1963-64 Year Book Canadian Motion Picture Industry
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MARCEL CADIEUX, the DEPARTMENT of EXTERNAL AFFAIRS, and CANADIAN INTERNATIONAL RELATIONS: 1941-1970
MARCEL CADIEUX, the DEPARTMENT of EXTERNAL AFFAIRS, and CANADIAN INTERNATIONAL RELATIONS: 1941-1970 by Brendan Kelly A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Brendan Kelly 2016 ii Marcel Cadieux, the Department of External Affairs, and Canadian International Relations: 1941-1970 Brendan Kelly Doctor of Philosophy Department of History University of Toronto 2016 Abstract Between 1941 and 1970, Marcel Cadieux (1915-1981) was one of the most important diplomats to serve in the Canadian Department of External Affairs (DEA). A lawyer by trade and Montreal working class by background, Cadieux held most of the important jobs in the department, from personnel officer to legal adviser to under-secretary. Influential as Cadieux’s career was in these years, it has never received a comprehensive treatment, despite the fact that his two most important predecessors as under-secretary, O.D. Skelton and Norman Robertson, have both been the subject of full-length studies. This omission is all the more glaring since an appraisal of Cadieux’s career from 1941 to 1970 sheds new light on the Canadian diplomatic profession, on the DEA, and on some of the defining issues in post-war Canadian international relations, particularly the Canada-Quebec-France triangle of the 1960s. A staunch federalist, Cadieux believed that French Canadians could and should find a place in Ottawa and in the wider world beyond Quebec. This thesis examines Cadieux’s career and argues that it was defined by three key themes: his anti-communism, his French-Canadian nationalism, and his belief in his work as both a diplomat and a civil servant. -
Distribution and Pathogenicity of Two Cutthroat Trout Virus (CTV) Genotypes in Canada
viruses Article Distribution and Pathogenicity of Two Cutthroat Trout Virus (CTV) Genotypes in Canada Amy Long 1 , Francis LeBlanc 2, Jean-René Arseneau 2, Nellie Gagne 2, Katja Einer-Jensen 3, Jan Lovy 4, Mark Polinski 1 , Simon Jones 1 and Kyle A Garver 1,* 1 Pacific Biological Station, Fisheries and Oceans Canada, Nanaimo, BC V9T 6N7, Canada; [email protected] (A.L.); [email protected] (M.P.); [email protected] (S.J.) 2 Gulf Fisheries Centre, Fisheries and Oceans Canada, Moncton, NB E1C 5K4, Canada; [email protected] (F.L.); [email protected] (J.-R.A.); [email protected] (N.G.) 3 Qiagen, 8000 Aarhus, Denmark; [email protected] 4 New Jersey Division of Fish and Wildlife, Office of Fish & Wildlife Health & Forensics, Oxford, NJ 07863, USA; [email protected] * Correspondence: [email protected] Abstract: The sole member of the Piscihepevirus genus (family Hepeviridae) is cutthroat trout virus (CTV) but recent metatranscriptomic studies have identified numerous fish hepevirus sequences including CTV-2. In the current study, viruses with sequences resembling both CTV and CTV-2 were isolated from salmonids in eastern and western Canada. Phylogenetic analysis of eight full genomes delineated the Canadian CTV isolates into two genotypes (CTV-1 and CTV-2) within the Piscihepevirus genus. Hepevirus genomes typically have three open reading frames but an ORF3 counterpart was not predicted in the Canadian CTV isolates. In vitro replication of a CTV-2 isolate Citation: Long, A.; LeBlanc, F.; produced cytopathic effects in the CHSE-214 cell line with similar amplification efficiency as CTV. -
Ocean's Eleven
OCEAN'S 11 screenplay by Ted Griffin based on a screenplay by Harry Brown and Charles Lederer and a story by George Clayton Johnson & Jack Golden Russell LATE PRODUCTION DRAFT Rev. 05/31/01 (Buff) OCEAN'S 11 - Rev. 1/8/01 FADE IN: 1 EMPTY ROOM WITH SINGLE CHAIR 1 We hear a DOOR OPEN and CLOSE, followed by APPROACHING FOOTSTEPS. DANNY OCEAN, dressed in prison fatigues, ENTERS FRAME and sits. VOICE (O.S.) Good morning. DANNY Good morning. VOICE (O.S.) Please state your name for the record. DANNY Daniel Ocean. VOICE (O.S.) Thank you. Mr. Ocean, the purpose of this meeting is to determine whether, if released, you are likely to break the law again. While this was your first conviction, you have been implicated, though never charged, in over a dozen other confidence schemes and frauds. What can you tell us about this? DANNY As you say, ma'am, I was never charged. 2 INT. PAROLE BOARD HEARING ROOM - WIDER VIEW - MORNING 2 Three PAROLE BOARD MEMBERS sit opposite Danny, behind a table. BOARD MEMBER #2 Mr. Ocean, what we're trying to find out is: was there a reason you chose to commit this crime, or was there a reason why you simply got caught this time? DANNY My wife left me. I was upset. I got into a self-destructive pattern. (CONTINUED) OCEAN'S 11 - Rev. 1/8/01 2. 2 CONTINUED: 2 BOARD MEMBER #3 If released, is it likely you would fall back into a similar pattern? DANNY She already left me once. -
