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31. Oktober 1994 COOL POP • POLITICS • HOLLYWOOD 1960-68

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Retrospektive GESTE R R EI CHISCHES Viennale 1994 FILMMUSEUM 1.-31. Oktober 1994 COOL POP • POLITICS • HOLLYWOOD 1960-68 MIT FILMEN VON ROBERT ALDRICH WILLIAM ASHER • GEORGE AXELROD ALLEN BARON • JOHN BOORMAN • MARLON B RAN DO RICHARD BROOKS WILLIAM CONRAD • ROGER CORMAN EDWARD DMYTRYK • BLAKE EDWARDS • RICHARD FLEISCHER THEODORE FLICKER ROBERT FLOREY JOHN FORD JOHN FRANKENHEIMER SAMUEL FÜLLER • GUY HAMILTON • HARVEY HART HOWARD HAWKS MONTE HELLMAN DOUGLAS HEYES • ALFRED HITCHCOCK JOHN HUSTON • NORMAN JEWISON ■ ELIA KAZAN • STANLEY KUBRICK • IRVIN LERNER • RICHARD LESTER JERRY LEWIS • SIDNEY LUMET LESLIE MARTINSON RUSS MEYER • JOSEPH M. NEWMAN • SAM PECKINPAH • ARTHUR PENN ■ FRANK PERRY • ROMAN POLANSKI OTTO PREMINGER • ROBERT ROSSEN FRANKLIN J. SCHAFFNER • GEORGE SIDNEY DON SIEGEL • ALEXANDER SINGER • JOHN STURGES PETER USTINOV ROGER VADIM • PAUL WENDKOS BILLY WILDER RON WINSTON Samstag, 1. Oktober 1994, 17.00 Uhr Montag. 3. Oktober 1994, 17.00 Uhr Mittwoch. 5. Oktober 1994. 17.00 Uhr Freitag. 7. Oktober 1994, 17.00 Uhr Sonntag, 9. Oktober 1994, 17.00 Uhr Dienstag, 11. Oktober 1994, 17 00 Uhr Twilight Zone: IN PRAISE OF PIP (1963) FATHOM (1967) THE BELLBOY (1960) Joseph M. Newman SEVEN DAYS IN MAY (1964) ANGEL BABY (1961) FAIL SAFE (1964) Regie: Leslie H. Martinson; Drehbuch: Lorenzo Regie und Drehbuch: Jerry Lewis; Kamera THE KILLERS (1964) Regie: John Frankenheimer; Drehbuch: Rod Ser- Semple, Jr.; Kamera: Douglas Slocombe; Bauten: Regie: Paul Wendkos; Drehbuch: Orin Borsten, Regie: Sidney Lumet; Drehbuch: Walter Bern¬ Haskell Boggs; Bauten: Hai Pereira, Henry ling; Kamera: Ellsworlh Fredricks; Bauten: Cary Maurice Carter; Musik: John Dankworth; Schnitt: Paul Mason. Samuel Roeca; Kamera. Haskell stein; Kamera: Gerald Hirschfeld; Bauten: Albert Bumstead; Musik: Walter Scharf, Schnitt Stanley Regie: Don Siegel; Drehbuch: Gene L. Coon Odell; Musik: Jerry Goldsmith; Schnitt: Ferris Max Benedict; Darsteller: Tony Franciosa, Raquei Wexler, Jack Maria; Bauten: Val Tamelin; Musik: Brenner; Schnitt: Ralph Rosenblum; Darsteller: Johnson; Darsteller Jerry Lewis, Alex Gerry Bob (nach der Erzählung von Ernest Hemingway); Ka¬ Webster; Darsteller: Burt Lancaster, Kirk Douglas, Welch, Ronald Fräser Wayne Shanklin; Schnitt: Betty J Lane; Darstel¬ Dan O'Herlihy, Waltet Matthau Fritz Weaver. Clayton mera: Richard L. Rawlings; Bauten: Frank Arrigo, Fredric March, Ava Gardner ler: George Hamilton, Mercedes McCambndge, Henry Fonda. Larry Hagman George Chan, George O'Connell; Musik: Johnny Die James-Bond-Serie zieht einen Kondensstreif von Salome Jens, Joan Blondell Der beste US-Komödiant der Epoche bei seinem Debüt Williams; Schnitt: Richard Beiding; Darsteller: Lee Durch John Frankenheimers politische und phantasti¬ Imitationen und Vanationen in den sechziger Jahren hin Wenn Filme sich in .Themen" erschöpfen, wäre »Fail Sa¬ als Autor Gagman-Akteur-Regisseur Jerry Lew» ist Marvin, Angie Dickinson. John Cassavetes, Ro¬ sche Thriller der sechziger Jahre spannt sich ein roter ter sich her Im britischen Comedy-Spy-Thnller „Fathom" Der jüngere Bastard-Bruder von Brooks .Elmer Gantryr fe" der Zwilling von »Dr. Strangelove Jedoch alles trennt stets zugleich sein eigener Doppelgänger plus er seibsi nald Reagan Faden: Konspiration Ein Pentagon-General, brennend befinden sich die obligaten Finsterlinge und westöstli¬ Ein FHm, erfüllt von melodramatischem Feuer und Sidney Lumet von Kubrick obgleich hier wie dort US- Jerry, der Regisseur, macht Amateurfilme Lewis ist Hol vor Patnotismus und Kriegslust, berettet einen Putsch chen Geheimdienste auf unsanfter Suche nach „Fire Schwefel und dampfend von der Glut einiger hochgradig Atombomber unrückrufbar (und .durch einen Fehler" auf lywood-Professional Lewis, der Schauspieler, spielt du Eine brutal-bunte Paraphrase auf Hemingways Short gegen den US-Präsidenten vor, der einen atomaren Ab¬ Dragon". einem irgendwo am Mittelmeer in eine chinesi¬ romantischer Sunden gegen den Good Taste. Eine jun¬ Mission geschickt) gegen die Städte der Sowjets fliegen Rolle des allerperfektssten Amerikaners, betallen von Story und ein Remake von Sodmaks gleichnamigem rüstungs-Vertrag mit den Sowjets unterzeichnet hat. Kal- sche Figurine geratenen Mechanismus zur nuklearen ge. stumme Lady wird durch evangelisctie Inbrunst spre Kubrick trittt den Nerv des Irrsinns. Lumet legt seriös und der Tollwut totaler Anpassung - Jerry jedoch stolpert da Film der Schwarzen Serie. .The Killers" zeigt Stegeis Ta¬ te-Kriegs-Fiktion, vom Thema ähnlich wie Kubricks „Dr Anullierung der Welt. Ein zu Modesty Blaise gewordener chend und ein gelähmtes Kind gehend gemacht in den im StH der Alten (brillant, psychologisch, realistisch) das bei unentwegt und verwandelt die heil« Welt in unoe lente und Schwachen dicht an dicht. Mit Erzählstrukturen Strangelove" Ganz anders jedoch die Form - bnllant James Bond stellt dem Westen Reize und Fallschirm- Haltelujah-Tieten des Südens wo die Gilde der Glau- .wichtigste Thema unserer Zeil" zur Diskussion vor schreiblichet. Chaos Jerry, der gagman. will nichts wet oder Rückblenden weiß er wenig anzulangen, wo das realistische Konvention, beißender thrlll und Talentpro¬ spnngerkünste zur Verfügung, trägt kürzeste Minimode bens-Heiler (wie Angel Baby" verkündet) auch, aber Trotzdem hat FaH Safe" seine Meriten als Thnher nwt ter als ein paar Sketches drehen, aber Lewis, dei Autor Drama prall vorwärts drängt, ist er souverän wie nur ir¬ ben erhitzter Hollywood-Schauspielkunst. und den Namen Raquei Welch nicht nur aus krummen Geschäftemachern und falschen dem besten amerikanischen Präsidenten aller Zeiten am ist erfüllt vom Ehrgeiz. nie in am Kompaktes. solides gendeiner der Hollywood-Pnmitiven. Lee Marvins lasziv Predigern besteht Schwüles Kino, inszeniert vom Roten Telefon: Henry Fonda Kinostück zu verwandeln The stränge case ot Mr Jerry coole Brutalität glättet die Leinwand mit nämlicher Inten¬ schnellen Paul Wendkos. einem Adepter der Methode and Doctor Lewis sität mit der Ronnie Reagans Verknrtfenhert sie knittert „eine Einstellung pro Idee" Angie Dickinson ist sinnlich wie öl, John Cassavetes' Mittwoch. 5. Oktober 1994. 19.00 Uhr Tragik dunkler Samt Siegels Kino: eine Art sensueller Montag, 3. Oktober 1994. 19.00 Uhr Physik. COOGAN'S BLUFF (1968) Sonntag, 9. Oktober 1994, 19.00 Uhr Dienstag, 11. Oktober 1994. 