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Goran Skrobonja RUBBER SOUL PROJEKT: PUTOVANJE Alternativna muzička istorija/ konceptualni eksperiment THE RUBBER SOUL PROJECT JOURNEY Alternative music history / a conceptual experiment DRAMATIS PERSONAE: DRAMATIS PERSONAE: (po redu izlaska na scenu) (in the order of appearance) RASTKO ĆiRiĆ (Beograd, 1955) Rastko ĆiRiĆ (Belgrade, 1955) Profesor ilustracije i animacije Professor of illustration and anima- na Fakultetu primenjenih umet­ tion at the Faculty of Applied Arts nosti u Beogradu. Poznati ilu­ in Belgrade. Well known illustrator strator i animator. Samouki and animator. Self-taught musician. mu zičar. Dugo godišnji Bitls fa­ Long-standing Beatles fanatic. natik. GORAN SKROBONJA (Belgrade, GORAN SKROBONJA (Beo­ 1962) Lawyer and Sworn to Court grad, 1962) Dipl. prav nik i sud­ ski tumač, književ­­ni prevodilac i Interpreter, literary translator and pisac horora i naučne fantastike. writer of horror and science fiction. Dugogodišnji Bitls fanatik. Long-standing Beatles fanatic. NEBOJŠA IgnjatoviĆ–NEBE NEBojŠa IGNJAToviĆ–NEBE (Beograd, 1951) Profesor kon­ (Belgrade, 1951) double bass profes- trabasa na Fakultetu muzičke sor at the Faculty of Music Arts in umetnosti u Beogradu. Kom­ Belgrade. Composer and theater mu- pozitor i teatarski muzičar. Bivši sician. A former member of the Bel- član Beogradske filharmonije, grade Philharmonic Orchestra Sko- orkestra Skovran, grupe Rene- vran, Renaissance Group, Symphony sans, Simfonij skog orkestra Nju Orchestra of New Jersey, USA. Long- Džersija, SAD. Dugogodišnji standing Beatles fanatic. Bitls fanatik. MIROSLAv CvetkoviĆ MIroslav CVETKOViĆ (Beo­ (Belgrade, 1953) bass guitarist in the grad, 1953) Bas gitarista u Ba­ Bajaga’s band. Sound engineer and jaginom bendu. Inženjer zvuka i producent. Osnivač i dekan producer. Founder and Dean of the beogradske Rok akademije. Belgrade Rock Academy. Long-stand- Dugogodišnji Bitls fanatik. ing Beatles fanatic. ČEDOMIR Macura (Beograd, ČeDOMIR MACURA (Belgrade, 1967) Samouki bubnjar koji je 1967) A self-taught drummer posle 12 godina sešn­svirki, za­ who after 12 years of session gigs, hvaljujući Rubber Soul Projektu, thanks to the Rubber Soul Project, postao stalni član Bajaginog became a permanent member of ben da. Novopečeni Bitls fa na­ the Bajaga’s band. Recent Beatles tik. fanatic. DRAGAN AŠANIN (Beograd, DRAGAN AŠanin (Belgrade, 1959) Filmski i TV producent, 1959) Film and TV producer, a uspešan biznismen, vlasnik successful businessman, owner of kom panije AD&Sons koja je fi­ AD & Sons company, which had nansirala realizaciju Rubber Soul funded the realization of the Rub- Projekta #1. Dugogodišnji Bitls ber Soul Project 1. Long-standing fanatik. Beatles fanatic. ĐORĐE PETROVIĆ (Beograd, ĐORĐE PETROVIĆ (Belgrade, 1953) Inženjer elektronike, pro­ 1953) electronics engineer, profes- fesor na Fa kul tetu muzičke sor at the Faculty of Music Arts of umetnosti i na Univerzitetu the University of Arts in Belgrade. umetnosti u Beogradu. Kom­ Composer, producer and performer. pozitor, producent i izvo đač. Long-standing Beatles fanatic. Dugogodišnji Bitls fanatik. ALEKSANDAR SAŠA LOKNER ALEKSANDAR SAŠA LOKNER (Zemun, 1964) Poznati pijanista (Zemun, 1964) Renowned pianist i kompozitor. Eks Galija, sada and composer. Ex Galija, now a član Bajaginog benda. Solo al­ member of Bajaga’s band. Solo al- bum