Doc Holliday by Robert Hilliard
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Stagecoach Trail (#36 on the ASRA Topo Trail Map)
Stagecoach Trail (#36 on the ASRA Topo Trail Map) Distance: 2 miles; 1½ hrs. up, ¾ hrs down “Stagecoach Trail to Russell Road” sign. The (hiking) first ¼ mile is the steepest, but it provides good views of the North Fork American River, at Difficulty: Moderate up, easy down several spots on the right. Slope: 8% avg; 23% max. (see below) At about ¼ mile, the trail turns sharply left at the “Stagecoach Trail” sign. As you pause to catch your breath, you can almost hear the echo of Trailhead / Parking: (N38-55-010; W121-02-207) harness bells on horses and the clatter of stage- Trailhead is at confluence area, 1¾ miles south coaches that once traveled this road. of ASRA Park Headquarters. Take Hwy 49 from A short distance up the trail, the graceful arches Auburn south to Old Foresthill Road at the bottom of Mt. Quarries RR Bridge come into view on the of the canyon. Continue straight for ¼ mile and left. A little further along, the appearance of park on the left. Trailhead is just beyond parking ponderosa pine, big leaf maple, interior live oak, area at green gate near kiosk and port-a-potty. blue oak, willow, and Himalayan blackberry bushes signal the first of several riparian Description corridors on the trail. Here you can see water This historic trail offers great, bird’s eye views of running year round, unlike other spots on the the confluence area and American River canyon. trail where it is only visible in winter and spring. Its gradual gradient offers a good aerobic workout A little further on, a narrow unmarked trail known on the way up, climbing 800 ft in 2 miles from the as Tinker’s Cut-off intersects on the left. -
Doc Holliday and Consumptive Identity in the Wild West
‘Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday’ Item Type Book chapter Authors Tankard, Alex Citation Tankard, A. (2014). Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday. In Bolt, D. (Ed.), Changing Social Attitudes Toward Disability (pp. 26-37). London: Routlege. Publisher Routledge Download date 30/09/2021 07:07:53 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/621724 Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday Introduction In 1882, journalists in Colorado interviewed the deadliest gunfighter in the Wild West. John Henry ‘Doc’ Holliday (1851-1887) was a man devoid of fear, reputed to have killed up to fifty men (‘Caught in Denver’, 1882). Yet journalists were astonished to discover he was also a genteel, frail-looking ‘consumptive’ living with incurable tuberculosis. Holliday’s consumptive body fascinated contemporaries – partly because this impairment was traditionally associated with a Romantic, sentimental disabled identity quite incongruous with his brutal reputation, and partly because he seemed physically incapable of violence: one journalist even marvelled that his slender wrists could hold a gun (‘Awful Arizona’, 1882). Yet these early descriptions emphasised above all the elective aspects of his physical presence – his polished manners and exquisite dress and grooming – and presented his consumptive body not as a passive object of pathology or pity but, rather, as an essential component of a persona defined by self-possession, neatness, and ‘a suavity of manner for which he was always noted’ (‘Caught’, 1882). Holliday’s contemporaries delighted in the debonair consumptive gunfighter, but this delight did not last long after his death. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Tombstone, Arizona Shippensburg University
Trent Otis © 2011 Applied GIS with Dr. Drzyzga Tombstone, Arizona Shippensburg University Photo © dailyventure.com. Photographer unknown. Tombstone and the Old West The People Wyatt Earp Virgil and Morgan Earp Tombstone established itself as a boomtown after The tragedy that occurred at Tombstone, Arizona involved Wyatt has been most often Virgil and Morgan Earp are the silver was discovered in a local mine in 1877. It quickly characters who were as interesting as the time period. From characterized as a strict, no nonsense brothers of Wyatt. Virgil held various became a prospering community which attracted all lawmen turned silver prospectors, dentists turned gam- person who prefered to settle disputes law enforcement positions throughout walks of life. blers, outlaws and worse, these men all had their stakes in with words rather than confrontation. his life and was appointed as a Deputy the events at Tombstone. Following are short descriptions U.S Marshal before moving to of these men. Wyatt is arguably one of the most Tombstone. Later on, he was The American Old West has captured the minds and inuential individuals in the Old West. appointed as acting marshal for the imaginations of the American people since the West He encoutered some initial hardship in town after the current marshal was became more civilized in the late 1800s to early 1900s. his life when his rst wife died. accidentally slain by one of the Earp In the early 1880s, a specic event occurred that would Eventually, his sutuation improved and antagonists. capture the essence of the old west in one story. -
