Master Class with Andrea Martin: Selected Filmography 1 the Higher
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Michael John Bateman Cce Editor Canadian and Uk Citizenship / Bc Resident / Iatse 891 / Acfc Online Reel
MICHAEL JOHN BATEMAN CCE EDITOR CANADIAN AND UK CITIZENSHIP / BC RESIDENT / IATSE 891 / ACFC ONLINE REEL TELEVISION NETWORK/CO DIRECTOR PRODUCERS MALIBU RESCUE Netflix Savage Steve Holland P: Amy Sydorick (Movie/Pilot) PROJECT MC2 S3 Netflix Various P: Mary Sparacio, (Series) Sadaf Cohen Muncy, Shauna Phelan THE CHRISTMAS CONSULTANT Lifetime Movie Network John Bradshaw P: Raymond Massey (Movie) GOOD MORNING KILLER (Movie) RPI Group Productions Maggie Greenwald EP: Frank Von Zerneck for TNT HICCUPS (Comedy Pilot) Penflo Production Inc. David Storey EP: Brent Butt, David Storey for CTV DO YOU KNOW ME? (Movie) Hallmark Ent/ Penelope Buitenhuis P: Robert Halmi Sr., Shan Tam, Lifetime Matthew O’Connor,Lisa Richardson LUNA: THE WAY HOME (Movie) CTV/ Screen Siren Don McBrearty P: Trish Dolman, Anne Marie LaTraverse A GIRL LIKE ME: Lifetime/Braun Ent/ Agnieszka Holland P: Zev Braun, Philip Krupp, THE GWEN ARAUJO STORY Sony Pictures Fran Rosati (Movie) FINAL DAYS: PLANET EARTH Hallmark Entertainment Rob Lieberman P: Robert Halmi Sr., (Mini Series) Matthew O’Connor KINGDOM HOSPITAL (Series) Sony Pictures/ Craig Baxley EP: Mark Carliner, Stephen King, Drama Fantasy Horror ABC Network Lars von Trier TOM STONE (Series) CBC Television Various P: Tom Cox, Doug McLeod Comedy THE OVERCOAT (Movie) Alliance/CBC Morris Panych P: Lael McCall, Richard Craven THE IMMORTAL (Series) Space Various P: Michael Grais Time Travel Sci Fi NOTHING TOO GOOD Alliance/CBC Various P: Charles Glazer, FOR A COWBOY (Series) Davie Barlow One hour Period Comedy DEAD MAN'S GUN S2 (Series, 22 ep) MGM/Showtime Various P: Larry Sugar, Henry Winkler Western Action Anthology **Winner American Heritage Award SO WEIRD (Series Pilot) Disney Channel Shawn Levy P: Larry Sugar, Henry Winkler Shawn Levy DEAD MAN'S GUN S1 (Series, 22 ep) Buena Vista/Showtime Various P: Larry Sugar, Henry Winkler Western Action Anthology **Winner American Heritage Award Represented by Barbara J. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
Arrow Video Arrow Vi Arrow Video Arrow Video
ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 4 Cast and Crew 7 Swords and Sensationalism by Kat Ellinger 20 About the Restoration ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 2 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CREW Gli invasori Directed by Mario Bava 1961 Produced by Ferruccio De Martino Executive Producer Lionello Santi Story and Screenplay by Oreste Biancoli, Piero Pierotti and Mario Bava Director of Photography Mario Bava Edited by Mario Serandrei ARROW VIDEO ARROW VIDEO Music by Roberto Nicolosi Set Designer Giorgio Giovannini Costume Designer Tina Loriedo-Grani ARROW VIDEO ARROW VIDEOCAST Cameron Mitchell as Eron Alice Kessler as Rama Ellen Kessler as Daya George Ardisson as Erik, Duke of Helford Andrea Cecchi as Sir Rutford Jacques Delbò as Olaf ARROW VIDEO ARROWFranco Giacobini as Rustichello VIDEO Raffaele Baldassarre as Blak Enzo Doria as Bennet Gianni Solaro as Ranco Franco Ressel as King Lotar Livia Contardi as Hadda Folco Lulli as Harald, King of the Vikings ARROW VIDEOFrançoise Cristophe asARROW Queen Alice VIDEO 4 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Swords and Sensationalism: Mario Bava’s grand-spectacle of blood, violence and sadism in Erik the Conqueror and the Italian peplum film by Kat Ellinger There is no denying Mario Bava was an innovator when it came to Italian genre film. -
San Diego Public Library New Additions May 2009 [April 1, 2009 – May 14, 2009]