Evropa Elektro Express, sa bum Electro Express Europe, with Lazom Ristovskim album Naos. Laza Ristovski album Naos. Long- Dugogodišnji Bitls fanatik. standing Beatles fanatic . IGOR KORDEJ (Zagreb, Hrvat­ IGOR KORDEY (Zagreb, Croatia, ska, 1957) Izvršni producent 1957) Producer of the RSP 2. One RSP 2. Jedan od najvažnijih i of the most important and prolific naj plodnijih svetskih strip crtača comics artist and illustrator world- i ilustratora. Oktobra 2013. pro­ wide. In 2013 proclaimed the Knight gla šen Vitezom umetnosti od stra­ of Arts by the French government. ne francuske vlade. Dugogodišnji Long-standing Beatles fanatic. Bitls fanatik. DAMJAN DAŠIĆ (Belgrade, 1980) DAMJAN DAŠIĆ (Beograd, Musician, sound engineer and stu- 1980) Muzičar, inženjer zvuka i dent of dentistry. Drummer and student stomatologije. Bubnjar i bass guitarist, ex member of Vam­ bas gitarista, eks Vampiri, Breeze, piri, Breeze, E­Play… Leader and E-play… Vođa i bas gitarista bass guitarist of The Beastbeat Bitls tribjut benda The Bestbeat. Beatles tribute band. Long-stand- Dugogodišnji Bitls fanatik. ing Beatles fanatic. MARKO ĆALIĆ (Beograd, MARKO ĆALIĆ (Belgrade, 1982) 1982) Muzičar, student prava i Musician, student of law and health proizvođač zdrave hrane. Bivši food manufacturer. Ex member of član Vampira i Breeze. Solo gitaris­ Vampiri and Breeze… Solo guitar- ta Bitls tribjut benda The Bestbeat. ist of The Beastbeat Beatles tribute Dugogodišnji Bitls fanatik. band. Long-standing Beatles fanatic. SAŠA JANKOVIĆ (Beograd, 1968) SAŠA JANKOVIĆ (Belgrade, 1968) Inženjer zvuka, suvlasnik studi­ Sound engineer, co-owner of the ja Strip u Beogradu. Predavač Strip Studio in Belgrade. Lecturer of na SAE Institutu u Beogradu. Sound Design at the SAE Institute Između ostalih, u Rak i Ebi Roud in Belgrade. At Rak and Abbey Road studiju u Londonu, sni mao Studios in London he had recorded The Cure, The Rutles, Paul Weller, The Cure, The Rutles, Paul Weller, Nazareth, Bo Didley, Suede… Nazareth, Bo Diddley, Suede… Dugogodišnji Bitls fanatik. Long-standing Beatles fanatic. Deo prvi: KONCEPT Part one: THE CONCEPT he Rubber Soul Project (RSP) nastao he Rubber Soul Project (the RSP) was jeT usred posvemašnjeg sunovrata onoga createdT in the midst of complete disaster što smo tada nazivali državom. Bila je to which we called Yugoslavia at that time. 1993, vreme lažnih banki Dafine i Jezde, It was in 1993, the time of the pyramid novčanice od 500 milijardi dinara i pot­ schemes called Dafina and Jezda, the bills pune praznine i beznađa u kulturnom with denominations of 500 billion dinars životu Jugoslavije. and total emptiness and hopelessness in the Rastko Ćirić je negde u to vreme, u cultural life of Yugoslavia. knji zi Džefa Rasela THE BEATLES/ Just about then, in Geoff Russell’s book THE ALBUM FILES AND COMPLETE DIS­ BEATLES / FILES AND COMPLETE AL- COGRAPHY, naleteo na spisak od BUM DISCOGRAPHY, Rastko Ćirić stum- preko dve stotine pesama koje su Bitlsi bled upon a list of more than two hundred snimili dok su bili zajedno, ali ih nisu previously recorded but never released Bea- objavili. Ne znajući da će se ubrzo po­ tles songs. Not knowing about the impend- javiti zvanična izdanja kao što su BBC ing releases of the BBC and Live Anthology Live i serija Anthology, Rastko je imao series, Rastko was under the impression utisak da je naišao na that he had encountered popisani inventar the listed inventory of Ali­Babine pećine: the cave of Ali Baba: spisak zamamnog, ali a list of stunning, but potpuno nedostup­ completely inaccessible nog blaga. Jedan od treasures. One of the ti- naslova posebno mu tles especially attracted je privukao pažnju – attention – “Rubber Rubber Soul, pesma Soul”, a song that was koja je trebalo da supposed to be on the bude na istoimenom eponymous Beatles al- albumu Bitlsa iz bum from 1965, but had 1965­e, ali je iz nepo­ been left out for reasons znatih razloga izostavljena. To je i za unknown. For a person far less imaginative nekoga sa daleko manje imaginacije than Rastko it could have been extremely od Rastka moglo da bude krajnje za­ interesting, but in Rastko’s head this had nimljivo, ali u Rastkovoj glavi imalo je had the effect of that legendary flutter of the učinak onog legendarnog zamaha lepti­ wings of a butterfly that might have caused rovog krila koji će na drugoj strani sveta a flurry of hurricanes on the other side of the možda izazvati nalet uragana. Naime, world. Specifically, as it seemed he would pošto mu se činilo da nikada neće imati never get a chance to peek into the vaults priliku da zaviri u sefove u kojima se ti where these legendary, unreleased Beatles legendarni, neobjavljeni snimci Bitlsa recordings were kept, it occurred to Rastko čuvaju, Rastku je palo na pamet da oku­ to gather around people of similar sensibil- pi oko sebe ljude sličnog senzibiliteta, ity, regardless of whether they had any con- bez obzira na to bave li se rokenrolom nection whatsoever with rock and roll or not, ili ne, i da svako od njih komponuje so that each of them could write a song that pesmu koja bi bila njegovo (ili njeno) would be his (or hers) personal vision of that lično viđe nje te misteriozne, odbačene mysterious, discarded “Rubber Soul” tune. Gumene duše. Pesme bi bile objavljene na These songs could then have been recorded ploči pod ime nom Rubber Souls. Rastka in an album called Rubber Souls. For this je za ovaj zanimljiv koncept koji bi se interesting concept that could have been mogao nazvati, recimo, “kreativnom re­ designated, say, a creative reconstruction, konstrukcijom”, inspirisala i Borhesova Rastko was inspired by the story of Borges priča pod nazivom Pjer Menar pisac Ki- called “Pierre Mennard, the Writer of Quix- hota (iz zbirke Fictions), gde Borhes veli: ote” (from the collection Fictions), where “…on (Pjer Menar) nije hteo da napiše Borges says: …he (Pierre Mennard) did not nekog drugog Kihota – što je lako – nego want to write another Quixote – it is easy – upravo Kihota…” U priči, Borhes citira but the Quixote… In the story, Borges cites dva potpuno identična izvoda iz Kiho­ two identical statements from Quixote, one ta, jedan Servantesov i drugi Menarov, by Cervantes and the other by Mennard, kudeći prvi, a hvaleći onaj Menarov kao criticizing the first one, and praising Men- neverovatno dostignuće. Naravno, nard’s as an incredible achievement. Of za realizaciju ovakvog koncepta bio 9 course, in order to realize this concept je potreban onaj sudbonosni, početni ko­ Rastko needed that fateful first step, which rak, a do njega je došlo, kako to obično occured, as it usually happens, by pure co- biva, pukim sticajem okolnosti. U martu incidence. In March 1993, Rastko Ćirić will 1993­će, Rastko Ćirić se sasvim slučajno accidentally meet Goran Skrobonja.
