1 Die Ungarn Der Ränder
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Biopoetics in 20Th and 21St Century Hungarian Literature Research Plan I. Biopolitics and Biopoetics: Some Preliminary Remarks O
Biopoetics in 20th and 21st Century Hungarian Literature Research Plan I. Biopolitics and Biopoetics: Some Preliminary Remarks Over the past few decades, competing concepts and tropes of life have displayed a striking vivacity in the discourses of the human and social sciences. This still fairly recent development (no doubt partially fueled by unprecedented developments in biotechnologies) reflects the historical fact that the very meaning, the limits, and the unity of life, as well as the distinctions between life and non-life have become problematic to a great extent. In response to these often anxiety-inducing transformations that unfolded in the wake of the historical and political catastrophes of the 20th century, since the 1990s the terms “biopower” and “biopolitics” have emerged as two of the central categories used by the theoretical humanities to interpret the specificity of our historical present (for a concise overview of the most influential theories of biopower, see Lemke 2011). Today, the wide-ranging consensus that reigns across a number of sub-disciplines holds that, in the end, what is unique about our age will come to light only if we understand our changing relations to “life” itself. The heuristic value of the two terms “biopower” and “biopolitics” lies in the fact that they provide total explanations of virtually all aspects of human existence. If the inherent teleology of the history of power puts it on a path toward an ever more efficient management of life (be that human or non-human), in the end practically all manifestations of human praxis will have to be understood in biopolitical terms. -
The Vilenica Almanac 2011
vilkenica-zbornik_za_tisk-TISK4.pdf 1 30.8.2011 21:36:02 C M Y CM MY CY CMY K vilkenica-zbornik_za_tisk-TISK4.pdf 1 30.8.2011 21:36:02 C M Y CM MY CY CMY K 26. Mednarodni literarni festival Vilenica / 26th Vilenica International Literary Festival Vilenica 2011 © Nosilci avtorskih pravic so avtorji sami, če ni navedeno drugače. © The authors are the copyright holders of the text unless otherwise stated. Uredila / Edited by Tanja Petrič, Gašper Troha Založilo in izdalo Društvo slovenskih pisateljev, Tomšičeva 12, 1000 Ljubljana Zanj Milan Jesih, predsednik Issued and published by the Slovene Writers’ Association, Tomšičeva 12, 1000 Ljubljana Milan Jesih, President Jezikovni pregled / Language editor Jožica Narat, Alan McConnell-Duff Grafično oblikovanje / Design Goran Ivašić Prelom / Layout Klemen Ulčakar Tehnična ureditev in tisk / Technical editing and print Ulčakar&JK Naklada / Print run 700 izvodov / 700 copies Ljubljana, avgust 2011 / August 2011 Zbornik je izšel s finančno podporo Javne agencije za knjigo RS in Ministrstva za kulturo RS. The almanac was published with financial support of the Slovenian Book Agency and Ministry of Culture of the Republic of Slovenia. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 821(4)-82 7.079:82(497.4Vilenica)”2011” MEDNARODNI literarni festival (26 ; 2011 ; Vilenica) Vilenica / 26. Mednarodni literarni festival = International Literary Festival ; [uredila Tanja Petrič, Gašper Troha]. - Ljubljana : Društvo slovenskih pisateljev = Slovene Writers’ Association, 2011 ISBN 978-961-6547-59-8 1. Petrič, Tanja, 1981- 257388544 Kazalo / Contents Nagrajenec Vilenice 2011 / Vilenica 2011 Prize Winner Mircea Cărtărescu . 6 Literarna branja Vilenice 2011 / Vilenica 2011 Literary Readings Pavel Brycz . -
Uncharted Places an Anthology of Contemporary Hungarian Writing By
