Movie Museum JULY 2006 COMING ATTRACTIONS

Total Page:16

File Type:pdf, Size:1020Kb

Movie Museum JULY 2006 COMING ATTRACTIONS Movie Museum JULY 2006 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Two by Vincent Sherman OLD ACQUAINTANCE ALL THROUGH THE THE GARMENT JUNGLE OLD ACQUAINTANCE ALL THROUGH THE (1943) NIGHT (1942) (1957) (1943) NIGHT (1942) with Humphrey Bogart. with Lee J. Cobb. with Humphrey Bogart. with Bette Davis, Directed by Vincent Sherman. Directed by Vincent Sherman. with Bette Davis, Miriam Hopkins, Gig Young, Miriam Hopkins, Gig Young, 1, 4:30 & 8pm John Loder, Dolores Moran, 1, 4:30 & 8pm 12:30, 3:30 & 6:30pm John Loder, Dolores Moran, ----------------------------------- Philip Reed, Roscoe Karns, ----------------------------------- ------------------------- Philip Reed, Roscoe Karns, FLIGHT FROM Ann Revere. FLIGHT FROM COUNSELLOR-AT-LAW Ann Revere. DESTINY (1941) DESTINY (1941) (1933) with Geraldine Fitzgerald, Directed by with Geraldine Fitzgerald. with John Barrymore, Directed by Thomas Mitchell. Vincent Sherman. Directed by Vincent Sherman. Vincent Sherman. Vincent Sherman. Directed by William Wyler. 3 & 6:30pm Only 6 2, 4, 6 & 8pm 7 3 & 6:30pm Only 8 2, 5 & 8pm 9 2, 4, 6 & 8pm 10 Terry-Thomas' Birthday Bastille Day Forest Whitaker's Birthday Ginger Rogers / Vincent MISHIMA BLUE MURDER AT DEATH IN A FRENCH THE CRYING GAME Sherman Birthday 2 for 1 (1985) ST. TRINIAN'S GARDEN (1992-British) TOM DICK AND HARRY in Japanese/English with (1957-British) aka Péril en la demeure in widescreen (1941) English subtitles & (1985-French) with Forest Whitaker, Stephen with Ginger Rogers. in widescreen Directed by Garson Kanin. with Terry-Thomas, George in French w/English subtitles Rea, Miranda Richardson, Jim with Ken Ogata, Masayuki Cole, Joyce Grenfell, Lionel & in widescreen Broadbent, Adrian Dunbar, PLUS Shionoya, Hiroshi Mikami. Jeffries, Eric Barker, Lisa with Anémone, Richard Jaye Davidson. Gastoni, Alastair Sim. Bohringer, Michel Piccoli. UNDERGROUND (1941) Written and Directed by Directed by Directed by Directed by with Jeffrey Lynn, Philip Dorn. Neil Jordan. Paul Schrader. Frank Launder. Michel Deville. Directed by Vincent Sherman. 12:30, 3, 5:30 & 8pm 2, 4, 6 & 8pm 13 2, 4, 6 & 8pm 14 2, 4, 6 & 8pm 15 12:30, 4 & 7:30pm 16 17 BORDER INCIDENT THE CRYING GAME HIS KIND OF WOMAN Paul Schrader's Birthday THE YOUNG (1949) (1992-British) (1951) MISHIMA PHILADELPHIANS in widescreen (1985) (1959) with Ricardo Montalban. in Japanese/English with Directed by Anthony Mann. with Robert Mitchum, in widescreen with Forest Whitaker, Stephen Jane Russell, Vincent Price, English subtitles & with Paul Newman, Barbara in widescreen 12:30, 3:30 & 6:30pm Rea, Miranda Richardson, Jim Tim Holt, Raymond Burr, Rush, Alexis Smith, Brian Keith, with Ken Ogata, Masayuki ---------------------------------- Broadbent, Adrian Dunbar, Charles McGraw, Marjorie Diane Brewster, Billie Burke, Shionoya, Hiroshi Mikami. SEVEN MEN FROM Jaye Davidson. Reynolds, Jim Backus. John Williams, Robert Vaughn. NOW (1956) Written and Directed by Directed by Directed by with Randolph Scott, Lee Directed by Neil Jordan. John Farrow. Vincent Sherman. Marvin, Gail Russell. Paul Schrader. Directed by Budd Boetticher. 