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Newark Works to Control Rowdies
JJB tA · UNIVERSITY OF DELAWAR.- [J c 3 19 l:i Caravel Academy reaches state football tournament/lb Bid for Bachelors blues/18a The Maley era ends/lh Newark works to control rowdies Off-campus studen~, landlords targeted Newark City Council has asked staff to continue with plans for a comprehensive program to deal with rowdy behavior by Univer sity of Delaware students living off campus. The cornerstone of the pro gram, City Planning Director Roy Lopata told Council Monday night, is a proposed ordinance I' which would provide the city the power to revoke landlords' rental permits H tenants are convicted of violating noise and disorderly premises ordinances more than once during the permit's one year lifetime. "This is one of the key items because it goes to the pocket books of the landlords themselves," Lopata said. Council plans to seek advice on &be lunch·Is hot the legality of the ordinance and · There are other, Uke single may consider it for passage at a man, who bave found their way later date. to the wanritb of the commWilty Also being proposed is an in church's lower level. They sit crease in the rental permit fee together 1n passive conversation from $25 to $100 per year, Lopata of muffled tones at tables said. modestly. dressed with paper Council has become increas clOthes and flowers. Moat of the ingly concerned about ~~ ha'Ve telt the brunt Of misbehavior by students living in *•a idsfortune, many are . clitrQheiU'ted. and ~ged. residential areas the past two years. The issue has become a I$Ut1n the atmosphere of Hope city concern because the Univer QJning Room, they talk of past sity of Delaware has limited on ...,_..ences and bard times and campus housing, and has no ~to console each ether. -
Court Proposes New Session to Handle Reapportioning
I^N ESD A Y, OCTTOT^ 18, 186^ iKitnrlrpBt^r lEttrabig ll^raUt ATtnc* Dally Not Press Rm Weather Fsr the Weak l!a«ed Faraoaat of V. S. WMither 24, U M ' fla g Karinaa from tosvn are About Town taking part in Operation Steal Oloadjr and oairier tenlgkt, law Pika In Spaht. Tliey are: Pfc. f r o m b ib s t o c r ib s h e e t s 14,065 4e-46; fair aad eaelar to m u m m , Douglas P. Johnson, aon of aC tka Audit Mgk ee-86. W m KuBitoi Pwiy, dwigh- Douglas A. Jcdinaon, 144 Birch tar oC Mr. «w l M n. JamM Pn^ St.; Lance Cpl. Robert M. a( Maneh0tter— A City of ViUagm Chorm ly, m HoOMar 8t^ !■ a mem- Smith, eon of Mr, and Mrs. celebrating bar o t the program commlttaa RuUedga J. Smith, 411 Bum- for an Open Houaa at Meriden ham St.; Cpl. John B. Fales, VOL. LXXXIV, NO. 25 tTWBNTY-BIGHT PA6BSF-TWO SECTIONS) MANCHESTE^^ CONN., THURSDAY, OCTOBER 29, 1964 (Ctoarifisd Advartiatag aU Faga 24) PRICE SEVEN CE^TS Haqdtal Sdiool of Ntiraing. son of Mr. and Mrs. Bbnmons . n ie event, acheduled for R. Falea, 1S8 N. Elm St.; Wednaaday, Nov. 4, front 12:46 Lance Cpl. James J. Antonio, B A B Y W EEK to S p.m., la open to high school son of Mr. and Mrs.i^James R. atpdents, their parcAta and Antonio, 147 Oloott St., and Events counsektra. Mlsa Perry la a atu- Lance Cpl. -
APBA 1960 Football Season Card Set the Following Players Comprise the 1960 Season APBA Football Player Card Set
APBA 1960 Football Season Card Set The following players comprise the 1960 season APBA Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. BALTIMORE 6-6 CHICAGO 5-6-1 CLEVELAND 8-3-1 DALLAS (N) 0-11-1 Offense Offense Offense Offense Wide Receiver: Raymond Berry Wide Receiver: Willard Dewveall Wide Receiver: Ray Renfro Wide Receiver: Billy Howton Jim Mutscheller Jim Dooley Rich Kreitling Fred Dugan (ET) Tackle: Jim Parker (G) Angelo Coia TC Fred Murphy Frank Clarke George Preas (G) Bo Farrington Leon Clarke (ET) Dick Bielski OC Sherman Plunkett Harlon Hill A.D. Williams Dave Sherer PA Guard: Art Spinney Tackle: Herman Lee (G-ET) Tackle: Dick Schafrath (G) Woodley Lewis Alex Sandusky Stan Fanning Mike McCormack (DT) Tackle: Bob Fry (G) Palmer Pyle Bob Wetoska (G-C) Gene Selawski (G) Paul Dickson Center: Buzz Nutter (LB) Guard: Stan Jones (T) Guard: Jim Ray Smith(T) Byron Bradfute Quarterback: Johnny Unitas Ted Karras (T) Gene Hickerson Dick Klein (DT) -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
ENG 6392 9111 23343 Mowchun
1 ENG 6392. Film and Video Production—"Theory and Practice of Film Adaptation" Spring 2020 Instructor: Dr. Trevor Mowchun Class: Wednesday, Period 6 - 8 (12:50 PM - 3:50 PM); Seminar Room (TUR 4112) Screening: Monday, Period 9 - 11 (4:05 PM - 7:05 PM); Room: ROL 115; Projectionist: Elizabeth Hernandez *Due to availability of projectionists, some screenings will start at 4:15pm Office hours (TUR 4336): Tuesday 3:15pm – 4:15pm, Thursday 4:30pm – 5:30pm, or by appointment. Email: [email protected] (please allow at least 24 hours for a response) Office phone number: 352-294-2839 Media Assistant: Jack Edmondson (TUR 4303) Availability: 10:40 AM - 1:40 PM, Tuesday: N/A, Wednesday: 5:10 PM - 7:05 PM, Thursday: 11:45 AM - 1:40 PM, Friday: 10:40 AM - 12:50 PM * Students can also reach Jack by email: [email protected], call or text at: 954-695-3720 "Theory and Practice of Film Adaptation" In this hybrid seminar workshop, students will have the opportunity to adapt a literary work of fiction, non-fiction or poetry into a filmable screenplay, one or two of which will be made into a short/medium length film by the end of the semester. To prepare for such a venture, we will address various issues at work in the field of film adaptation from writers such as André Bazin, Linda Hutcheon and Thomas Leitch, in addition to some practical dimensions from Linda Segar’s manual. We will also consider the cinema’s own natural predisposition towards adaptation, debate the value of remaining faithful to the original literary text versus betraying it, updating it, or exploiting its power to spur the imagination in unexpected ways, and ultimately as practitioners to experiment with the process by which “the spirit” of a literary work can be adapted and perhaps rendered complete by cinematic embodiment. -
Master Set List
1962 Post Cereal Football Master Set List Card No. Player Products 1 Dan Currie PT18 RK10 2 Boyd Dowler PT12S PT12T SCCF10 3 Bill Forester PT8 SCCF10 AB13 CC13 4 Forrest Gregg BF16 SC9 GNF12 T310 5 Dave Hanner BF11 SC14 GNF16 6 Paul Hornung GNF16 AB8 CC8 BF16 AB¾ 7 Henry Jordan GNF12 T310 AB13 CC13 PT12S PT12T 8 Jerry Kramer RB14 P10 9 Max McGee RB10 RB14 10 Tom Moore P10 RB10 11 Jim Ringo AB13 CC13 GNF12 T310 12 Bart Starr AB8 CC8 GNF16 13 Jim Taylor SC14 BF11 14 Fred Thurston SC9 BF16 15 Jesse Whittenton SCCF10 PT8 16 Erich Barnes RK10 PT12S PT12T BF16 17 Roosevelt Brown OF10 PT18 GNF12 T310 18 Bob Gaiters GN11 AB13 CC13 19 Roosevelt Grier GN16 SCCF10 20 Sam Huff PT18 SCCF10 21 Jim Katcavage PT12S PT12T SC14 22 Cliff Livingston PT8 AB8 CC8 23 Dick Lynch BF16 AB13 CC13 24 Joe Morrison BF11 P10 25 Dick Nolan GNF16 RB10 26 Andy Robustelli GNF12 T310 RB14 RB14 27 Kyle Rote RB14 GNF12 T310 28 Del Shofner RB10 GNF16 29 Y. A. Tittle P10 BF11 30 Alex Webster AB13 CC13 BF16 AB¾ 31 Billy Ray Barnes AB8 CC8 PT8 GNF12 T310 32 Maxie Baughan SC14 PT12S PT12T 33 Chuck Bednarik SC9 PT18 34 Tom Brookshier SCCF10 OF10 35 Jimmy Carr RK10 SCCF10 36 Ted Dean OF10 RK10 37 Sonny Jurgenson GN11 SC9 AB¾ 38 Tommy McDonald GN16 SC14 39 Clarence Peaks PT18 AB8 CC8 40 Pete Retzlaff PT12S PT12T AB13 CC13 41 Jess Richardson PT8 P10 42 Leo Sugar BF16 GNF12 T310 43 Bobby Walston BF11 GNF16 44 Chuck Weber GNF16 RB10 45 Ed Khayat GNF12 T310 RB14 46 Howard Cassady RB14 BF11 47 Gail Cogdill RB10 BF16 48 Jim Gibbons P10 PT8 49 Bill Glass AB13 CC13 PT12S PT12T 50 Alex Karras -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
February 10, 2009 (XVIII:5) Jack Clayton the INNOCENTS (1961, 100 Min)
February 10, 2009 (XVIII:5) Jack Clayton THE INNOCENTS (1961, 100 min) Directed and produced by Jack Clayton Based on the novella “The Turn of the Screw” by Henry James Screenplay by William Archibald and Truman Capote Additional scenes and dialogue by John Mortimer Original Music by Georges Auric Cinematography by Freddie Francis Film Editing by Jim Clark Art Direction by Wilfred Shingleton Deborah Kerr...Miss Giddens Peter Wyngarde...Peter Quint Megs Jenkins...Mrs. Grose Michael Redgrave...The Uncle Martin Stephens...Miles Pamela Franklin...Flora Clytie Jessop...Miss Jessel Isla Cameron...Anna JACK CLAYTON (March 1, 1921, Brighton, East Sussex, England, UK—February 26, 1995, Slough, Berkshire, England, UK) had 10 writing credits, some of which are In Cold Blood (1996), Other directing credits: Memento Mori (1992), The Lonely Passion of Voices, Other Rooms (1995), The Grass Harp (1995), One Judith Hearne (1987), Something Wicked This Way Comes Christmas (1994), The Glass House (1972), Laura (1968), In Cold (1983), The Great Gatsby (1974), Our Mother's House (1967), Blood (1967), The Innocents (1961), Breakfast at Tiffany's (1961), The Pumpkin Eater (1964), The Innocents (1961), Room at the Beat the Devil (1953), and Stazione Termini/Indiscretion of an Top (1959), The Bespoke Overcoat (1956), Naples Is a Battlefield American Wife (1953). (1944). DEBORAH KERR (September 30, 1921, Helensburgh, Scotland, JOHN MORTIMER (April 21, 1923, Hampstead, London, England, UK—October 16, 2007, Suffolk, England, UK) has 53 Acting UK—January 16, 2009, Oxfordshire, England, UK) has 59 Credits. She won an Honorary Oscar in 1994. Before that she had writing credits, some of which are In Love and War (2001), Don six best actress nominations: The Sundowners 1959, Separate Quixote (2000), Tea with Mussolini (1999), Cider with Rosie Tables (1958), Heaven Knows, Mr. -