De Montréal : Le Sacré Et Le Profane
JÉSUS DE MONTRÉAL : LE SACRÉ ET LE PROFANE Danielle Conway Mémoire présenté à l'École des Études Supérieures comme exigence partielle de la Maîtrise ès Arts en Études françaises Département d'Études françaises et hispaniques Université Mernorial Saint-Jean, Terre-Neuve août 1998 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KtAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm. de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts £kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RÉs& Ce mémoire consiste essentiellement en une analyse intention sémiotique de Jésus de Montréal, film du cinéaste québécois Denys Arcand sorti en 1989. Ce film est basé sur la confrontation du Sacré et du Profane, comme l'indique le titre du film même (Jésus/Montréal), qui résulte en la folie et la mort du Sujet, le personnage principal, Daniel Coulombe. -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Canada in World Affairs History 389 Fall 2018
St. Jerome’s University in the University of Waterloo Department of History Canada in World Affairs History 389 Fall 2018 Instructor: Dr. Thirstan Falconer Lectures: Mondays, 10:30am-12:20pm, SJ1 3020 Wednesdays, 10:30am-11:20pm, SJ1 3020 Office: Mondays, 2:30pm-4:30pm or by Appointment, SH 2009 (SH 2020 in Oct) E-mail: [email protected] Telephone: 519-884-8111 ext. 28233 Course Objectives This course introduces students to the history of Canadian foreign relations since 1867 to 2000, with a particular emphasis on the twentieth century and how diplomatic, cultural, economic, and military interactions with other states shaped Canada’s political and social development. The primary focus will be on Canada’s evolving relationships with the United Kingdom, the United States. Learning Objectives Through the lectures, readings, and seminars, students are intended to develop a testable understanding of how Canadian foreign relations has developed and progressed through various domestic and international influences between 1867-2000. The seminar discussions are intended to sharpen how students approach written and media sources, as well as instill an understanding that all sources must be scrutinized rather than accepted at face value. They will also cover material not investigated in-class. Furthermore, these readings should help the student develop the ability to understand that there are numerous approaches and debates to how the history of Canadian foreign relations is written and understood. The various workshops will prepare students for library research, the briefing note assignment, and the live briefing note exercise. Attendance is mandatory. The written briefing document, and the instructions below for that assignment, should help foster students’ ability to write thoughtfully and persuasively as well as develop their ability to analyze research questions. -
1908 Journal
1 SUPREME COURT OF THE UNITED STATES. Monday, October 12, 1908. The court met pursuant to law. Present: The Chief Justice, Mr. Justice Harlan, Mr. Justice Brewer, Mr. Justice White, Mr. Justice Peckham, Mr. Justice McKenna, Mr. Justice Holmes, Mr. Justice Day and Mr. Justice Moody. James A. Fowler of Knoxville, Tenn., Ethel M. Colford of Wash- ington, D. C., Florence A. Colford of Washington, D. C, Charles R. Hemenway of Honolulu, Hawaii, William S. Montgomery of Xew York City, Amos Van Etten of Kingston, N. Y., Robert H. Thompson of Jackson, Miss., William J. Danford of Los Angeles, Cal., Webster Ballinger of Washington, D. C., Oscar A. Trippet of Los Angeles, Cal., John A. Van Arsdale of Buffalo, N. Y., James J. Barbour of Chicago, 111., John Maxey Zane of Chicago, 111., Theodore F. Horstman of Cincinnati, Ohio, Thomas B. Jones of New York City, John W. Brady of Austin, Tex., W. A. Kincaid of Manila, P. I., George H. Whipple of San Francisco, Cal., Charles W. Stapleton of Mew York City, Horace N. Hawkins of Denver, Colo., and William L. Houston of Washington, D. C, were admitted to practice. The Chief Justice announced that all motions noticed for to-day would be heard to-morrow, and that the court would then commence the call of the docket, pursuant to the twenty-sixth rule. Adjourned until to-morrow at 12 o'clock. The day call for Tuesday, October 13, will be as follows: Nos. 92, 209 (and 210), 198, 206, 248 (and 249 and 250), 270 (and 271, 272, 273, 274 and 275), 182, 238 (and 239 and 240), 286 (and 287, 288, 289, 290, 291 and 292) and 167. -
COLLECTIVE AGREEMENT Between CJCH-TV CTV2 Property of Bell Media Inc. Hereinafter Referred to As
COLLECTIVE AGREEMENT between CJCH-TV CTV2 Property of Bell Media Inc. hereinafter referred to as “the Company” a n d UNIFOR Local 21-M hereinafter referred to as "the Union" FEBRUARY 20, 2018 — FEBRUARY 19, 2021 13172 (06) Index Article 1 — Purpose ......................................................................................................................4 Article 2 — Definitions & Employment Categories ............................................................................ 4 Article 3 — Management Rights ...................................................................................................6 Article 4 — Union Rights ...............................................................................................................7 Article 5 — Non-Discrimination .....................................................................................................9 Article 6 — No Strikes or Lockouts .................................................................................................... 9 Article 7 — Grievance procedure ...................................................................................................... 9 Article 8 — Reports on Performance ................................................................................................. 13 Article 9 — Seniority Rights ............................................................................................................... 14 Article 10 — Jurisdiction .................................................................................................................... -
1962-63 Year Book Canadian Motion Picture Industry
FROM THE OF THE CREATIVE the industry’s most distinguished array of moviemaking talents will make this Columbia’s brilliant year of achievement. COLUMBIA PICTURES C0RP0RATI0 The world’s most popular fountain drinks! ORANGE People get thirsty just looking at it! The New Queen Dispenser is illuminated and animated to attract customers and earn profits—it does ! and Easse ROOT BEER This self-contained Hires Barrel will increase sales by 300% or more . and it’s all plus business! PRODUCTS OF CRUSH INTERNATIONAL LIMITED MONTREAL • TORONTO • WINNIPEG • VANCOUVER 1962-63 YEAR BOOK CANADIAN MOTION PICTURE INDUSTRY WITH TELEVISION SECTION PRICE $3.00 FILM PUBLICATIONS of Canada, Ltd. 175 BLOOR ST. EAST TORONTO 5. ONT. CANADA Editor: HYE BOSSIN Assistants: Miss E. Silver and Ben Halter this is where the show goes on The sound and projection equipment in your booth is the heart of your theatre. If this equipment fails, your show stops. The only protection against this is top quality equipment, regularly serviced. That's why it pays to talk to the people at General Sound. They have the most complete line of High Fidelity and Stereo sound and projection equipment in Canada. You have a whole range of fine names to choose from, backed up by first rate service facilities from coast- to-coast. Call General Sound, the heart of good picture projection, tomorrow. General Sound m, GENERAL SOUND AND THEATRE EQUIPMENT LTD. S 861 BAY STREET, TORONTO Offices in Voncouver, Winnipeg, Calgary, Montreal, Halifax, Saint John Index of Sections Pioneer of the Year Award 16 Exhibition ..... ----- 19 Theatre Director 37 Distribution ________ 63 Production . -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Download New Glass Review 21
NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree.