Turkic runes) is the Old Turkic script alphabet used by the Göktürks and other early Turkic khanates Type Alphabet during the 8th to 10th centuries to record the Old Turkic language.[1] Languages Old Turkic The script is named after the Orkhon Valley in Mongolia where early Time 6th to 10th centuries 8th-century inscriptions were discovered in an 1889 expedition by period [2] Nikolai Yadrintsev. These Orkhon inscriptions were published by Parent Proto-Sinaitic(?) Vasily Radlov and deciphered by the Danish philologist Vilhelm systems Thomsen in 1893.[3] Phoenician This writing system was later used within the Uyghur Khaganate. Aramaic Additionally, a Yenisei variant is known from 9th-century Yenisei Syriac Kirghiz inscriptions, and it has likely cousins in the Talas Valley of Turkestan and the Old Hungarian alphabet of the 10th century. Sogdian or Words were usually written from right to left. Kharosthi (disputed) Contents Old Turkic script Origins Child Old Hungarian Corpus systems Table of characters Direction Right-to-left Vowels ISO 15924 Orkh, 175 Consonants Unicode Old Turkic Variants alias Unicode Unicode U+10C00–U+10C4F range See also (https://www.unicode. org/charts/PDF/U10C Notes 00.pdf) References External links Origins According to some sources, Orkhon script is derived from variants of the Aramaic alphabet,[4][5][6] in particular via the Pahlavi and Sogdian alphabets of Persia,[7][8] or possibly via Kharosthi used to write Sanskrit (cf. the inscription at Issyk kurgan). Vilhelm Thomsen (1893) connected the script to the reports of Chinese account (Records of the Grand Historian, vol. -
Elder Futhark Rune Poem and Some Notes RYKHART: ODINSXRAL
Elder Futhark Rune Poem and some notes RYKHART: ODINSXRAL Dedication Mysteries ancient, Allfather found Wrested from anguish, nine days fast bound Hung from the world tree, pierced by the spear Odin who seized them, make these staves clear 1 Unless otherwise specified, all text and artwork within ELDER FUTHARK RUNE POEM and some notes RYKHART: ODINSXRAL are copyright by the author and is not to be copied or reproduced in any medium or form without the express written permission of the author Reikhart Odinsthrall both Reikhart Odinsthrall and RYKHART: ODINSXRAL are also both copyright Dec 31, 2013 Elder Futhark Rune Poem by Reikhart Odinsthrall is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Based on a work at http://odinsthrall.co.uk/rune-poem.html. 2 F: Fehu : Cattle / Wealth Wealth is won and gold bestowed But honour's due to all men owed Gift the given and ware the lord For thy name's worth noised abroad U: Uruz : Aurochs / Wild-ox Wild ox-blood proud, sharp hornéd might On moorland harsh midst sprite and wight Unconquered will and fierce in form Through summer's sun and winter's storm X: Thurisaz : Thorn / Giant / Thor Thorn hedge bound the foe repelled A giant's anger by Mjolnir felled Thor protect us, fight for troth In anger true as Odin's wrath A: Ansuz : As / God / Odin In mead divine and written word In raven's call and whisper heard Wisdom seek and wise-way act In Mimir's well see Odin's pact R: Raidho : Journey / Carriage By horse and wheel to travel far Till journey's -
The 'Typographical Manifesto'
The ‘typographical manifesto’ Blackletter/roman typeface variation as a social practice in Germany Dr. Jürgen Spitzmüller University of Zurich · Department of German Studies Conference “Biscriptality – sociolinguistic and cultural scenarios” Heidelberg, September 19, 2011 The ‘Bunˇci´c-Lippert-Rabus-Matrix’ (http://www.biscriptality.org/concept/) The ‘typographical manifesto’ Jürgen Spitzmüller Script Typeface Orthography (Zurich) digraphia diglyphia diorthographia Delimitations medieval Russian medieval Emergence ‘vertical’ Scandinavia: (18th/19th c.): Novgorod: Type and runes vs. Latin Old Cyrillic vs. standard vs. Confession alphabet civil script vernacular Nationalization scriptal typeface orthogr. Re-Semiotization pluricentricity pluricentricity pluricentricity Conclusions ‘horizontal’ Hindi-Urdu: Chinese: English: color vs. Devanagari vs. simplified vs. colour etc. Arabic traditional bigraphism biglyphism biorthographism Serbian: Cyrillic German Belarusian: ‘free’ vs. Latin (1464–1941): Narkomauka˘ vs. blackletter vs. Taraškevica roman type 2·32 The ‘Bunˇci´c-Lippert-Rabus-Matrix’ (http://www.biscriptality.org/concept/) The ‘typographical manifesto’ Jürgen Spitzmüller Script Typeface Orthography (Zurich) digraphia diglyphia diorthographia Delimitations medieval Russian medieval Emergence ‘vertical’ Scandinavia: (18th/19th c.): Novgorod: Type and runes vs. Latin Old Cyrillic vs. standard vs. Confession alphabet civil script vernacular Nationalization scriptal typeface orthogr. Re-Semiotization pluricentricity pluricentricity pluricentricity -
