Tjff 2015 Programme.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Newark Works to Control Rowdies
JJB tA · UNIVERSITY OF DELAWAR.- [J c 3 19 l:i Caravel Academy reaches state football tournament/lb Bid for Bachelors blues/18a The Maley era ends/lh Newark works to control rowdies Off-campus studen~, landlords targeted Newark City Council has asked staff to continue with plans for a comprehensive program to deal with rowdy behavior by Univer sity of Delaware students living off campus. The cornerstone of the pro gram, City Planning Director Roy Lopata told Council Monday night, is a proposed ordinance I' which would provide the city the power to revoke landlords' rental permits H tenants are convicted of violating noise and disorderly premises ordinances more than once during the permit's one year lifetime. "This is one of the key items because it goes to the pocket books of the landlords themselves," Lopata said. Council plans to seek advice on &be lunch·Is hot the legality of the ordinance and · There are other, Uke single may consider it for passage at a man, who bave found their way later date. to the wanritb of the commWilty Also being proposed is an in church's lower level. They sit crease in the rental permit fee together 1n passive conversation from $25 to $100 per year, Lopata of muffled tones at tables said. modestly. dressed with paper Council has become increas clOthes and flowers. Moat of the ingly concerned about ~~ ha'Ve telt the brunt Of misbehavior by students living in *•a idsfortune, many are . clitrQheiU'ted. and ~ged. residential areas the past two years. The issue has become a I$Ut1n the atmosphere of Hope city concern because the Univer QJning Room, they talk of past sity of Delaware has limited on ...,_..ences and bard times and campus housing, and has no ~to console each ether. -
Advancedaudioblogs1#1 Top10israelitouristdestinations
LESSON NOTES Advanced Audio Blog S1 #1 Top 10 Israeli Tourist Destinations: The Dead Sea CONTENTS 2 Hebrew 2 English 3 Vocabulary 4 Sample Sentences 4 Cultural Insight # 1 COPYRIGHT © 2013 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. HEBREW .1 . .2 4 0 0 - , . , . . . , .3 . . , 21 . . , . , , .4 . ; . 32-39 . . 20-32 , . ," .5 . , ENGLISH 1. The Dead Sea CONT'D OVER HEBR EW POD1 0 1 . C OM ADVANCED AUDIO BLOG S 1 #1 - TOP 10 IS RAELI TOURIS T DESTINATIONS: THE DEAD S EA 2 2. The miracle known as the Dead Sea has attracted thousands of people over the years. It is located near the southern area of the Jordan valley. The salt-rich Dead Sea is the lowest point on the earth's surface, being 400 meters below sea level. The air around the Dead Sea is unpolluted, dry, and pollen-free with low humidity, providing a naturally relaxing environment. The air in the region has a high mineral content due to the constant evaporation of the mineral rich water. 3. The Dead Sea comes in the list of the world's greatest landmarks, and is sometimes considered one of the Seven Wonders of the World. People usually miss out on this as they do not realize the importance of its unique contents. The Dead Sea has twenty-one minerals which have been found to give nourishment to the skin, stimulate the circulatory system, give a relaxed feeling, and treat disorders of the metabolism and rheumatism and associate pains. The Dead Sea mud has been used by people all over the world for beauty purposes. -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Film Club Sky 328 Newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping you are all well and enjoying a Lyons Maid or two on the hotter days while watching Talking Pictures TV – your own personal trip to the flicks every day and no fleas! This month we bring you a wonderful new DVD Box set from Renown Pictures – The Comedy Collection Volume 3! We thought it was time we all had a jolly good laugh and with 11 films over 3 discs, starring some of the greatest British character actors you will see, it’s an absolute bargain at £20 for all 3 discs with free UK postage. Titles include: A Hole Lot of Trouble with Arthur Lowe, Victor Maddern and Bill Maynard; A Touch of The Sun with Frankie Howerd, Ruby Murray and Alfie Bass, once lost British comedy Just William’s Luck, fully restored to its former glory, Come Back Peter, with Patrick Holt and Charles Lamb, also once lost and never before released on DVD, as well as Where There’s A Will with George Cole and Kathleen Harrison, plus many more! More details overleaf. There’s an extra special deal on our Comedy Collection Volumes 1 and 2 as well. Regarding our events this year and next year, there is good news and bad news. Finally, the manager at the St Albans Arena has come back to the office and has secured 28th March 2021 for us. Sad news as it doesn’t look like we will be able to go ahead with any other event this year, including Stockport on Sunday 4th October. -
