Sewanee Purple,1959-60
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Newark Works to Control Rowdies
JJB tA · UNIVERSITY OF DELAWAR.- [J c 3 19 l:i Caravel Academy reaches state football tournament/lb Bid for Bachelors blues/18a The Maley era ends/lh Newark works to control rowdies Off-campus studen~, landlords targeted Newark City Council has asked staff to continue with plans for a comprehensive program to deal with rowdy behavior by Univer sity of Delaware students living off campus. The cornerstone of the pro gram, City Planning Director Roy Lopata told Council Monday night, is a proposed ordinance I' which would provide the city the power to revoke landlords' rental permits H tenants are convicted of violating noise and disorderly premises ordinances more than once during the permit's one year lifetime. "This is one of the key items because it goes to the pocket books of the landlords themselves," Lopata said. Council plans to seek advice on &be lunch·Is hot the legality of the ordinance and · There are other, Uke single may consider it for passage at a man, who bave found their way later date. to the wanritb of the commWilty Also being proposed is an in church's lower level. They sit crease in the rental permit fee together 1n passive conversation from $25 to $100 per year, Lopata of muffled tones at tables said. modestly. dressed with paper Council has become increas clOthes and flowers. Moat of the ingly concerned about ~~ ha'Ve telt the brunt Of misbehavior by students living in *•a idsfortune, many are . clitrQheiU'ted. and ~ged. residential areas the past two years. The issue has become a I$Ut1n the atmosphere of Hope city concern because the Univer QJning Room, they talk of past sity of Delaware has limited on ...,_..ences and bard times and campus housing, and has no ~to console each ether. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
ENG 6392 9111 23343 Mowchun
1 ENG 6392. Film and Video Production—"Theory and Practice of Film Adaptation" Spring 2020 Instructor: Dr. Trevor Mowchun Class: Wednesday, Period 6 - 8 (12:50 PM - 3:50 PM); Seminar Room (TUR 4112) Screening: Monday, Period 9 - 11 (4:05 PM - 7:05 PM); Room: ROL 115; Projectionist: Elizabeth Hernandez *Due to availability of projectionists, some screenings will start at 4:15pm Office hours (TUR 4336): Tuesday 3:15pm – 4:15pm, Thursday 4:30pm – 5:30pm, or by appointment. Email: [email protected] (please allow at least 24 hours for a response) Office phone number: 352-294-2839 Media Assistant: Jack Edmondson (TUR 4303) Availability: 10:40 AM - 1:40 PM, Tuesday: N/A, Wednesday: 5:10 PM - 7:05 PM, Thursday: 11:45 AM - 1:40 PM, Friday: 10:40 AM - 12:50 PM * Students can also reach Jack by email: [email protected], call or text at: 954-695-3720 "Theory and Practice of Film Adaptation" In this hybrid seminar workshop, students will have the opportunity to adapt a literary work of fiction, non-fiction or poetry into a filmable screenplay, one or two of which will be made into a short/medium length film by the end of the semester. To prepare for such a venture, we will address various issues at work in the field of film adaptation from writers such as André Bazin, Linda Hutcheon and Thomas Leitch, in addition to some practical dimensions from Linda Segar’s manual. We will also consider the cinema’s own natural predisposition towards adaptation, debate the value of remaining faithful to the original literary text versus betraying it, updating it, or exploiting its power to spur the imagination in unexpected ways, and ultimately as practitioners to experiment with the process by which “the spirit” of a literary work can be adapted and perhaps rendered complete by cinematic embodiment. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
February 10, 2009 (XVIII:5) Jack Clayton the INNOCENTS (1961, 100 Min)