2, 4, 6 & 8pm 12:30, 3, 5:30 & 8pm 12:30, 3, 5:30 & 8pm 12:30, 3, 5:30 & 8pm 20 21 22 23 2, 5 & 8pm 24 THE UNFAITHFUL THE BLACK BOOK BORDER INCIDENT THE BLACK BOOK NORA PRENTISS (1947) (1949) (1949) (1949) (1947) with Robert Cummings. with Ricardo Montalban. with Robert Cummings. with Ann Sheridan, Directed by Anthony Mann. Directed by Anthony Mann. Directed by Anthony Mann. with Ann Sheridan, Lew Ayres, Zachary Scott, 12:30, 3:30 & 6:30pm 12:30, 3:30 & 6:30pm 12:30, 3:30 & 6:30pm Kent Smith, Bruce Bennett, Eve Arden, Steven Geray, ---------------------------------- ---------------------------------- ---------------------------------- Robert Alda, Rosemary John Hoyt. Laird Cregar's Birthday Budd Boetticher's Birthday I WAKE UP DeCamp, John Ridgely, I WAKE UP SEVEN MEN FROM SCREAMING Robert Arthur. SCREAMING NOW (1941) (1956) with Betty Grable, Laird Directed by (1941) Directed by w/Randolph Scott, Lee Marvin. Cregar, Victor Mature. Vincent Sherman. with Betty Grable, Laird Vincent Sherman. Cregar, Victor Mature. Directed by Budd Boetticher. D: H. Bruce Humberstone. 2, 4, 6 & 8pm 2, 5 & 8pm 2, 4, 6 & 8pm 27 2, 5 & 8pm 28 2, 5 & 8pm 29 30 31 $5 General Admission / $4 Members All films will be presented Reservations Recommended. Call 735-8771. with digital sound. MOVIE MUSEUM July 2006 $5 General Admission / $4 Members COMING ATTRACTIONS Reservations Recommended. Call 735-8771. Celebrating Vincent Sherman’s 100th Birthday BLUE MURDER AT ST. TRINIAN’S (1957-British) 86m *** D: Frank Launder. Terry- Vincent Sherman (born Abram Orovitz on July 16, 1906 in Vienna, Georgia) was the Thomas, George Cole, Joyce Grenfell, Lionel Jeffries, Eric Barker, Lisa Gastoni, Ferdy last of the good, dependable Hollywood studio-system directors. Famous for evoking Mayne, Alastair Sim. The infamous schoolgirls of St. Trinian’s cheat at a competition powerful performances from strong-willed actresses such as Bette Davis, Joan Crawford and win a trip to Rome, spreading their unique brand of destructive comic mayhem to and Rita Hayworth (and for romancing them), he passed away June 18, less than a the Continent. Their headmistress (Sim in drag) in jail, a jewel thief (Jeffries), dis- month short of his 100th birthday. The following (in the order we are screening them) are guised as a St. Trinian’s mistress, goes along for the ride organized by shady bus some of his best films. We also recommend ADVENTURES OF DON JUAN (1948), THE driver Terry-Thomas. Laughs a-plenty! Based on Ronald Searle’s cartoons about HARD WAY (1942), HARRIET CRAIG (1950), THE DAMNED DON’T CRY (1950) and awful schoolgirls. Gap-toothed cad Terry-Thomas was born on July 14, 1911. THE HASTY HEART (1950). DEATH IN A FRENCH GARDEN aka Péril en la demeure (1985-French) 100m *** ALL THROUGH THE NIGHT (1942) 107m *** D: Vincent Sherman. Humphrey Bogart, D: Michel Deville. Anémone, Richard Bohringer, Nicole Garcia, Christophe Malavoy, Conrad Veidt, Kaaren Verne, Jane Darwell, Frank McHugh, Peter Lorre, Judith Anderson, Michel Piccoli, Anaïs Jeanneret. Julia (Garcia), the seductive and scheming wife of William Demarest, Jackie Gleason, Phil Silvers, Barton MacLane. Bogart is a cheesecake- Graham (Piccoli), hires guileless David (Malavoy) to teach guitar to her attractive loving New York gangster who uncovers a nest of effete 5th Columnist Nazis (Veidt, Lorre teenage daughter. David is pursued not just by Julia, who wants to use him to get rid and Anderson) plotting to blow up a new US battleship. MacLane heads the clueless of her husband, but is preyed upon by the kinky