Uncharted Places an anthology of contemporary Hungarian writing by Magvető Publishing House Publisher of the Year 2010 in Hungary OUR COMPLETE CATALOGUE Magvető Kiadó, 2010 César Aira | Vid Aletta | Ferenc Barnás | Attila Bartis | Péter Bánáti* © The Authors and Translators | Éva Bánki* | Éva Berniczky* | László Bertók | Péter Bíró* | Ádám Bodor | Ildikó Boldizsár | Kriszta Bódis* | Tim Burton | Centauri* NOT FOR SALE | László Csabai* | Géza Csáth (1887-1919) | András Cserna-Szabó* | László Csiki (1944–2008) | László Darvasi | György Dragomán* | Virág Erdős | Péter Esterházy | Mari Falcsik | Péter Farkas* | Béla Fehér* | Elena Ferrante | Filip Florian | Géza Fodor (1943-2008) | András Forgách* | Charles Frazier | László Garaczi* | Gabriel García Márquez | Anna Gavalda | Krisztián Grecsó* | Ferdinánd Gressai | Pedro Juan Gutiérrez | Ákos Győrffy | Péter György | Thomas Har- ris | Elina Hirvonen | Michel Houellebecq | Yu Hua | Jake Smiles | Denis Johnson | Tamás Jónás* | Kanehara Hitomi | Zsolt Karácsonyi | Péter Kántor | Daniel Kehlmann | István Kemény* | György Kerék- gyártó* | Tibor Keresztury | Imre Kertész | Levente Király | Noémi Kiss* | Ferenc Kőszeg | Mirko Kovač | András Ferenc Kovács | Péter Kovács | Marek Krajewski | László Krasznahorkai | Nicole Krauss | Miklós Latzkovits* | Júlia Lángh* | Sándor Lénárd (1910-1972) | Johnathan Littell | György Magos* | Juan Marsé | Jean Mattern | Cormac McCarthy | Frank McCourt (1930–2009) | Aliz Mosonyi | Zsolt Koppány Nagy* | Ádám Nádasdy | Miklós Nyiszli (1901– 1956) | Ottó Orbán (1936-2002) -
Dictatorship, Infantilisation, and the Focalization of a Child: Zsuzsa Rakovszky's a Hullócsillag Éve (The Year of the Falli
HStud 27 (2013)2, 325–342 DOI: 10.1556/HStud.27.2013.2.9 DICTATORSHIP, INFANTILISATION, AND THE FOCALIZATION OF A CHILD: ZSUZSA RAKOVSZKY’S A HULLÓCSILLAG ÉVE (THE YEAR OF THE FALLING STAR) AND FERENC BARNÁS’ KILENCEDIK (THE NINTH) EDIT ZSADÁNYI University of Groningen, The Netherlands E-mail: [email protected] In my paper, I call attention to a literary trend of contemporary Hungarian prose fic- tion, in which the communist past is narrated from a child’s point of view. I will con- centrate on the relation among the focalization of the narrative through the eyes of a child, the theme of dictatorship, and present-tense narration. I will relate my ap- proach to Gayatri Chakravorty Spivak’s ideas on the problem of representing disempowered people, in other words, representing the subaltern. I take the narra- tion of a child situated in a fictional dictatorial time as a special case of giving voice to the subaltern. In the first part of my paper I will address the theoretical and narratological problem of giving voice and understanding the subordinated figures. The second part consists of the analysis of the novels by Zsuzsa Rakovszky and Ferenc Barnás. I will argue that the communist past is a counterfeit referent since it is narrated by an unreliable child narrator. The object of representation is not the his- torical past but it is itself the perspective of the child through which we come to un- derstand a hidden pattern of dictatorship: infantilization. Keywords: focalization of a child, subaltern studies, unreliable narration, dictator- ship, communism Fictional narratives of the last decade have often emphasized that history is (pre)written in our body and our mind. -
Postmodern and Hungarian Literature
The Lack of a “Grand Narrative”: Postmodern and Hungarian Literature Zsolt Farkas Institute of Hungarian Language and Literature [email protected] Keywords: postmodern; “grand narrative”, system and chaos; relativism; (post)modern Hungarian literature The extraordinary career of the term “postmodern” was set in motion by French philosopher Jean-François Lyotard with The Postmodern Condition (henceforth PC) published in 1979. It is both noteworthy and typical how much the topics and considerations raised in this work diverge from what we later on saw as a movement or trend defining itself as postmodern. In the following I wish to highlight a few differences and links between the two. The postmodern condition according to Lyotard Lyotard formulated partly predictions, partly suggestions concerning the fu- ture of science and knowledge and its transfer. The fact that his work became so influential is above all due to the distinct historico-philosophical concept it outlines. It states that the age of modernity (spanning from the Enlightenment through the Industrial Revolution to the post-WW2 period) is over, a new era has begun, based on “post-industrial society”, a concept described and popular- ised by A. Touraine, I. Illich and D. Bell in the early 70s, claiming that the tradi- tional structure of society and economy had profoundly changed because the majority of goods on the market is not made up of industrial hard products but services, knowledge and other soft products. The rigid class hierarchies char- acterising earlier societies are disappearing and the role of technology is ever increasing. The culture of this new post-industrial era would be the postmod- ern. -
