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UAX #44: Unicode Character Database File:///D:/Uniweb-L2/Incoming/08249-Tr44-3D1.Html
UAX #44: Unicode Character Database file:///D:/Uniweb-L2/Incoming/08249-tr44-3d1.html Technical Reports L2/08-249 Working Draft for Proposed Update Unicode Standard Annex #44 UNICODE CHARACTER DATABASE Version Unicode 5.2 draft 1 Authors Mark Davis ([email protected]) and Ken Whistler ([email protected]) Date 2008-7-03 This Version http://www.unicode.org/reports/tr44/tr44-3.html Previous http://www.unicode.org/reports/tr44/tr44-2.html Version Latest Version http://www.unicode.org/reports/tr44/ Revision 3 Summary This annex consolidates information documenting the Unicode Character Database. Status This is a draft document which may be updated, replaced, or superseded by other documents at any time. Publication does not imply endorsement by the Unicode Consortium. This is not a stable document; it is inappropriate to cite this document as other than a work in progress. A Unicode Standard Annex (UAX) forms an integral part of the Unicode Standard, but is published online as a separate document. The Unicode Standard may require conformance to normative content in a Unicode Standard Annex, if so specified in the Conformance chapter of that version of the Unicode Standard. The version number of a UAX document corresponds to the version of the Unicode Standard of which it forms a part. Please submit corrigenda and other comments with the online reporting form [Feedback]. Related information that is useful in understanding this annex is found in Unicode Standard Annex #41, “Common References for Unicode Standard Annexes.” For the latest version of the Unicode Standard, see [Unicode]. For a list of current Unicode Technical Reports, see [Reports]. -
Tungumál, Letur Og Einkenni Hópa
Tungumál, letur og einkenni hópa Er letur ómissandi í baráttu hópa við ríkjandi öfl? Frá Tifinagh og rúnaristum til Pixação Þorleifur Kamban Þrastarson Lokaritgerð til BA-prófs Listaháskóli Íslands Hönnunar- og arkitektúrdeild Desember 2016 Í þessari ritgerð er reynt að rökstyðja þá fullyrðingu að letur sé mikilvægt og geti jafnvel undir vissum kringumstæðum verið eitt mikilvægasta vopnið í baráttu hópa fyrir tilveru sinni, sjálfsmynd og stað í samfélagi. Með því að líta á þrjú ólík dæmi, Tifinagh, rúnaletur og Pixação, hvert frá sínum stað, menningarheimi og tímabili er ætlunin að sýna hvernig saga leturs og týpógrafíu hefur samtvinnast og mótast af samfélagi manna og haldist í hendur við einkenni þjóða og hópa fólks sem samsama sig á einn eða annan hátt. Einkenni hópa myndast oft sem andsvar við ytri öflum sem ógna menningu, auði eða tilverurétti hópsins. Hópar nota mismunandi leturtýpur til þess að tjá sig, tengjast og miðla upplýsingum. Það skiptir ekki eingöngu máli hvað þú skrifar heldur hvernig, með hvaða aðferðum og á hvaða efni. Skilaboðin eru fólgin í letrinu sjálfu en ekki innihaldi letursins. Letur er útlit upplýsingakerfis okkar og hefur notkun ritmáls og leturs aldrei verið meiri í heiminum sem og læsi. Ritmál og letur eru algjörlega samofnir hlutir og ekki hægt að slíta annað frá öðru. Ekki er hægt að koma frá sér ritmáli nema í letri og þessi tvö hugtök flækjast því oft saman. Í ljósi athugana á þessum þremur dæmum í ritgerðinni dreg ég þá ályktun að letur spilar og hefur spilað mikilvægt hlutverk í einkennum þjóða og hópa. Letur getur, ásamt tungumálinu, stuðlað að því að viðhalda, skapa eða eyðileggja menningu og menningarlegar tenginga Tungumál, letur og einkenni hópa Er letur ómissandi í baráttu hópa við ríkjandi öfl? Frá Tifinagh og rúnaristum til Pixação Þorleifur Kamban Þrastarson Lokaritgerð til BA-prófs í Grafískri hönnun Leiðbeinandi: Óli Gneisti Sóleyjarson Grafísk hönnun Hönnunar- og arkitektúrdeild Desember 2016 Ritgerð þessi er 6 eininga lokaritgerð til BA-prófs í Grafískri hönnun. -
