Directory of Members 2011-2012.Pdf
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DIRECTORY OF SOUND DESIGNERS PROFESSIONAL MEMBERS ASSOCIATE MEMBERS STUDENT MEMBERS CORPORATE MEMBERS SOUND DESIGNERS For more information, or to get in contact with any of our members, visit www.associationofsounddesigners.com Bobby Aitken Paul Arditti Simon Baker Dominic Bilkey Designs include: Ghost (NY), Aida, 2012 Projects include:Three Sisters (Young Designs include: Matilda The Musical Designs include:Wild Swans (A.R.T Olympic Ceremonies, Viva Forever. Vic); Red Velvet (Tricycle); The Last (RSC and Cambridge Theatre – 2012 Boston), Bingo, The Changeling (Young Bobby has been involved with theatre Summer (Gate, Dublin); The Magistrate Oliver Award for Best Sound), Steptoe Vic). Dominic attended The Royal Welsh sound for over 30 years.Work includes: (NT); In The Republic of Happiness and Son (Kneehigh Theatre/UK Tour), College of Music & Drama and after Ghost (Piccadilly), Flashdance (Royal Court); Sugar (Royal Court / Looserville (West Yorkshire Playhouse), graduating began a busy career in (Shaftesbury), Dirty Dancing (Aldwich, Young Vic); Charlie & The Chocolate Wah Wah Girls (Saddlers Wells), Angus Sound for Theatre. He has toured Toronto, USA and others),We Will Rock Factory (directed by Sam Mendes). Thongs and Even More Snogging (West extensively, engineering and designing You (Dominion, Australia, Spain, Recent designs: Jumpy (Duke of York’s); Yorkshire Playhouse), Batman Live for Kneehigh Theatre, among others, Germany, Moscow, Las Vegas). Mamma London Road (Olivier Theatre); Rufus (World Arena Tour), Me and My Girl and is currently Head of Sound for The Mia! (London, Broadway and 27 Norris & Damon Albarn’s Dr Dee (ENO); (Sheffield), The Umbrellas Of Cherbourg Young Vic Theatre in London. Sound productions worldwide), Showboat, The The Most Incredible Thing (Sadler’s (Lyric Theatre), The Real Thing (Old Vic), Design credits include See How They King and I (Royal Albert Hall), Blast! Wells); One Man, Two Guvnors The Norman Conquests (Old Vic and Run, Twelfth Night, Dancing At (London, USA); Grease (Dominion, (Haymarket & Broadway); Collaborators Broadway), Late Middle Classes Lughnasa (Original Theatre), After Troy London, UK tour); Return To the (Olivier); In Basildon (Royal Court); The (Donmar), La Bete (Comedy Theatre and (Lifeblood Theatre), Masterclass (Bath Forbidden Planet (Cambridge, London, Changeling (Young Vic); The Bee (New Broadway), Lord Of The Rings (Theatre Theatre Royal), Pandora (Standing on USA, Japan, Australia), Five Guys Named York); Company (Sheffield Crucible). Royal Drury Lane and Toronto – 2007 the Shoulders of Giants), Journey’s End Moe (Albery and tours), The Iron Man, In Awards include: One Man, Two Olivier Nomination Best Sound), (Icarus / Original Theatre), In The the Midnight Hour (Young Vic), High Guvnors:Tony Award Nomination 2012; Deathtrap (Noel Coward Theatre), Solitude of Cotton Fields (Young Vic), Society (Victoria Palace); Time Billy Elliot The Musical:Tony Award Boeing Boeing (Comedy Theatre and The Space Between My Head & My (Dominion), From A Jack To A King 2009, Drama Desk Award 2009, Olivier Broadway - 2007 Tony Nomnation for Body (Gin in the Tea),The Only Girl in (Ambassador’s and tours), Sweeney Award 2006; Mary Stuart:Tony Award Best Sound), Di Viv and Rose the World (Fractured Venus), The Todd (Israeli National Opera), Children Nomination 2009; Saint Joan: Olivier (Hampstead Downstairs). Bridge Project Railway Children (Sevenoaks Playhouse), of Eden (Prince Edward), The Fix Award 2008; Festen: Evening Standard for BAM/Old Vic Theatre 2009, The Birds Carry On Down the River (New Theatre (Donmar),The Beggar’s Opera, Award 2005 / Olivier Award nomination (Dublin), Closer To Heaven (Arts Works) Wagstaffe the Wind-up Boy and Bartholomew Fair (RSC). Over the years, 2005. The Pillowman: Drama Desk Theatre). For Kneehigh Theatre work Rapunzel (Kneehigh Theatre) and Bobby has been working to create Award 2005, Olivier Award nomination includes Brief Encounter (London,WYP, Souterrain - Cornwall (WildWorks). techniques to deliver credible sound 2004. UK and US Tours, Broadway and St Associate work includes The reinforcement for large scale, in-the- Annes Warhouse NY – 2011 Tony Government Inspector (The Young Vic), round opera production. Credits Nomination for Best Sound), Don John A Voyage Round My Father (Donmar include: Carmen, Madame Butterfly, (RSC and International Tour),The Red Warehouse) and The Hound of the Tosca, Aida, La Bohème Shoes (International Tour),Wild Bride Baskervilles (Ian Fricker). (International Tour), Midnights Pumpkin and three years of Kneehigh’s Asylum Season. Danny Bright Steven Brown Andrew Bruce Paul Bull Danny is a sound designer, composer, Steven Brown is a Sound Designer, Andrew began