1962 Topps Football Checklist
1962 Topps Football Checklist 1 Johnny Unitas 2 Lenny Moore 3 Alex Hawkins RC SP 4 Joe Perry 5 Raymond Berry SP 6 Steve Myhra 7 Tom Gilburg SP 8 Gino Marchetti 9 Bill Pellington 10 Andy Nelson 11 Wendell Harris SP 12 Colts Team 13 Bill Wade SP 14 Willie Galimore 15 Johnny Morris SP 16 Rick Casares 17 Mike Ditka RC 18 Stan Jones 19 Roger LeClerc 20 Angelo Coia 21 Doug Atkins 22 Bill George 23 Richie Petitbon RC 24 Ron Bull RC SP 25 Bears Team 26 Howard Cassady 27 Ray Renfro SP 28 Jim Brown 29 Rich Kreitling 30 Jim Ray Smith 31 John Morrow 32 Lou Groza 33 Bob Gain 34 Bernie Parrish 35 Jim Shofner 36 Ernie Davis RC SP 37 Browns Team 38 Eddie LeBaron 39 Don Meredith SP 40 J.W. Lockett SP 41 Don Perkins RC 42 Bill Howton 43 Dick Bielski Compliments of BaseballCardBinders.com© 2019 1 44 Mike Connelly RC 45 Jerry Tubbs SP 46 Don Bishop SP 47 Dick Moegle 48 Bobby Plummer SP 49 Cowboys Team 50 Milt Plum 51 Dan Lewis 52 Nick Pietrosante SP 53 Gail Cogdill 54 Jim Gibbons 55 Jim Martin 56 Yale Lary 57 Darris McCord 58 Alex Karras 59 Joe Schmidt 60 Dick Lane 61 John Lomakoski SP 62 Lions Team SP 63 Bart Starr SP 64 Paul Hornung SP 65 Tom Moore SP 66 Jim Taylor SP 67 Max McGee SP 68 Jim Ringo SP 69 Fuzzy Thurston RC SP 70 Forrest Gregg 71 Boyd Dowler 72 Henry Jordan SP 73 Bill Forester SP 74 Earl Gros SP 75 Packers Team SP 76 Checklist SP 77 Zeke Bratkowski SP 78 Jon Arnett SP 79 Ollie Matson SP 80 Dick Bass SP 81 Jim Phillips 82 Carroll Dale RC 83 Frank Varrichione 84 Art Hunter 85 Danny Villanueva RC 86 Les Richter SP 87 Lindon Crow 88 Roman Gabriel RC SP 89 Rams Team SP Compliments of BaseballCardBinders.com© 2019 2 90 Fran Tarkenton RC SP 91 Jerry Reichow SP 92 Hugh McElhenny SP 93 Mel Triplett SP 94 Tommy Mason RC SP 95 Dave Middleton SP 96 Frank Youso SP 97 Mike Mercer SP 98 Rip Hawkins SP 99 Cliff Livingston SP 100 Roy Winston RC SP 101 Vikings Team SP 102 Y.A. -
Tjff 2015 Programme.Pdf
DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT 2 Al Waxman Series Rod Serling Series Free Ticketed Programmes CONTENTS DRAMAS 18 COMEDIES 24 DOCUMENTARIES 27 BIOGRAPHIES 32 ARCHIVAL Films 36 SHORT Films 40 4 Schedule 14 Rod Serling: the Boy, the Man, 46 Patron Circle 6 Tickets the Writer, the Father 47 Friends and Fans 7 Artistic Director’s Welcome 15 Al Waxman: A Jewish Everyman 48 Special Thanks 8 Co-Chairs’ Message 15 We Remember: Artists and Icons 48 Nosh Donors 9 Programme Director’s Note We Have Loved and Recently Lost 48 Volunteers 10 Programmers’ Notes 15 Free Ticketed Events 50 Sponsors 12 David A. Stein Memorial Award 16 Family Friendly Screenings 52 Co-Presenters 12 The Micki Moore Award 17 Opening / Closing Night Films 53 Advertisers 13 FilmMatters 18 Dramas 73 TJFF Board Members, Advisory 13 Hillel/TJFF Toronto Jewish 24 Comedies Council and Staff Film Festival Fellowship 27 Documentaries 74 Films By Language 13 ASL Translators @ TJFF 32 Biographies 75 Films By Theme / Topic 14 Rod Serling: The Mensch of The 36 Archival Films 78 Film Index Twilight Zone 40 Short Films APRIL 30 – MAY 10 2015 TJFF.COM 23RD ANNUAL TORONTO JEWISH FILM FESTIVAL 3 • Indicates film has an additional screening. SCHEDULE Please Note: Running times do not include guest speakers where applicable. Thursday April 30 Monday May 4 8:00 PM VC 105 miN Dancing Arabs 1:00 PM ITH 110 miN Nichols and May: Take Two w/ Bess Friday May 1 Myerson: Portrait of an Activist, w/ It Takes a Shtetl: Leonard Nimoy's Boston -