Olof Sundqvist. Scripta Islandica 66/2015
SCRIPTA ISLANDICA ISLÄNDSKA SÄLLSKAPETS ÅRSBOK 66/2015 REDIGERAD AV LASSE MÅRTENSSON OCH VETURLIÐI ÓSKARSSON under medverkan av Pernille Hermann (Århus) Else Mundal (Bergen) Guðrún Nordal (Reykjavík) Heimir Pálsson (Uppsala) Henrik Williams (Uppsala) UPPSALA, SWEDEN Publicerad med stöd från Vetenskapsrådet. © Författarna och Scripta Islandica 2015 ISSN 0582-3234 Sättning: Ord och sats Marco Bianchi urn:nbn:se:uu:diva-260648 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-260648 Innehåll LISE GJEDSSØ BERTELSEN, Sigurd Fafnersbane sagnet som fortalt på Ramsundsristningen . 5 ANNE-SOFIE GRÄSLUND, Kvinnorepresentationen på de sen vikinga- tida runstenarna med utgångspunkt i Sigurdsristningarna ....... 33 TERRY GUNNELL, Pantheon? What Pantheon? Concepts of a Family of Gods in Pre-Christian Scandinavian Religions ............. 55 TOMMY KUUSELA, ”Den som rider på Freyfaxi ska dö”. Freyfaxis död och rituell nedstörtning av hästar för stup ................ 77 LARS LÖNNROTH, Sigurður Nordals brev till Nanna .............. 101 JAN ALEXANDER VAN NAHL, The Skilled Narrator. Myth and Scholar- ship in the Prose Edda .................................. 123 WILLIAM SAYERS, Generational Models for the Friendship of Egill and Arinbjǫrn (Egils saga Skallagrímssonar) ................ 143 OLOF SUNDQVIST, The Pre-Christian Cult of Dead Royalty in Old Norse Sources: Medieval Speculations or Ancient Traditions? ... 177 Recensioner LARS LÖNNROTH, rec. av Minni and Muninn: Memory in Medieval Nordic Culture, red. Pernille Herrmann, Stephen A. Mitchell & Agnes S. Arnórsdóttir . 213 OLOF SUNDQVIST, rec. av Mikael Males: Mytologi i skaldedikt, skaldedikt i prosa. En synkron analys av mytologiska referenser i medeltida norröna handskrifter .......................... 219 PER-AXEL WIKTORSSON, rec. av The Power of the Book. Medial Approaches to Medieval Nordic Legal Manuscripts, red. Lena Rohrbach ............................................ 225 KIRSTEN WOLF, rev. -
Correcting Traditions and Inventing History: the Manipulation of Mythology and of the Past in the Nibelungen-Literature of the 19Th and 20Th Centuries
FULVIO FERRARI (Università degli Studi di Trento) Correcting traditions and inventing history: the manipulation of mythology and of the past in the Nibelungen-literature of the 19th and 20th centuries Summary. This contribution analyses several relevant rewrites of the Nibelungen legend in order to point out the narrative strategies deployed by different authors to establish a relationship between the traditional plot (or, rather, plots), which were handed down through centuries by oral transmission and Medieval sources, and a concrete historical context. The Medieval written versions of the legend – both the Old Norse and the German ones – show little or, in fact, no interest in the historical setting of the narrative and do not seem to pursue any reliable or chronological con- sistence. The modern re-writers, on the contrary, have often set the action in specific historical contexts, a choice of setting which is usually strictly connected to the au- thor’s artistic, cultural and ideological agenda. To this end, I have singled out texts which, in my opinion, reflect important changes in mentality and culture, without belabouring the variances in their literary worth: first of all, I took into account some rewrites which belong to the German 19th cen- tury (Friedrich de la Motte Fouqué, Ernst Raupach, Friedrich Hebbel and Felix Dahn); then Ibsen’s theatrical rewrite of the Völsunga saga; the fantasy novels by the contemporary new-heathen writers Stephan Grundy and Diana L. Paxson; and, finally, the iconoclastic theatrical pastiches of the playwrights Heiner Müller and Volker Braun, whose works are deeply rooted in the experience of the German Democratic Republic. -
What Did They Sound Like?