Critchon's the Lavender Hill
1 The Lavender Hill Mob Directed by Charles Critchon. Produced by Michael Balcon. Screenplay and story by T.E. “Tebby” Clarke. Cinematography by Douglas Slocombe. Art Direction by William Kellner. Original Music by Georges Auric. Edited by Seth Holt. Costumes by Anthony Mendleson. Cinematic length: 81 minutes. Companies: Ealing Studos and the Rank Organisation. Cinematic release: June 1951. DVD release: 2002 DVD/Blue Ray 60th Anniversary Release 2011. Check for ratings. Rating 90%. All images are taken from the Public Domain and Wiki derivatives with permission. Written Without Prejudice Cast Alec Guinness as Henry Holland Stanley Holloway as Alfred Pendlebury Sid James as Lackery Wood Alfie Bass as Shorty Fisher John Gregson as Detective Farrow 2 Marjorie Fielding as Mrs. Chalk Edie Martin as Miss Evesham Audrey Hepburn as Chiquita John Salew as Parkin Ronald Adam as Turner Arthur Hambling as Wallis Gibb McLaughlin as Godwin Clive Morton as the Station Sergeant Sydney Tafler as Clayton Marie Burke as Senora Gallardo William Fox as Gregory Michael Trubshawe as the British Ambassador Jacques B. Brunius, Paul Demel, Eugene Deckers and Andreas Malandrinos as Customs Officials David Davies and Meredith Edwards as city policemen Cyril Chamberlain as Commander Moultrie Kelsall as a Detective Superintendent Christopher Hewett as Inspector Talbot Patrick Barr as a Divisional Detective Inspector Ann Heffernan as the kiosk attendant Robert Shaw as a lab technician Patricia Garwood as a schoolgirl Peter Bull as Joe the Gab Review Although Ealing Studios started making comedies in the later 1930s, the decade between 1947 and 1957, after which the studio was sold to the BBC and changed direction, was their classic period. -
A Film by Eran Kolirin
A FILM BY ERAN KOLIRIN JULY AUGUST PRODUCTIONS / BLEIBERG ENTERTAINMENT / SOPHIE DULAC PRODUCTIONS PRESENT BIKUR HATIZMORET SASSON GABAI RONIT ELKABETZ SALEH BAKRI KHALIFA NATOUR CASTING ORIT AZOULAY COSTUME DESIGNER DORON ASHKENAZI PRODUCTION DESIGNER EITAN LEVI ORIGINAL SCORE HABIB SHEHADEH HANNA EDITOR ARIK LAHAV LEIBOVITZ DIRECTOR OF PHOTOGRAPHY SHAI GOLDMAN COPRODUCERS SOPHIE DULAC • MICHEL ZANA Michal Wolff PRODUCED BY EILON RATZKOVSKY • EHUD BLEIBERG • YOSSI UZRAD • KOBY GAL- RADAY • GUY JACOEL WRITTEN AND DIRECTED BY ERAN KOLIRIN WWW.THEBANDSVISIT.COM COPRODUCER / FRENCH DISTRIBUTOR JULY AUGUST PRODUCTIONS, BLEIBERG ENTERTAINMENT SOPHIE DULAC PRODUCTIONS PRESENT SOPHIE DULAC DISTRIBUTION 30 Avenue Marceau · Paris, France Tel: +33-1-44 43 46 00 · Fax: +33-1-47 23 08 02 Programmation-Promotion : Eric Vicente 06-62-45-62-79 Tél : +33-1- 44 43 46 04/05 [email protected] www.sddistribution.fr A FILM BY ERAN KOLIRIN WITH SASSON GABAI RONIT ELKABETZ SALEH BAKRI KHALIFA NATOUR NORTH-AMERICA PUBLICIST FRENCH PUBLICIST mPRm Public Relations Laurette Monconduit - Jean Marc Feytout 5670 Wilshire Blvd, Suite 2500 17/19, rue de la Plaine 2007 / ISRAEL - FRANCE / 35mm / 1:85 / Color / 90mn / Dolby SRD Los Angeles, CA 90036 USA 75020 Paris - France Tel: +1-323.933.3399 · Fax: +1-323.939.7211 Tel: +33-1-40-24-08-25 · Fax: +33-1-43-48-01-89 www.mprm.com Palais Miramar - La Croisette [email protected] Laurette Monconduit : 06-09-56-68-23 PRODUCTION COMPANY COPRODUCER / WORLDWIDE SALES Contact : Karen Oberman 06-81-68-91-58 Jean-Marc Feytout : 06-12-37-23-82 JULY AUGUST PRODUCTIONS BLEIBERG ENTERTAINMENT Mark Pogachfsky 06-86-75-45-32 [email protected] 8 Geula street 9454 Wilshire Blvd, Suite 200 Tel Aviv 63304, Israel Beverly Hills, CA 90212 - USA ISRAELI PUBLICIST INTERNATIONAL PUBLICIST Tel : +972-3-5100223 · Fax : +972-3-5100184 Tel : +1-310-273-0003 · Fax : +1-310-273-0007 Liebermann Aharoni | Communication and Strategy PREMIER PR • 91 Berwick st. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160
Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
General Debate on Holocaust Memorial Day 2019 3