Old and New Positions in the Appearance of Hungarian Culture in Germany: 1989-2009 András Masát
Old and New Positions in the Appearance of Hungarian Culture in Germany: 1989-2009 András Masát he literature of a variety of areas, from foreign policy to the humanities, has of- fered a growing volume of materials about the so-called cultural turn, i.e., the Tcontinuous expansion and possible roles of culture. This paper will therefore not address general aspects of the multifarious opportunities inherent in foreign rela- tions; rather I attempt to provide a specific overview of the past twenty years. By way of introduction, two statements should be made: – Shaping and influencing the externally directed cultural strategy as well as bicul- tural and multicultural dialogues as the ever changing forms of interculturality has increasingly become an integral part of foreign policy and an indispensable component of the country image; – Even if a distinction is made between “domestic” culture (cultural policy) and external cultural strategy directed to other countries the two lines are inseparable and one does not exist without the other. Having stated these preliminaries, in what follows this paper specifically explores Hungarian-German cultural relations. I attempt to give an overview of the positions in Germany of the Hungarian culture which groups the cultural projects of the past twenty years around two major events and as such, it will naturally be incomplete and subjective; nevertheless, I hope it can serve as a starting point for drawing more general conclusions. 1989: The fall of communism – change of paradigm. Challenges and opportunities When the Berlin wall was pulled down twenty years ago the side-by-side existence of the two German states came to an end. -
Hungarian Studies 27/2 (2013) 0236-6568/$20.00 © 2013 Akadémiai Kiadó, Budapest 326 EDIT ZSADÁNYI
HStud 27 (2013)2, 325–342 DOI: 10.1556/HStud.27.2013.2.9 DICTATORSHIP, INFANTILISATION, AND THE FOCALIZATION OF A CHILD: ZSUZSA RAKOVSZKY’S A HULLÓCSILLAG ÉVE (THE YEAR OF THE FALLING STAR) AND FERENC BARNÁS’ KILENCEDIK (THE NINTH) EDIT ZSADÁNYI University of Groningen, The Netherlands E-mail: [email protected] In my paper, I call attention to a literary trend of contemporary Hungarian prose fic- tion, in which the communist past is narrated from a child’s point of view. I will con- centrate on the relation among the focalization of the narrative through the eyes of a child, the theme of dictatorship, and present-tense narration. I will relate my ap- proach to Gayatri Chakravorty Spivak’s ideas on the problem of representing disempowered people, in other words, representing the subaltern. I take the narra- tion of a child situated in a fictional dictatorial time as a special case of giving voice to the subaltern. In the first part of my paper I will address the theoretical and narratological problem of giving voice and understanding the subordinated figures. The second part consists of the analysis of the novels by Zsuzsa Rakovszky and Ferenc Barnás. I will argue that the communist past is a counterfeit referent since it is narrated by an unreliable child narrator. The object of representation is not the his- torical past but it is itself the perspective of the child through which we come to un- derstand a hidden pattern of dictatorship: infantilization. Keywords: focalization of a child, subaltern studies, unreliable narration, dictator- ship, communism Fictional narratives of the last decade have often emphasized that history is (pre)written in our body and our mind. -
Retratos Húngaros: Literatura Y Cultura