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    VICTORIA UNIVERSITY CONTESTATIONS OVER MACEDONIAN IDENTITY, 1870–1912 by NICK ANASTASOVSKI A THESIS SUBMITTED TO VICTORIA UNIVERSITY IN FULFILMENT OF THE REQUIREMENTS OF THE DEGREE OF DOCTOR OF PHILOSOPHY SCHOOL OF SOCIAL SCIENCES MELBOURNE, VICTORIA MAY, 2005 2 STUDENT DECLARATION I, Nick Anastasovski, declare that the thesis entitled Contestations over Macedonian Identity 1870–1912 is no more than 100,000 words in length, exclusive of tables, figures, appendices and references. This thesis contains no material that has been submitted previously, in whole or in part, for the award of any other academic degree or diploma. Except where otherwise indicated, this thesis is my own work. Nick Anastasovski May 2005 3 DEDICATION To my wife Sophie whose support and encouragement made the study possible 4 TABLE OF CONTENTS Page Abstract 9 Acknowledgments 11 Glossary of terms 13 List of maps 28 List of tables 32 List of illustrations 39 List of photographs 40 Introduction 42 Context 42 Summary 48 Chapter One: Colonisation and Islamicisation 55 1.1 Colonisation and Islamicisation 55 1.2 Religion and nationality 92 Chapter Two: Peoples and Populations 99 2.1 Peoples of Macedonia 99 Macedonians: The contested majority 99 Vlahs: Romanian or Greek, a contested minority 107 5 Greeks: Fishermen, farmers or townsfolk? 112 Turks and Albanians: The colonists 114 Gypsies and Jews: The uncontested 120 2.2 Conflicts around population data 124 Territorial boundaries 124 2.3 Population statistics 128 Ottoman Turkish population data 128 Population statistics advocated
  • A Vida Dos Beatles Hunter Davies a Vida Dos Beatles (A Única Biografia Autorizada)

    A Vida Dos Beatles Hunter Davies a Vida Dos Beatles (A Única Biografia Autorizada)

    a vida dos beatles http://groups.google.com/group/digitalsource hunter davies a vida dos beatles (a única biografia autorizada) editôra expressão e cultura TÍTULO ORIGINAL: THE BEATLES COPYRIGTH, 1968 BY FORSTER DAVIES LIMITED PRIMEIRA EDIÇÃO ORIGINAL: JUNHO DE 1968 PRIMEIRA EDIÇÃO EM LÍNGUA PORTUGUÊSA: NOVEMBRO DE 19 68 RESERVADOS TODOS OS DIREITOS DE PUBLICAÇÃO EM LÍNGUA PORTUGUÊSA PARA O BRASIL, NOS TÊRMOS DA LEGISLAÇÃO EM VIGOR. TRADUÇÃO DE HENRIQUE BENEVIDES CAPA DE MIGUEL MASCARENHAS DIAGRAMAÇÃO E PAGINAÇÃO DE MÁRIO PAULO COMPOSIÇÃO, IMPRESSÃO E ACABAMENTO: OFICINAS DA EMPRÊSA GRÁFICA “O CRUZEIRO” S. A. RIO DE JANEIRO Para Brian Epstein Sinceros agradecimentos são também devidos aos pais, amigos, pare ntes e a todos os que os acompanharam em Liverpool, Hamburgo e Londres e deram a sua ajuda a êste livro. Igualmente recebi grandes subsídios de Queenie Epstein, Cliv e Epstein, Peter Brown, Geoffrey Ellis, Neil Aspinall, Mal Evans, Tony Bar row e muitos outros colaboradores da Nems e Apple. Agradecimentos também a George M artin, Dick James, Sir Joseph Lockwood, Richard Simon e a todos da Cur tis Brown. Evidentemente, sem esquecer John, Paul, George e Ringo, sem os quais... ÍNDICE Introdução................................................................... 08 l.ª PARTE: LIVERPOOL 1. John ....................................................................... 12 2. John e os “Quarrymen” ........................................... 25 3. Paul ........................................................................ 42 4. Paul e os “Quarrymen”