woman next door and by a hit man. cops in this highly entertaining spy farce that allows a great cast to pull out the stops. A spicy mix of erotica, stylish photography and classical music, this rarely screened film is a feast for the senses. Happy Bastille Day! FLIGHT FROM DESTINY (1941) 73m *** D: Vincent Sherman. Geraldine Fitzgerald, Thomas Mitchell, Jeffrey Lynn, James Stephenson, Mona Maris, Jonathan Hale. Mitchell THE CRYING GAME (1992-British) 112m *** ½ D: Neil Jordan. Stephen Rea, Miranda is terrific as Prof. Todhunter, a philosophy instructor who has only six months to live. Richardson, Forest Whitaker, Jim Broadbent, Ralph Brown, Adrian Dunbar, Jaye Obsessed by the idea of committing a “social murder” as his last act, he sets his sights on Davidson. This strikingly original and adult story features Rea as an IRA volunteer someone who is not a criminal but without whom the world would be a much better place. who helps capture a British soldier (Whitaker) only to befriend him and later become An interesting, well-acted and directed B film. involved with his lover. Both thriller and romance, director Neil Jordan’s powerful and poetic screenplay won an Oscar. Forest Whitaker was born July 15, 1961 OLD ACQUAINTANCE (1943) 110m *** D: Vincent Sherman. Bette Davis, Miriam Hopkins, Gig Young, John Loder, Dolores Moran, Philip Reed, Roscoe Karns, Ann Re- TOM DICK AND HARRY (1941) 86m *** ½ D: Garson Kanin. Ginger Rogers, George vere. Davis and Hopkins are brilliantly matched as childhood friends who evolve a per- Murphy, Alan Marshal, Burgess Meredith, Joe Cunningham, Jane Seymour, Phil Sil- sonal and professional rivalry lasting 20 years. Overall, Hopkins’ character comes off vers. Wide-eyed Ginger has a comic dilemma choosing between three anxious suit- best, but Davis slept with the director, making the fur fly both on and off the screen. Well- ors: sincere Murphy, wealthy Marshal and nonconformist Meredith. Silvers has a acted and highly entertaining. hilarious role as an obnoxious ice cream man. A popular and funny film. Ginger Rogers was born July 16, 1911. THE GARMENT JUNGLE (1957) 88m *** D: Vincent Sherman and Robert Aldrich (un- credited). Lee J. Cobb, Kerwin Matthews, Gia Scala, Richard Boone, Valerie French, Rob- MISHIMA (1985) 120m *** D: Paul Schrader. Ken Ogata, Masayuki Shionoya, Hiroshi ert Loggia, Joseph Wiseman, Harold J. Stone. Hard-hitting drama about the fight to union- Mikami, narrated by Roy Scheider. This ambitious, highly stylized drama is about ize the NYC garment trade features Cobb as a women’s dress entrepreneur who pays Japan’s most controversial post WW2 author, playwright, actor, director and milita- ruthless gangster Boone to keep unions out of his shop. Violent, pacy and fascinatingly rist, Yukio Mishima. His passion to merge life and art led to his ritualistic suicide in detailed, this film echoes ON THE WATERFRONT and features many fine performances. 1970. Scenes of Mishima’s life (shot in black and white) are contrasted with vivid Great noir-ish photography by Joseph Biroc. dramatizations (in color) of key fictional works that grappled with his emotional cri- ses. Paul Schrader was born July 22, 1946. COUNSELLOR-AT-LAW (1933) 82m **** D: William Wyler. John Barrymore, Bebe Daniels, Doris Kenyon, Onslow Stevens, Isabel Jewell, Melvyn Douglas, Thelma Todd, HIS KIND OF WOMAN (1951) 120m *** D: John Farrow.