Amy Abrams Brandelyn Andres Rudy Arena Vicki Barnes Wilfred Beaupre
Amy Abrams Amy Abrams is an award-winning author, widely-read journalist, literary journal/book editor, and former publishing executive at art magazines (including Antiques in New York City). She has published over 200 stories, contributing to The Wall Street Journal, Art in America, Village Voice Media, Southwest Art, Arizona Highways, and Phoenix Magazine, as well as appeared on TV and radio programs including NPR. She has lectured to university, museum, and writing conference audiences across America including The Walter Cronkite School of Journalism. As a writing workshop leader, she has taught at The Writer’s Center and Writopia in Washington, DC environs.Two new book releases include a novel, The Cage and The Key, and a 212-page illustrated coffee table book, Schenck in the 21st Century: The Myth of the Hero and the Truth of America, which won the 2013 U.S. Literary Award for Fine Arts and True West magazine’s Best of the Western Books for 2014 in Modern Western Art category. As Communications Consultant to corporations, her clients include The George Washington University in Washington, DC. Writing her latest book in a renovated farmhouse in Prescott, she shares her writing knowledge with workshops. More information can be found at www.AmyAbramsWrite.com Brandelyn Andres Brandelyn is a professor of art history at Yavapai College. Her specialties are post-modernism and feminist critical theory. She gave a presentation on photography during the Civil War as part of the OLLI Munch & Learn series in 2017. For the 2016 Yavapai faculty art exhibition, she created an appropriation series which featured historical works of art with contemporary additions. -
The Satire of Puck Magazine 7 Days In
fall/winter 2015 James Bama’s ■ The satire of Puck magazine ■ 7 Days in Glasgow with Buffalo Bill ■ Exploring a new frontier About the cover: to the point BY BRUCE ELDREDGE | Executive Director Beginning on page 4, Emily Wilson shares a glimpse into the photography of western artist James Bama— images like this tepee. MS 243 James Bama Photographic Collection. Gift of the artist. P.243.02459 ©2015 Buffalo Bill Center of the West. Points West is published for members and friends of the Center of the West. Written permission is required to copy, reprint, or distribute Points West materials in any As you enjoy this issue of Points West, take special medium or format. All photographs in Points West are Center of the West photos unless otherwise note of the awards and triumphs the Buffalo Bill noted. Direct all questions about image rights and Center of the West has enjoyed this summer: reproduction to [email protected]. Bibliographies, works cited, and footnotes, etc. ■ 2015 Certificate of Excellence Award from Trip Advisor (third year in a row) are purposely omitted to conserve space. However, ■ #1 Western Museum by True West magazine such information is available by contacting ■ #4 Western Art Museum by True West the editor. Address correspondence to Editor, ■ 41,000 Facebook fans Points West, Buffalo Bill Center of the West, ■ Sports Afield magazine feature with the Draper Natural History Museum in 720 Sheridan Avenue, Cody, Wyoming 82414, or [email protected]. its “The Hunter’s Lair” series ■ Managing Editor | Marguerite House In addition, noted art critic Ed Rothstein with the Wall Street Journal ■ (formerly with the New York Times in which he lauded our “new” Buffalo Bill Assistant Editor | Nancy McClure Museum in 2012), praised our exhibition Painted Journeys: the Art of John ■ Designers | Desirée Pettet, Jessica McKibben Mix Stanley. -
Wyatt Earp by Robert Hilliard
