Nosferatu. Revista De Cine (Donostia Kultura)
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Televising the South: Race, Gender, and Region in Primetime, 1955-1980
TELEVISING THE SOUTH: RACE, GENDER, AND REGION IN PRIMETIME, 1955-1980 by PHOEBE M. BRONSTEIN A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Phoebe M. Bronstein Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Carol Stabile Chairperson Priscilla Ovalle Core Member Courtney Thorsson Core Member Meslissa Stuckey Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Phoebe M. Bronstein This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License iii DISSERTATION ABSTRACT Phoebe Bronstein Doctor of Philosophy Department of English September 2013 Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation traces the emergence of the U.S. South and the region’s role in primetime television, from the post-World War II era through Reagan’s election in 1980. These early years defined, as Herman Gray suggests in Watching Race, all subsequent representations of blackness on television. This defining moment, I argue, is one inextricably tethered to the South and the region’s anxiety ridden and complicated relationship with television. This anxiety was rooted in the progress and increasing visibility of the Civil Rights Movement, concern over growing white southern audiences in the wake of the FCC freeze (ended in 1952), and the fear and threat of a southern backlash against racially progressive programming. -
9782873404178 01.Pdf
SOMMAIRE Jean-François Rauger : La douceur Fuller L’ŒUVRE Thanatos Pierre Gabaston. La fureur Fuller Serge Chauvin. Crever l’écran. Une esthétique du surgissement Sarah Ohana. Faire face. À propos du style de Samuel Fuller Laurent Le Forestier. Samuel Fuller, cinéaste responsable Jean-Marie Samocki. Le chaos comme le chant. Samuel Fuller metteur en son Éros Murielle Joudet. La violence en partage Patrice Rollet. L’autre visage de la fureur. Érotique de Fuller Figures humaines Sergio Toffetti. Le jaune, le rouge, le noir et le blanc Chris Fujiwara. Les visages asiatiques de Samuel Fuller Jean-Marie Samocki. Le vieillissement de Lee Marvin. It Tolls for Thee / The Big Red One Simon Laperrière. Une grande mêlée. Les romans de Samuel Fuller LES FILMS Gilles Esposito. L’enfer du développement. Samuel Fuller scénariste Marcos Uzal. La Passion du traître. I Shot Jesse James / J’ai tué Jesse James Laura Laufer. L’Amour, vaste territoire The Baron of Arizona / Le Baron de l’Ari- zona Mathieu Macheret. Le Théâtre des opérations. The Steel Hemlet / J’ai vécu l’en- fer de Corée et Fixed Bayonets !/Baïonnette au canon Bernard Eisenschitz. Park Row / Violence à Park Row Murielle Joudet. Pickpocket. Pickup on South Street / Le Port de la drogue Samuel Bréan. Anatomie d’un mensonge. Le doublage de Pickup on South Street Jean-François Rauger. Le Sous-marin et les Rouges. Hell and High Water / Le Démon des eaux troubles The Steel Helmet. Egdardo Cozarinsky. House of Bamboo / La Maison de Bambou Bernard Benoliel. Fuller, l’attendrisseur. Run of the Arrow / Le Jugement des Jean-François Rauger flèches Jean-François Rauger. -
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949). -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
31. Oktober 1994 COOL POP • POLITICS • HOLLYWOOD 1960-68
Retrospektive GESTE R R EI CHISCHES Viennale 1994 FILMMUSEUM 1.-31. Oktober 1994 COOL POP • POLITICS • HOLLYWOOD 1960-68 MIT FILMEN VON ROBERT ALDRICH WILLIAM ASHER • GEORGE AXELROD ALLEN BARON • JOHN BOORMAN • MARLON B RAN DO RICHARD BROOKS WILLIAM CONRAD • ROGER CORMAN EDWARD DMYTRYK • BLAKE EDWARDS • RICHARD FLEISCHER THEODORE FLICKER ROBERT FLOREY JOHN FORD JOHN FRANKENHEIMER SAMUEL FÜLLER • GUY HAMILTON • HARVEY HART HOWARD HAWKS MONTE HELLMAN DOUGLAS HEYES • ALFRED HITCHCOCK JOHN HUSTON • NORMAN JEWISON ■ ELIA KAZAN • STANLEY KUBRICK • IRVIN LERNER • RICHARD LESTER JERRY LEWIS • SIDNEY LUMET LESLIE MARTINSON RUSS MEYER • JOSEPH M. NEWMAN • SAM PECKINPAH • ARTHUR PENN ■ FRANK PERRY • ROMAN POLANSKI OTTO PREMINGER • ROBERT ROSSEN FRANKLIN J. SCHAFFNER • GEORGE SIDNEY DON SIEGEL • ALEXANDER SINGER • JOHN STURGES PETER USTINOV ROGER VADIM • PAUL WENDKOS BILLY WILDER RON WINSTON Samstag, 1. Oktober 1994, 17.00 Uhr Montag. 3. Oktober 1994, 17.00 Uhr Mittwoch. 5. Oktober 1994. 17.00 Uhr Freitag. 