Notre Dame Scholastic Football Review
fOOTBMl REVIEW ® December 5, 1958 The Notre Dame Scholastic ^^ *^*y^ A new idea in smoking! * 1*..^/'^ III*! vt. ^ *-_ * ^ » ^-'»' 5^. ^Sm^Z^l '" •., /^^- . •*-• •:4:^- ^fi^^ refresties^^our taste Ever dabble in a brook on one of Spring's first balmy • menthol fresh days? That's how a Salem cigarette refreshes your taste. You get rich, full tobacco taste with a new surprise soft • rich tobacco taste ness. The smoke feels comfortable as never before. Through Salem's pure-white filter flows the freshest ^ • modern filter, too taste in cigarettes. Smoke refreshed . smoke Salem!' *== . Cr»ot»<J by R J Reynolds Tobacco Companr I I't • 4 i i. MONTY STICKLES BILL MACK ' Stars of the 1958 Irish 41» AL ECUYER GEORGE IZO December 5, 1958 IN? ^iDheft-^reeman ARROW < ALPA60RA r' EXCl-USIVEUY- CX>A.XMA.ICERS 'B0TANV"'500 Not just famous names — but all the services that go to make up the kind of shop a man likes to rely on. Our reputation was built up>on the keystone of personal attention to our customers,- friendly consideration for everyone. That's why so many Notre Dame men respect the integrity of the Campus Shop and its sales personnel, in the same way they do their personal physician or favorite sports car mechanic. We hope you are one of these men. Burbeppys "j^JV^/hJ^kootJ CAAAA^ On the otre Dame Fpothatt Reviiew CHARGE IT THE CAMPUS SHOP WAY . Every Notre Dame man has a charge account at the Campus Shop. Get what ever you need, when you need it, and charge it on your account, the Campus Shop way. -
Jimmy Orr Gino Marchetti Johnny Morris TA Doug Atkins Raymond
1963 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1963 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. BALTIMORE BALTIMORE CHICAG0 CHICAG0 OFFENSE DEFENSE OFFENSE DEFENSE EB: Jimmy Orr End: Gino Marchetti EB: Johnny Morris TA End: Doug Atkins Raymond Berry Ordell Braase Bo Farrington Bob Kilcullen Willie Richardson TC OC Don Thompson Angelo Coia Ed O'Bradovich R.C. Owens Tackle: Jim Colvin Tackle: Bob Wetoska Tackle: Stan Jones Tackle: George Preas Fred Miller Herman Lee Earl Leggett Bob Vogel John Diehl Steve Barnett John Johnson OC Guard: Alex Sandusky LB: Jackie Burkett Guard: Roger Davis Fred Williams Jim Parker OC Bill Pellington Ted Karras LB: Joe Fortunato Dan Sullivan Don Shinnick Jim Cadile Bill George Palmer Pyle Bill Saul Center: Mike Pyle OC Larry Morris Center: Dick Szymanski Butch Maples ET: Mike Ditka Tom Bettis ET: John Mackey OB CB: Bobby Boyd Bob Jencks KA KOB PB Roger LeClerc (2) KA KOA Butch Wilson Lenny Lyles QB: Billy Wade CB: Bennie McRae QB: Johnny Unitas Safety: Andy Nelson Rudy Bukich Dave Whitsell (2) Gary Cuozzo Jim Welch HB: Willie Galimore OC J.C.