San Diego Public Library New Additions May 2009 [April 1, 2009 – May 14, 2009] Juvenile Materials 000 - Computer Science and Generalities CD-ROMs 100 - Philosophy & Psychology Compact Discs 200 - Religion DVD Videos/Videocassettes 300 - Social Sciences E Audiocassettes 400 - Language E Audiovisual Materials 500 - Science E Books 600 - Technology E CD-ROMs 700 - Art E Compact Discs 800 - Literature E DVD Videos/Videocassettes 900 - Geography & History E Foreign Language Audiocassettes E New Additions Audiovisual Materials Fiction Biographies Foreign Languages Graphic Novels Large Print Fiction Call # Author Title J FIC/APPLEGATE 3-4 Applegate, Katherine. Don't tap-dance on your teacher J FIC/AUCH Auch, Mary Jane. A dog on his own J FIC/BALLIETT Balliett, Blue, 1955- The Wright 3 J FIC/BASE Base, Graeme. The discovery of dragons J FIC/BAUER 3-4 Bauer, Marion Dane. The green ghost J FIC/BAUM Baum, L. Frank (Lyman Frank) The annotated Wizard of Oz : the wonderful Wizard of Oz J FIC/BAUM Baum, L. Frank (Lyman Frank). The road to Oz J FIC/BAUM Baum, L. Frank (Lyman Frank). The wonderful Wizard of Oz J FIC/BECK Beck, Ian. Tom Trueheart and the Land of Dark Stories J FIC/BELL Bell, Ted. Nick of time J FIC/BENTON 3-4 Benton, Jim. Attack of the 50-ft. Cupid J FIC/BENTON 3-4 Benton, Jim. Frantastic voyage J FIC/BENTON 3-4 Benton, Jim. Lunch walks among us J FIC/BENTON 3-4 Benton, Jim. The Fran that time forgot J FIC/BIRDSALL Birdsall, Jeanne. The Penderwicks on Gardam Street J FIC/BLUME Blume, Judy. -
Jane Russell
The Original Bombshell: A Tribute to Jane Russell By Katie Sirles SPECIAL FOR FILMS FOR TWO© My Path and My Detours Jane Russell with a copy of her memoir (1995) Photo Credit: Schnatmeyer/picture-alliance/dpa/NewsCom Jane Russell began making waves in the film industry the moment she entered it. She signed a seven-year contract with Howard Hughes who immediately wanted to show off his newest gem. He did so in a way that would go down in cinematic history. By showcasing the buxom figure of this 5-foot 7-inch woman, he lit a fire under Hollywood censorship. His first film starring Jane Russell, The Outlaw, was completed in 1941 but did not show to the public until 1943. Howard Hughes had Jane in revealing outfits throughout the film and the Hollywood censors would only okay a limited release in 1943. The film finally had a general release in 1946. Between making The Outlaw and its general release, Russell made a name for herself in Hollywood. Born Ernestine Jane Geraldine Russell in Bemidji, Minnesota, Russell died in Santa Maria, California due to respiratory failure. Russell married three times. Her first husband was Bob Waterfield. The two adopted three children together, but divorced in 1968. Her second husband was Roger Barrett. They met in Chicago, Illinois when they worked together in a stage show called Here Today. They married shortly after meeting in 1968. Barrett died of a heart attack later that year. Russell was quoted as saying “Everybody tells me to 'stay busy.' He was only 47 and strong as an ox. -
Disneyland® Park
There’s magic to be found everywhere at The Happiest Place on Earth! Featuring two amazing Theme Parks—Disneyland® Park and Disney California Adventure® Park—plus three Disneyland® Resort Hotels and the Downtown Disney® District, the world-famous Disneyland® Resort is where Guests of all ages can discover wonder, joy and excitement around every turn. Plan enough days to experience attractions and entertainment in 1 both Parks. 5 INTERSTATE 4 5 2 3 6 Go back and forth between both Theme Parks with a Disneyland® Resort Park Hopper® 1 Disneyland® Hotel 4 Downtown Disney® District Ticket. Plus, when you buy a 3+ day ticket before you arrive, you get one Magic Morning* 2 Disney’s Paradise Pier® Hotel Disneyland® Park early admission to select experiences 5 at Disneyland® Park one hour before the Park opens to the general public on select days. 3 Disney’s Grand Californian Hotel® & Spa 6 Disney California Adventure® Park *Magic Morning allows one early admission (during the duration of the Theme Park ticket or Southern California CityPASS®) to select attractions, stores, entertainment and dining locations at Disneyland® Park one hour before the Park opens to the public on Tuesday, Thursday or Saturday. Each member of your travel party must have 3-day or longer Disneyland® Resort tickets. To enhance the Magic Morning experience, it is strongly recommended that Guests arrive at least one hour and 15 minutes prior to regular Park opening. Magic Morning admission is based on availability and does not operate daily. Applicable days and times of operation and all other elements including, but not limited to, operation of attractions, entertainment, stores and restaurants and appearances of Characters may vary and are subject to change without notice. -