February 10, 2009 (XVIII:5) Jack Clayton THE INNOCENTS (1961, 100 min) Directed and produced by Jack Clayton Based on the novella “The Turn of the Screw” by Henry James Screenplay by William Archibald and Truman Capote Additional scenes and dialogue by John Mortimer Original Music by Georges Auric Cinematography by Freddie Francis Film Editing by Jim Clark Art Direction by Wilfred Shingleton Deborah Kerr...Miss Giddens Peter Wyngarde...Peter Quint Megs Jenkins...Mrs. Grose Michael Redgrave...The Uncle Martin Stephens...Miles Pamela Franklin...Flora Clytie Jessop...Miss Jessel Isla Cameron...Anna JACK CLAYTON (March 1, 1921, Brighton, East Sussex, England, UK—February 26, 1995, Slough, Berkshire, England, UK) had 10 writing credits, some of which are In Cold Blood (1996), Other directing credits: Memento Mori (1992), The Lonely Passion of Voices, Other Rooms (1995), The Grass Harp (1995), One Judith Hearne (1987), Something Wicked This Way Comes Christmas (1994), The Glass House (1972), Laura (1968), In Cold (1983), The Great Gatsby (1974), Our Mother's House (1967), Blood (1967), The Innocents (1961), Breakfast at Tiffany's (1961), The Pumpkin Eater (1964), The Innocents (1961), Room at the Beat the Devil (1953), and Stazione Termini/Indiscretion of an Top (1959), The Bespoke Overcoat (1956), Naples Is a Battlefield American Wife (1953). (1944). DEBORAH KERR (September 30, 1921, Helensburgh, Scotland, JOHN MORTIMER (April 21, 1923, Hampstead, London, England, UK—October 16, 2007, Suffolk, England, UK) has 53 Acting UK—January 16, 2009, Oxfordshire, England, UK) has 59 Credits. She won an Honorary Oscar in 1994. Before that she had writing credits, some of which are In Love and War (2001), Don six best actress nominations: The Sundowners 1959, Separate Quixote (2000), Tea with Mussolini (1999), Cider with Rosie Tables (1958), Heaven Knows, Mr. -
Tjff 2015 Programme.Pdf
DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT 2 Al Waxman Series Rod Serling Series Free Ticketed Programmes CONTENTS DRAMAS 18 COMEDIES 24 DOCUMENTARIES 27 BIOGRAPHIES 32 ARCHIVAL Films 36 SHORT Films 40 4 Schedule 14 Rod Serling: the Boy, the Man, 46 Patron Circle 6 Tickets the Writer, the Father 47 Friends and Fans 7 Artistic Director’s Welcome 15 Al Waxman: A Jewish Everyman 48 Special Thanks 8 Co-Chairs’ Message 15 We Remember: Artists and Icons 48 Nosh Donors 9 Programme Director’s Note We Have Loved and Recently Lost 48 Volunteers 10 Programmers’ Notes 15 Free Ticketed Events 50 Sponsors 12 David A. Stein Memorial Award 16 Family Friendly Screenings 52 Co-Presenters 12 The Micki Moore Award 17 Opening / Closing Night Films 53 Advertisers 13 FilmMatters 18 Dramas 73 TJFF Board Members, Advisory 13 Hillel/TJFF Toronto Jewish 24 Comedies Council and Staff Film Festival Fellowship 27 Documentaries 74 Films By Language 13 ASL Translators @ TJFF 32 Biographies 75 Films By Theme / Topic 14 Rod Serling: The Mensch of The 36 Archival Films 78 Film Index Twilight Zone 40 Short Films APRIL 30 – MAY 10 2015 TJFF.COM 23RD ANNUAL TORONTO JEWISH FILM FESTIVAL 3 • Indicates film has an additional screening. SCHEDULE Please Note: Running times do not include guest speakers where applicable. Thursday April 30 Monday May 4 8:00 PM VC 105 miN Dancing Arabs 1:00 PM ITH 110 miN Nichols and May: Take Two w/ Bess Friday May 1 Myerson: Portrait of an Activist, w/ It Takes a Shtetl: Leonard Nimoy's Boston -
Seek Coppolino Release SARASOTA, Fla
