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Filabres-Alhamilla
Guide Tourist-Cinematographic Route Filabres-Alhamilla SCENE TAKE Una Comarca de cine... Guide Tourist-Cinematographic Route Filabres-Alhamilla In memory of the movie world in Almeria as a prime cultural legacy and a present and future tourist asset. To all the tourists and visitors who want to enjoy a region full of light, colours and originality. Promoted and edited by Commonwealth of Municipalities for the Development of Interior Towns Idea and general coordination José Castaño Aliaga, manager of the Tourist Plan of Filabres-Alhamilla Malcamino’s Route design, texts, documentation, tourist information, stills selection, locations, docu- mentary consultancy, Road Book creation, maps and GPS coordinates. Malcamino’s Creative direction www.oncepto.com Design and layout Sonja Gutiérrez Front-page picture Sonja Gutiérrez Printing Artes Gráficas M·3 Legal deposit XXXXXXX Translation Itraductores Acknowledgement To all the municipalities integrated in the Commonwealth of Municipalities for the De- velopment of Interior Towns: Alcudia de Monteagud, Benitagla, Benizalón, Castro de Fi- labres, Lucainena de las Torres, Senés, Tabernas, Tahal, Uleila del Campo and Velefique Documentation and publications for support and/or interest Almería, Plató de Cine – Rodajes Cinematográficos (1951-2008) – José Márquez Ubeda (Diputación Provincial de Almería) Almería, Un Mundo de Película – José Enrique Martínez Moya (Diputación Provincial de Almería) Il Vicino West – Carlo Gaberscek (Ribis) Western a la Europea, un plato que se sirve frio – Anselmo Nuñez Marqués (Entrelíneas Editores) La Enciclopedia de La Voz de Almería Fuentes propias de Malcamino’s Reference and/or interest Webs www.mancomunidadpueblosdelinterior.es www.juntadeandalucia.es/turismocomercioydeporte www.almeriaencorto.es www.dipalme.org www.paisajesdecine.com www.almeriaclips.com www.tabernasdecine.es www.almeriacine.es Photo: Sonja Gutiérrez index 9 Prologue “Land of movies for ever and ever.. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Moab Area Movie Locations Auto Tours – Discovermoab.Com - 8/21/01 Page 1
Moab Area Movie Locations Auto Tours – discovermoab.com - 8/21/01 Page 1 Moab Area Movie Locations Auto Tours Discovermoab.com Internet Brochure Series Moab Area Travel Council The Moab area has been a filming location since 1949. Enjoy this guide as a glimpse of Moab's movie past as you tour some of the most spectacular scenery in the world. All movie locations are accessible with a two-wheel drive vehicle. Locations are marked with numbered posts except for locations at Dead Horse Point State Park and Canyonlands and Arches National Parks. Movie locations on private lands are included with the landowner’s permission. Please respect the land and location sites by staying on existing roads. MOVIE LOCATIONS FEATURED IN THIS GUIDE Movie Description Map ID 1949 Wagon Master - Argosy Pictures The story of the Hole-in-the-Rock pioneers who Director: John Ford hire Johnson and Carey as wagonmasters to lead 2-F, 2-G, 2-I, Starring: Ben Johnson, Joanne Dru, Harry Carey, Jr., them to the San Juan River country 2-J, 2-K Ward Bond. 1950 Rio Grande - Republic Reunion of a family 15 years after the Civil War. Directors: John Ford & Merian C. Cooper Ridding the Fort from Indian threats involves 2-B, 2-C, 2- Starring: John Wayne, Maureen O'Hara, Ben Johnson, fighting with Indians and recovery of cavalry L Harry Carey, Jr. children from a Mexican Pueblo. 1953 Taza, Son of Cochise - Universal International 3-E Starring: Rock Hudson, Barbara Rush 1958 Warlock - 20th Century Fox The city of Warlock is terrorized by a group of Starring: Richard Widmark, Henry Fonda, Anthony cowboys. -
•Ffirjof: J Reservation Ml Tend Fall Creek Blvd
FEB. 10, 1934 PAGE 8 THE INDIANAPOLIS TIMES 'COTTON CLUB REVUE' IS STAGE PRESENTATION AT PALACE THEATER June Pursell Returns Negro Show Brings Star to City as Stage Star Cast to City for Week 3s \ L ..>.. V k, Former City Girl Headlines Bill at Lyric Theater: ‘Last T- m MII ni I!P ,0^ ‘Eskimo,’ Epic of Arctic, and Record of Natives Is on Round-Up’ Is Movie Presentation. jjp|raj Screen: ‘Carolina' Is Held Over. Alter an absence of ten years from this, her home city, during which The “Cotton Club Revue,” direct from the Cotton Club in New York time she has garnered nation-wide fame as a singing star of the stage, City, is on the stage of Loew’s Palace theater this week, and on tht acreen and radio, June Pursell returns to fill an engagement for the cur- screen is “Eskimo.” a drama of life and love among the arctic natives. rent week on the stage of the Lyric theater, sharing headline honors with The "Cotton Club Revue" is an all Negro show presenting Mills Blue the renowned dialect comed’an, Senator" Murphy. rhythm band, conducted by Lucky Millinder with Edgar Hayes at the The screen attraction is Zane■ Grey's "The Last Round-Up,” drama piano, and consists of several acts including Nicodemus "Lazybones him- of the old west, inspired by the popular cowboy song of the same title, self.” Four Flash Devils, “Eight Feet of Syncopation.” Alma Smith, •nd based on Grey's novel, ‘ The Border Legicn.” “dynamic soubrette;” Josie Oiver, “Miss Snake-Hips,” and as a special Possessing beauty and abundant talent. -
Randolph Scott Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Randolph Scott 电影 串行 (大全) When the Daltons Rode https://zh.listvote.com/lists/film/movies/when-the-daltons-rode-3824790/actors The Bounty Hunter https://zh.listvote.com/lists/film/movies/the-bounty-hunter-3649340/actors Fort Worth https://zh.listvote.com/lists/film/movies/fort-worth-3819815/actors 20,000 Men a Year https://zh.listvote.com/lists/film/movies/20%2C000-men-a-year-21527422/actors Coroner Creek https://zh.listvote.com/lists/film/movies/coroner-creek-5172277/actors Heritage of the Desert https://zh.listvote.com/lists/film/movies/heritage-of-the-desert-3134021/actors Buchanan Rides Alone https://zh.listvote.com/lists/film/movies/buchanan-rides-alone-3202739/actors Man in the Saddle https://zh.listvote.com/lists/film/movies/man-in-the-saddle-3220902/actors Rebecca of Sunnybrook https://zh.listvote.com/lists/film/movies/rebecca-of-sunnybrook-farm-2205352/actors Farm Seven Men from Now https://zh.listvote.com/lists/film/movies/seven-men-from-now-677782/actors Ride Lonesome https://zh.listvote.com/lists/film/movies/ride-lonesome-759459/actors Coast Guard https://zh.listvote.com/lists/film/movies/coast-guard-15068453/actors And Sudden Death https://zh.listvote.com/lists/film/movies/and-sudden-death-19427390/actors The Texans https://zh.listvote.com/lists/film/movies/the-texans-3212557/actors Canadian Pacific https://zh.listvote.com/lists/film/movies/canadian-pacific-5030412/actors Decision at Sundown https://zh.listvote.com/lists/film/movies/decision-at-sundown-1392420/actors A Lawless Street https://zh.listvote.com/lists/film/movies/a-lawless-street-935254/actors -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Budd Boetticher:Programme Notes.Qxd
Decision at Sundown USA | 1957 | 78 minutes Credits In Brief Director Budd Boetticher Bart Allison arrives in Sundown planning to kill Tate Kimbrough. Three years earlier he Screenplay Charles Lang (story by believed Kimbrough was responsible for the death of his wife. He finds Kimbrough and Vernon L. Fluharty) warns him he is going to kill him but gets pinned down in the livery stable with his friend Sam by Kimbrough’s stooge Sheriff and his men. When Sam is shot in the back Photography Burnett Guffey after being told he could leave safely, some of the townsmen change sides and disarm Music Heinz Roemheld the Sheriff’s men forcing him to face Allison alone. Taking care of the Sheriff, Allison injures his gun hand and must now face Kimbrough left-handed. Cast Bart Allison Randolph Scott Tate Kimbrough John Carroll Lucy Summerton Karen Steele Ruby James Valerie French Decision At Sundown is a highly unusual Randolph Scott/Budd Boetticher Western in which Scott's ordinarily driven but heroic persona is tainted, twisted, by an irrational, all-consuming hatred. Boetticher keeps the tension high in this mostly static, action-free chamber Western, in which the emotional and philosophical undercurrents of the story are developed slowly and patiently. Scott plays Bart Allison, a man overwhelmed by a desire for revenge. He arrives in the town of Sundown, along with his pal Sam (Noah Beery), after three years of searching for a man named Tate Kimbrough (John Carroll). It's not clear at first why exactly Bart wants revenge, though it's hinted, with increasing pointedness, that it might have something to do with Bart's wife, Mary — which makes it ironic that when Bart and Sam arrive in town, Kimbrough is getting married later that day to local girl Lucy (Karen Steele). -
West Central Texas Council of Governments Regional Hazard Mitigation Plan Update
WEST CENTRAL TEXAS COUNCIL OF GOVERNMENTS REGIONAL HAZARD MITIGATION PLAN UPDATE Planning Participants for Planning Area 1: Taylor County, City of Abilene, Town of Buffalo Gap, Town of Lawn, Town of Merkel, Town of Trent, City of Tuscola, City of Tye, and WCTCOG Maintaining a Safe, Secure and Sustainable Community DRAFT: J ULY 2018 For more information, visit our website at: www.wctcog.org Written comments should be forwarded to: H2O Partners, Inc. P. O. Box 160130 Austin, Texas 78716 [email protected] www.h2opartnersusa.com TABLE OF CONTENTS SECTION 1 – INTRODUCTION Background ........................................................................................................................................................ 1‐1 Scope .................................................................................................................................................................. 1‐3 Purpose .............................................................................................................................................................. 1‐4 Authority ............................................................................................................................................................ 1‐4 Summary of Sections ......................................................................................................................................... 1‐5 SECTION 2 – PLANNING PROCESS Plan Preparation and Development ................................................................................................................. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
Doc Holliday by Robert Hilliard
Doc Holliday By Robert Hilliard Be honest with yourself. When you think about the outlaws and gunfighters of the old west, which one comes to mind first? Well, for me, it has always been Doc Holliday. Here is a man that came into this world with the best intentions, but ended up contracting a disease that not only hit him early in his life, but shaped the type of person he would be until his dying day. John Henry “Doc” Holliday was born on August 14, 1851 in Griffin, Georgia, to Henry Burroughs Holliday and Alice Jane Holliday. He grew up a Southern gentleman and at the age of 21 obtained his Dental degree and moved to St. Louis, Missouri to work with a classmate and setup his practice. Shortly after, Doc was diagnosed with tuberculosis and carried the disease throughout the remainder of his life. Holliday moved around frequently setting up practices in Atlanta, Dallas and points in between. Everywhere he went, his disease would eventually end his practice. Finally, while trying to practice as a dentist in Dallas, Texas, Doc found he had another skill that would aid him in making a living. He became skilled as a gambler. Over the years, Doc found himself engaged in fights and gunfights that would land him in jail for a short period of time. However, Doc managed to gain a reputation, not only as a skilled gambler and gunfighter, but as a person who lived as if today where his last day on earth. Knowing that tuberculosis would eventually do him in, Doc Holliday lived the rest of his days as if he had no fear.