Háskóli Íslands Hugvísindasvið Íslensk miðaldafræði What did they sound like? Reconstructing the music of the Viking Age Ritgerð til MA-prófs í íslenskum miðaldafræðum Chihiro Tsukamoto Kt.: 250493-3209 Leiðbeinandi: Þórir Jónsson Hraundal Janúar 2017 Abstract There has been much scholarship over the years regarding Scandinavian culture during the Viking Age (c. 793–1066 CE). However, often missing from these discussions is the study of music. This paper attempts to fill that gap by offering a reconstruction of Viking Age Scandinavian music. Archaeological evidence, literary records, and medieval music theories were used as the basis of this study. Archaeology indicates that Scandinavians played wind, string, and percussion instruments, while later Old Norse literary accounts detail the many circumstances wherein music was performed, and suggest the likely existence of different musical genres. I have consulted Arabic, Greek, and Latin accounts for contemporary sources, as the Scandinavian people did not have a written culture during this time. Marking a departure from typical historical analyses, I have also conducted a cross- cultural comparison of medieval Arabic, Greek, and Western European music theories in order to recognize what Scandinavian music could not have resembled. By combining archaeological, literary, and musical evidence, it is possible to propose a highly educated hypothesis on how Viking Age Scandinavian music may have sounded. Ágrip Mikið hefur verið rætt og ritað í gegnum árin um Skandinavíska menningu á Víkingaöld (um 793–1066 e.Kr.). Hins vegar er tónlist viðfangsefni sem oft virðist vanta í þessar umræður. Þessi ritgerð mun reyna að fylla það skarð með því að leggja fram tilgátu um endurgerð Skandinavískrar tónlistar frá Víkingaöld. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
Henrik Williams. Scripta Islandica 65/2014
Comments on Michael Lerche Nielsen’s Paper HENRIK WILLIAMS The most significant results of Michael Lerche Nielsen’s contribution are two fold: (1) There is a fair amount of interaction between Scandinavians and Western Slavs in the Late Viking Age and Early Middle Ages — other than that recorded in later medieval texts (and through archaeology), and (2) This interaction seems to be quite peaceful, at least. Lerche Nielsen’s inventory of runic inscriptions and name material with a West Slavic connection is also good and very useful. The most important evidence to be studied further is that of the place names, especially Vinderup and Vindeboder. The former is by Lerche Niel sen (p. 156) interpreted to contain vindi ‘the western Slav’ which would mean a settlement by a member of this group. He compares (p. 156) it to names such as Saxi ‘person from Saxony’, Æistr/Æisti/Æist maðr ‘person from Estonia’ and Tafæistr ‘person from Tavastland (in Finland)’. The problem here, of course, is that we do not know for sure if these persons really, as suggested by Lerche Nielsen, stem ethnically from the regions suggested by their names or if they are ethnic Scandi navians having been given names because of some connection with nonScandi navian areas.1 Personally, I lean towards the view that names of this sort are of the latter type rather than the former, but that is not crucial here. The importance of names such as Æisti is that it does prove a rather intimate connection on the personal plane between Scandinavians and nonScan dinavians. -
University of London Deviant Burials in Viking-Age
UNIVERSITY OF LONDON DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA Ruth Lydia Taylor M. Phil, Institute of Archaeology, University College London UMI Number: U602472 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602472 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA The thesis brings together information yielded from archaeology and other sources to provide an overall picture of the types of burial practices encountered during the Viking-Age in Scandinavia. From this, an attempt is made to establish deviancy. Comparative evidence, such as literary, runic, legal and folkloric evidence will be used critically to shed perspective on burial practices and the artefacts found within the graves. The thesis will mostly cover burials from the Viking Age (late 8th century to the mid- 11th century), but where the comparative evidence dates from other periods, its validity is discussed accordingly. Two types of deviant burial emerged: the criminal and the victim. A third type, which shows distinctive irregularity yet lacks deviancy, is the healer/witch burial. -
Óðinn and His Cosmic Cross