Distribution Weather Today Fair wilt THEDAILY nbrtabtei pentmt through Tbwsday. today 7MS, fan, tonight ia 26,400 lew Ml. High Thunday aroaad M. R*h probability II per cent Copyright-The Red Bank Register, Inc. 19«. through Thursday. DIAL 741-0010 MONMOUTH COUNTTS HOME NEWSPAPER FOR 88 YEARS VOL. 89, NO. 42 Inurt dillr. Kondmr thntuh nidu. SMoaA CUU Fsitw P»U it Rid Buk will at Addition*! MaUUu Otflcw. WEDNESDAY, AUGUST 24, 1966 7cPERCX)PY PAGE ONE Motions Attack State's Case Seek Coppolino Release SARASOTA, Fla. (AP) - Lawyers defending Coppolino and a New Jersey indictment charging Coppolino was hospitalized Monday night after Dr. Carl Coppolino in two murder charges fired that Coppolino murdered William E. Farber three complaining of chest pain. He reportedly suffers a barrage of motions at the state's case Tuesday, years ago in Middletown. from a heart condition, and he was hospitalized for including one to get him out of jail on bond. These moves strike at the base of the state's this July 2i, shortly after being arrested. Circuit Judge John Justice routinely granted a case. Prosecutor Frank Schaub said he plans to file petition for habeas corpus, a step which requires Tha defense asked the court to order the pros- new contempt charges against the doctor's current the state to convince the court that it has enough of ecution to file a bill of particulars stating what wife, Mary for her refusal to answer questions un- a case against tiie 34-year-old anesthesiologist to crime is alleged to have been committed, when and der a witness subpoena. -
ED129664.Pdf
DOCUMENT RESUME ED 129 664 SO 009 433 AUTHOR Fishman, Samuel Z. TITLE Guide to Feature and Documentary Films for the Hillel Program, Newly Revised. INSTITUTION B'nai B'rith, Washington, D.C. Hillel Foundations. NOTE 31p. AVAILABLE FROM B'rai B'rith Hillel Foundations, 1640 Rhode Island Avenue, NW, Washington, D.C. 20036 ($1.00 prepaid) EDRS PRICE MF-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Adult Education; Annotated Bibliographies; Cultural Awareness; *Cultural Education; Documentaries; *Educational Resources; *Ethnic Studies; *Filmographies; Films; Guides; *Jews; Secondary Education ABSTRACT One hundred eighty films depicting the Nazi period, Soviet Jewly, Jewish artists, the Holocaust, and aspects of Jewish hiszory and archaeology in ancient Israel are annotated. Suggestions are made for using the films as an educational resource--as discussion starters, as lead-ins for .interpretation bya knowledgeable faculty member, or in the case of series as the basis for in-depth examination of related themes. Most of the filmsare at least one hou y..in length, and are for use at the senior high school level and above. Specific information is given on duration, color, black-white, distributors, and production dates. For each filma short anAotation summarizes the plot and describes special features such as famous directors or unasual precautions in the film'suse. Program models for group showings are suggested, covering topics such as "The European Experience" and "Issues of Conscience for Contemporary Jews." Organizations are identified which have published guides to audiovisual materials, and major distributorsare listed with addresses. (AV) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. -
Directory of Members 2011-2012.Pdf
DIRECTORY OF SOUND DESIGNERS PROFESSIONAL MEMBERS ASSOCIATE MEMBERS STUDENT MEMBERS CORPORATE MEMBERS SOUND DESIGNERS For more information, or to get in contact with any of our members, visit www.associationofsounddesigners.com Bobby Aitken Paul Arditti Simon Baker Dominic Bilkey Designs include: Ghost (NY), Aida, 2012 Projects include:Three Sisters (Young Designs include: Matilda The Musical Designs include:Wild Swans (A.R.T Olympic Ceremonies, Viva Forever. Vic); Red Velvet (Tricycle); The Last (RSC and Cambridge Theatre – 2012 Boston), Bingo, The Changeling (Young Bobby has been involved with theatre Summer (Gate, Dublin); The Magistrate Oliver Award for Best Sound), Steptoe Vic). Dominic attended The Royal Welsh sound for over 30 years.Work includes: (NT); In The Republic of Happiness and Son (Kneehigh Theatre/UK Tour), College of Music & Drama and after Ghost (Piccadilly), Flashdance (Royal Court); Sugar (Royal Court / Looserville (West Yorkshire Playhouse), graduating began a busy career in (Shaftesbury), Dirty Dancing (Aldwich, Young Vic); Charlie & The Chocolate Wah Wah Girls (Saddlers Wells), Angus Sound for Theatre. He has toured Toronto, USA and others),We Will Rock Factory (directed by Sam Mendes). Thongs and Even More Snogging (West extensively, engineering and designing You (Dominion, Australia, Spain, Recent designs: Jumpy (Duke of York’s); Yorkshire Playhouse), Batman Live for Kneehigh Theatre, among others, Germany, Moscow, Las Vegas). Mamma London Road (Olivier Theatre); Rufus (World Arena Tour), Me and My Girl and is -
