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The Beatles, Instrumentals En Fora Mei 2009 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'. Naast deze twee instrumentals is op Yellow Submarine (1969) filmmuziek opgenomen van de gelijknamige animatie. Met de komst van de Anthology-serie1 in de jaren negentig, kunnen nog twee instrumentals worden toegevoegd aan de lijst. 'Cry For A Shadow', opgenomen toen The Beatles als Beat Brothers Tony Sheridan begeleiden en 'Caynne' eveneens uit hun pre-Beatle tijd. Uit bovenstaande lijst blijkt dat The Beatles niet veel instrumentale muziek hebben opgenomen. Dit wekte mijn interesse. Twee tracks van voor ze beroemd werden en twee tracks toen hun beroemdheid afnam. Hierdoor zou gezegd kunnen worden, dat de instrumentale songs ijkpunten zijn. Ze markeren de muziek die het viertal schreef voor ze beroemd waren, maar ook de muzikale ontwikkeling die ze tijdens hun hoogtijdagen hebben doorgemaakt, resulterend in 'Flying' en 'Revolution 9'. Als mens ben ik geïnteresseerd in vernieuwing, in het ontdekken van nieuwe muziek. Hoewel muziek van The Beatles niet nieuw is in de meest concrete zin van het woord, was ze dat voor mij wel. Natuurlijk kende ik een aantal songs, met name die welke worden gerekend tot ons culturele erfgoed. Over The Beatles zelf, wist ik weinig. Dankzij deze thesis heb ik mijn horizon kunnen verbreden door een klein onderdeel van ons muzikale erfgoed te koppelen aan het meest moderne medium dat we hebben: internet. Anno 2009 hebben wetenschappers weinig interesse in het internet-medium, daar deze te vergankelijk is. Niet alleen is het mogelijk dat wat vandaag nog aanwezig is, een uur later verdwenen is. Een tweede bezwaar is dat veel gebruikers weinig geïnteresseerd zijn om hun teksten te voorzien van wetenschappelijke potentie. Hiermee wordt bedoeld dat feiten die ergens 'opgepikt' zijn, zonder bronvermelding worden neergezet, met alle gevolgen van dien. Ondanks deze bezwaren, begint het internet een steeds grotere plaats in te nemen in ons dagelijks bestaan. Tegenwoordig kunnen we niet alleen thuis, maar ook onderweg op onze telefoons toegang krijgen tot dit digitale netwerk. Zeker de jongere generatie ziet dit medium als communicatie middel bij uitstek. Op het internet kunnen we immers een eigen 'ik' creëren, waarbij de echte 'ik' buiten schot blijft. Het internet staat voor actualiteit, voor snelle reactie. Heel de wereld deelt in informatie en communicatie, waardoor we als mensheid over een grotere afstand kunnen reiken. In zekere zin kan het internet zelfs worden beschouwd als een nieuwe wereld. Het biedt immers evenveel mogelijkheden tot leren, lezen en ontdekken als de ruimte buiten ons beeldscherm. In deze thesis ga ik proberen de vergankelijkheid van het internet te koppelen aan de 1 Deel I en II bij EMI in 1995 en 1996; deel III bij Apple in 1996. 3 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 standvastigheid van The Beatles. Met dat laatste wordt bedoeld dat zelfs anno 2009 er mensen zijn die songs van hen kennen. Zelfs al hebben ze niets met de groep zelf of met de jaren zestig. Eindhoven, 20 februari 2009 Lotte van der Schoot 4 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Inhoud Woord vooraf........................................................................................................................................3 Introductie Beatles en muziek.............................................................................................................. 8 Onderzoek......................................................................................................................................11 Hoofdstuk 1 Songs............................................................................................................................. 13 Inleiding.........................................................................................................................................13 Cat's Walk......................................................................................................................................13 Cayenne......................................................................................................................................... 14 Cry For a Shadow.......................................................................................................................... 15 Flying.............................................................................................................................................16 Revolution 9...................................................................................................................................16 Hoofdstuk 2 Discussiethema's............................................................................................................18 Inleiding.........................................................................................................................................18 Cat's Walk......................................................................................................................................19 Thema's van de fora..............................................................................................................20 Cayenne......................................................................................................................................... 21 Thema's van de fora..............................................................................................................23 Cry For A Shadow......................................................................................................................... 24 Thema's van de fora..............................................................................................................25 Flying.............................................................................................................................................26 Thema's van de fora..............................................................................................................28 Revolution 9...................................................................................................................................28 Thema's van de fora..............................................................................................................29 Hoofdstuk 3 Verwerking.................................................................................................................... 31 Inleiding.........................................................................................................................................31 Fora................................................................................................................................................ 31 Herindeling.................................................................................................................................... 32 Categorie I meningen........................................................................................................... 34 Categorie II feiten.................................................................................................................34 Categorie III Analyses..........................................................................................................34 Categorie IV niet relevant.................................................................................................... 35 Categorie V grijze gebieden.................................................................................................35 Hoofdstuk 4 Conclusie....................................................................................................................... 36 Inleiding.........................................................................................................................................36 Categorieën...................................................................................................................................
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