Download the Production Notes
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.bvpublicity.com © 2007 Buena Vista Pictures Marketing and Walden Media, LLC. All Rights Reserved. Disney.com/Terabithia BRIDGE TO TERABITHIA PRODUCTION NOTES “Just close your eyes and keep your mind wide open.” PRODUCTION NOTES —Leslie Deep in the woods, far beyond the road, across a stream, lies a secret world only two people on Earth know about—a world brimming with fantastical creatures, glittering palaces and magical forests. This is Terabithia, where two young friends will discover how to rule their own kingdom, fight the forces of darkness and change their lives forever through the power of the imagination. From Walt Disney Pictures and Walden Media, the producers of “The Chronicles of Narnia,” and based on one of the most beloved novels of all time, comes an adventurous and moving tale that explores the wonders of friendship, family and fantasy: BRIDGE TO TERABITHIA. The story begins with Jess Aarons (JOSH HUTCHERSON), a young outsider on a quest to become the fastest kid in his school. But when the new girl in town, Leslie Burke (ANNASOPHIA ROBB), leaves Jess and everyone else in her dust, Jess’s frustration with her ultimately leads to them becoming fast friends. At first, it seems Jess and Leslie couldn’t be more different—she’s rich, he’s poor, she’s from the city, he’s from the country—but when Leslie begins to open up the world of imagination to Jess, they find they have something amazing to share: the kingdom of Terabithia, a realm of giants, ogres and other enchanted beings that can only be accessed by boldly swinging across a stream in the woods on a strand of rope. -
Conddun Funrieuis Photo: Greg Hulbert Canada Couircil Announces New Program to Help Independent Filmmakers
condDun FunriEuis Photo: Greg Hulbert Canada Couircil announces new program to help independent filmmakers Ms. Penni Jaques, recently appointed film Officer of the Canada Council, came to Toronto in late October to ex plain the Council's tentative Aid to Film and Video Artists program, which is al ready accepting applications. Her visit coincided with the Council's series of open meetings held in this area, designed to gauge response to its pro grams from the art and academic com munities across Canada. Director Andre Michael Spencer of the CFDC and Penni Jaques of the Canada Council at the S.F. U. Forum in Fortier revealed that the Canada Coun British Columbia cil gives away $45 million annually to the arts, humanities and social sciences, 36 per cent of it in Ontario. Film, photography and video might get up to one million dollars of this production grants: up to $25,000, up to buy time to pursue a program of Ap amount during the coming year. We sus $10,000, and up to $5,000 will be given prenticeship Research or Advanced pect that this is still disproportionate to out to cover partial or total production Study in their respective fields, may also what other art forms are getting, but costs. Ms. Jaques cautioned potential apply for a Senior or regular Art Grant, then certain staunch classicists refuse to applicants against assuming that asking or a Short Term Grant. Finally, Project recognize them as such. No comparable for the highest amount is the wisest Cost grants of up to $2,000 are available grants are planned in film, for instance, course; in fact the $25 thousand grant to the professional artist to help defray to the huge amounts of money given to will be the hardest one to get, with the cost of a particular project, with the estabhshed theatre, music, literature, chances progressively improving as the exception of film or video production. -
©2014 Disney ©2014 Disney Enterprises, Inc
©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY