Movie Museum JULY 2006 COMING ATTRACTIONS
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Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When -
Filmindex Lxxiv
Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J. -
Dear Patrons & Members
A Community Treasure Summer 2016 relit the marquee and soon after, launched our make all the difference to the future of our Dear Patrons & Members, Take-a-Seat campaign. At that time, this $8M theatre. You can view the plans and naming A lot can change in three months, and so much building expansion seemed completely outside opportunities or download forms to make a gift has changed at our organization since our last the realm of possibility or even likelihood. But, at www.bankonthearts.org. (Want to discuss quarterly newsletter! here we are, $5M into our campaign and going a campaign gift? Give us a call during regular strong. business hours or email me or our Development If you visit the Colonial today, you’ll notice Director at [email protected].) four gargantuan popcorn containers on your We are working harder than ever to fundraise at way into the theatre. Those are remnants of this time because there is still a lot of prover- In these months leading up to the grand our public Groundbreaking ceremony in April. bial road to go. Meanwhile, some interesting opening of the new wing of our theatre, we Thanks to those of you who came out for the discussions about future film programming are will continue to bring you seven days of film fun! (Those who missed it can see video of percolating in our office. programming, great live performers, and the the event at www.bankonthearts.org) Once annual events like Blobfest (July 8-10) that you inside our lobby, you can now see signs of the This is a transformational time for the Colonial know and love. -
53 Feature Photography by Jerry Metellus
FEATURE PHOTOGRAPHY BY JERRY METELLUS In this, Luxury's first ever “Power Influencer” issue, we present to you an impressive array of individuals who’ve been integral in enriching our community in the areas of gaming, education, arts and culture, hospitality, philanthropy and development. APRIL 2016 | LUXURYLV.COM 53 FEATURE | POWER INFLUENCER STRATEGIC THINKING PROCESS Donald Snyder’s success is a result of taking tough jobs, solving problems and building consensus BY MATT KELEMEN Donald Snyder left his position as acting president In a city where mavericks traditionally played with of the University of Nevada, Las Vegas at the end of their cards close to their chests, Snyder made it a 2015 to make way for incoming president, Len Jessup, point always to lay his on the table face up. Although but he continues to serve as presidential adviser for he arrived in Vegas with his family via Reno, Nev., as strategic initiatives. president of First Interstate Bank—which later was consolidated into Wells Fargo—his experience coming The co-founder of Bank of Nevada and prime mover into an unfamiliar situation and building consensus to behind the development of The Smith Center for the tackle tough problems worked to his benefit in the still- Performing Arts has been active with the university young city. since shortly after arriving in Las Vegas in 1987, but that initial involvement only would be the beginning of what “A lot of what I’ve done over the years I categorize would become a wide spectrum of community service more as community building,” he says, crediting his and philanthropic endeavors. -
Dvds - Now on DVD, Glenda Farrell As Torchy Blane - Nytimes.Com 5/10/10 3:08 PM
DVDs - Now on DVD, Glenda Farrell as Torchy Blane - NYTimes.com 5/10/10 3:08 PM Welcome to TimesPeople TimesPeople recommended: Sex & Drugs & the Spill 3:08Recommend PM Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Get Home Delivery Log In Register Now Search All NYTimes.com DVD WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies, People and Showtimes by ZIP Code More in Movies » In Theaters The Critics' On DVD Tickets & Trailers Carpetbagger Picks Showtimes DVDS B-Movie Newshound: Hello, Big Boy, Get Me Rewrite! Warner Home Video Glenda Farrell with Tom Kennedy, left, and Barton MacLane in “Torchy Blane in Chinatown” (1939). By DAVE KEHR Published: May 7, 2010 SIGN IN TO RECOMMEND The Torchy Blane Collection TWITTER Enlarge This Image “B movie” is now SIGN IN TO E- a term routinely MAIL applied to PRINT essentially any SHARE low-budget, vaguely disreputable genre film. But it used to mean something quite specific. During the Great Depression MOST POPULAR exhibitors began offering double E-MAILED BLOGGED SEARCHED VIEWED MOVIES features in the hope of luring back their diminished audience. The 1. 10 Days in a Carry-On program would consist of an A picture, 2. Tell-All Generation Learns to Keep Things Offline with stars, conspicuous production 3. The Moral Life of Babies Shout! Factory and New Horizons Pictures 4. Paul Krugman: Sex & Drugs & the Spill Youth in revolt: P. J. Soles, center, values and a running time of 80 5. -
Official Announcement - January 26 - February 1 - 1941
