Lawyers War with Ministry Paralyses Serbian Judiciary
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Bitef Satnica Preuzmite
SREDA / WEDNESDAY 20.09. Kulturni centar Beograda, Bitef biblioteka / Promocija knjige NOĆNI DNEVNIK, 1985 – 1991 / Galerija Artget / 20:00 Bitef Library Book promotion NIGHT DIARY 1985 – 1991 Belgrade Cultural Centre, Artget Gallery ČETVRTAK / THURSDAY 21.09. Radionica / Radionica pozorišne kritike SUMNJIVA LICA / Festivalski centar / 12:00 Workshop Theatre criticism workshop PERSONS OF INTERESTS Festival Centre PETAK / FRIDAY 22.09. Promocija knjige KULTURNA DIPLOMATIJA: Bitef biblioteka / UMETNOST, FESTIVALI I GEOPOLITIKA / Festivalski centar / 16:00 Bitef Library Book promotion CULTURAL DIPLOMACY: Festival Centre ARTS, FESTIVALS AND GEOPOLITICS Glavni program / Klub Bitef teatra / 18:00 Main Programme QUIZOOLA! Bitef Theatre Club SUBOTA / SATURDAY 23.09. 24/7: DUGE PREDSTAVE I NIKAD KRAJA / Svečana sala Rektorata Međunarodna tribina / Univerziteta umetnosti / 24/7: DURATIONAL PERFORMANCES 10:30 International panel discussion Formal Hall, University of Arts, WITH NO END IN SIGHT The Rectory OLIMP Glavni program / U SLAVU KULTA TRAGEDIJE – PREDSTAVA OD 24 SATA / Sava Centar / 18:00 Main Programme MOUNT OLYMPUS Sava Centre TO GLORIFY THE CULT OF TRAGEDY – A 24H PERFORMANCE PONEDELJAK / MONDAY 25.09. Otvaranje i interaktivna prezentacija Bitef polifonija / TROGLASNE INVENCIJE BITEF POLIFONIJE / Ustanova kulture „Parobrod“ / 12:00 Bitef Polyphony Opening and interactive presentation Cultural Institution “Parobrod” THREE-PART INVENTIONS OF BITEF POLYPHONY Centar za kulturnu Bitef polifonija / Predstava MALA ŽURKA PROPUŠTENOG PLESA / dekontaminaciju -
Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
PUBLIC THEATRE's SOCIAL ROLE and ITS Audiencea
ТEME, г. XLV, бр. 1, јануар − март 2021, стр. 213−229 Оригинални научни рад https://doi.org/10.22190/TEME190702012M Примљено: 2. 7. 2019. UDK 792: 316.4.062 Ревидирана верзија: 17. 11. 2021. Одобрено за штампу: 26. 2. 2021. PUBLIC THEATRE’S SOCIAL ROLE AND ITS AUDIENCEa Ksenija Marković Božović* University of Arts in Belgrade, Faculty of Dramatic Arts, Belgrade, Serbia Abstract Today, public theatre is directed toward adapting to its contemporary socio- economic context. In doing this, it is trying to preserve its artistic values and at the same time fulfill and diversify its social functions and missions. When we talk about public theatre’s social function, i.e. the public value it produces, some of the main issues concern its contribution to the most pressing social matters. In general, these issues concern public theatre’s role in strengthening social cohesion, cultural emancipation and social inclusion, its role in the process of opening dialogues, revising formal history and re-examining traditional forms of thinking. Fulfilment of these functions is strongly linked with the character of public theatre’s audiences. In more practical terms, the scope of public theatre’s social influence is dependent on how homogenous its audiences are. If one considers artistic organizations’ need for sustainability as a key factor in their need for constantly widening their audience, and particularly the inclusion of “others” (those not belonging to the dominant cultural group), in the context of contemporary society’s need for social and cultural inclusion, then the task of today’s public theatres becomes rather difficult. Simply said, there are too many needs to be met at the same time. -
Romania Redivivus