DEBATE PACK Number CDP-0011, 22 January 2019 General debate on Compiled by: Sarah Priddy Holocaust Memorial Day 2019 Contents Summary 1. Press notices 3 2. Press and blog articles This debate pack has been compiled ahead of the general debate on Holocaust 9 Memorial Day to be held in the Commons Chamber on Thursday 24 January 3. Parliamentary 2017. The subject was determined by the Backbench Business Committee. material 12 The debate will be on the motion: That this House has considered Holocaust 3.1 Debates 12 Memorial Day 2019. 3.2 Ten-minute rule motion 12 Holocaust Memorial Day, 27 January, has taken place in the UK since 2001. 3.3 Oral questions 12 Each year, the Holocaust Memorial Day Trust chooses a different theme to 3.4 Written questions 15 enable audiences on Holocaust Memorial Day to learn something new about the 3.5 Early Day Motions 21 past. Every theme is relevant to the Holocaust, Nazi Persecution and to each 3.6 All Party Parliamentary subsequent genocide. This year’s theme: Torn from home. Groups 22 Torn from home encourages audiences to reflect on how the enforced loss of a 4. Further information 23 safe place to call ‘home’ is part of the trauma faced by anyone experiencing persecution and genocide. ‘Home’ usually means a place of safety, comfort and security. HMD 2019 will include marking the 25th anniversary of the Genocide in Rwanda, which began in April 1994 and the 40th anniversary of the end of the Genocide in Cambodia, which ended in 1979. The House of Commons Library prepares a briefing in hard copy and/or online for most non-legislative debates in the Chamber and Westminster Hall other than half-hour debates. -
[email protected] Lo Sguardo Italiano Sitis Immaginare
_ n.3 Anno IX N. 86 | Settembre 2020 | ISSN 2431 - 6739 Lo sguardo italiano Sitis Tutti sappiamo che, funge da “io” narrante. Si mette in gioco sul fi- fra i suoi tanti effetti, lo del rasoio, rischiando (ma asciuttamente «Tola il fattore smise di raccontare che già imbruni- la pandemia Covid-19 rigettando) la smanceria. va dopo una giornata dominata dal caldo umido, ha avuto anche quello Questo è il film di un espatriato che s’interro- torrido la parola giusta. Si sudava solo a pensarlo. di riportare in auge l’i- ga sulle sue radici. Non vi troviamo la conven- Era la prima settimana d’agosto. L’uomo, era di di- screte proporzioni risaltante da una canotta bianca- Giannalberto Bendazzi dentità nazionale agli zionale nostalgia dell’emigrato che rumina sul occhi della cittadinan- paesello. Vi troviamo il vuoto che sperimenta- stra, andava per i settanta. Asciugò il sudore con un za. Spontaneamente si sono sciorinate ban- no l’uomo o la donna che, a un certo punto panno di arancione spugnoso, stretto nel pugno co- diere e si è intonato l’inno di Mameli, e sono della loro vita, si riconoscono come inseriti me un mannello di grano. Era scuro di pelle, gli oc- apparsi cartelli che parlavano in prima perso- tanto nella casa d’arrivo quanto nella casa di chi da arabo, radi i capelli e i denti. Parvo Artus non na plurale (“Ce la faremo”, “Andrà tutto be- partenza, hanno disponibilità economiche, si era pentito di averlo ingaggiato come mezzadro ne”). Il pericolo ha portato in dote un ideale prendono aerei. -
The Two Sides to the Arab Vote on the UN's Jerusalem Resolution
DECEMBER 28, 2017 – 10 TEVET, 5778 VOL 42, NO 11 JOURNALJEWISHJOURNAL.ORG Rabbi Summit leaves legacy of inclusion at Tufts’ Hillel cared deeply about: social jus- tice. These innovative programs included Moral Voices, which focused on topics including reproductive rights, children’s advocacy, and gun violence; Read by the River, a children’s literacy program; and Challah for Hunger, a weekly fund- raising activity to benefit the needy. Other initiatives were centered on health and well- ness, Holocaust and genocide education, and interfaith pro- gramming. “We shifted from thinking of Hillel as a specific building where activities took place to a Rabbi Jeff Summit with Tufts University President Anthony Monaco. series of programs that could happen anywhere on campus,” By Michelle Harris lowing 15 years, attendance said Summit. “We may see JOURNAL CORRESPONDENT slowly rose from 12 to as many between 70 and 200 students as 150, spurred by innovative at Hillel on a Friday night, but An antique Hanukkah menorah at the Museum of Fine Arts in Boston. MEDFORD – When Rabbi programming such as a kosher we’re also actively cultivating Jeff Summit first arrived on the gourmet cooking content. four, five, or maybe six different As curator, Di Nepi to enhance Tufts campus as Hillel direc- By the time a beautiful new venues around campus where tor in 1979, his office was in Hillel center opened in 1994, Shabbat dinners may be taking Judaica display at MFA a tiny closet, which became about 300 to 400 students were place.” usable only after two students involved with the organization Another big change was By Penny Schwartz removed a refrigerator.