his career in theatre at Paul has been involved with recordist and sonic manipulator. He has Sound Artist and Soundscape the Glyndebourne Festival Opera in performance sound professionally since variously lived, studied and worked in Composer. He is best known for his 1968. He was appointed Head of Sound 1978 working in a number of repertory Sheffield, England; Burlington, Vermont, work as a sound designer for theatre, at the Royal Opera House in 1971 and a theatres. Since 1990, he has worked as a USA; and Brighton and Hove, England having worked globally with many year later co-founded Autograph Sound freelance Sound Designer with where he is currently based. His work leading theatre companies, directors Recording. Amongst other things in the experience ranging from the London has appeared nationally and and also as Head of Sound for The Royal past 40 years, he consulted on the Fringe through to West End and internationally including at the World Exchange, Manchester where he has original 1980 Paris version of Les National/International touring. Paul Soundscape Conference, the Victoria & designed over 85 productions. Steven Misérables subsequently designing the also works as Sound Engineer for live Albert Museum and the Prague was Sound Design Curator for the 2011 1985 London production and remaining music, specialising in contemporary Quadrennial. Prague Quadrennial and designed and responsible for all other productions of classical, electro-acoustic, contemporary Designs include: Robertson’s Crusoe curated the sound design section of that version. jazz, folk and world/roots music. In (Zoo Venues, Barnsley Civic, Touring); Collaborators: Design for Performance Designs include: the original recent years, he have been involved as a The Fall of the House of Usher exhibition at the V&A Museum, productions of Song and Dance, Sound Artist on several projects, (Touring); Dr. Faustus (Touring);The London. Steven is also Board Member Abbacadabra, Little Me, Chess, (London including burning an upright piano and Turing Project (Aberdeen and for the Association of Sound Designers & Broadway), Follies, Mary Poppins, Into sawing a cello in half. In this field, he Manchester). Recent credits: Ghosting and Head of the OISTAT Sound Design the Woods, Children of Eden, City of has also become a composer of electro- Ruin (Dieburg); Haunted Voices Working Group. Steven was recently Angels, Martin Guerre, The Fix, The acoustic music and a musician playing (Brighton); Gogol (The Latest); Mongrel awarded an Honorary Fellowship from Witches of Eastwick, Mamma Mia!, the No-Input Mixing Board. Sees Field, The Cutting Room Floor (The Rose Bruford College of Theatre and Miss Saigon, The Secret Garden, 125th Designs include: Simon Usher’s Basement); Multimos (BAC); The Turing Performance. Street, Chitty Chitty Bang Bang (London production of The Complaint Project (The Basement, BAC); Designs include: organising and & Broadway), The Valkyrie (ENO), (Hampstead Downstairs); An Instinct Vampirates (UK Tour); Metamorphosis curating the sound design elements for Sweeney Todd, Alice’s Adventures In For Kindness, Somewhere Beneath It All, (UK Tour); A Stranger at the Table (The World Stage Design 2013. Wonderland, Isadora, The Seven Deadly A Small Fire Burns Still (Edinburgh Jewish Museum); The Alpha Project Recent designs include: Moon on a Sins all at the ROH, Mother Courage Fringe). Production Sound Engineer for (British, Newcastle, Brighton & Rainbow Shawl (National theatre), Two (with Nick Lidster) at the National the tour of An Inspector Calls. Manchester Science Festivals, and Miss Julie (Royal Exchange). Theatre for which they received an Greenwich Theatre, Brighton Fringe); Olivier nomination. In addition he has Pan-demonium (The Knot, Berlin and designed UK Tours of Miss Saigon, Cats, the AC Institute, New York). Martin Guerre, and Oliver! SOUND DESIGNERS For more information, or to get in contact with any of our members, visit www.associationofsounddesigners.com Ed Clarke Andy Collins Andrea J. Cox Anthony Davies Ed is front-of-house engineer for Van Andy has been working as a sound Andrea studied Physics and Philosophy Designs include: Kindertransport Der Graaf Generator, and has previously designer for over 25 years starting in at Liverpool University. After working (Fluellen Theatre Company, tour), Rep toured with Ryuichi Sakamoto, John repertory theatre going through to and designing shows for the Liverpool season (five plays, Swansea Grand Tams, Evelyn Glennie and Talvin Singh. national and international productions. Everyman and Bristol Old Vic she joined Theatre). Biography: Swansea Grand Designs include: Associate Sound Andy’s design credits include major the Royal Shakespeare Company 1978-1983, London 1983-1987, Swansea Design, Matthew Bourne’s Early symphonic arena concert