alexander clapp ROMANIA REDIVIVUS nce the badlands of neoliberal Europe, Romania has become its bustling frontier. A post-communist mafia state that was cast to the bottom of the European heap by opinion- makers sixteen years ago is now billed as the success story Oof eu expansion.1 Its growth rate at nearly 6 per cent is the highest on the continent, albeit boosted by fiscal largesse.2 In Bucharest more politicians have been put in jail for corruption over the past decade than have been convicted in the rest of Eastern Europe put together. Romania causes Brussels and Berlin almost none of the headaches inflicted by the Visegrád Group—Czechia, Hungary, Poland, Slovakia— which in 1993 declined to accept Romania as a peer and collectively entered the European Union three years before it. Romanians con- sistently rank among the most Europhile people in the Union.3 An anti-eu party has never appeared on a Romanian ballot, much less in the parliament. Scattered political appeals to unsavoury interwar traditions—Legionnairism, Greater Romanianism—attract fewer voters than do far-right movements across most of Western Europe. The two million Magyars of Transylvania, one of Europe’s largest minorities, have become a model for inter-ethnic relations after a time when the park benches of Cluj were gilded in the Romanian tricolore to remind every- one where they were. Indeed, perhaps the aptest symbol of Romania’s place in Europe today is the man who sits in the Presidential Palace of Cotroceni in Bucharest. Klaus Iohannis—a former physics teacher at a high school in Sibiu, once Hermannstadt—is an ethnic German head- ing a state that, a generation ago, was shipping hundreds of thousands of its ‘Saxons’ ‘back’ to Bonn at 4,000–10,000 Deutschmarks a head. -
Jewish Communities in the Political and Legal Systems of Post-Yugoslav Countries
TRAMES, 2017, 21(71/66), 3, 251–271 JEWISH COMMUNITIES IN THE POLITICAL AND LEGAL SYSTEMS OF POST-YUGOSLAV COUNTRIES Boris Vukićević University of Montenegro Abstract. After the dissolution of Yugoslavia, the Jewish community within Yugoslavia was also split up, and now various Jewish communities exist in the seven post-Yugoslav countries. Although all of these communities are relatively small, their size, influence, and activity vary. The political and legal status of Jewish communities, normatively speaking, differs across the former Yugoslav republics. Sometimes Jews or Jewish communities are mentioned in constitutions, signed agreements with governments, or are recognized in laws that regulate religious communities. Despite normative differences, they share most of the same problems – a slow process of return of property, diminishing numbers due to emigra- tion and assimilation, and, although on a much lower scale than in many other countries, creeping anti-Semitism. They also share the same opportunities – a push for more minority rights as part of ‘Europeanization’ and the perception of Jewish communities as a link to influential investors and politicians from the Jewish diaspora and Israel. Keywords: Jewish communities, minority rights, post-communism, former Yugoslavia DOI: https://doi.org/10.3176/tr.2017.3.04 1. Introduction In 1948, the first postwar census in Yugoslavia counted 6,538 people of Jewish nationality, although many Jews identified as other nationalities (e.g. Croat, Serb) in the census while identifying religiously as Jewish, as seen by the fact that Jewish municipalities (or communities) across Yugoslavia had 11,934 members (Boeckh 2006:427). The number of Jews in Yugoslavia decreased in the following years after the foundation of the State of Israel. -
Adria Security Summit
Organizer Live www.adriasecuritysummit.com Event Get Ready for the Sixth Edition EXHIBITION & SPONSORSHIP BROCHURE FOCUS Conference, Exhibition, Side Events, B2B ON THE FUTURE Belgrade, Serbia, October 13th - 14th 2021 1 ADRIA SECURITY SUMMIT UKR SHOW DETAILS GER CZE Date 13 - 14 October ‘21 Venue Belexpocentar, Holiday Inn Belgrade SVK Participants 1,500+ MDA Exhibitors 100+ Speakers 9 AUT HUN Side Events 30+ Case studies 12 Ljubljana 2018 ROM SLO CRO ITA Belgrade 2016/2021 BIH Šibenik SRB 2017 Sarajevo 2015 BUL MNE KOS Skopje 2019 MKD ALB TUR GRE 2 13 - 14 October 2021, Belgrade, Serbia About Powered by Intersec a&s Adria Adria Security Summit gathers all participants within the supply From 2017, Messe Frankfurt is partnering with our event, which Event’s organizer is a&s Adria, professional magazine for pro- chain, from manufacturers to end users, involved in video sur- is now known as Adria Security Summit powered by Intersec. viding total security solutions. It is a monthly circulating publica- veillance, electronic and mechanical access control, intrusion Messe Frankfurt is Europe’s largest trade fair, congress and tion and a licensed representative of Messe Frankfurt New Era detection, private security, cyber security, fire and safety, secu- event organizer. Its leading security trade show is Intersec Du- Business Media for the Adriatic region: Bosnia and Herzegovi- rity management, electro-acoustic systems, and smart homes. bai with close to 1,300 exhibitors. na, Croatia, Kosovo, Montenegro, North Macedonia, Slovenia, and Serbia. -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
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Goran Skrobonja RUBBER SOUL PROJEKT: PUTOVANJE Alternativna muzička istorija/ konceptualni eksperiment THE RUBBER SOUL PROJECT JOURNEY Alternative music history / a conceptual experiment DRAMATIS PERSONAE: DRAMATIS PERSONAE: (po redu izlaska na scenu) (in the order of appearance) RASTKO ĆiRiĆ (Beograd, 1955) Rastko ĆiRiĆ (Belgrade, 1955) Profesor ilustracije i animacije Professor of illustration and anima- na Fakultetu primenjenih umet tion at the Faculty of Applied Arts nosti u Beogradu. Poznati ilu in Belgrade. Well known illustrator strator i animator. Samouki and animator. Self-taught musician. mu zičar. Dugo godišnji Bitls fa Long-standing Beatles fanatic. natik. GORAN SKROBONJA (Belgrade, GORAN SKROBONJA (Beo 1962) Lawyer and Sworn to Court grad, 1962) Dipl. prav nik i sud ski tumač, književni prevodilac i Interpreter, literary translator and pisac horora i naučne fantastike. writer of horror and science fiction. Dugogodišnji Bitls fanatik. Long-standing Beatles fanatic. NEBOJŠA IgnjatoviĆ–NEBE NEBojŠa IGNJAToviĆ–NEBE (Beograd, 1951) Profesor kon (Belgrade, 1951) double bass profes- trabasa na Fakultetu muzičke sor at the Faculty of Music Arts in umetnosti u Beogradu. Kom Belgrade. Composer and theater mu- pozitor i teatarski muzičar. Bivši sician. A former member of the Bel- član Beogradske filharmonije, grade Philharmonic Orchestra Sko- orkestra Skovran, grupe Rene- vran, Renaissance Group, Symphony sans, Simfonij skog orkestra Nju Orchestra of New Jersey, USA. Long- Džersija, SAD. Dugogodišnji standing Beatles fanatic. Bitls fanatik. MIROSLAv CvetkoviĆ MIroslav CVETKOViĆ (Beo (Belgrade, 1953) bass guitarist in the grad, 1953) Bas gitarista u Ba Bajaga’s band. Sound engineer and jaginom bendu. Inženjer zvuka i producent. Osnivač i dekan producer. Founder and Dean of the beogradske Rok akademije. -
1 Lenki I Relji, Mojim Unucima
Lenki i Relji, mojim unucima 1 2 Feliks Pašić MUCI Ljubomir Draškić ili živeti u pozorištu 3 4 Ulaz u vilu »Nada« u Omišlju na ostrvu Krku 5 6 Mladom Svetozaru Cvetkoviću, tek pristiglom u Atelje 212, činio se kao ka- kav veliki lutan, očiju dubokih i crnih, sa podočnjacima koji su s godinama posta- jali sve tamniji i dublji. Mira Stupica pamti jedno štrkljasto i visoko dete, krakato, okato, nosato i pomalo dremljivo, koje je kapke imalo uvek napola spuštene, kao roletne. I u sećanju Aleksandra–Luja Todorovića javlja se u istoj slici: visok, štrkljast, šiljat, neopisivo mršav. Vojislavu Kostiću je, tako visok i mršav, sa šišanom bradom, ličio na Don Kihota. Ivana Dimić je imala dvanaest godina kad ga je prvi put videla, na slavi na koju je došla s roditeljima. Među gostima se izdvajao visok, mršav, duhovit čovek koji je psovao. Ogroman, tamnog lica i brade, izgledao joj je kao neki Azijat. Aleksandar–Saša Gruden seća ga se kao klinca koji je s majkom došao kod očeve rodbine u Užice. Prilog opštem utisku: štkljast, nosat, s ogromnim kolenima. Kad su ga upitali kako je, odgovorio je: »Zaštopal mi se nosek.« Posle je objašnjavao da je imao jezički problem: »Govorio sam hrvatski.« Dolasku u Užice 1941. godine prethodi prva velika životna avantura. Od ranih dana naučio je da svet i ljude vidi u slikama. U slikama Zadra, u koji se porodica 1939. seli iz Zagreba, kada je otac Sreten postavljen za vicekonzula Kraljevskog konzulata, prelamaju se, između ostalih, prizori ogromnog stana u kome, po jednom dugačkom hodniku, vozi bicikl. -
Serbia in 2001 Under the Spotlight
1 Human Rights in Transition – Serbia 2001 Introduction The situation of human rights in Serbia was largely influenced by the foregoing circumstances. Although the severe repression characteristic especially of the last two years of Milosevic’s rule was gone, there were no conditions in place for dealing with the problems accumulated during the previous decade. All the mechanisms necessary to ensure the exercise of human rights - from the judiciary to the police, remained unchanged. However, the major concern of citizens is the mere existential survival and personal security. Furthermore, the general atmosphere in the society was just as xenophobic and intolerant as before. The identity crisis of the Serb people and of all minorities living in Serbia continued. If anything, it deepened and the relationship between the state and its citizens became seriously jeopardized by the problem of Serbia’s undefined borders. The crisis was manifest with regard to certain minorities such as Vlachs who were believed to have been successfully assimilated. This false belief was partly due to the fact that neighbouring Romania had been in a far worse situation than Yugoslavia during the past fifty years. In considerably changed situation in Romania and Serbia Vlachs are now undergoing the process of self identification though still unclear whether they would choose to call themselves Vlachs or Romanians-Vlachs. Considering that the international factor has become the main generator of change in Serbia, the Helsinki Committee for Human Rights in Serbia believes that an accurate picture of the situation in Serbia is absolutely necessary. It is essential to establish the differences between Belgrade and the rest of Serbia, taking into account its internal diversities. -
!001 Deo1 Zbornik MTC 2016 Ispr FINAL 27 Jun.Indd