CubiertaJornadasHungaras-verde:maquetación 1 09/06/2014 10:51 Página 1 RETRATOS HÚNGAROS: LITERATURA Y CULTURA RETRATOS RETRATOS HÚNGAROS: LITERATURAY CULTURA ÁlvAro Arroyo, AlfonSo lombAnA, fErEnC PÁl (EDS.) AlfonSo lombAnA, fErEnC PÁl Arroyo, ÁlvAro Por su calidad y originalidad, la literatura y la cultura húngaras merecen un lugar privilegiado en el mundo intelectual contemporáneo. Sin embargo, sus ÁlvAro Arroyo, AlfonSo lombAnA, fErEnC PÁl (eds.) grandes creadores, pensadores y personajes no ocupan en nuestras vidas el lugar que justamente deberían. Por diferentes motivos, al intentar enfocar en nuestras mentes la imagen de Hungría nos encontramos con muchas pregun- tas y una turbia concepción de uno de los países más europeos del continente. En el corazón de Europa se ha venido gestando durante muchos años una élite artística de gran valía que, gracias a este libro, puede dejar de ser desco- nocida para muchos. A lo largo de catorce artículos divididos en cuatro capítu- los principales, diferentes expertos analizan aspectos centrales de la historia cultural de Hungría. De este modo, con este primer volumen se pretende acer- car al interesado hispanohablante la literatura y la cultura húngaras, así como reforzar la investigación académica en lengua española de Hungría. Colaboran: FACULTAD DE FILOLOGÍA UNIVERSIDAD COMPLUTENSE MADRID Retratos húngaros: Literatura y cultura Álvaro Arroyo, Alfonso Lombana, Ferenc Pál (Eds.) Retratos húngaros: Literatura y cultura Con la colaboración especial de István Benyhe Árroyo Ortega, Álvaro, Lombana Sánchez, Alfonso, Pál, Ferenc (Eds.) Retratos húngaros: Literatura y cultura. Facultad de Filología, Universidad Complutense de Madrid. Madrid, 2014. 24x17 cm, 206 pp. ISBN: 978-84-697-0575-9 © De los textos: sus autores © De las fotografías: sus propietarios © Facultad de Filología Universidad Complutense de Madrid Plaza Menéndez Pelayo, 1 28040 Madrid Diseño y maquetación: Leticia de Santos, Alfonso Lombana Sánchez Con la colaboración especial de István Benyhe. -
A Magyar Művészeti Akadémia Elméleti Folyóirata • Iv
A MAGYAR MŰVÉSZETI AKADÉMIA ELMÉLETI FOLYÓIRATA • IV. ÉVFOLYAM, 3. SZÁM • 2016. SZEPTEMBER 3 Bevezető 97 Juhász Sándor: Színes tájkép papíron 4 Fekete György: Az élet küzdelem – Harcold meg! 105 Prékopa András: Kovács Attila művészetéről 7 Gáspár Csaba László: Művészet/filozófia 110 Lőcsei Gabriella: Független államiságunk eszméjét jelképező épület 19 Deme Tamás: Karácsony Sándor művészeti, filozófiai gondolatai 118 Somogyi Győző: Keresztény művészet – modern művészet 27 Fábián László: Képek és pixelek, avagy váratlan resurrectio 122 Csuday Csaba: A folyamatos jelen elégtelensége 37 Szekfü András: Saul fia – kissé elmosódva 129 Mórocz Gábor: Közelítések az esztétizmushoz 43 Deák-Sárosi László: A filmnyelv változásai 138 Beszélgetés Beke Lászlóval 51 Lajta Gábor: 143 Nyilasy Balázs: A király meztelen, A figuratív kép. Székfoglaló előadás avagy Abramsék esete a teoretizmussal és a posztstrukturalizmussal 61 Pálfi Ágnes – Szász Zsolt: Költői és/vagy epikus színház? 72 Szántó F. István: 150 Rezümék / Abstracts Metafizika és művészetelmélet 156 Szerzők / Authors 78 Palotai János: Szalon – Képek és pixelek. A fotóművészeten innen – és túl 87 Buji Ferenc: A monumentális monotónia A képanyag összeállításához nyújtott Felelős kiadó: Kucsera Tamás Gergely, segítségükért köszönetet mondunk a Magyar Művészeti Akadémia főtitkára A szerkesztőbizottság elnöke: Fekete György, – a Műcsarnoknak, és a Képek és pixelek a Magyar Művészeti Akadémia elnöke – Fotóművészet és azon túl Szerkesztőbizottság: Albert Gábor, Fabényi Júlia, Nemzeti Szalon 2016 kiállító művészeinek, Farkas Ádám, Jankovics Marcell, – Luzsicza Fanninak, Kelemen László, Mezei Gábor, Vigh Andrea – Sebő Ferencnek, Főszerkesztő: Kulin Ferenc – a Laokoon Filmgroupnak, Társ-főszerkesztő: Kucsera Tamás Gergely – Szőtsné Gyenes Máriának, Főszerkesztő-helyettes: Turi Attila – Csákány Zsuzsának, Szerkesztők: Balogh Csaba, Csuday Csaba – a Magyar Nemzeti Digitális Archívum Laptervező: Árendás József és Filmintézetnek, A szerkesztőség címe: – az Új Neuropa 2010 Kft.-nek, 1051 Budapest, Vörösmarty tér 1. -
Zwei Jahrzehnte Ungarische Literatur in Deutscher Übersetzung : 1988