Wyatt Earp By Robert Hilliard One of the greatest legends of the American West, Wyatt Berry Stapp Earp was born on March 19, 1848, in Monmouth, Illinois, the third of five sons born to Nicholas and Virginia Ann Earp. The Civil War broke out when Wyatt was 13 years old. Desperate to leave the family farm in Illinois and find adventure, Earp tried several times to join his two older brothers, Virgil and James, in the Union army. But each time, Wyatt was caught before he ever reached the battlefield, and was returned home. At the age of 17 he finally left his family, now living in California, for a new life along the frontier. He worked hauling freight, and then later was hired to grade track for the Union Pacific Railroad. In his downtime he learned to box and became a respectable gambler. In 1869, Earp returned to the fold of his family, who had made a home in Lamar, Missouri. A new, more settled life seemed to await Earp. After his father resigned as constable of the township, Earp replaced him. By 1870 Wyatt married Urilla Sutherland, the daughter of the local hotel owner, built a house in town and was an expecting father. Suddenly, everything changed. Within a year of their marriage Urilla contracted typhus and died, along with her unborn child. Broken and devastated by his wife's death, Wyatt left Lamar, Missouri and set off on a new life devoid of any kind of discipline. In Arkansas, he was arrested for stealing a horse, but managed to avoid punishment by escaping from his jail cell. -
Masculinity, Aging, Illness, and Death in Tombstone and Logan
ORIGINAL SCIENTIFIC PAPER 791-51 DOI:10.5937/ ZRFFP48-18623 DANIJELA L J. P ETKOVIĆ1 UNIVERSITY OF N IŠ FACULTY OF P HILOSOPHY ENGLISH D EPARTMENT (IM)POSSIBLE MARTYRDOM: MASCULINITY, AGING, ILLNESS, AND DEATH IN TOMBSTONE AND LOGAN ABSTRACT. The title of this paper alludes to Hannah Arendt’s famous claim that in Nazi concentration camps martyrdom was made impossible, for the first time in Western history, by the utter anonymity and meaninglessness of inmates’ deaths (Arendt, 2000, p. 133): the paper, in contrast, examines two contem- porary films which, while intersecting normative/heroic masculinity with debilitating illness and death, allow for the possibility of martyrdom. Tomb- stone and Logan , directed by George P. Cosmatos and James Mangold respectively, depict the last days of such pop culture icons of masculinity as John Henry “Doc” Holliday and James Howlett, aka Logan/Wolverine. The films’ thematic focus on the (protracted) ending of life, which is evident not only in the storylines and dialogues but also in the numerous close-ups of emaciated, bleeding, scarred and prostrate male bodies, afflicted with tuberculosis and cancer-like adamantium poisoning, invites, first, a discus- sion of the relationship between the cinematic representations of normative and disabled masculinities. Specifically, since normative masculinity, as opposed to femininity, is synonymous with physical and mental strength, power and domination – including the control of one’s own body – the focus of this discussion is if, and how, the films depict Doc Holliday and Wolverine as feminized by their failing/disobedient bodies, thus contribut- ing to the cultural construction of gender. Secondly, the paper discusses the halo of martyrdom with which the films’ dying men are rewarded as emo- tionally deeply satisfying to the viewer: in Logan and Tombstone , death is not averted but hastened for the sake of friendship, family, and the protec- tion of the vulnerable and the marginalized. -
<B>FREDERICK (FRED) J. FRAIKOR.</B> Born 1937. <B
<b>FREDERICK (FRED) J. FRAIKOR.</b> Born 1937. <b>Transcript</b> of <b>OH 1359V A-B</b> This interview was recorded on June 16, 2005, for the Maria Rogers Oral History Program and the Rocky Flats Cold War Museum. The interviewer is Hannah Nordhaus. The interview is also available in video format, filmed by Hannah Nordhaus. The interview was transcribed by Sandy Adler. NOTE: Interviewer’s questions and comments appear in parentheses. Added material appears in brackets. [A]. 00:00 (OK, we’re recording. This is the Rocky Flats Cold War Museum Oral History Project. I’m interviewing Fred Fraikor. I’m Hannah Nordhaus. It’s the 16th of June, 2005. We’re at Fred’s office at the Colorado School of Mines, where he teaches.) (Fred, to get started, if you could just tell me a little bit about your background, where you were born, what your parents did.) OK. I was born in a steel town called Ducaine, Pennsylvania, which is one of the suburbs of Pittsburgh. My parents, although my dad grew up here, were of Slovak—back then it was Czechoslovakia—origin. My dad, like all the other immigrants at the time, would run back and forth, they’d make their money in the coal mines and the steel mills and then they’d go back to Czechoslovakia, buy up land, and come back here. What they didn’t realize was that the Communists would then confiscate the land, which is why I’m not a big land baron at this point. He brought my mother back here in 1936, just before World War II, when the Nazis invaded. -