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serbian Academy of Science and Arts Digital Archive (DAIS) I MUSICOLOGICAL STUDIES: MONOGRAPHS MUSIC: TRANSITIONS/CONTINUITIES Department of Musicology Faculty of Music, University of Arts in Belgrade II Department of Musicology, Faculty of Music, Belgrade MUSICOLOGICAL STUDIES: MONOGRAPHS MUSIC: TRANSITIONS/CONTINUITIES Editors Mirjana Veselinović-Hofman Vesna Mikić Tijana Popović Mladjenović Ivana Perković Editor-in-Chief of the Faculty of Music Publications Gordana Karan For Publisher Ljiljana Nestorovska Dean of the Faculty of Music ISBN 978-86-88619-73-8 The publication was supported by the Ministry of Education, Science and Technological Development of the Republic of Serbia. III MUSIC: TRANSITIONS / CONTINUITIES Editors Mirjana Veselinović-Hofman Vesna Mikić Tijana Popović Mladjenović Ivana Perković Belgrade 2016 Marija Maglov, Transitions in the Pgp-Rtb/Pgp-Rts Reflected in the Classical Music Editions 309 Marija Maglov TRANSITIONS IN THE PGP-RTB/PGP-RTS REFLECTED IN THE CLASSICAL MUSIC EDITIONS* ABSTRACT: This paper deals with the production of classical music records in the Yugoslav label PGP-RTB/PGP-RTS since its foundation in 1968 up to the present. The paper focuses on differentiation of editions released before and during the political, economic and cultural transitions in the ’90s. Last decades of the twentieth century also marked the technological transition from analog to digital recordings. Changes and continuities reflected in the editorial policy (as read from the released recordings) served as a marker of different transitions happening at that time. KEYWORDS: transition; Yugoslavia; cultural policy; music industry; PGP–RTB / PGP–RTS; recordings; classical music During the twentieth century, the development of music industry inevitably influenced modes of the reception of music. -
New Europe College Yearbook 2015-2016 Yearbook 2015-2016 Yearbook NEW EUROPE COLLEGE NEW EUROPE
New Europe College Yearbook 2015-2016 Yearbook 2015-2016 Yearbook NEW EUROPE COLLEGE NEW EUROPE LORENZO M. CIOLFI ERIN CORBER ÁGNES GAGYI UKU LEMBER JAMES MADAIO CRISTIANA OGHINĂ-PAVIE ISSN 1584-0298 BLAKE SMITH ALIX WINTER CRIS New Europe College Yearbook 2015‑2016 Editor: Irina Vainovski-Mihai EDITORIAL BOARD Dr. Dr. h.c. mult. Andrei PLEŞU, President of the New Europe Foundation, Professor of Philosophy of Religion, Bucharest; former Minister of Culture and former Minister of Foreign Affairs of Romania Dr. Valentina SANDU-DEDIU, Rector, Professor of Musicology, National University of Music, Bucharest Dr. Anca OROVEANU, Academic Coordinator, Professor of Art History, National University of Arts, Bucharest Dr. Irina VAINOVSKI-MIHAI, Publications Coordinator, Professor of Arab Studies, “Dimitrie Cantemir” Christian University, Bucharest Copyright – New Europe College ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 New Europe College Yearbook 2015‑2016 LORENZO M. CIOLFI ERIN CORBER ÁGNES GAGYI UKU LEMBER JAMES MADAIO CRISTIANA OGHINĂ-PAVIE BLAKE SMITH ALIX WINTER CONTENTS NEW EUROPE FOUNDATION NEW EUROPE COLLEGE 7 LORENZO M. CIOLFI NOT ANOTHER CONSTANTINE. RETHINKING IMPERIAL SAINTHOOD THROUGH THE CASE OF JOHN III VATATZES 23 ERIN CORBER LA MARSEILLAISE AND THE MOB : RE/DECONSTRUCTING ANTISEMITISM AND PROTEST AT THE UNIVERSITY OF STRASBOURG, 1937 53 ÁGNES GAGYI HUNGARIAN AND ROMANIAN NEW LEFT GROUPS IN GLOBAL CONTEXT: PERSPECTIVES ON THE RELATION BETWEEN ACADEMIC AND MOVEMENT POLITICS 89 UKU LEMBER FROM ESTONIAN-RUSSIAN INTER-MARRIAGES TO “INTER-REGIONAL” MARRIAGES IN UKRAINE IN THE TIMES OF CRISIS 123 JAMES MADAIO RETHINKING NEO-VEDĀNTA: SWAMI VIVEKANANDA AND THE SELECTIVE HISTORIOGRAPHY OF ADVAITA VEDĀNTA 145 CRISTIANA OGHINĂ-PAVIE BIOLOGIE ET AGRONOMIE EN ROUMANIE SOUS L’EMPRISE DU LYSSENKISME (1945-1965).