Háskóli Íslands Hugvísindasvið Norrænt meistaranám í víkinga- og miðaldafræðum ÓÐINN AND HIS COSMIC CROSS Sacrifice and Inception of a God at the Axis of the Universe Lokaverkefni til MA-gráðu í Norrænt meistaranám í víkinga- og miðaldafræðum Jesse Benjamin Barber Kt.: 030291-2639 Leiðbeinandi: Gísli Sigurðsson Luke John Murphy May 2017 1 Acknowledgements: I would like to thank Gísli Siggurðsson for his primary supervision and guidance throughout the writng of this thesis. I would also like to thank Luke John Murphy for his secondary supervision and vital advice. Thanks to Terry Gunnell for his recommendations on literature and thanks to Jens Peter Schjødt, who helped me at the early stages of my research. I would also like to thank all of the staff within the Viking and Medieval Norse Studies Master’s Program, thank you for two unforgettable years of exploration into this field. Thank you to my family and friends around the world. Your love and support has been a source of strength for me at the most difficult times. I am grateful to everyone, who has helped me throughout these past two years and throughout my education leading up to them. 2 Abstract: Stanzas 138 through 141 of the eddic poem Hávamál illustrate a scene of Óðinn’s self- sacrifice or sjálfsfórn, by hanging himself from a tree to obtain the runes. These four stanzas, which mark the beginning of the section Rúnatals þáttr, constitute some of the most controversial and important eddic poetry. Concerning the passage, Jens Peter Schjødt says it is one of the most interesting scenes in the entire Old Norse Corpus from the perspective of Religious History. -
Chronology and Typology of the Danish Runic Inscriptions
Chronology and Typology of the Danish Runic Inscriptions Marie Stoklund Since c. 1980 a number of important new archaeological runic finds from the old Danish area have been made. Together with revised datings, based for instance on dendrochronology or 14c-analysis, recent historical as well as archaeological research, these have lead to new results, which have made it evident that the chronology and typology of the Danish rune material needed adjustment. It has been my aim here to sketch the most important changes and consequences of this new chronology compared with the earlier absolute and relative ones. It might look like hubris to try to outline the chronology of the Danish runic inscriptions for a period of nearly 1,500 years, especially since in recent years the lack of a cogent distinction between absolute and relative chronology in runological datings has been criticized so severely that one might ask if it is possible within a sufficiently wide framework to establish a trustworthy chro- nology of runic inscriptions at all. However, in my opinion it is possible to outline a chronology on an interdisciplinary basis, founded on valid non-runo- logical, external datings, combined with reliable linguistic and typological cri- teria deduced from the inscriptions, even though there will always be a risk of arguing in a circle. Danmarks runeindskrifter A natural point of departure for such a project consists in the important attempt made in Danmarks runeindskrifter (DR) to set up an outline of an overall chro- nology of the Danish runic inscriptions. The article by Lis Jacobsen, Tidsfæst- else og typologi (DR:1013–1042 cf. -
Europe-II 8 Ancient and Other Scripts
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1. -
Elder Futhark Runes (1/2) (9 Points)
Ozclo2015 Round 1 1/15 <1> Elder Futhark Runes (1/2) (9 points) Old Norse was the language of the Vikings, the language spoken in Scandinavia and in the Scandinavian settlements found throughout the Northern Hemisphere from the 700’s through the 1300’s. Much as Latin was the forerunner of the Romance languages, among them Italian, Spanish, and French, Old Norse was the ancestor of the North Germanic languages: Icelandic, Faroese, Norwegian, Danish, and Swedish. Old Norse was written first in runic alphabets, then later in the Roman alphabet. The first runic alphabet, found on inscriptions dating from throughout the first millennium CE, is known as “Elder Futhark” and was used for both proto- Norse and early Old Norse. Below are nine Anglicized names of Old Norse gods and the nine Elder Futhark names to which they correspond. Listed below are also two other runic names for gods. The names given below are either based on the gods’ original Old Norse names, or on their roles in nature; for instance, the god of the dawn might be listed either as ‘Dawn’ or as Delling (his original name). Remember that the modern version of the name may not be quite the same as the original Old Norse name – think what happened to their names in our days of the week! Anglicized names: Old Norse Runes: 1 Baldur A 2 Dallinger B 3 Day C 4 Earth 5 Freya D 6 Freyr E 7 Ithun F 8 Night G 9 Sun H I J K Task 1: Match the runes to the correct names, by placing the appropriate letter (from A to K) for the runic word corresponding in meaning to the anglicized name in the first table.