Review of Death of a Gunfighter: the Quest for Jack Slade, the West's Most Elusive Legend by Dan Rottenberg J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 2010 Review of Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend By Dan Rottenberg J. Randolph Cox Dundas, Minnesota Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Cox, J. Randolph, "Review of Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend By Dan Rottenberg" (2010). Great Plains Quarterly. 2531. http://digitalcommons.unl.edu/greatplainsquarterly/2531 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 56 GREAT PLAINS QUARTERLY, WINTER 2010 Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend. By Dan Rottenberg. Yardley, PA: Westholme, 2008. xiv + 520 pp. Maps, photographs, notes, bibliogra phy, index. $29.95. Freight teamster and wagon master along the Overland Trail, stagecoach driver in Texas, as well as stagecoach division superintendent along the Central Overland route, Joseph Alfred "Jack" Slade (1831-1864) is remembered for having helped launch and operate the Pony Express in 1860-61. He is also remembered as a gunfighter and the "Law West of Kearney." The BOOK REVIEWS 57 legends about him (including those in Mark Twain's Roughing It and Prentiss Ingraham's dime novels about Buffalo Bill) are largely false, but the truth has been difficult to establish. -
Chapter Eleven an Angel in Tombstone 1880 – 1881
Baker/Toughnut Angel/11 1 Chapter Eleven An Angel in Tombstone 1880 – 1881 Tombstone, Arizona Territory, 1800s (Courtesy Tombstone Courthouse) Nellie stepped off the stage onto Allen Street’s dusty board sidewalk. She turned to catch her carpetbag when the stage driver lifted it down, but stumbled over the hem of her skirt into the path of a dark-haired man with a full mustache. The stranger grabbed Baker/Toughnut Angel/11 2 her waist. “Whoa. Welcome to Tombstone! Got your balance there, Ma’am?” Nellie pulled her traveling skirt out from under her button-down shoe and noticed the man wore a silver star on his blue shirt. He took her grip from the driver and set it on the sidewalk. “My name’s Virgil Earp.” Next to him two other men attempted not to laugh. Virgil smiled, and indicated the other two with his hand. “May I present my brother, Wyatt, and Doc Holliday?” Earp, not a common name. These must be the Earps who had served as lawmen in Dodge City. She’d read newspaper articles and one of T.J.’s dime novels about Wyatt Earp. Doc Holliday stopped stamping his black boots to remove the dust, bowed at the waist and swept his bowler hat from his head. He smelled of leather and, what was that? Sage? “Indeed, welcome to Tombstone, lovely lady.” He drawled in a bass voice from under another wide black mustache. That made Nellie think of how Papa had always joked that men with mustaches were trying to hide something -- their upper lips. -
Arizona Historical Review, Vol
Arizona Historical Review, Vol. 2 No. 3 (October 1929) Item Type text; Article Publisher Arizona State Historian (Phoenix, AZ) Journal Arizona Historical Review Rights This content is in the public domain. Download date 04/10/2021 01:12:46 Link to Item http://hdl.handle.net/10150/623308 noT ARIZONA HISTORICAL REVIEW CONTENTS Current Comment Geo. H. Kelly Prehistoric Irrigation Dr. O. A. Turney It All Happened in Tombstone John P. Clum Early Arizona Court Experiences ..... ____Hon. A. C. Baker Advent to Southwest G A. Clum Reminiscences of a Pioneer Isaac Goldberg Hopi Indian Snake Dance Mrs. J. X. McDonald Providing Education in Arizona Geo. H. Kelly Vol. 2. OCTOBER, 1929 No. 3. Published Quarterly by ARIZONA STATE HISTORIAN PHOENIX, ARIZONA Entered as Second Class Mail Tomorrow... the history of Arizona's Today will be written. We will be proud of our part in the Industrial and Domestic Development of the communities we are serving and helping to build in Arizona. ARIZONA EDISON CO. Electricity Gas --Water --Ice Bisbee Globe Florence Coolidge Douglas Miami Casa Grande Gila Bend Yuma Safford A. P. K. SAFFORD Served as Governor of the Territory of Arizona. Appointed by President Grant in April, 1869. Won the affections of Arizonians by his great efforts in behalf of public education. ARIZONA Historical Review A QUARTERLY SUBSCRIPTION $3.00 PER YEAR Volume 2 OCTOBER, 1929 Number 3 Arr- STATE CAPITOL BUILDING HART, SCHA.FFNER & MARX CLOTHES Vic Hanny Co. 36-42 North Central -- Twin Fronts Stetson Hats Arrow Shirts Johnston & Murphy Shoes