7. Oktober 1994, 17.00 Uhr Sonntag, 9. Oktober 1994, 17.00 Uhr Dienstag, 11. Oktober 1994, 17 00 Uhr Twilight Zone: IN PRAISE OF PIP (1963) FATHOM (1967) THE BELLBOY (1960) Joseph M. Newman SEVEN DAYS IN MAY (1964) ANGEL BABY (1961) FAIL SAFE (1964) Regie: Leslie H. Martinson; Drehbuch: Lorenzo Regie und Drehbuch: Jerry Lewis; Kamera THE KILLERS (1964) Regie: John Frankenheimer; Drehbuch: Rod Ser- Semple, Jr.; Kamera: Douglas Slocombe; Bauten: Regie: Paul Wendkos; Drehbuch: Orin Borsten, Regie: Sidney Lumet; Drehbuch: Walter Bern¬ Haskell Boggs; Bauten: Hai Pereira, Henry ling; Kamera: Ellsworlh Fredricks; Bauten: Cary Maurice Carter; Musik: John Dankworth; Schnitt: Paul Mason. Samuel Roeca; Kamera. Haskell stein; Kamera: Gerald Hirschfeld; Bauten: Albert Bumstead; Musik: Walter Scharf, Schnitt Stanley Regie: Don Siegel; Drehbuch: Gene L. -
175747467.Pdf
DIZIONARIO DEI FILM WESTERN A cura di Mario Raciti Fonti Dizionario Morandini 2008 Mymovies.it Film.tv.it Dedicato agli amici di Farwest.it A Accidenti, che ospitalità! Our Hospitality USA 1923 REGIA: Buster Keaton, John G. Blystone ATTORI: Buster Keaton, Natalie Talmadge, Joe Roberts * Una faida tra le famiglie Canfield e McKay funge da prologo. Allevato a New York da una zia, Will McKay torna dopo vent'anni al paese natale del West dove i Canfield tentano di ucciderlo. Finché è sotto il loro tetto, però, non possono farlo. E lui sposa una di loro. 2o film lungo di Keaton e uno dei suoi capolavori. È un western nel quale il comico non nasce dalla parodia ma dalla incongruità del personaggio Keaton mentre tutti gli altri sono costruiti secondo gli schemi classici e si comportano come tali. È una rivisitazione straniata che s'impernia, come il solito, sullo spostamento delle funzioni degli oggetti, sull'altalena tra sembrare ed essere. DURATA: 74' FOTOGRAFIA: BN Acquasanta Joe It. 1971 REGIA: Mario Gariazzo ATTORI: Lincoln Tate, Ty Hardin, Silvia Monelli * Dopo la guerra di secessione, in un improbabile West trovano posto la banda del cannone, un prete che fabbrica acquavite, avventurieri e tradimenti. Western povero di tutto. DURATA: 97' Adios Gringo It. 1965 REGIA: George Finley (> Giorgio Stegani) ATTORI: Giuliano Gemma, Evelyn Stewart, Robert Camardiel * Ricercato salva fanciulla da morte sicura, sgomina banda di prepotenti e prosegue con la bella per dimostrare la sua innocenza. George Finley (Giorgio Stegani) ha confezionato un discreto western all'italiana con un Gemma che fa il “buono” prima di imparare a recitare. -
Samuel Fuller: Se Você Morrer, Eu Te Mato!, Retrospectiva Sobre a Obra De Um Dos Realizadores Mais Influentes Da História Do Cinema
Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina Idealização Julio Bezerra e Ruy Gardnier Organização editorial Ruy Gardnier Produção Gráfico-editorial José de Aguiar e Marina Pessanha Centro Cultural Banco do Brasil 1ª edição/2013 O Ministério da Cultura e o Banco do Brasil apresentam Samuel Fuller: Se você morrer, eu te mato!, retrospectiva sobre a obra de um dos realizadores mais influentes da história do cinema. Samuel Fuller foi jornalista, escritor e soldado antes de fazer cinema. Como roteirista e cineasta, subverteu padrões com personagens deslocados e anarquistas, e ficou conhecido como o “poeta dos tablóides”. Escrevia, produzia e dirigia filmes urgentes, marcados por situações dramáticas limítrofes, que travavam um embate franco com a sociedade americana pós Segunda Guerra Mundial. A programação conta com mais de 20 longas dirigidos pelo cineasta, com títulos que abarcam suas fases e obsessões temáticas e estilísticas, além de um debate para aprofundar o conhecimento do trabalho desse cineasta incensado pela crítica francesa como um dos autores máximos da sétima arte, cultuado por diretores como Jim Jarmusch e Martin Scorsese, e homenageado por Jean-Luc Godard, Wim Wenders e Steven Spielberg. Com esta retrospectiva, o Centro Cultural Banco do Brasil, mais uma vez, oferece ao público a oportunidade de conhecer melhor um artista importante dentro da história do cinema e contribui para a formação de um público com melhor entendimento desta. Centro Cultural Banco do Brasil 5 O mais perigoso de todos Zack, veterano sargento do exército americano, perde a paciên- cia depois que um menino sul-coreano que o acompanhava é morto tam em códigos pré-estabelecidos e estão dispostos a pagar altos por um franco-atirador, e atira à queima-roupa em um desarmado preços por isso. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Nosferatu. Revista De Cine (Donostia Kultura)