Recommended publications
  • Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
    Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When
    [Show full text]
  • Filmindex Lxxiv
    Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char­ Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even­ tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed­ (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin­ grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le­ I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J.
    [Show full text]
  • Dear Patrons & Members
    A Community Treasure Summer 2016 relit the marquee and soon after, launched our make all the difference to the future of our Dear Patrons & Members, Take-a-Seat campaign. At that time, this $8M theatre. You can view the plans and naming A lot can change in three months, and so much building expansion seemed completely outside opportunities or download forms to make a gift has changed at our organization since our last the realm of possibility or even likelihood. But, at www.bankonthearts.org. (Want to discuss quarterly newsletter! here we are, $5M into our campaign and going a campaign gift? Give us a call during regular strong. business hours or email me or our Development If you visit the Colonial today, you’ll notice Director at [email protected].) four gargantuan popcorn containers on your We are working harder than ever to fundraise at way into the theatre. Those are remnants of this time because there is still a lot of prover- In these months leading up to the grand our public Groundbreaking ceremony in April. bial road to go. Meanwhile, some interesting opening of the new wing of our theatre, we Thanks to those of you who came out for the discussions about future film programming are will continue to bring you seven days of film fun! (Those who missed it can see video of percolating in our office. programming, great live performers, and the the event at www.bankonthearts.org) Once annual events like Blobfest (July 8-10) that you inside our lobby, you can now see signs of the This is a transformational time for the Colonial know and love.
    [Show full text]
  • 53 Feature Photography by Jerry Metellus
    FEATURE PHOTOGRAPHY BY JERRY METELLUS In this, Luxury's first ever “Power Influencer” issue, we present to you an impressive array of individuals who’ve been integral in enriching our community in the areas of gaming, education, arts and culture, hospitality, philanthropy and development. APRIL 2016 | LUXURYLV.COM 53 FEATURE | POWER INFLUENCER STRATEGIC THINKING PROCESS Donald Snyder’s success is a result of taking tough jobs, solving problems and building consensus BY MATT KELEMEN Donald Snyder left his position as acting president In a city where mavericks traditionally played with of the University of Nevada, Las Vegas at the end of their cards close to their chests, Snyder made it a 2015 to make way for incoming president, Len Jessup, point always to lay his on the table face up. Although but he continues to serve as presidential adviser for he arrived in Vegas with his family via Reno, Nev., as strategic initiatives. president of First Interstate Bank—which later was consolidated into Wells Fargo—his experience coming The co-founder of Bank of Nevada and prime mover into an unfamiliar situation and building consensus to behind the development of The Smith Center for the tackle tough problems worked to his benefit in the still- Performing Arts has been active with the university young city. since shortly after arriving in Las Vegas in 1987, but that initial involvement only would be the beginning of what “A lot of what I’ve done over the years I categorize would become a wide spectrum of community service more as community building,” he says, crediting his and philanthropic endeavors.