The Innocents Wednesday 26Th March, 1.00Pm, Omniplex
The Innocents Wednesday 26th March, 1.00pm, Omniplex Study Guide Tony Tracy fresh film festival 2003 1 The Innocents The Innocents (1961) The Director Born in 1921, Jack Clayton came to prominence in 1959 Cast with the film ‘Room At The Top’, a searing indictment Deborah Kerr Miss Giddens, Governess of the British class system, which also earned him an Peter Wyngarde Peter Quint Oscar nomination. A long-time worker within the British Megs Jenkins Mrs Grose, the Housekeeper film industry, he had worked with the great director Michael Redgrave The Uncle Alexander Korda from a young age. He joined the RAF Martin Stephens Miles during World war 2 and returned to work with Korda as Pamela Franklin Flora associate producer on many of his films. An Oscar for Clytie Jessop Miss Jessel Best Short Film – ‘The Bespoke Suit’ – in 1956 gave Isla Cameron Anna the Maid him the opportunity to direct larger production such as Eric Woodburn The Coachman (uncredited) ‘Room At The Top’ and ‘The Innocents’. Intermittent work followed including the high-profile adaptation of F. Scott Crew Fitzgerald’s ‘The Great Gatsby’ (1974) which featured Director Jack Clayton Robert Redford and Mia Farrow. The disappointing Screenplay William Archibald and reception which ‘…Gatsby’ received meant that Clayton Truman Capote didn’t follow up with another film until another literary John Mortimer (additional adaptation, this time Ray Bradbury’s ‘Something Wicked scenes and dialogue) This Way Comes’ (1983). Again poorly received, the film adapted from Henry James was a sensitive look at father and son relations within a novel ‘The Turn of the Screw’ fantastical setting. -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford. -
University of California, Santa Barbara, Arts and Lectures Records
http://oac.cdlib.org/findaid/ark:/13030/kt5q2nf145 No online items Guide to the University of California, Santa Barbara, Arts and Lectures Records Processed by Special Collections staff; latest revision A. Demeter Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/special-collections/ © 2009-2013 The Regents of the University of California. All rights reserved. Guide to the University of UArch 16 1 California, Santa Barbara, Arts and Lectures Records Guide to the University of California, Santa Barbara, Arts and Lectures Records, ca. 1955-2013 [bulk dates 1968-1989] Collection number: UArch 16 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Processed by Special Collections staff; latest revision A. Demeter Date Completed: Feb. 26, 2009 Latest revision: May 9, 2013 Encoded by: A. Demeter © 2009-2013 The Regents of the University of California. All rights reserved. Descriptive Summary Title: University of California, Santa Barbara, Arts and Lectures Records Dates: ca. 1955-2013 Bulk Dates: 1968-1989 Collection number: UArch 16 Creator: University of California, Santa Barbara. Arts and Lectures Collection Size: ca. 45 linear feet (57 document boxes, 12 oversize flat boxes, 369 audiotapes) and 1 map cabinet drawer. Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: The UCSB Arts and Lectures records contain individual files relating to lectures, performances, film series and other events arranged and/or sponsored by the committee, as well as general files on press releases, calendars and programs, and other materials.