The Unicode Standard, Version 3.0, Issued by the Unicode Consor- Tium and Published by Addison-Wesley
The Unicode Standard Version 3.0 The Unicode Consortium ADDISON–WESLEY An Imprint of Addison Wesley Longman, Inc. Reading, Massachusetts · Harlow, England · Menlo Park, California Berkeley, California · Don Mills, Ontario · Sydney Bonn · Amsterdam · Tokyo · Mexico City Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed in initial capital letters. However, not all words in initial capital letters are trademark designations. The authors and publisher have taken care in preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode®, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. If these files have been purchased on computer-readable media, the sole remedy for any claim will be exchange of defective media within ninety days of receipt. Dai Kan-Wa Jiten used as the source of reference Kanji codes was written by Tetsuji Morohashi and published by Taishukan Shoten. ISBN 0-201-61633-5 Copyright © 1991-2000 by Unicode, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or other- wise, without the prior written permission of the publisher or Unicode, Inc. -
Anglo Saxon Runes
Anglo Saxon Runes LO: I can recognise Anglo- Saxon runes. Anglo Saxon Runes Success Criteria: I can recognise historians used these runes to find out what happened during Anglo-Saxon times. I can successfully interpret Anglo-Saxon runes. Anglo Saxon Runes Runes were letters used by the Saxons to write short messages of ownership, like “This belongs to Offa”. When the Anglo-Saxons became Christians, they began to use the Roman alphabet for writing (as we still do today). Before that time, they wrote in runes like these: How many letters do you think there are? There are 33 letters in the Runic Alphabet. Is that more or less than the Roman one that we use? We have 26 letters in our Roman alphabet. The Anglo Saxon alphabet takes it’s name from the first 6 letters. ‘Futhork’. F U TH O R K Feo Ur Thorn Os Rad Ken Here are the remainder. G W H N I J IE P X S T B E M L NG Beroc Eoh Mann Lagu Ing OE D A AE Y IO Otael Daeg Ac Asec Yr Ior And finally….. EA QU C ST G Ear Cweorp Calk Stan Gar You can see that some of the runes are quite like our capital letters. Some are easier to guess if you turn them upside down. Some are not what you would think! The word RUNE means secret or mystery. Runes were used in religious ceremonies. They were a charm or a spell as well as a way of writing messages. The Anglo Saxons believed that if you used the runes in the right order they had magical powers. -
Foundation Stones “Foundation Stones” of the Library
Thompson Library Floor Inlays & Elevator Etchings Foundation Stones “Foundation Stones” of the Library Set in the terrazzo of the William • Abugidas have unit letters Guides to the Floor Inlays Oxley Thompson Memorial Library’s for simple syllables and diacritic ground and first floors are 49 metal marks to indicate different vowels or Ground Floor tablets documenting forms of writ- the absence of a vowel. Devanagari 1 Avestan - language of the Zoroastrian ten communication from around the (3), Tibetan (31), Thai (16), and Bur- holy books, NE Iran, ca. 7th c. BCE world. Forty-five additional etchings mese (#3, First floor elevator door) 2 Glagolitic - the oldest Slavic alphabet, are featured in the decorative framing ca. 9th c. CE show how these systems ramified as of the Stack Tower elevators. These they spread from India. 3 Letters of Devanagari - used for Sanskrit, examples include full writing systems Hindi and other Indic languages that have evolved over the past 4,000 4 Braille - devised in 1821 by Louis Braille to 5,000 years, some of their precur- • Syllabaries can be large, sors, and a few other graphic forms like Chinese (8), or small, like Japa- 5 Letters of the precursor of Ethiopic that collectively give a sense of the nese hiragana (9). The Linear B (32) syllabary (southern Arabia, early 1st millennium CE). immense visual range of inscriptive of pre-Homeric Greek was a sylla- techniques. Writing systems estab- bary. Mayan (44), the best-known of 6 Cherokee - the syllabary devised and publicly demonstrated by Sequuoyah lish the foundation upon which all the Meso-Americans scripts, was a in 1821 library collections are built, and it is syllabary, as are recently invented fitting that these “foundation stones” scripts for indigenous North American 7 Modern Korean - a headline font decorate this building.