Nosferatu. Revista de cine (Donostia Kultura) Título: El western visto por Sam Fuller Autor/es: La Torre, José Mª Citar como: La Torre, JM. (1993). El western visto por Sam Fuller. Nosferatu. Revista de cine. (12):12-17. Documento descargado de: http://hdl.handle.net/10251/40856 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Balas vengadoras (! Shot Jesse James, 1949) El western visto por -, Samuel Fuller José María Latorre , i se creyera en las pala algo de verdad, puesto que Fu miran. No dicen nada. Se que bras de Fuller habría que ller sólo ha realizado cuatro dan de pie delante del bar. Es Sdecir que al viejo Sam westerns y, si la memoria no me un tratado sobre la estupidez nunca le ha gustado el western. engaña, únicamente ha colabo humana, ¿comprende? ¡Unos En efecto, al ser preguntado por rado con otros cineastas, dentro hombres que son incapaces de Jean-Louis Noames, en un anti del género, como adaptador de hacer otra cosa que mirarse a guo Cahiers, sobre su primer Retaguardia (The Command, los ojos!". -
Randolph Scott
NOVEMBER/DECEMBER 2013 VOLUME 3, ISSUE 8 CLICK HERE TO DOWNLOAD PDF VERSION Photo by Nadine Levin HIGH NOON Smoke Signals IN THIS ISSUE Page WesTern American AnTiques of the FuTure From a CulTure of Mass Manufacturing .....................................................4 Bits & Pieces: From Theresa.............................................................................................................................................5 Show Dealer Spotlight: Milo Marks..................................................................................................................................6 Linda’s Feedbag: Snickerdoodle Bread ............................................................................................................................8 Empty Saddle.....................................................................................................................................................................9 TCAA Tells Us “It Ain’t Dead Folks” ..............................................................................................................................10 From Our Readers ...........................................................................................................................................................11 The Curious Career of “MysTerious Dave” MaTher ........................................................................................................12 Reel Cowboys of Western Cinema: Randolph ScoTT ......................................................................................................14 -
Movie Museum JULY 2006 COMING ATTRACTIONS
Movie Museum JULY 2006 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Two by Vincent Sherman OLD ACQUAINTANCE ALL THROUGH THE THE GARMENT JUNGLE OLD ACQUAINTANCE ALL THROUGH THE (1943) NIGHT (1942) (1957) (1943) NIGHT (1942) with Humphrey Bogart. with Lee J. Cobb. with Humphrey Bogart. with Bette Davis, Directed by Vincent Sherman. Directed by Vincent Sherman. with Bette Davis, Miriam Hopkins, Gig Young, Miriam Hopkins, Gig Young, 1, 4:30 & 8pm John Loder, Dolores Moran, 1, 4:30 & 8pm 12:30, 3:30 & 6:30pm John Loder, Dolores Moran, ----------------------------------- Philip Reed, Roscoe Karns, ----------------------------------- ------------------------- Philip Reed, Roscoe Karns, FLIGHT FROM Ann Revere. FLIGHT FROM COUNSELLOR-AT-LAW Ann Revere. DESTINY (1941) DESTINY (1941) (1933) with Geraldine Fitzgerald, Directed by with Geraldine Fitzgerald. with John Barrymore, Directed by Thomas Mitchell. Vincent Sherman. Directed by Vincent Sherman. Vincent Sherman. Vincent Sherman. Directed by William Wyler. 3 & 6:30pm Only 6 2, 4, 6 & 8pm 7 3 & 6:30pm Only 8 2, 5 & 8pm 9 2, 4, 6 & 8pm 10 Terry-Thomas' Birthday Bastille Day Forest Whitaker's Birthday Ginger Rogers / Vincent MISHIMA BLUE MURDER AT DEATH IN A FRENCH THE CRYING GAME Sherman Birthday 2 for 1 (1985) ST. TRINIAN'S GARDEN (1992-British) TOM DICK AND HARRY in Japanese/English with (1957-British) aka Péril en la demeure in widescreen (1941) English subtitles & (1985-French) with Forest Whitaker, Stephen with Ginger Rogers. in widescreen Directed by Garson Kanin. with Terry-Thomas, George in French w/English subtitles Rea, Miranda Richardson, Jim with Ken Ogata, Masayuki Cole, Joyce Grenfell, Lionel & in widescreen Broadbent, Adrian Dunbar, PLUS Shionoya, Hiroshi Mikami.