    [Show full text]
  • Dvds - Now on DVD, Glenda Farrell As Torchy Blane - Nytimes.Com 5/10/10 3:08 PM
    DVDs - Now on DVD, Glenda Farrell as Torchy Blane - NYTimes.com 5/10/10 3:08 PM Welcome to TimesPeople TimesPeople recommended: Sex & Drugs & the Spill 3:08Recommend PM Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Get Home Delivery Log In Register Now Search All NYTimes.com DVD WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies, People and Showtimes by ZIP Code More in Movies » In Theaters The Critics' On DVD Tickets & Trailers Carpetbagger Picks Showtimes DVDS B-Movie Newshound: Hello, Big Boy, Get Me Rewrite! Warner Home Video Glenda Farrell with Tom Kennedy, left, and Barton MacLane in “Torchy Blane in Chinatown” (1939). By DAVE KEHR Published: May 7, 2010 SIGN IN TO RECOMMEND The Torchy Blane Collection TWITTER Enlarge This Image “B movie” is now SIGN IN TO E- a term routinely MAIL applied to PRINT essentially any SHARE low-budget, vaguely disreputable genre film. But it used to mean something quite specific. During the Great Depression MOST POPULAR exhibitors began offering double E-MAILED BLOGGED SEARCHED VIEWED MOVIES features in the hope of luring back their diminished audience. The 1. 10 Days in a Carry-On program would consist of an A picture, 2. Tell-All Generation Learns to Keep Things Offline with stars, conspicuous production 3. The Moral Life of Babies Shout! Factory and New Horizons Pictures 4. Paul Krugman: Sex & Drugs & the Spill Youth in revolt: P. J. Soles, center, values and a running time of 80 5.
    [Show full text]
  • Official Announcement - January 26 - February 1 - 1941
    Prairie View A&M University Digital Commons @PVAMU PV Week Academic Affairs Collections 1-26-1941 Official Announcement - January 26 - February 1 - 1941 Prairie View State College Follow this and additional works at: https://digitalcommons.pvamu.edu/pv-announcement Recommended Citation Prairie View State College, "Official Announcement - January 26 - February 1 - 1941" (1941). PV Week. 636. https://digitalcommons.pvamu.edu/pv-announcement/636 This Conference Proceeding is brought to you for free and open access by the Academic Affairs Collections at Digital Commons @PVAMU. It has been accepted for inclusion in PV Week by an authorized administrator of Digital Commons @PVAMU. For more information, please contact [email protected]. ************************************************************* **************-<**¥*x***************************************** ******** PRAIRIE VIEW STATE COLLEGE ******** ******* ******* ****** "0L Q WEEKLY CALENDAR NO 17 ****** ******* ******* ******** January 26 - February 1, 1941 ******** ***********>.*-:<>,;****************************** **************** *************************** ************* *****************>.*** SUNDAY. JANUARY 26 9;00 A - Sunday School 11:00 A M - Morning Worship: PERSONAL RESPONSIBILITY - College Chaplain 7:00 P M - Vesper - Faculty Debate - RESOLVED: THAT TEXAS SHOULD IN­ CREASE THE TAX ON NATURAL RESOURCES Affirmative Negative R W Hilliard J 0 Hopson H E Wright R A Smith Mrs M A Sanders Miss A L Sheffield Miss T. L Cunningham, Librarian Miss C Bradley, Librarian MONDAY. JANUARY 27
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • When Cultures Collide: Leading Across Cultures, Third Edition by Richard D
    When Cultures Collide: Leading Across Cultures, Third Edition by Richard D. Lewis Nicholas Brealey Publishing. (c) 2006. Copying Prohibited. Reprinted for Kristen Dammers, Sapient [email protected] All rights reserved. Reproduction and/or distribution in whole or in part in electronic,paper or other forms without written permission is prohibited. When Cultures Collide: Leading Across Cultures, Third Edition Chapter 13: Britain Overview For decades the British film industry, enriched by the talents of such actors as Alec Guinness, Peter O'Toole, John Gielgud, Ralph Richardson, Alastair Sim, George Cole and Charles Laughton, has put the typical Englishman on the screen for the world to see. The BBC, in such admirable programs as Upstairs, Downstairs and Yes, Minister, has reinforced the image. The Englishman dresses in tweeds or a three-piece pin-striped suit and a Burberry raincoat on rainy days. He wears a bowler hat, carries a tightly furled, black umbrella with a cane handle and has a pink newspaper tucked under his left armpit. He goes to church on Sunday mornings and eats roast beef with Yorkshire pudding for Sunday lunch. He is a man of principle, insists on fair play for underdogs, does things in a proper manner and shows more affection for horses, cats and dogs than for children, foxes and grouse. He probably went to Eton and Oxford (Cambridge?) and frequents Ascot, Wimbledon, Twickenham, Lord's and Wentworth. He believes in the Monarchy, the Empire and the Conservative Party. When not in his Club (no ladies allowed), he sits in the local pub with gardeners and game wardens, with whom he sips warm beer called real ale.
    [Show full text]
  • 1947-05-02, [P ]
    Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic­ A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin­ Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene­ good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu­ On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con­ Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film.
    [Show full text]
  • Copyright by Colleen Anne Hynes 2007
    Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger.
    [Show full text]
  • "Where There Is Homosexuality, There Is Often Backlash, Sickness, Chaos, Imprisonment
    "Where there is homosexuality, there is often backlash, sickness, chaos, imprisonment.. .Yet there is also intimacy, acceptance, health, and an abundance oflove-aspects of homosexual identity that are often denied, or perhaps not yet realized, by Irish society." SEXUALITY, SICKNESS, SILENCE: The Gay Man in Contemporary Irish Narrative CAITLIN FITZGERALD THIS PAPER INVESTIGATES REPRESENTATIONS OF MALE HOMOSEXUALITY IN CONTEM- PORARY IRISH NARRATIVES, EXPLORING THE PROGRESSION OF HOMOSEXUALITY IN IRELAND AS IT HAS MOVED FROM A SUPPRESSED CRIME TO A CONFIDENTLY ASSERTED IDENTITY. DOES INCLUSION OF HOMOSEXUALITY IN NARRATIVE NEED TO SUBSCRIBE TO EXPLICIT, "IN-YOUR-FACE" FOREGROUNDING IN ORDER TO BE IMPORTANT TO THAT NARRATIVE? DOES A GAY VOICE IN CONTEMPORARY IRISH NARRATIVE HAVE TO BE THE LOUDEST IN ORDER TO SIGNIFY ASSERTION OF THE HOMOSEXUAL IDENTITY? M UST GAY ARTISTS BEAR THE BURDEN OF THE OPPRESSIVE PAST IN ADDRESSING HO- MOSEXUALITY IN THEIR WORK, OR IS IT UNFAIR TO PLACE SUCH C A-T E G O R I Z AT I O N S AND RESTRICT IONS ON ART? THESE QUESTIONS ARE ADDRESSED THROUGH THE CUL- TURAL AND HISTORICAL CONTEXT OF HOMOSEXUALITY IN IRELAND, LOOKING AT THREE DIFFERENT CONTEMPORARY IRISH NARRATIVES THAT FEATURE HOMOSEXUAL- ITY! COLM TOIBIN'S THE BLACKWATER LIGHTSHIP, KEITH RIDGWAY'S THE LONG FALLING, AND NEIL JORDAN'S FILM THE CRYING GAME. "How do artists depicting homosexuality situate themselves in a nation where, until 1993, gays were considered criminals?" How do artists depicting homosexuality situate themselves and powerlessness,"1 the Irish Gay Rights Movement in a nation where, until 1993, gays were considered crimi- (IGRM) benefited from increasingly progressive, reform- nals? While this recent shift in the national definition of based politics in Ireland and was able to grow and assert it- gay identity in Ireland might lead us to expect a dearth of self as a legitimate civil rights movement.
    [Show full text]