Prairie View A&M University Digital Commons @PVAMU PV Week Academic Affairs Collections 1-26-1941 Official Announcement - January 26 - February 1 - 1941 Prairie View State College Follow this and additional works at: https://digitalcommons.pvamu.edu/pv-announcement Recommended Citation Prairie View State College, "Official Announcement - January 26 - February 1 - 1941" (1941). PV Week. 636. https://digitalcommons.pvamu.edu/pv-announcement/636 This Conference Proceeding is brought to you for free and open access by the Academic Affairs Collections at Digital Commons @PVAMU. It has been accepted for inclusion in PV Week by an authorized administrator of Digital Commons @PVAMU. For more information, please contact [email protected]. ************************************************************* **************-<**¥*x***************************************** ******** PRAIRIE VIEW STATE COLLEGE ******** ******* ******* ****** "0L Q WEEKLY CALENDAR NO 17 ****** ******* ******* ******** January 26 - February 1, 1941 ******** ***********>.*-:<>,;****************************** **************** *************************** ************* *****************>.*** SUNDAY. JANUARY 26 9;00 A - Sunday School 11:00 A M - Morning Worship: PERSONAL RESPONSIBILITY - College Chaplain 7:00 P M - Vesper - Faculty Debate - RESOLVED: THAT TEXAS SHOULD IN CREASE THE TAX ON NATURAL RESOURCES Affirmative Negative R W Hilliard J 0 Hopson H E Wright R A Smith Mrs M A Sanders Miss A L Sheffield Miss T. L Cunningham, Librarian Miss C Bradley, Librarian MONDAY. JANUARY 27 -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
When Cultures Collide: Leading Across Cultures, Third Edition by Richard D
When Cultures Collide: Leading Across Cultures, Third Edition by Richard D. Lewis Nicholas Brealey Publishing. (c) 2006. Copying Prohibited. Reprinted for Kristen Dammers, Sapient [email protected] All rights reserved. Reproduction and/or distribution in whole or in part in electronic,paper or other forms without written permission is prohibited. When Cultures Collide: Leading Across Cultures, Third Edition Chapter 13: Britain Overview For decades the British film industry, enriched by the talents of such actors as Alec Guinness, Peter O'Toole, John Gielgud, Ralph Richardson, Alastair Sim, George Cole and Charles Laughton, has put the typical Englishman on the screen for the world to see. The BBC, in such admirable programs as Upstairs, Downstairs and Yes, Minister, has reinforced the image. The Englishman dresses in tweeds or a three-piece pin-striped suit and a Burberry raincoat on rainy days. He wears a bowler hat, carries a tightly furled, black umbrella with a cane handle and has a pink newspaper tucked under his left armpit. He goes to church on Sunday mornings and eats roast beef with Yorkshire pudding for Sunday lunch. He is a man of principle, insists on fair play for underdogs, does things in a proper manner and shows more affection for horses, cats and dogs than for children, foxes and grouse. He probably went to Eton and Oxford (Cambridge?) and frequents Ascot, Wimbledon, Twickenham, Lord's and Wentworth. He believes in the Monarchy, the Empire and the Conservative Party. When not in his Club (no ladies allowed), he sits in the local pub with gardeners and game wardens, with whom he sips warm beer called real ale. -
1947-05-02, [P ]
Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film. -
Copyright by Colleen Anne Hynes 2007
Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger. -
"Where There Is Homosexuality, There Is Often Backlash, Sickness, Chaos, Imprisonment
"Where there is homosexuality, there is often backlash, sickness, chaos, imprisonment.. .Yet there is also intimacy, acceptance, health, and an abundance oflove-aspects of homosexual identity that are often denied, or perhaps not yet realized, by Irish society." SEXUALITY, SICKNESS, SILENCE: The Gay Man in Contemporary Irish Narrative CAITLIN FITZGERALD THIS PAPER INVESTIGATES REPRESENTATIONS OF MALE HOMOSEXUALITY IN CONTEM- PORARY IRISH NARRATIVES, EXPLORING THE PROGRESSION OF HOMOSEXUALITY IN IRELAND AS IT HAS MOVED FROM A SUPPRESSED CRIME TO A CONFIDENTLY ASSERTED IDENTITY. DOES INCLUSION OF HOMOSEXUALITY IN NARRATIVE NEED TO SUBSCRIBE TO EXPLICIT, "IN-YOUR-FACE" FOREGROUNDING IN ORDER TO BE IMPORTANT TO THAT NARRATIVE? DOES A GAY VOICE IN CONTEMPORARY IRISH NARRATIVE HAVE TO BE THE LOUDEST IN ORDER TO SIGNIFY ASSERTION OF THE HOMOSEXUAL IDENTITY? M UST GAY ARTISTS BEAR THE BURDEN OF THE OPPRESSIVE PAST IN ADDRESSING HO- MOSEXUALITY IN THEIR WORK, OR IS IT UNFAIR TO PLACE SUCH C A-T E G O R I Z AT I O N S AND RESTRICT IONS ON ART? THESE QUESTIONS ARE ADDRESSED THROUGH THE CUL- TURAL AND HISTORICAL CONTEXT OF HOMOSEXUALITY IN IRELAND, LOOKING AT THREE DIFFERENT CONTEMPORARY IRISH NARRATIVES THAT FEATURE HOMOSEXUAL- ITY! COLM TOIBIN'S THE BLACKWATER LIGHTSHIP, KEITH RIDGWAY'S THE LONG FALLING, AND NEIL JORDAN'S FILM THE CRYING GAME. "How do artists depicting homosexuality situate themselves in a nation where, until 1993, gays were considered criminals?" How do artists depicting homosexuality situate themselves and powerlessness,"1 the Irish Gay Rights Movement in a nation where, until 1993, gays were considered crimi- (IGRM) benefited from increasingly progressive, reform- nals? While this recent shift in the national definition of based politics in Ireland and was able to grow and assert it- gay identity in Ireland might lead us to expect a dearth of self as a legitimate civil rights movement.