ZWEI JAHRZEHNTE UNGARISCHE LITERATUR IN DEUTSCHER ÜBERSETZUNG 1988–2008 Eine kommentierte Bibliografie Zusammengestellt von Christine Schlosser ZWEI JAHRZEHNTE UNGARISCHE LITERATUR IN DEUTSCHER ÜBERSETZUNG 1988–2008 ZWEI JAHRZEHNTE UNGARISCHE LITERATUR IN DEUTSCHER ÜBERSETZUNG 1988–2008 Eine kommentierte Bibliografie Zusammengestellt von Christine Schlosser Redaktionsschluss: 31. Dezember 2008. Zusammengestellt von Christine Schlosser Herausgegeben von Magyar Könyv Alapítvány 1146 Budapest, Hermina út 57. www.hungarianbookfoundation.hu Budapest, 2009 Design: Katalin Balogh Inhaltsverzeichnis Vorwort … … … … … … … … … … … 4 Benutzungshinweise … … … … … … … … … 6 Autoren und ihre Werke … … … … … … … … … 7 Anthologien … … … … … … … … … … … 123 Märchen … … … … … … … … … … … 135 Literaturzeitschriften … … … … … … … … … 135 Anhang … … … … … … … … … … … 136 Autoren, die in deutscher bzw. in anderen Sprachen schreiben … … … 136 Ungarndeutsche Autoren … … … … … … … … … 144 Sammlungen … … … … … … … … … … 146 Kinder- und Jugendliteratur … … … … … … … … 147 Autorenregister … … … … … … … … … … 151 Übersetzerregister … … … … … … … … … … 155 Verlagsregister … … … … … … … … … … 157 Abkürzungen … … … … … … … … … … 160 3 Vorwort Lánchíd Über die Kettenbrücke gehe ich zwischen den zungenlosen, den zahnlosen Löwen furchtlos hindurch, ohne zu wissen, was mich drüben erwartet Reinhard Rascher Zwei Jahrzehnte ungarische Literatur in deutscher Sprache – neben der rein faktologischen Bestandsaufnahme rezeptiver Prozesse ist diese Bibliografie auch die Geschichte -
Gabriel the Victorious and Hungarian Fiction in Contemporary English Translation. Phd Thesis
Aniko, Szilagyi (2018) Gabriel the Victorious and Hungarian fiction in contemporary English translation. PhD thesis. https://theses.gla.ac.uk/30644/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Gabriel the Victorious and Hungarian Fiction in Contemporary English Translation Anikó Szilágyi MA, MLitt, MPhil Submitted in fulfilment of the requirements for the degree of PhD School of Modern Languages and Cultures College of Arts University of Glasgow September 2017 Copyright © 2017 Anikó Szilágyi ii Abstract This thesis employs multiple methodologies in order to explore Hungarian fiction in contemporary English translation as a distinct body of literature. It comprises three interrelated contributions: a bibliography, three case studies, and a translation. A bibliography of English translations of Hungarian novels published between 2000 and 2016 is presented in Appendix A, and Chapter 1 contains an overview of contemporary Hungarian-to-English fiction translation based on the bibliographic data, including a description of the assembly process. Chapters 2-4 focus more closely on a selection of these texts, tracing publication histories as well as target culture reception and interpreting translation shifts. -
University of Delhi BROCHURE
University of Delhi BROCHURE Department of Slavonic and Finno-Ugrian Studies 1st Floor, Tutorial Building, Faculty of Arts, University of Delhi, Delhi – 110007 Telephone No.: 011 – 27662226 | Website: sfus.du.ac.in Department of Slavonic and Finno-Ugrian Studies University of Delhi The Department of Slavonic and Finno-Ugrian Studies is a part of the Arts Faculty, University of Delhi and offers full-time and Part-time Courses in various languages of the Slavonic and Finno- Ugric group of languages: Bulgarian, Croatian, Czech, Polish, Russian and Hungarian. I. BRIEF HISTORY The Department owes its origin in the creation of Department of Russian Language in 1946 at the instance of the first Prime Minister of India, Pandit Jawaharlal Nehru who had a vision to spread the study of foreign languages in order to integrate India with the developed countries of the world. It was a matter of great honor and pride that the Founder Head of the Department was none other than Dr. V.A. Shibayev, a polyglot and a close associate of Nikolai Roerich, the world famous Russian painter, poet and philosopher. Within a short span of time, courses in other foreign languages like French, German and Spanish were also introduced and in 1948 the Department was re-named the Department of Modern European Languages. With a growing awareness about the significance of learning foreign languages, there was a demand for expansion and in 1969 new courses in Hungarian and Polish languages were introduced, followed by Bulgarian, Czech, Croatian, Portuguese and Romanian languages. Subsequently, with the increase in enrolment, in 1987, a decision was taken to bifurcate the Department of Modern European Languages into two departments, the Department of Germanic and Romance Studies and the Department of Slavic Studies.