19.00 Uhr THE THOMAS CROWN AFFAIR (1968) Regie: Don Siegel; Drehbuch: Herman Miller Freitag, 7. Oktober 1994, 19.00 Uhr THE BEST MAN (1964) THE KNACK ... AND HOW TO GET IT (1965) Dean Reisner, Howard Rodman; Kamera: Bud Samstag, 1. Oktober 1994, 19.00 Uhr Regie: Norman Jewison; Drehbuch: Alan R. Thackery; Bauten: Alexander Golitzen, Robert MIRAGE (1965) Regie: Franklin Schaffner Drehbuch: Gore Vidal; Regie Richard Lester; Drehbuch. Charles Wood; Trustman; Kamera: Haskell Wexler; Bauten: MacKiehan; Musik: Lalo Schifrin; Schnitt: Sam E. Kamera: Haskell Wexler; Musik: Mort Lmdsey, Kamera David Watkms; Bauten: Assheton PSYCHO (1960) Robert Boyle; Musik: Michel Legrand: Schnitt: Hai Waxman, Darsteller: Clint Eastwood, Lee J. Regie: Edward Dmytryk; Drehbuch: Peter .Stone; Schnitt: Robert Swink; Darsteller: Henry Fonda. Gorton; Musik John Barry, Schnitt: Anthony Ashby, Ralph Winters, Byron Brandt; Darsteller Cobb, Susan Clark, Tisha Sterling, Don Stroud Kamera: Joseph MacDonald, Bauten: Alexander Cliff Robertson, Edie Adams, Margaret Leighton Gibbs; Darsteller. Rita Tushingham, Ray Brooks Regle: Alfred Hitchcock; Drehbuch: Joseph Stefa¬ Steve McQueen. Faye Dunaway, Paul Burke Mahalta Jackson Michael Crawford no; Kamera: John L. Russell; Bauten: George Wie Frank Capras .Mr. Deeds' Jahre zuvor, beutet Sie Golitzen; Musik: Quincy Jones: Schnitt: Ted J. Milo; Musik: Bernard Herrmann; Schnitt: George gels Film die kinematographiechen Reize aus. die sich Kent; Darsteller: Gregory Peck, Diane Baker, Richard Lester hat Werbespots und Beatles Film»? ge¬ Es hebt forciert filmisch an. Ein Banküberfall, dessen De¬ Walter Matthau Die sechziger Jahre sind auch Hollywoods Zeit des politi¬ Tomasini; Darsteller: Anthony Perklns. Janet tails simultan auf zerteilter split-screen ablauten. Dann aus der persongewordenen Konfrontation von Provinz dreht. „The Knack" erzählt eine Komödie die von Molieru Leigh, Vera Miles, John Gavin und Metropole ergeben. Grenzenlos cool, stoisch, gelas¬ schen Films. Seine drei Spielarten heißen Farce, Thriller oder Molnar stammen könnte, auf Vordermann gebrach! jedoch gelten Jewisons Absichten schönen Menschen, Ein Mann fällt aus der 27. Etage zu Tode. Der Zeuge, ein und Aufdeckungsdrama Der dritten, kritischen Kategone die in schönem Dekor mit erotischer Lust kriminalistische sen und unaufhaltsam gerät Deputy-Sherfff Coogan aus mit modischen kleinen Verrücktheiten aus dem Geist bei Ein Kameraflug durch Tucson, Arizona, der in einem Arizona (bewährt mit Steteon und dem Aussehen Mr. Atomwissenschaftler, hat durch den Schock sein Ge¬ gehört „The Best Man" zu. Was geht zwischen den eh¬ medial yernwkteien Camaby-Stroet Gags überall, m Katz-und-Maus-Partien (und natürlich Schach vor Kamin¬ dächtnis verloren. .Mirage" handelt vom Versuch des renwerten Reden eines Parteikonvents vor sich, der den dunklen Raum mit ebensolchen Begierden landet^ Eine flammen) spielen Miss Dunaway als Detektivin, Mr. CUnt Eastwoods) bei der erweiterten Ausübung seines Leben wie im Film Also <-ign«t dem „unverschämt revo¬ Hauptdarstellerin. die mitten im Film ausgelöscht wird. Jobs, einen Killer zu jagen in eine ferne, lasterhafte zyni¬ traumaüsierten Helden, die Wahrheit über sich zu er¬ Kandidaten fürs Amt des US-Präsidenten ermittelt?
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    Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in.
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S

    Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S

    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
  • CED Digest, Vol. 7

    CED Digest, Vol. 7

    ************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures.